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The Future of Ideas: The Fate of the Commons in a Connected World Hardcover – October 30, 2001

4.4 4.4 out of 5 stars 51 ratings

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The Internet revolution has come. Some say it has gone. What was responsible for its birth? Who is responsible for its demise?

In
The Future of Ideas, Lawrence Lessig explains how the Internet revolution has produced a counterrevolution of devastating power and effect. The explosion of innovation we have seen in the environment of the Internet was not conjured from some new, previously unimagined technological magic; instead, it came from an ideal as old as the nation. Creativity flourished there because the Internet protected an innovation commons. The Internet’s very design built a neutral platform upon which the widest range of creators could experiment. The legal architecture surrounding it protected this free space so that culture and information–the ideas of our era–could flow freely and inspire an unprecedented breadth of expression. But this structural design is changing–both legally and technically.

This shift will destroy the opportunities for creativity and innovation that the Internet originally engendered. The cultural dinosaurs of our recent past are moving to quickly remake cyberspace so that they can better protect their interests against the future. Powerful conglomerates are swiftly using both law and technology to "tame" the Internet, transforming it from an open forum for ideas into nothing more than cable television on speed. Innovation, once again, will be directed from the top down, increasingly controlled by owners of the networks, holders of the largest patent portfolios, and, most invidiously, hoarders of copyrights.

The choice Lawrence Lessig presents is not between progress and the status quo. It is between progress and a new Dark Ages, in which our capacity to create is confined by an architecture of control and a society more perfectly monitored and filtered than any before in history. Important avenues of thought and free expression will increasingly be closed off. The door to a future of ideas is being shut just as technology makes an extraordinary future possible.

With an uncanny blend of knowledge, insight, and eloquence, Lawrence Lessig has written a profoundly important guide to the care and feeding of innovation in a connected world. Whether it proves to be a road map or an elegy is up to us.
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4.4 out of 5 stars
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Customers find the book informative and thought-provoking. They appreciate the author's insightful views on intellectual property and realistic arguments for wise regulation. However, opinions differ on the writing style - some find it inventive and interesting, while others consider it discouraging.

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5 customers mention "Value for money"5 positive0 negative

Customers find the book informative and engaging. They describe it as a valuable discussion about ideas in the age of technology. The author is described as brilliant and compelling.

"The author of this great new book about ideas in the age of technology is no college kid touting, "I have a right to, like, copy MP3s!"..." Read more

"...digital commons, and this is an interesting and valuable discussion...." Read more

"...All of it in an informative and interesting style...." Read more

"...of information, ownership, use and legality, Lessig provides a valuable resource from which to learn and to consider the various positions...." Read more

4 customers mention "Thought provoking"4 positive0 negative

Customers find the book thought-provoking. They appreciate the author's insightful views on intellectual property and his clear discussion of the consequences. The book provides a balanced, logical, and realistic argument for wise regulation.

"...contrary, Law Professor Lawrence Lessig's book provides a balanced, logical, and realistic argument for more careful Copywright and Intellectual..." Read more

"...hero status amongst netizens for his early, analytical and compelling advocacy of the need for wise regulation by law - and other sorts of code - of..." Read more

"...and in a number of parallel areas, and presents a clear and thoughtful discussion of the consequences of alternative approaches...." Read more

"The author has great insight in the area of intellectual property and how it has an impact in future innovation." Read more

5 customers mention "Writing style"3 positive2 negative

Customers have different views on the writing style. Some find it inventive and interesting, while others say it's not their style and makes for a discouraging read. However, they still find the content informative.

"...Like Turner's "frontier thesis," "The Future of Ideas" is a dazzlingly inventive work about familiar things...." Read more

"...This makes for a very discouraging read; however, the reader is left with plenty of ideas about how IP law could be shaped in the future...." Read more

"...All of it in an informative and interesting style...." Read more

"I read this, but not my style of writing. The subject mater was what i wanted to learn about." Read more

