A Clash of Kings (A Song of Ice and Fire, Book 2)
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Book accolades
Locus AwardWinner, 1999
Book details
- Print length768 pages
- LanguageEnglish
- PublisherBantam
- Publication dateFebruary 2, 1999
- Dimensions6.42 x 1.72 x 9.53 inches
- ISBN-100553108034
- ISBN-13978-0553108033
Book overview
George R. R. Martin, a writer of unsurpassed vision, power, and imagination, has created a landmark of fantasy fiction. In his widely acclaimed A Game of Thrones, he introduced us to an extraordinary world of wonder, intrigue, and adventure. Now, in the eagerly awaited second volume in this epic saga, he once again proves himself a master myth-maker, setting a standard against which all other fantasy novels will be measured for years to come.
Time is out of joint. The summer of peace and plenty, ten years long, is drawing to a close, and the harsh, chill winter approaches like an angry beast. Two great leaders—Lord Eddard Stark and Robert Baratheon—who held sway over an age of enforced peace are dead . . . victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns, as pretenders to the Iron Throne of the Seven Kingdoms prepare to stake their claims through tempest, turmoil, and war.
As a prophecy of doom cuts across the sky—a comet the color of blood and flame—six factions struggle for control of a divided land. Eddard’s son Robb has declared himself King in the North. In the south, Joffrey, the heir apparent, rules in name only, victim of the scheming courtiers who teem over King’s Landing. Robert’s two brothers each seek their own dominion, while a disfavored house turns once more to conquest. And a continent away, an exiled queen, the Mother of Dragons, risks everything to lead her precious brood across a hard hot desert to win back the crown that is rightfully hers.
A Clash of Kings transports us into a magnificent, forgotten land of revelry and revenge, wizardry and warfare. It is a tale in which maidens cavort with madmen, brother plots against brother, and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside.
Against a backdrop of incest and fratricide, alchemy and murder, the price of glory may be measured in blood. And the spoils of victory may just go to the men and women possessed of the coldest steel . . . and the coldest hearts. For when rulers clash, all of the land feels the tremors.
Audacious, inventive, brilliantly imagined, A Clash of Kings is a novel of dazzling beauty and boundless enchantment—a tale of pure excitement you will never forget.
Amazon.com Review
The Seven Kingdoms have come apart. Joffrey, Queen Cersei's sadistic son, ascends the Iron Throne following the death of Robert Baratheon, the Usurper, who won it in battle. Queen Cersei's family, the Lannisters, fight to hold it for him. Both the dour Stannis and the charismatic Renly Baratheon, Robert's brothers, also seek the throne. Robb Stark, declared King in the North, battles to avenge his father's execution and retrieve his sister from Joffrey's court. Daenerys, the exiled last heir of the former ruling family, nurtures three dragons and seeks a way home. Meanwhile the Night's Watch, sworn to protect the realm from dangers north of the Wall, dwindle in numbers, even as barbarian forces gather and beings out of legend stalk the Haunted Forest.
Sound complicated? It is, but fine writing makes this a thoroughly satisfying stew of dark magic, complex political intrigue, and horrific bloodshed. --Nona Vero
From Publishers Weekly
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Copyright 1999 Reed Business Information, Inc.
From Booklist
From Kirkus Reviews
Review
From the Inside Flap
Time is out of joint. The summer of peace and plenty, ten years long, is drawing to a close, and the harsh, chill winter approaches like an angry beast. Two great leaders--Lord Eddard Stark and Robert Baratheon--who held sway over an age of enforced peace are dead...victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns, as pretenders to the Iron Throne of the Seven Kingdoms prepare to stake their claims through tempest, turmoil, and war.
As a prophecy of doom cuts across the sky--a comet the color of blood and flame--six factions struggle for control of a divided land. Eddard's son Robb has declared himself King in the North. In the south, Joffrey, the heir apparent, rules in name only, victim of the scheming courtiers who teem over King's Landing. Robert's two brothers each seek their own dominion, while a disfavored house turns once more to conquest. And a continent away, an exiled queen, the Mother of Dragons, risks everything to lead her precious brood across a hard hot desert to win back the crown that is rightfully hers.
A Clash of Kings transports us into a magnificent, forgotten land of revelry and revenge, wizardry and warfare. It is a tale in which maidens cavort with madmen, brother plots against brother, and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside.
Against a backdrop of incest and fratricide, alchemy and murder, the price of glory may be measured in blood. And the spoils of victory may just go to the men and women possessed of the coldest steel...and the coldest hearts. For when rulers clash, all of the land feels the tremors.
Audacious, inventive, brilliantly imagined, A Clash of Kings is a novel of dazzling beauty and boundless enchantment--a tale of pure excitement you will never forget.
