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Lincoln in the Bardo: A Novel
Audible Audiobook
– Unabridged
***WINNER OF THE 2018 AUDIE AWARD FOR AUDIOBOOK OF THE YEAR***
The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
The 166-person full cast features award-winning actors and musicians, as well as a number of Saunders’ family, friends, and members of his publishing team, including, in order of their appearance:
Nick Offerman as HANS VOLLMAN
David Sedaris as ROGER BEVINS III
Carrie Brownstein as ISABELLE PERKINS
George Saunders as THE REVEREND EVERLY THOMAS
Miranda July as MRS. ELIZABETH CRAWFORD
Lena Dunham as ELISE TRAYNOR
Ben Stiller as JACK MANDERS
Julianne Moore as JANE ELLIS
Susan Sarandon as MRS. ABIGAIL BLASS
Bradley Whitford as LT. CECIL STONE
Bill Hader as EDDIE BARON
Megan Mullally as BETSY BARON
Rainn Wilson as PERCIVAL “DASH” COLLIER
Jeff Tweedy as CAPTAIN WILLIAM PRINCE
Kat Dennings as MISS TAMARA DOOLITTLE
Jeffrey Tambor as PROFESSOR EDMUND BLOOMER
Mike O’Brien as LAWRENCE T. DECROIX
Keegan-Michael Key as ELSON FARWELL
Don Cheadle as THOMAS HAVENS
and
Patrick Wilson as STANLEY “PERFESSER” LIPPERT
with
Kirby Heyborne as WILLIE LINCOLN,
Mary Karr as MRS. ROSE MILLAND,
and Cassandra Campbell as Your Narrator
- Listening Length7 hours and 25 minutes
- Audible release dateFebruary 14, 2017
- LanguageEnglish
- ASINB01N1NU4K2
- VersionUnabridged
- Program TypeAudiobook
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Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book engaging and thought-provoking. They appreciate the humor, irony, and heartbreaking aspects of the story. However, some readers feel the story lacks a clear narrative structure and is confusing at times. Opinions vary on the writing style, with some finding it well-written and innovative, while others consider it predictable and lacking continuity.
AI-generated from the text of customer reviews
Customers find the book engaging and worth reading. They describe the story as masterful, intricate, and multi-layered. Readers praise the author's skill in weaving genres together and bending rules.
"...sticking with the award-winning choppy tale results is a most satisfying reading experience...." Read more
"...on the page it served its particular purpose, in some areas, beautifully. Saunders’ use of contrasting accounts is particularly interesting...." Read more
"...Here’s where the rule-breaking comes in: The story is told at a distance, through the observations of the dead souls and through historical source..." Read more
"...It’s a rich text, confusing as they come, but rich nonetheless, and while certainly not one I’d hand my highschoolers for the above-mentioned shock..." Read more
Customers find the book thought-provoking and moving. They appreciate the imaginative storytelling that weaves fantasy, history, and Gothic horror. The premise is cool and the story is introspective. Readers appreciate the creativity and original perspective of the novel.
"...Either way, Saunders presents an incredibly introspective story - one where missed opportunity, loss, and a deep sense of mourning overpower any of..." Read more
"...With Lincoln in the Bardo, an impressive demonstration of skill and imagination, Saunders, simply put, shows a new way of presenting a story...." Read more
"...It’s actually a kind of cool premise, and once I figured out that was what the story was about, things really started making sense… but there was so..." Read more
"...Some of the most touching scenes in the book are those in which Lincoln attempts to find communion with his dead son’s body—while that son’s shade..." Read more
Customers enjoy the humor and wit of the book. They find it entertaining with its ironic stances, playfulness of language, and off-kilter characters. Readers appreciate the emotional and flowery language of the period. The book is described as an artistic exercise that offers joy and sorrow, sadness and humor, and balances art and enjoyment.
"...Writers read for enjoyment, yes, but we also read to learn what art is possible to craft from our tools, which range from basic words and sentences..." Read more
"...In a book that is post-modernist in its narrative techniques and ironic stances, Lincoln in the Bardo is often quite conventional in its ethics and..." Read more
"...are some very disturbing aspects, some heartwarming moments, and some humor...." Read more
"...Don’t over think it and the beauty, wit, and wisdom will come. Quote-..." Read more
Customers find the book heartbreaking and emotional, with a tender underpinning of love and humanity. They describe it as an interesting way to tell a story about love, loss, and history.