Top reviews from the United States

  • Reviewed in the United States on February 7, 2002
    [This draws on my review of "The Future of Ideas" published in the Los Angeles Times, 13 January 2002.]
    A century ago, Frederick Jackson Turner delivered an address on "The Significance of the Frontier in American History" that changed the way America understood itself. Turner cast the frontier's history in a new light, making it a driver of national history and culture and its closing a cause for alarm. Lawrence Lessig's "The Future of Ideas" could have been titled "The Significance of the Electronic Frontier in American History." Lessig sees the Internet as harboring a unique character that accounts for its importance and for which it is under attack. Like Turner's "frontier thesis," "The Future of Ideas" is a dazzlingly inventive work about familiar things. It deserves to change the way we think about the electronic frontier.
    In Lessig's world, established corporations use any means to keep challengers down, including rewriting the rules and even outlawing disruptive innovation. He is decidedly NOT anti-capitalist, nor is he a Marxist, as another review assumes. Lessig loves the "creative destruction" that the Internet has spawned, and indeed sees the Internet as a realm where the right to innovate (the term Microsoft used to brand its defense in the federal antitrust suit) has been built-in, much as constitutional rights are guaranteed to citizens. (Lessig clerked for famed University of Chicago professor and circuit judge Richard Posner, and for Supreme Court justice Antonin Scalia, neither of whom is known for his Marxist leanings.)
    It isn't obvious that the Internet should have become such a hotbed of creativity. For years, the phone system was far more attractive than the Internet to hackers like Apple co-founder Steve Wozniak. So why did the Internet become an arena for innovation in the 1990s? Not because it attracted venture capitalists and twentysomething CEOs who "got it," but because it is a "commons." Commons are things available to anyone who obeys the rules governing their use. Streets, highways and parks are commons open to everyone. The Internet's fundamental design was built around a common protocol that all computers could use, and it was designed so that the intelligence resided at the edges of the network, not in the center. This "end-to-end" architecture is the reverse of the telephone system, in which dumb devices--your phone--are connected by an intelligent network. Add the development of open source software and you have a commons of extraordinary value. Anyone who obeys the technical rules can develop services that run on it. No application can be excluded for political reasons or protectionism. Success is bestowed by the marketplace, not by government policy or corporate patronage. The phone system couldn't compete, not despite its centralized power, but because of it. To paraphrase Stewart Brand, innovation wants to be free.
    But the Internet is endangered, Lessig says. The shift from an Internet running off telecom to broadband running through cable television wires threatens the open architecture because a cable company can design its system to work best with its own service provider, deny access to competitors or break software from other companies, and it will all be legal; no phone company could have ever done those things. Changes in copyright and patent law are also impoverishing the intellectual commons. Copyright originally lasted 14 years; today it can last 10 times as long, thanks to efforts by entertainment companies eager to defend their profits. Patent applicants have to reveal how their inventions work, but you can patent software without revealing the source code that would make it comprehensible to others, and the "fair use" of copyrighted materials is under attack as publishers develop technology to gain more control over content.
    "The Future of Ideas" concludes with proposals to defend the digital commons. Given that we live in a world in which intellectual work is being fenced off and sold, do his ideas stand a chance? Lessig is pessimistic, but the last 20 years have seen some remarkable experiments in public policy inspired by iconoclastic thinkers: think of emissions trading and spectrum auctions. His ideas could provide a foundation for real action. Recent polls suggest that respect for the government and public services is rising, and few politicians would say they were against innovation and for special interests. It might be impossible to recover America's original great commons, the first frontier, but perhaps the electronic one still has a chance.
    15 people found this helpful
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  • Reviewed in the United States on March 18, 2002
    The author of this great new book about ideas in the age of technology is no college kid touting, "I have a right to, like, copy MP3s!" On the contrary, Law Professor Lawrence Lessig's book provides a balanced, logical, and realistic argument for more careful Copywright and Intellectual Property legislation. In fewer than 300 pages, Lessig not only lays out the history of IP law, but also thoroughly examines the current move towards corporate favoritism.
    This makes for a very discouraging read; however, the reader is left with plenty of ideas about how IP law could be shaped in the future. Lessig's suggestions would go a long way towards protecting innovation while still upholding the core principles of fair use and reasonable limits the Founding Fathers wrote into the US Constitution. (Buy a copy of this book for your Congressman!)
    Lessig, a Liberal who clerked for the popular Conservative Circuit Court Judge and prolific public intellectual Richard Posner, also demonstrates why this issue cuts right across standard ideological lines. Even if you only read chapters 4 and 11, I highly reccomend this book for a thorough examination of this most pressing issue of current public policy.
    16 people found this helpful
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  • Reviewed in the United States on March 24, 2009
    Lawrence Lessig has, rightly, achieved hero status amongst netizens for his early, analytical and compelling advocacy of the need for wise regulation by law - and other sorts of code - of that thing William Gibson termed cyberspace.

    Lessig's magnum opus is Code and Other Laws of Cyberspace - remixed not long ago into Code: Version 2.0 - the second "version" edited communally by wiki thereby demonstrating, as you would expect from a tribal elder, the man has the courage of his convictions. Lessig's renown has accordingly spread: he is a sought after public speaker (and a compelling one - Lessig is a genius with a PowerPoint presentation) and, rumour has it, a long-time consiglieri of President Obama who in recent times has been linked with the job of running the Federal Communications Commission. Boy would *that* frighten the Confederate horses.