From the Back Cover
Time is out of joint. The summer of peace and plenty, ten years long, is drawing to a close, and the harsh, chill winter approaches like an angry beast. Two great leaders--Lord Eddard Stark and Robert Baratheon--who held sway over an age of enforced peace are dead...victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns, as pretenders to the Iron Throne of the Seven Kingdoms prepare to stake their claims through tempest, turmoil, and war.
As a prophecy of doom cuts across the sky--a comet the color of blood and flame--six factions struggle for control of a divided land. Eddard's son Robb has declared himself King in the North. In the south, Joffrey, the heir apparent, rules in name only, victim of the scheming courtiers who teem over King's Landing. Robert's two brothers each seek their own dominion, while a disfavored house turns once more to conquest. And a continent away, an exiled queen, the Mother of Dragons, risks everything to lead her precious brood across a hard hot desert to win back the crown that is rightfully hers.
A Clash of Kings transports us into a magnificent, forgotten land of revelry and revenge, wizardry and warfare. It is a tale in which maidenscavort with madmen, brother plots against brother, and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside.
Against a backdrop of incest and fratricide, alchemy and murder, the price of glory may be measured in blood. And the spoils of victory may just go to the men and women possessed of the coldest steel...and the coldest hearts. For when rulers clash, all of the land feels the tremors.
Audacious, inventive, brilliantly imagined, A Clash of Kings is a novel of dazzling beauty and boundless enchantment--a tale of pure excitement you will never forget.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
In the chilly white raiment of the Kingsguard, Ser Mandon Moore looked like a corpse in a shroud. "Her Grace left orders, the council in session is not to be disturbed."
"I would be only a small disturbance, ser." Tyrion slid the parchment from his sleeve. "I bear a letter from my father, Lord Tywin Lannister, the Hand of the King. There is his seal."
"Her Grace does not wish to be disturbed," Ser Mandon repeated slowly, as if Tyrion were a dullard who had not heard him the first time.
Jaime had once told him that Moore was the most dangerous of the Kingsguard--excepting himself, always--because his face gave no hint as what he might do next. Tyrion would have welcomed a hint. Bronn and Timett could likely kill the knight if it came to swords, but it would scarcely bode well if he began by slaying one of Joffrey's protectors. Yet if he let the man turn him away, where was his authority? He made himself smile. "Ser Mandon, you have not met my companions. This is Timett son of Timett, a red hand of the Burned Men. And this is Bronn. Perchance you recall Ser Vardis Egen, who was captain of Lord Arryn's household guard?"
"I know the man." Ser Mandon's eyes were pale grey, oddly flat and lifeless.
"Knew," Bronn corrected with a thin smile.
Ser Mandon did not deign to show that he had heard that.
"Be that as it may," Tyrion said lightly, "I truly must see my sister and present my letter, ser. If you would be so kind as to open the door for us?"
The white knight did not respond. Tyrion was almost at the point of trying to force his way past when Ser Mandon abruptly stood aside. "You may enter. They may not."
A small victory, he thought, but sweet. He had passed his first test. Tyrion Lannister shouldered through the door, feeling almost tall. Five members of the king's small council broke off their discussion suddenly. "You," his sister Cersei said in a tone that was equal parts disbelief and distaste.
"I can see where Joffrey learned his courtesies." Tyrion paused to admire the pair of Valyrian sphinxes that guarded the door, affecting an air of casual confidence. Cersei could smell weakness the way a dog smells fear.
"What are you doing here?" His sister's lovely green eyes studied him without the least hint of affection.
"Delivering a letter from our lord father." He sauntered to the table and placed the tightly rolled parchment between them.
The eunuch Varys took the letter and turned it in his delicate powdered hands. "How kind of Lord Tywin. And his sealing wax is such a lovely shade of gold." Varys gave the seal a close inspection. "It gives every appearance of being genuine."
"Of course it's genuine." Cersei snatched it out of his hands. She broke the wax and unrolled the parchment.
Tyrion watched her read. His sister had taken the king's seat for herself--he gathered Joffrey did not often trouble to attend council meetings, no more than Robert had--so Tyrion climbed up into the Hand's chair. It seemed only appropriate.
"This is absurd," the queen said at last. "My lord father has sent my brother to sit in his place in this council. He bids us accept Tyrion as the Hand of the King, until such time as he himself can join us."
Grand Maester Pycelle stroked his flowing white beard and nodded ponderously. "It would seem that a welcome is in order."
"Indeed." Jowly, balding Janos Slynt looked rather like a frog, a smug frog who had gotten rather above himself. "We have sore need of you, my lord. Rebellion everywhere, this grim omen in the sky, rioting in the city streets . . ."
"And whose fault is that, Lord Janos?" Cersei lashed out. "Your gold cloaks are charged with keeping order. As to you, Tyrion, you could better serve us on the field of battle."