"...Wow. They are intense, and they randomly pop up all over the place for the rest of the novel, touting their lovely language, so you never know when..." Read more
"...this task Willie is ushered into what is apparently a world of sublime loveliness. “..." Read more
"...This is a sad story of loss, of love, of regret, of grief and of pain...." Read more
"...It’s a frustrating, bewildering read - like watching a beloved teacher fall to his death down a long flight of stairs while dressed, inexplicably,..." Read more
Customers have mixed opinions about the writing style. Some find it well-written and innovative, with gorgeous language and tenderness. Others find it difficult to follow and understand, with short bursts of dialogue that don't always finish the thought. The writing can seem fragmented and grating at times.
"...I would rank George Saunders amongst the greatest fiction writers who have ever lived, and as perhaps the greatest ever American fiction writer..." Read more
"...The writing can seem fragmented, but sticking with the award-winning choppy tale results is a most satisfying reading experience...." Read more
"...But having done so the book flowed beautifully, and showed itself to be a poignant and unique historical fiction novel. A new favorite? No...." Read more
"...This novel isn’t written like others, and Saunders instead goes back and forth between his fictitious spirit characters and actual primary sources,..." Read more
Customers have different views on the mystery. Some find it unusual, unconventional, and emotional. Others describe it as disjointed and fragmented.
"...There are some very disturbing aspects, some heartwarming moments, and some humor...." Read more
"...Yes, this novel was a mess. Even with the audible, I had no idea what was going on sometimes, or why certain characters existed...." Read more
"...The most fascinating parts of the book for me were the excerpts of newspaper articles, op-eds, books, letters, unpublished manuscripts, and other..." Read more
"...Its surprisingly funny, a little scary and wonderfully moody...." Read more
Customers have mixed views on the book's comprehension. Some find it well-researched and informative, with a complex story that is amazing in its complexity. Others describe it as confusing, disjointed, and nonsensical at times.
"...It’s a rich text, confusing as they come, but rich nonetheless, and while certainly not one I’d hand my highschoolers for the above-mentioned shock..." Read more
"...some real, some fictional, all revolving around once singular, true occurrence...." Read more
"...The sources often contradict each other. In one description of Willie’s final days a variety of different people describe the moon...." Read more
"...He is “Made less rigidly himself through this loss.” And the war is never uncomplicated and Saunders renders it as such: “We must, to do the maximum..." Read more
Customers find the story confusing and predictable. They mention that the lack of plot disrupts continuity, making it tedious to read. The story is interrupted by annotated quotes from eye-witness accounts of the Lincoln's in. The format interrupts the story at times, and content is subordinated to form.
"...What really got me about the chapters is that many just end mid-sentence...." Read more
"...Such is the liminal state of humanity. Let’s face it: we’re all in a bardo. Not knowing where we came from. Not knowing what we’re doing here...." Read more
"...This is a strange story, strangely told...." Read more
"...Lincoln and you've got a post-modern masterpiece that's moving and memorable, and hard to compare to anything else...." Read more
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Top reviews from the United States
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- Reviewed in the United States on December 25, 2020(In Tibetan Buddhism, the Bardo is a state of existence between death and rebirth varying in length according to a person's conduct in life and manner of, or age at, death.)
William Wallace "Willie" Lincoln was eleven-years-old when he passed away in the White House after suffering a protracted bout of typhoid fever. His younger brother, Tad, also had the fever but survived. Willie's funeral was at the White House and he was then temporarily interred in the Carroll family vault at Oak Hill Cemetery in Georgetown. The Lincoln family anticipated eventually interring Willie at a cemetery in Springfield, Illinois. When Abe Lincoln was murdered three years later, Willie's casket accompanied that of his father on the train to their final resting place in Illinois.
Willie Lincoln reportedly had an exuberant personality and appeared to be the favored child of both parents. His death seems to have hastened Mary Lincoln's slide into mental distress, and it had a pronounced emotional impact on his father.
In his novel, Lincoln in the Bardo, George Saunders presents a fictionalized account of how Willie Lincoln's death might possibly have influenced the course of social advancement in the United States.
The "bardo" envisioned by George Saunders was the Oak Hill Cemetery in Georgetown where Willie was laid to rest. By day it was just an ordinary cemetery whose oldest burial dated back to the Revolutionary War, but by night it was a spirit-infested gathering place for many of the tormented souls whose bodies were interred there. The spirits would rise from their graves at dusk and spend the nighttime visiting among themselves and re-living their past lives, often giving the same speeches night after night. When daylight approached they went back underground and rested in their "sick boxes" with eyes closed so that they did not see the putrid remains that stayed within the boxes
The residents of the cemetery or bardo did not realize they were dead. Many knew that they had been brought to this place while convalescing in their "sick boxes" by multitudes of relatives and friends. The boxes had been buried, with the patients inside, and the arrivals waited patiently for their loved ones to return or for their circumstances to change. There was something beyond, and occasionally people would explode in a burst of light and noise and move to the next destination, but most were afraid of that transition and struggled to remain where they were. Infants and young children usually left immediately, but older individuals would either grow tired and disillusioned and give up, or they would be talked into leaving by visiting apparitions - or they reluctantly stayed put.
