Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.
Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer Paperback – August 3, 1983
| Diane Wolkstein (Author) Find all the books, read about the author, and more. See search results for this author |
| Samuel Noah Kramer (Author) Find all the books, read about the author, and more. See search results for this author |
- Print length256 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateAugust 3, 1983
- Dimensions9.04 x 6.08 x 0.68 inches
- ISBN-109780060908546
- ISBN-13978-0060908546
Products related to this item
Editorial Reviews
Review
About the Author
Diane Wolkstein has been teaching, performing, and writing for over thirty-five years. She is the author of numerous award-winning books of folklore, including The Magic Orange Tree, and Other Haitian Folktales and Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer. Known for her meticulous research as well as her great range as a performer, Ms. Wolkstein traveled to Australia three times while preparing this story. She gives workshops on storytelling worldwide and lives in New York City.
In Her Own Words...
"I love stories. They give me strength, Inspiration, courage, and great delight. For thirty years I've told stories at the statue of Hans Christian Andersen in Central Park. I love watching the eyes of my audience light up as they enter stories. Stories let us explore the farthest places in the universe and the deepest recesses of the human heart. They present possibilities. They let us try out different emotions and characters. Stories are treasures which last forever.
"I also enjoy gardening, dancing, swimming, painting, and creating stories with music. My daughter, Rachel Zucker, is a poet, photographer, and the mother of a little boy named Moses."
Excerpt. © Reprinted by permission. All rights reserved.
Inanna
By Wolkstein, DianePerennial
Copyright © 2004 Diane WolksteinAll right reserved.
ISBN: 0060908548
Chapter One
The Huluppu-Tree
In the first days, in the very first days,
In the first nights, in the very first nights,
In the first years, in the very first years,
In the first days when everything needed was brought into being,
In the first days when everything needed was properly nourished,
When bread was baked in the shrines of the land,
And bread was tasted in the homes of the land,
When heaven had moved away from earth,
And earth had separated from heaven,
And the name of man was fixed;
When the Sky God, An, had carried off the heavens,
And the Air God, Enlil, had carried off the earth,
When the Queen of the Great Below, Ereshkigal, was given
the underworld for her domain,
He set sail; the Father set sail,
Enki, the God of Wisdom, set sail for the underworld.
Small windstones were tossed up against him;
Large hailstones were hurled up against him;
Like onrushing turtles,
They charged the keel of Enki's boat.
The waters of the sea devoured the bow of his boat like wolves;
The waters of the sea struck the stern of his boat like lions.
At that time, a tree, a single tree, a huluppu-tree
Was planted by the banks of the Euphrates.
The tree was nurtured by the waters of the Euphrates.
The whirling South Wind arose, pulling at its roots
And ripping at its branches
Until the waters of the Euphrates carried it away.
A woman who walked in fear of the word of the Sky God, An,
Who walked in fear of the word of the Air God, Enlil,
Plucked the tree from the river and spoke:
"I shall bring this tree to Uruk.
I shall plant this tree in my holy garden."
Inanna cared for the tree with her hand.
She settled the earth around the tree with her foot.
She wondered:
"How long will it be until I have a shining throne to sit upon?
How long will it be until I have a shining bed to lie upon?"
The years passed; five years, then ten years.
The tree grew thick,
But its bark did not split.
Then a serpent who could not be charmed
Made its nest in the roots of the huluppu-tree.
The Anzu-bird set his young in the branches of the tree.
And the dark maid Lilith built her home in the trunk.
The young woman who loved to laugh wept.
How Inanna wept!
(Yet they would not leave her tree.)
As the birds began to sing at the coming of the dawn,
The Sun God, Utu, left his royal bedchamber.
Inanna called to her brother Utu, saying:
"O Utu, in the days when the fates were decreed,
When abundance overflowed in the land,
When the Sky God took the heavens and the Air God the earth,
When Ereshkigal was given the Great Below for her domain,
The God of Wisdom, Father Enki, set sail for the underworld,
And the underworld rose up and attacked him ....
At that time, a tree, a single tree, a huluppu-tree
Was planted by the banks of the Euphrates.
The South Wind pulled at its roots and ripped at its branches
Until the waters of the Euphrates carried it away.
I plucked the tree from the river;
I brought it to my holy garden.
I tended the tree, waiting for my shining throne and bed.
Then a serpent who could not be charmed
Made its nest in the roots of the tree,
The Anzu-bird set his young in the branches of the tree,
And the dark maid Lilith built her home in the trunk.
I wept.
How I wept!
(Yet they would not leave my tree.)"
Utu, the valiant warrior, Utu,
Would not help his sister, Inanna.
As the birds began to sing at the coming of the second dawn,
Inanna called to her brother Gilgamesh, saying:
"O Gilgamesh, in the days when the fates were decreed,
When abundance overflowed in Sumer,
When the Sky God had taken the heavens and the Air God
the earth,
When Ereshkigal was given the Great Below for her domain,
The God of Wisdom, Father Enki, set sail for the underworld,
And the underworld rose up and attacked him.