    As a prolific generator of intellectual property himself, much of which is available through open source copyright licences, Lessig is in the unusual position, a bit like a stand-up comedian from an ethnic minority, of being able to score hits that others cannot without being written off as a liberal/hacker/stoner hand waver (though it isn't to say that this doesn't routinely happen - a quick trot through the one star reviews on this site ought to persuade you of that).

    The thing is, his analysis isn't half as glib as his conservative detractors say it is (or their criticisms are!) Lessig is a brilliant and compelling thinker. Code, in my book, is one of the few essential pieces of 21st century political philosophy to have yet emerged.

    The Future of Ideas was published in 2001 as a follow up to the original Code, and while its arguments are for the main part compelling, they are also familiar, springing as they do from exactly the turf as those in Code: principally the virtue of the end-to-end architecture of the internet and the possibility for a myriad of unimagined innovations and unprecedented technological developments. Lessig spends more time updating the Garrett Hardin's tragedy of the commons - on which premise modern legal philosophy underlying physical property can be understood - to the non-rivalrous (if you'll excuse the expression: at times Lessig's way with words deserts him) digital commons, and this is an interesting and valuable discussion.

    Other than these arguments, much of the heft in this book was also the meat and potatoes of Code, and it didn't feel as if substantial new ground was being broken here, and where it was - for example Lessig's playful reference to the "Sovietisation" of dominant positions in the market - such interesting and fair observations were let down by their expression. To compare corporate titans with communists will infuriate exactly the conservative readers Lessig ought to be doing more to appeal to.

    This book, and the author's outlook generally, aren't without their flaws. Lessig is an idealist in at least two pejorative senses: First, in that he believes that fixing the endemic problems he excellently articulates is a matter of straightforward legal or technological regulation, whereas he has (equally excellently) articulated that the first order problems are themselves not of a legal or technological nature. They are with the meatware, and in particular its peculiar sociological constitution. The same "Sovietisation" that cankers corporate titans also ossifies regulators, and for the same ineluctable evolutionary reasons.

    Complexity is inevitable in our social systems precisely because (like the internet and successful corporations) they have evolved from institutions and customs designed to solve earlier, different and often unrelated problems. Lessig is extremely convincing on this. But there's the rub: the fix for these historical circumstances came pre-bundled with commercial and political hierarchies the priorities of which have hardened, for predictable but selfish reasons, in ways which, as Lessig now patiently catalogues, create problems of a different nature altogether.

    But nor are these hierarchies all for the worse, and they have the benefit of inertia, we all have an innate (no doubt evolved!) resistance to the idea of abandoning established (read evolved) political structures when they still appear to be functioning, however sub-optimally - especially since those in the upper reaches of the political structures who are best placed to change them are also, almost by definition, least incentivised to do so.

    Overcoming these facts of life presents social as well as political issues: it is not simply a matter of passing the law: one needs to build the consensus to pass the law. The old paradigm not only needs to be in crisis, it needs to be *believed to be* in crisis - believed by the very people from whose perspective it is least obviously in crisis.

    This is where the conservatives cheap shots, which Lessig laughs off, do hit home: preaching to the choir (which squarely includes me, by the way) won't help: the sermon needs to go over with the sceptics in the posh seats. This does seem to be starting to happen where it really matters - commercial and technological development. Personally I'm less exercised than Lessig is about the mendacity of the Recording Industry Association of America since, well, it *is* only rock `n' roll, however much we might like it.

    Secondly, Lessig overstates his case. To win over this congregation of Hollywood moguls and record company execs - a tough crowd - he needs to avoid overreaching. His analysis of the internet's architecture is comprehensive and detailed (herein you will learn more than you bargained for about the packet-switching design of the code layer of the internet) but he is not persuasive that this whole edifice, spanning as it does not just real space, public and private property and also international regulatory space really could be, in its entirety, laid low by regulatory action, much less privately or corporately controlled systems design. These days not even Ma Bell has anything like monopoly power, and technological advances (wifi, internet through electricity circuits) ever more militate against it ever happening again. That is to say, I think Lessig is crying wolf.

    Since there will always be (virtual) areas of the net which are differently or less heavily regulated or, to use his awful expression, "architected" (Professor Lessig, if you're reading: the word is "designed") and the commercial energy required to rein in defectors will always be greater than that required to ease constrained systems to keep up with the competition, and, absent real-life Sovietisation (these days not quite as ludicrous a prospect as it would have been in 2001!), market share will always go with gravity - downward, to the service provider who places the least constraints on its subscribers.