Things began to change when young Willie Lincoln arrived at the cemetery. Willie's spirit was sitting atop the Carroll family vault the night after his funeral, and the adult spirits were assuming that he would soon be taking flight to the next place, but then something odd happened. Willie's father showed up at the cemetery riding a horse so short that the rider's feet almost touched the ground. The father entered the vault, pulled his son's casket out from where it was shelved, opened it and began to mourn his lost son.
The visit was highly unusual and it caught the attention of all of the spirits. When the President left later that night he said aloud that he would return. Many of the residents thought that might bring about some changes in their circumstances.
As the tale plays out, Willie and his father have an impact on one another as well as on the spirits of the bardo, and some of those spirits manage to impart their thoughts into the mind of Abraham Lincoln.
The author, George Saunders, has penned a very unique book that draws upon multiple styles of writing. One reviewer went so far as to state that the author may have engineered a whole new writing genre with this effort.
Saunder's "bardo," while closely following the Tibetan model, is also somewhat reminiscent of the Grover's Corners Cemetery residents of Thornton Wilder's "Our Town," although those envisioned by Saunders sometimes have grotesque appearances that do not resemble their earthly bodies. The historical depictions, such as one set describing a White House holiday party, are pieced-together snippets from various diaries, historical journals, books, etc, in much the same manner as those made famous by Ken Burns. The fictional residents of the bardo also speak in snippets that gradually reveal their past lives and concerns.
The writing can seem fragmented, but sticking with the award-winning choppy tale results is a most satisfying reading experience.
I recommend Lincoln in the Bardo without reservation!
- Reviewed in the United States on March 23, 2017George Saunders’ new novel, “Lincoln in the Bardo” is a unique work of historical fiction. It uses a series of accounts, some real, some fictional, all revolving around once singular, true occurrence. While the staccato placement of accounts may have felt sort of jarring on the page it served its particular purpose, in some areas, beautifully. Saunders’ use of contrasting accounts is particularly interesting. Two consecutive accounts on one page describe the moon as incredibly clear, and completely obfuscated. I can’t quite place his intention surrounding those conflicts (but then, unlike George Saunders, I don’t have a genius grand) but it seriously underscores the human capacity for error which was so prominently displayed in the era of the Civil War.
George Saunders, ever a fan of the strange, hilarious, and terrifying, managed to create an equivalent of purgatory both calm and incredibly frightening; a “bardo” or inbetween state that its inhabitants are consciously unaware of. To admit one’s own death is embrace it, and to disappear forever. Rather than admit their deaths, the inhabitants of the cemetery in which most of the book’s occurrences unfold emerge from their “sick boxes” each evening, wandering aimlessly within the cemetery grounds, unable to effect any change in the outside world, and waiting endlessly for family that never comes.
In the world of the living, meanwhile, Lincoln had spent weeks believing his son was going to recover, when in fact, he only got weaker. While his son suffered through his final hours, Lincoln held a feast. Some of the accounts featured in the book judge Lincoln quite harshly for this, but can it really be blamed? He was, after all, the president, and was expected to hold dinners at the white house, although the merriment may well have been in excess. His son had been ill for weeks, how was he to know this was poor Willie’s final day?
All of these accounts of his faults, and the imagined thoughts in his head serve one, perfectly executed purpose - to paint Abraham Lincoln as human. He was imperfect. In his early days his handling of the Civil War was clumsy and purposeless. He held a loud, raucous party while his boy suffered. But he loved his son. No account Saunders created could demonstrate that more than the truth of history - the first night Willie Lincoln was interred, Abraham Lincoln was absent from the Whitehouse. The president was seen by the gatekeeper of the cemetery, entering late in the evening, and not leaving until morning.
This emotional momentum is echoed by the voices of the chorus of ghosts present in the cemetery, who come to terms with their own death largely by witnessing the purity of sorrow felt by Lincoln, but they do get tedious. The purposeful repetition was overused quite often throughout the novel, and I think a more judicious editor would have done the book some good. Additionally, I think that the utter lack of standard prose detracts from George Saunders's greatest asset - his voice. His capacity to display people at their barest, simplest, most childlike emotional state was largely absent from the novel, replaced by an editorial echo of the loss felt by the nation during the civil war.