At that time, a tree, a single tree, a huluppu-tree
Was planted by the banks of the Euphrates.
The South Wind pulled at its roots and ripped at its branches
Until the waters of the Euphrates carried it away.
I plucked the tree from the river;
I brought it to my holy garden.
I tended the tree, waiting for my shining throne and bed.
Then a serpent who could not be charmed
Made its nest in the roots of the tree,
The Anzu-bird set his young in the branches of the tree,
And the dark maid Lilith built her home in the trunk.
I wept.
How I wept!
(Yet they would not leave my tree.)"
Gilgamesh the valiant warrior, Gilgamesh,
The hero of Uruk, stood by Inanna.
Gilgamesh fastened his armor of fifty minas around his chest.
The fifty minas weighed as little to him as fifty feathers.
He lifted his bronze ax, the ax of the road,
Weighing seven talents and seven minas, to his shoulder.
He entered Inanna's holy garden.
Gilgamesh struck the serpent who could not be charmed.
The Anzu-bird flew with his young to the mountains;
And Lilith smashed her home and fled to the wild, uninhabited places.
Gilgamesh then loosened the roots of the huluppu-tree;
And the sons of the city, who accompanied him, cut off the branches.
From the trunk of the tree he carved a throne for his holy sister.
From the trunk of the tree Gilgamesh carved a bed for Inanna.
From the roots of the tree she fashioned a pukku for her brother.
From the crown of the tree Inanna fashioned a mikku for Gilgamesh,
the hero of Uruk.Continues...
Excerpted from Inannaby Wolkstein, Diane Copyright © 2004 by Diane Wolkstein. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : 0060908548
- Publisher : Harper Perennial; 1st edition (August 3, 1983)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 9780060908546
- ISBN-13 : 978-0060908546
- Item Weight : 9.8 ounces
- Dimensions : 9.04 x 6.08 x 0.68 inches
- Best Sellers Rank: #92,626 in Books (See Top 100 in Books)
- #63 in Comparative Religion (Books)
- #180 in Folklore & Mythology Studies
- #903 in Folklore (Books)
- Customer Reviews:
About the authors

Discover more of the author’s books, see similar authors, read author blogs and more

Since 1967, Diane Wolkstein has occupied a unique place in the world of storytelling and literature. Through her performances, teaching, books, and recordings, she has played a major role in the renewed interest in mythology and the modern storytelling movement. Whether recounting epics, trickster stories or fairy tales, Diane enters and speaks from the heart of each story she tells. The internationally renowned author of 23 award-winning books of folklore including the classics, The Magic Orange Tree and Other Haitian Folk Tales and Inanna, Queen of Heaven and Earth, Wolkstein is known for her meticulous research and her wide range as a performer. Joseph Campbell calls her “one of the greatest storytellers in the Western world.”
Mayor Michael Bloomberg named June 22nd, 2007 “Diane Wolkstein Day” in honor of her 40 years of service to New York City: she initiated America’s first graduate storytelling program, pioneered a year–round storytelling program for parks and schools, hosted her own radio show on WNYC radio, and taught mythology at New York University, The New School, Sarah Lawrence, and the Pacific Graduate School. Diane has toured five continents, has performed at the United Nations, Lincoln Center, the Smithsonian Institute, and the American Museum of Natural History, and has been a frequent guest on PBS, NPR, and the BBC. She is a founding member of both America’s National Storytelling Conference and New York City’s Storytelling Center, and is the recipient of the National Storytelling Association’s Circle of Excellence Award. She is the epicycle editor of Parabola and a resident of Greenwich Village. More info: dianewolkstein.com.

Discover more of the author’s books, see similar authors, read author blogs and more
Products related to this item
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on December 1, 2018
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Our understanding of Sumerian culture continues to grow as new texts are found and our perceptions change. This book was published in 1983, and included material unknown to the general public at the time. There are four major stories of Inanna told here: "The Huluppu Tree," "Inanna and the God Of Wisdom,"
"The Courtship of Inanna and Dumuzi," and the extended epic "The Descent of Inanna." Seven hymns to the goddess round out the collection.
In "The Huluppu Tree," we meet the adolescent Inanna, expectantly awaiting the attainment of her queenship. The Huluppu tree, which she has planted and tended as a symbol of her hopeful authority, becomes infested with evil creatures, like personal demons, that will not depart and bring her to despair. She eventually appeals to Gilgamesh to vanquish the demons, and they exchange gifts made from the wood of the tree, bringing them both to greater power.
In "Inanna and the God of Wisdom," Inanna, now sexually mature but still youthful and unproven, is welcomed by Enki, God of Wisdom, who acts the role of proud grandfather, giving a feast in her honor. Enki's magnamity increases as he drinks, and he ends up offering Inanna all the magical keys to human civilization. Inanna, with enthusiastic politeness, accepts the gifts, and then makes a quick exit, getting a head start before Enki thinks better of his generosity and sends his monsters in pursuit of the errant goddess. Inanna, with the help of her trusted companion goddess, gets passed the monsters and arrives in Uruk with
her magical cargo, where she comes into her full power. Enki, apparently wise enough to let go of his greed in the face of fate, acknowledges Inanna's victory and ascendance.
