Writing and Difference Reprint Edition

by Jacques Derrida (Author), Alan Bass (Translator)

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ISBN-13: 978-0226143293

ISBN-10: 0226143295

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First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models.

The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence—the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis.

Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.

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Editorial Reviews

From the Inside Flap

First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thoughtone of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models.

The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing anddifférencethe untranslatable formulation of a nonmetaphysical "concept" that does not exclude writingfor almost a generation of students of literature, philosophy, and psychoanalysis.

Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will findWriting and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkerschallenging because Derrida questions thought as we know it.

About the Author

Jacques Derrida is a professor at the Ecole des Hautes Etudes en Sciences Sociales, Paris and the author of numerous books. Among them, Of Spirit, The Truth in Painting, The Post Card, and Writing and Difference are publsihed by the University of Chicago Press.

Alan Bass received his Ph. D. from the John Hopkins University and then went on to psychoanalytic training in New York City, where he is now a practicing analyst. He has published and lectured on both deconstruction and psychoanalytic theory and practice. He is the translator of The Post Card: From Socrates to Freud and Beyond, Positions, and Margins of Philosophy.

Product details

Paperback: 362 pages
Publisher: University of Chicago Press; Reprint edition (February 15, 1978)
Language: English
ISBN-10: 0226143295
ISBN-13: 978-0226143293
Product Dimensions: 6 x 0.9 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review: 15 customer reviews
Amazon Best Sellers Rank: #115,074 in Books (See Top 100 in Books)
- #16 in Books > Politics & Social Sciences > Philosophy > Movements > Deconstruction
- #48 in Books > Textbooks > Humanities > Literature > World Literature > European
- #189 in Books > Textbooks > Humanities > Philosophy > History & Surveys

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Different Writing

February 13, 2017

Format: PaperbackVerified Purchase

Writer? Hermeneut? Obscuritan extraordinaire?

Derrida is a tough nut to crack. All of his work denies itself primacy, and its profundity can only be detected through subtle twists in the background of thought. Tedious, grating, irritating, but always playful, tasteful, and ethical, Derrida's work often pokes fun at the strangely predictable obsession with/for transgression developed by his cohorts, Michel Foucault, Emmanuel Levinas, Maurice Blanchot, and especially Georges Bataille. Somewhat ironic that Derrida is so often categorized as yet another "destructive, nihilistic marxist", when a great deal of his work is dedicated to showing how to surpass precisely this position.

Also touched upon in Writing and Difference are Edmund Husserl, Jean-Jacques Rousseau, and Sigmund Freud. In these cases, his work is more one of "defusing".

If you don't already have an in-depth interest in multiple of these authors, Derrida will probably be of little use to you. That's somewhat unfortunate, because it means that Derrida's writing is relegated to being a kind of PlayPlace for academicians who are sick of the semi-fascistic interpretative orthodoxy exerted over the institutional study of these thinkers. So then, I'd encourage you, even if you will be "in over your head" when reading Derrida, to give him a whack, and a very good one at that. Take what you can and leave the rest. If nothing else, you'll be able to approach the incredibly important and interesting works Derrida writes about with a fresh and unique perspective. Reading Derrida won't help you figure anything out, but it will certainly give your method a jolt or two, and if you're an academic, it might give your mind a good dusting.

And for goodness' sake, don't become a "derridean"...

8 people found this helpful

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DERRIDA'S DOCTRINE OF THE "LOGOS" DEFINED:

April 15, 2014

Format: PaperbackVerified Purchase

DERRIDA'S DOCTRINE OF THE "LOGOS" DEFINED:
I had already conquered Derrida's "Grammatlogy"; and that is the best reference for the totality of his position. So I only acquired this volume to get a better understanding of his take on "LOGOS". He does this in a very precise way in the first three essays, pages 1-85. I felt the price of the book was well worth the value of acquiring these three essays. I may read the others at a later date, but right now they do not interest me. My attention was solely on "logos".
Obviously, having an understanding of the "Grammatology" will help the reader; or some prior understanding of Derrida's position. He is not easy reading. But, having said that; he is fully accessible to any reader with some foundational work already internalized.

Basically Derrida gives the reader a triad to consider:

We actually pass through a triad of "logos":

A. LOGOS-COGITO: "logismos" (reasoning") + "huperbole" (madness, in the positive sense of "otherness")
LOGOS = ARCHAIC-REASON

B. LOGOS-CLASSICAL: "logismos" + "hubris" (otherness as derangement and excessiveness; in order to establish a hard duality)
LOGOS = OMNIPOTENT-DETERMINATE-REASON

C. LOGOS-POST-MODERN: "logismos" + "subjective-huperbole"
LOGOS = LESSER-DETERMINED-REASON

In addition to this fine exposition, Derrida also addresses the "history-of-tradition", which is the "book-of-logos". This he approaches from his Jewish perspective and articulates it within the context of "exile", wandering in the desert, sands-of-madness, and the glimpse of "traces" that can be found in the desert. The majority of emphasis is on subjectivity; and the "self" is the substance of "LOGOS". So no post-modern surprise there.
But, there is a real genuine moment of discovery in Derrida's discussion of the Exodus. I found it very unique; but very powerful in its unique approach. The key for Derrida is the breaking of the tablets; the moment of rupture within god himself that allows for differentiation and the human speech-act (and human "writing"). Out of rupture evolves a poetic-autonomy of subjectivity which works toward consecration through "writing".
Personally I must give this manuscript 5 stars, based on the first three essays alone. Derrida is a treasure of discovery. Enjoy your research.

A BONUS MONOGRAPH ON LEVINAS: a book in itself; this 75 page monograph deserves the highest recommendation. Derrida, in his humility, says it will just be a brief overview. Instead; it is a precise, distinguished commentary on Levinas. Derrida articulates Levinas "empirical-metaphysics" as an important contribution to properly understanding LOGOS within a post-modern context. And the final 11 pages of this monograph give us a precise logical articulation of the "metaphysic". This is very significant material to be enclosed in this collection.

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Difficult but rewarding

March 4, 2014

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I have indicated the degree to which I have appreciated this purchase and how it his been of value to me. Hope you have the same experience that I did and that it will be beneficial to you.

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