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Style: Toward Clarity and Grace (Chicago Guides to Writing, Editing, and Publishing)

4.5 out of 5 stars 45 customer reviews
ISBN-13: 978-0226899152
ISBN-10: 0226899152
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Product Details

  • Series: Chicago Guides to Writing, Editing, and Publishing
  • Paperback: 226 pages
  • Publisher: University of Chicago Press (June 15, 1995)
  • Language: English
  • ISBN-10: 0226899152
  • ISBN-13: 978-0226899152
  • Product Dimensions: 5.5 x 0.6 x 8.5 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Best Sellers Rank: #77,373 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

By James B. Delong on November 27, 1999
Format: Paperback
Most books on how to write better English are pretty near to useless. Many of them scare you into worrying that you might use "which" when you should use "that" (never mind that an extra "which" never caused any reader the smallest bit of confusion). Others demand that you strive for "clarity" or "brevity" or "coherence"--but then somehow never provide any useful advice on just how, exactly, to do so.
Joseph Williams's Style: Toward Clarity and Grace is an exception. It is the only truly useful book on English prose style that I have ever found. Even Strunk and White cannot compete with the quality of the advice that Williams gives. Perhaps more important, the advice that Williams gives can be used. As Williams puts it, his aim is to go "beyond platitudes." Advice like "'Be clear' is like telling me to 'Hit the ball squarely.' I know that. What I don't know is how to do it." Williams tells us how to do it.
Williams's advice is particularly useful because it is reader based. Most books on style are rule-based: follow these rules and you will be a good writer. Williams recognizes that clear writing is writing that makes the reader feel clear about what he or she is reading. This difference in orientation makes Williams's advice much more profound: he has a theory of why the rules are what they are (and what to do when the rules conflict) that books that focus on rules alone lack.
His advice starts at the level of the sentence. Williams believes that readers find sentences easy to read and understand when the logic of the thought follows the logic of the sentence: the subjects of sentences should be the actors, and the verbs of the sentence should be the crucial actions.
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Format: Paperback
By itself, this book is helpful. But its not nearly as helpful as Williams other book "Style - Ten Lessons Towards Clarity & Grace," which is also available through Amazon.com. This version of Style simply presents Williams' theories about writing, but it does not provide the reader with the "workbook" drills that are contained in "Ten Lessons." A reader will only understand the value of Williams' techniques after he's had a chance to apply them. I recommend this book without reservation, but believe that most readers will benefit more from the "Ten Lessons" version.
2 Comments 73 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Paperback
Joseph Williams' book, "Style: Toward Clarity and Grace" is the best book on writing I have ever read, by far. Williams himself describes the emphasis of the book on page one: "Telling me to 'Be clear' is like telling me to 'Hit the ball squarely.' I know that. What I don't know is how to do it." But Williams does know how to write well, and his explanations are precise and concrete.
This book takes a sort of linguistic, almost scientific approach to improving your writing style. I first learned of Williams' work in "The Language Instinct," by the Stephen Pinker, the acclaimed professor of linguistics from MIT.
Unlike every other writing book, this one is more than a laundry list of grammatical shoulds and shouldn'ts. This book is about HOW-- how to write to suit the human brain's innate method of processing information.
I am a professional writer, and I have a whole book case filled with grammar books. But this book is worth more than all the others combined. If you're a writer, this is the book you've been looking for.
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Format: Paperback
This is, by far, the best book on writing that I have ever read. I stumbled upon this book while taking a free writing seminar at Pepperdine University. I must say that I have never had such a wondrous, wholly unexpected discovery and experience as this. In the book Williams explains why writing may be clear, or unclear, and by relating narrative prose to composition. He states that when we can identify characters, i.e. people or things, with subjects, and actions with verbs, then we tend to think the writing is clear. He gives example upon example to buttress his point. Later he describes how to write coherent paragraphs and papers - not by concatenating one unrelated sentence to another but by making sure the topics of the sentences are related to each other, forming a cohesive unity. The book ends by examining ways to increase elegance in your writing - a fitting finish to a systematic, rational approach to writing. I must admit that another reason I enjoyed the book so much was that, being an engineer working in academia and doing research, I have read so many abstruse, incoherent papers that unless you are careful you begin to write in a similar manner. This book gives cogent, principled explanations about how to change these incoherent, murky writings into clear and concise papers. As I hope to have people read my works and not become frustrated this book was the perfect antidote.
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Format: Paperback
If you are like me, you have long known you had an aptitude for writing but been amazed at the range of your experiences as a writer. At times you've been told you write with amazing force and clarity, while at others you've been told your writing is verbose and even "chatty." Why the disparity?
You'll understand why when you read this book. More than any other work I've seen, this book provides insight into how the mind operates during reading and applies this insight to the process of writing. Williams makes explicit the many subtle and not so subtle patterns and principles that govern how the mind comprehends writing. If you've had the experience of writing well--and not so well--but not realized why, this book will help you by revealing the principles of clarity that you've been applying intuitively for years--and those you haven't. This is a demanding but very rewarding book that would be of enormous value not only to writers, but to editors and even casual readers who want to deepen their appreciation of what makes lucid writing what it is. I can't recommend it highly enough.
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