In "The Courtship of Inanna and Dumuzi," Inanna, after some initial resistance, enters into an erotic courtship with Dumuzi the shepherd. This text is strangely alluring, moving with untroubled ease from sexual frankness to touching detail. (The scene where Dumuzi knocks on the door of Inanna's house for the first time feels like it could have come straight from a modern teenager's diary). After the marriage is consummated, Dumuzi curtly informs Inanna that he's going to be very busy being king now-don't wait up, hon. This poignantly rapid slide from courtship to neglect sets the scene for events in the next narrative.
In "The Descent of Inanna," the goddess, now Queen of Heaven and Earth, finds herself drawn to enter the underworld, realm of the dead, ruled by her evil and somehow tragic sister-self, Ereshkigal. One by one, she is stripped of all the symbols of her power at seven gates, to be left naked and alone before the Queen
of the Underworld, who kills Inanna with a single blow and hangs her on a hook to dry. Inanna has planned her own rescue in advance, though, and escapes to the surface, thronged by demons intent on finding someone to take her place. Inanna will not surrender to them her loyal sons, but when she returns to find her husband Dumuzi, not in mourning, but proudly sitting on his thrown and dispensing authority, she strikes him down and sends the demons after him. The tale of Dumuzi's flight is nightmarish and filled with dream imagery. Thanks to the efforts of his compassionate and self-sacrificing sister, and the softening of Inanna's own anger, a Persephone-like bargain is reached, and Dumuzi is allowed to return to the living for half of each year.
The hymns that round out this book are an exciting glimpse of the actual religious practice of the Sumerians. Especially interesting for modern Pagans is the annual ritual wedding between goddess and king.
I'm someone who tends to be rather skeptical about the ancient precedents of modern goddess worship, but these texts caught me off my guard. They are amazingly modern (or is it timeless?) in their content. The goddess actually grows psychologically and spiritually through the series of narratives, and the
portrayal of the sexual dynamic between men and women rings uncannily true across four millennia. Inanna's story is the original heroine's journey. And, unlike most of her male counterparts, she doesn't need to kill anything to attain her spiritual victory. (Well, almost. Dumuzi gets a serious lesson in raw goddess power!). Her character seems to flow from woman to goddess and back again so smoothly, that it is impossible not to feel a living religion in these texts, one in which there was an intimate dialog between the powers of the goddess and the human experience of her priestesses.
These original texts are better than any modern retelling of Inanna's story I have come across, not just because they are more "authentic", but because they are hauntingly moving. Unlike the familiar mythology of the Greeks and Romans, which has come down to us in a more or less "literary" style, these works seem
more spiritual, even liturgical. Repetition is combined with a directness of wording, and the result is often very powerful; there is a primal intensity about them. They disarm you with their open, almost child-like language, and then leave you sitting, mute and amazed, in that timeless central cavern of the human experience.
As for the book, it is very accurate, it reflects the MEs that she stole from Enki -- they were crystals containing the programming for many aspects of Sumerian society -- today we have something similar in our flashdrives. In addition, when she dies in the Underworld, she is brought back to life (pp 64-65) by the Water and Food of Life... Anunnaki had the ability to resurrect recently dead people... and that was also recorded in The Book of Enki.
There is an interesting follow-on to Inanna's story as TJ Hegland examines The Sacred Feminine and also profiles her.
Dr Kramer is an expert on Sumer and the hstory of that area, I have another of his books, and Diane Wolkstein has done a great job of making Inanna live thru poems, prose and elegies - very easy to read (not boring at all) she even provides one of the few geneological family trees of Inanna that I have ever seen (found prior to the Preface). Kudos to both authors.
Top reviews from other countries
Inanna
One of this tales is `Inanna, Queen of Heaven and Earth', written some 5000 years ago.
It is, by any standard, a remarkable text.
Its incantations have the power of a rhythmic cadence.
It has the images: `the agate necklace of fertility', `my vulva, the horn, the Boat of Heaven, is full of eagerness like the young moon. My untilled land lies fallow.'
It has the themes of love and sorrow, of good and evil and of life and death.
It has it symbolism: the descent of Inanna into the underworld. During her journey, she has to strip herself naked. Her body is `turned into a corpse, a piece of rotten meat, and was hung from a hook on the wall.'
It has its dream (of Demuzi) and its superb interpretation.
Diane Wolkstein wrote remarkable `Interpretations of Inanna's stories and Hymns', while Elizabeth Williams-Forte gave perfect explanations of the abundant graphic material.
All in all, this book is a splendid reconstruction of a remarkable tale.
A must for all lovers of world literature.
I have subsequently discovered one or two more stories concerning Inanna, which were not included, but despite this a delightful read.