Either way, Saunders presents an incredibly introspective story - one where missed opportunity, loss, and a deep sense of mourning overpower any of the books faults.
Personal notes -
I would rank George Saunders amongst the greatest fiction writers who have ever lived, and as perhaps the greatest ever American fiction writer (high praise considering there is a Kurt Vonnegut quote eternally present on my chest.) His transition from the short story to the novel underscores a new potential for him to exercise his voice. One I hope he will make ample use of.
Top reviews from other countries
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giselle agreli meloReviewed in Brazil on May 16, 20225.0 out of 5 stars Hipnotizante
Com estrutura diferente de qualquer outro romance e narrado por vozes diversas, essa é uma história profundamente tocante (e por vezes muito divertida) sobre amor e perda, sobre aceitação da própria finitude e da finitude de quem amamos. Uma leitura deliciosa e impactante.
Holtwiesche, ChristophReviewed in Germany on March 26, 20245.0 out of 5 stars Moving!
I am very moved by this book.
On the one hand, I am directly affected by the experiences I have had recently, but also by the deep structure of the way the story is told.
I owe Sanders my deep respect for this way of dealing with the big questions.
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TMFReviewed in France on November 11, 20235.0 out of 5 stars Texte très original. Livraison parfait.
J’ai lu ce texte sans attente et c’était surprenant et très intéressant comme création.
Livraison parfait. Merci.
Sally81Reviewed in Canada on June 7, 20205.0 out of 5 stars Fabulous book and even better audiobook - check it out!
This is one the most wonderful books I have read / heard / experienced in a long time - brilliant, weird, insightful, crass and confusing all at the same time I am still not sure what I think about this book except that I loved it.
I have been meaning to pick this book since November 2017 and I have the physical copy on my shelves since August 2019. I borrowed the audiobook around 16 times before actually reading this. All in all, to say that this was a book I was apprehensive about would be an understatement. I was expecting this mediation on loss and grief which would only help making me depressed too - what I got was something that did talk about grief but also about grace, moving on and life’s absolute absurdity and our delusions - both internal and external.
The first thing that struck me was how funny this was - some parts are comedic and entertaining (especially the main three narrators in the Bardo) but even the constant historical excerpts about the Lincolns made me grin. In the space of a page, the President was accused of being a bad father, a good father, indifferent and grief stricken. We never got to hear from him directly - there was always a distance between us and the reader - either through the ghosts or the “historical” texts. That struck me as I felt that the author was pointing out the futility of ever knowing someone - especially in terms of knowing someone’s history and the fallacy of making conclusions of intent. (Not all the excerpts are from the real books which makes one question what is actually ‘read’ and ‘false’. It kept me on my toes and sent me down a google rabbit hole periodically - so cool).
The audiobook was fantastic - fully narrated which added an immediacy to some of the longer passages. I did also follow along the narration with a book which was the right mix for me. This novel works more like a play with the character’s direct dialogue but the ability to go back and re-read the print quickly or pause and focus on the ridiculous titles of the “historical” texts was interesting.
There are passages which the spelling is archaic or not correct (e.g:
“Begins, I’ll piss a line of toxic in yr wretched twin wristcuts Groping you by ye clubsick, Vollman, I’ll slag you into the black fence.” )
which reflects a state of mind of the ghost which the audio narrator doesn’t fully get across. However, the audio reflect class differences through accent and cadence so clearly that I honestly think this book should both be read and listened to simultaneously.
You can also see Mr Saunders’ short story background play out here. A lot of the ghosts' dialogue worked like little vignettes, some were poignantly funny and some were sad. And some fluctuated back and forth.
In the end, I loved the surrealness of the book - I was reminded of Lost Gods which was also set in purgatory. And despite the fact that the latter book had more violence and literal gods / monsters, this was more atmospheric and weird. This book didn’t really explain what was happening but just asked you as a reader to gamely follow along.
I loved this book - I had 9 pages of thoughts on this! Definitely worth getting the audiobook and giving this a try. I agree with the Guardian which called this book “a performance of great formal daring. It perhaps won’t be to everyone’s taste, but minor missteps aside it stands head and shoulders above most contemporary fiction .
Just don't wait for 3 year before picking this up.
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K Hauser-AskalaniReviewed in Mexico on September 5, 20185.0 out of 5 stars El libro bien. El precio del envío un robo!
No me gustó que pedí que me enviaran todo en un solo envío y se me cobró dos veces