He laughed. "No, I'm done with fields of battle, thank you. I sit a chair better than a horse, and I'd sooner hold a wine goblet than a battle-axe. All that about the thunder of the drums, sunlight flashing on armor, magnificent destriers snorting and prancing? Well, the drums gave me headaches, the sunlight flashing on my armor cooked me up like a harvest day goose, and those magnificent destriers shit everywhere. Not that I am complaining. Compared to the hospitality I enjoyed in the Vale of Arryn, drums, horseshit, and fly bites are my favorite things."
Littlefinger laughed. "Well said, Lannister. A man after my own heart."
Tyrion smiled at him, remembering a certain dagger with a dragonbone hilt and a Valyrian steel blade. We must have a talk about that, and soon. He wondered if Lord Petyr would find that subject amusing as well. "Please," he told them, "do let me be of service, in whatever small way I can."
Cersei read the letter again. "How many men have you brought with you?"
"A few hundred. My own men, chiefly. Father was loath to part with any of his. He is fighting a war, after all."
"What use will your few hundred men be if Renly marches on the city, or Stannis sails from Dragonstone? I ask for an army and my father sends me a dwarf. The king names the Hand, with the consent of council. Joffrey named our lord father."
"And our lord father named me."
"He cannot do that. Not without Joff's consent."
"Lord Tywin is at Harrenhal with his host, if you'd care to take it up with him," Tyrion said politely. "My lords, perchance you would permit me a private word with my sister?"
Varys slithered to his feet, smiling in that unctuous way he had. "How you must have yearned for the sound of your sweet sister's voice. My lords, please, let us give them a few moments together. The woes of our troubled realm shall keep."
Janos Slynt rose hesitantly and Grand Maester Pycelle ponderously, yet they rose. Littlefinger was the last. "Shall I tell the steward to prepare chambers in Maegor's Holdfast?"
"My thanks, Lord Petyr, but I will be taking Lord Stark's former quarters in the Tower of the Hand."
Littlefinger laughed. "You're a braver man than me, Lannister. You do know the fate of our last two Hands?"
"Two? If you mean to frighten me, why not say four?"
"Four?" Littlefinger raised an eyebrow. "Did the Hands before Lord Arryn meet some dire end in the Tower? I'm afraid I was too young to pay them much mind."
"Aerys Targaryen's last Hand was killed during the Sack of King's Landing, though I doubt he'd had time to settle into the Tower. He was only Hand for a fortnight. The one before him was burned to death. And before them came two others who died landless and penniless in exile, and counted themselves lucky. I believe my lord father was the last Hand to depart King's Landing with his name, properties, and parts all intact."
"Fascinating," said Littlefinger. "And all the more reason I'd sooner bed down in the dungeon."
Perhaps you'll get that wish, Tyrion thought, but he said, "Courage and folly are cousins, or so I've heard. Whatever curse may linger over the Tower of the Hand, I pray I'm small enough to escape its notice."
Janos Slynt laughed, Littlefinger smiled, and Grand Maester Pycelle followed them both out, bowing gravely.
"I hope Father did not send you all this way to plague us with history lessons," his sister said when they were alone.
"How I have yearned for the sound of your sweet voice," Tyrion sighed to her.
"How I have yearned to have that eunuch's tongue pulled out with hot pincers," Cersei replied. "Has father lost his senses? Or did you forge this letter?" She read it once more, with mounting annoyance. "Why would he inflict you on me? I wanted him to come himself." She crushed Lord Tywin's letter in her fingers. "I am Joffrey's regent, and I sent him a royal command!"
"And he ignored you," Tyrion pointed out. "He has quite a large army, he can do that. Nor is he the first. Is he?"
Cersei's mouth tightened. He could see her color rising. "If I name this letter a forgery and tell them to throw you in a dungeon, no one will ignore that, I promise you."
He was walking on rotten ice now, Tyrion knew. One false step and he would plunge through. "No one," he agreed amiably, "least of all our father. The one with the army. But why should you want to throw me into a dungeon, sweet sister, when I've come all this long way to help you?"
"I do not require your help. It was our father's presence that I commanded."
"Yes," he said quietly, "but it's Jaime you want."
His sister fancied herself subtle, but he had grown up with her. He could read her face like one of his favorite books, and what he read now was rage, and fear, and despair. "Jaime--"
"--is my brother no less than yours," Tyrion interrupted. "Give me your support and I promise you, we will have Jaime freed and returned to us unharmed."
"How?" Cersei demanded. "The Stark boy and his mother are not like to forget that we beheaded Lord Eddard."
"True," Tyrion agreed, "yet you still hold his daughters, don't you? I saw the older girl out in the yard with Joffrey."