    This, I think, is borne out by the history of the net in the eight or so years since this book was written. The original Napster may have gone the way of all flesh, but the collaborative internet is in rude health, as ADSL has become mainstream the opportunities for innovation and creation seem as present as they ever were.

    Another well established end-to-end network - a city - provides an enlightening metaphor: trains or buses might be privately controlled, the use of cars somewhat (but imperfectly) regulated and (as in any network) there will be places we cannot go at all, but we can always, at the limit, walk. The first lesson of evolutionary theory is: Where there's a will, there's a way.

    A week is a long time in technology, and eight years is an aeon: The Future Of Ideas is necessarily dated nowadays, and since the revision to Code, has little to offer that can't be found in that somewhat weightier book.

    Olly Buxton
    2 people found this helpful
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  • Reviewed in the United States on June 16, 2005
    The book is written in a very complex style -- especially the sections where Lessig goes into the nitty gritty of the architecture behind the Internet -- but the book is a wonderful read, especially for those who come from the mindset that copyright laws should serve to give full control to the creator. While Lessig's style is unnecessarily complex, the book is ultimately worth the effort -- especially for Internet enthusiasts and entrepreneurs who need to understand the implications of copyright laws and how they affect culture and future ideas.
    One person found this helpful
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  • Amazonのお客様
    5.0 out of 5 stars 暗黒時代→ネット革命→反革命:ネットの三層の分析と代替案
    Reviewed in Japan on September 3, 2002
    レッシグさんがcreative commons, innovative commonsということをなぜ今言うのか、ということの背景がわかったような気がする。ぼくは、一人の音楽をやる人間として、自分の楽曲なり音源なりの扱われ方をこうあってほしいということを表明する仕組みとして、OCPL00000というコードを使わせていただき、日本のオープン・クリエイション運動にも参加させていただき、意見表明などをさせてもらっている。ぼくの楽曲は、日本のサイトにおいて、30曲ほどOCPL00000 FOREVERということで公開している。平均10ダウンロードしかされていない筋金入りマイナーである。しかしながら、パブリック・ドメインを豊富かつ多様にすることはささやかながらできるわけであり、そうすることが大きな善なるものにつらなるらしいということは、この一冊でわかったような気がする。だからこれからも数ダウンロードという音源を楽曲をOCPL00000で公開するだろう。そういう意味では自分が心底やりたくてやっていることを、そうそういいことなんですよと言われたような気のする救いの一冊であった。日本語版はまだ出ていないようである。誰かが訳の作業をしているのだろうと思う。期待したい。・伝送路系、コード系、コンテンツ系の三層構造・ネット革命のアーキテクチャ:エンド、エンドによるアプリケーションのあり方の規定(コントロール:統制制御への代替案)、オープン、かつ、共有地を残すアーキテクチャの革新誘発性・それぞれのレイヤにおける暗黒時代、ネット革命、反革命、あるべき姿、今するべきこと大雑把に言うとこんなあたりのことが書かれていて、読書会なんぞで、自分の実力を確認したいと思ってみたりするわけなんである。どこかでやっていたらぜひ参加したいと思っています。
  • cannois
    3.0 out of 5 stars Largement obsolete mais interessant
    Reviewed in France on March 31, 2016
    Bon ca date quand meme. On en etait a AOL Time Warner. Depuis Google, Facebook et Twitter ont fait du chemin. Pas ininteressant cependant. Pour les brevets, ca reste superficiel mais le peu qui est avance fait sens.
  • nuck
    4.0 out of 5 stars 日本的著作権を考察する前に読むべき文献
    Reviewed in Japan on January 20, 2005
    米国ではミッキーマウス法が制定され、日本ではWinny製作者が逮捕される
    JASRAQは著作権期間の延長を求めて、IT企業は著作者人格権まで放棄しろと利用規約で謳う
    法律家は著作権が相対的な排他的独占権であることの説明も無しに依頼者に証拠が必要だと勧誘する
    複製手段の独占がPC・インターネットの爆発的普及によって崩れ
    既存の工業的な商業手法が通用しなくなっている
    日本が国家生命を賭けるギャンブルである知的財産戦略
    しかし国家も企業も知的財産であるものは何かそれを侵すものは何か
    それらを峻別できる素養を有してはいない
    blogなどの商品は、より早く輸入されることになった
    しかし、著作権という社会的問題に関する社会の盛り上がりはそうでもない
    幾年か後に本著書のような議論は大々的になされるものと思われる
    より多くの既得権益者・商業主義に陥ったアーティストや
    自己の心服する著作物を作成する作者自身に金銭を支払いたいと思うパトロン
    彼らに対してこの著書および前著を読むことを強くお勧めしたい