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The War of Don Emmanuel's Nether Parts Paperback – July 29, 1997
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- Print length368 pages
- LanguageEnglish
- PublisherVintage
- Publication dateJuly 29, 1997
- Dimensions5.2 x 0.8 x 8 inches
- ISBN-100375700137
- ISBN-13978-0375700132
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Product details
- Publisher : Vintage (July 29, 1997)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 0375700137
- ISBN-13 : 978-0375700132
- Item Weight : 12.2 ounces
- Dimensions : 5.2 x 0.8 x 8 inches
- Best Sellers Rank: #229,330 in Books (See Top 100 in Books)
- #810 in Lawyers & Criminals Humor
- #2,438 in Fiction Satire
- #13,685 in Literary Fiction (Books)
- Customer Reviews:
About the author

Louis de Bernieres was awarded the Commonwealth Writers Prize for Best Book Eurasia Region in 1991 and 1992, and for Best Book in 1995. He was selected by Granta as one of the twenty Best of Young British Novelists in 1993, and lives in Norfolk, East Anglia.
Photo by Taken by Flickr user Walnut Whippet. (Transferred from en.wikipedia to Commons.) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.
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I’m reading Bernieres backward. I started with Birds Without Wings and I’ve been working my way backward through his publication history. This book (which must be a contender for “Best Title of the 20th century”) was published in 1990. It was a very ambitious first novel. In an author’s note, Bernieres states that he has created an imaginary Latin American country with history, topography and language jumbled up from various sources. There are nearly 40 characters whose lives intersect in a story that includes guerilla war, military corruption, paranormal intervention, brutality, passion, outrageous humor and biting satire.
I was mildly disappointed that Don Emmanuel’s nether parts play a very minor role in the story. In a very round about way, it is essentially the story of an impoverished, insignificant village and its hilariously devious victory over the corrupt and brutal military establishment. It is a temporary victory. I found the surreal salvation of the village to be the weakest part of the story. The best parts concern individual characters who are drawn realistically, but with great affection and humor. As in his later books, Bernieres has an underlying social agenda. He touches on the implications of United States covert military intervention, drug trafficking, the Falklands Island conflict, and international pressure concerning ‘Los Deseparecidos”.
There are a great many similarities between this book and the later Birds Without Wings. It even begins with the death of a bird, in this case, a vulture. The later book is stronger and I’ve tried to define why I think so. The biggest difference is the use of first person narrative. Bernieres allowed the many characters of Eskibahce to speak for themselves. The characters in Don Emmanuel’s fictional country did not speak up in their own voices. They are wonderful characters, but they stayed in the book and did not come alive for me in the same way.
There are plenty of laugh-out-loud moments (the extended - I think it is 4 pages - sex scene between two revolutionaries is the funniest I've ever read) and a lot of light insults and humour. There is also a solid storyline - or rather, a number of them - that kept me captivated throughout. Best of all, all that complexity comes together to multiple satisfying resolutions by the end.
I've bought this book for others as it feels like the kind of book that you can pick up anywhere and enjoy - Good Omens was also a little like that for me. Even now I do like to pick it up and read bits of it again from time to time - I think, the best sign that it's an enduring and entertaining tale.
As a Latin American, it took me the several chapters to get used to its intentional mish mash of ethnic groups, myths, events from different parts of the subcontinent. Imagine a novel set in the XVI century that mixed historical facts and traditions from France, England, Spain and Germany as if they were a single country and you'll get the idea.
About half of it I enjoyed a lot. The other half was a tougher ride.
[ I use a pass / fail grading, where 1=Would not Recommend and 5=Recommend]
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It is very amusing and slapstick in parts, with black comic moments, but the sheer breadth of characters and event sometimes makes it difficult to recall past events and who is who in the story. It is peppered with Latin American nouns and expressions which although reflect the depth of research and adds to an authentic feel, makes it challenging to follow precisely. Also, as a nod to Latin American literature there is liberal use of magical realism throughout. Simultaneously funny and shocking.
Though I times I can see the direct influences of Gabriel Garcia Marque, it feels like he does something else, which is run it parallel to the political history of the continent, which would be funny if so much of it wasn't based on fact. This makes it richer and darker and a thoroughly engaging book. There are a loooooot of characters and feel a number were superfluous (the French couple, anyone?) with new ones arriving in the middle of the book, but I loved that...and besides that was nothing on the volume of characters in 100 years old solitude!
I also love how the humour of the story balances with the serious side, the tragedy of South American history.