"Sansa," the queen said. "I've given it out that I have the younger brat as well, but it's a lie. I sent Meryn Trant to take her in hand when Robert died, but her wretched dancing master interfered and the girl fled. No one has seen her since. Likely she's dead. A great many people died that day."
Tyrion had hoped for both Stark girls, but he supposed one would have to do. "Tell me about our friends on the council."
His sister glanced at the door. "What of them?"
"Father seems to have taken a dislike to them. When I left him, he was wondering how their heads might look on the wall beside Lord Stark's." He leaned forward across the table. "Are you certain of their loyalty? Do you trust them?"
"I trust no one," Cersei snapped. "I need them. Does Father believe they are playing us false?"
"Suspects, rather."
"Why? What does he know?"
Tyrion shrugged. "He knows that your son's short reign has been a long parade of follies and disasters. That suggests that someone is giving Joffrey some very bad counsel."
Cersei gave him a searching look. "Joff has had no lack of good counsel. He's always been strong-willed. Now that he's king, he believes he should do as he pleases, not as he's bid."
"Crowns do queer things to the heads beneath them," Tyrion agreed. "This business with Eddard Stark . . . Joffrey's work?"
The queen grimaced. "He was instructed to pardon Stark, to allow him to take the black. The man would have been out of our way forever, and we might have made peace with that son of his, but Joff took it upon himself to give the mob a better show. What was I to do? He called for Lord Eddard's head in front of half the city. And Janos Slynt and Ser Ilyn went ahead blithely and shortened the man without a word from me!" Her hand tightened into a fist. "The High Septon claims we profaned Baelor's Sept with blood, after lying to him about our intent."
"It would seem he has a point," said Tyrion. "So this Lord Slynt, he was part of it, was he? Tell me, whose fine notion was it to grant him Harrenhal and name him to the council?"
"Littlefinger made the arrangements. We needed Slynt's gold cloaks. Eddard Stark was plotting with Renly and he'd written to Lord Stannis, offering him the throne. We might have lost all. Even so, it was a close thing. If Sansa hadn't come to me and told me all her father's plans..."
Tyrion was surprised. "Truly? His own daughter?" Sansa had always seemed such a sweet child, tender and courteous.
"The girl was wet with love. She would have done anything for Joffrey, until he cut off her father's head and called it mercy. That put an end to that."
"His Grace has a unique way of winning the hearts of his subjects," Tyrion said with a crooked smile. "Was it Joffrey's wish to dismiss Ser Barristan Selmy from his Kingsguard too?"
Cersei sighed. "Joff wanted someone to blame for Robert's death. Varys suggested Ser Barristan. Why not? It gave Jaime command of the Kingsguard and a seat on the small council, and allowed Joff to throw a bone to his dog. He is very fond of Sandor Clegane. We were prepared to offer Selmy some land and a towerhouse, more than the useless old fool deserved."
"I hear that useless old fool slew two of Slynt's gold cloaks when they tried to seize him at the Mud Gate."
His sister looked very unhappy. "Janos should have sent more men. He is not as competent as might be wished."
"Ser Barristan was the Lord Commander of Robert Baratheon's Kingsguard," Tyrion reminded her pointedly. "He and Jaime are the only survivors of Aerys Targaryen's seven. The smallfolk talk of him in the same way they talk of Serwyn of the Mirror Shield and Prince Aemon the Dragonknight. What do you imagine they'll think when they see Barristan the Bold riding beside Robb Stark or Stannis Baratheon?"
Cersei glanced away. "I had not considered that."
"Father did," said Tyrion. "That is why he sent me. To put an end to these follies and bring your son to heel."
"Joff will be no more tractable for you than for me."
"He might."
"Why should he?"
"He knows you would never hurt him."
Cersei's eyes narrowed. "If you believe I'd ever allow you to harm my son, you're sick with fever."
Tyrion sighed. She'd missed the point, as she did so often. "Joffrey is as safe with me as he is with you," he assured her, "but so long as the boy feels threatened, he'll be more inclined to listen." He took her hand. "I am your brother, you know. You need me, whether you care to admit it or no. Your son needs me, if he's to have a hope of retaining that ugly iron chair."
His sister seemed shocked that he would touch her. "You have always been cunning."
"In my own small way." He grinned.
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About the author
Follow authors to get new release updates, plus improved recommendations.George R.R. Martin is the globally bestselling author of many fine novels, including A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, which together make up the series A Song of Ice and Fire, on which HBO based the world’s most-watched television series, Game of Thrones. Other works set in or about Westeros include The World of Ice and Fire, and A Knight of the Seven Kingdoms. His science fiction novella Nightflyers has also been adapted as a television series; and he is the creator of the shared-world Wild Cards universe, working with the finest writers in the genre. He lives in Santa Fe, New Mexico.
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Features & details
Features
- Used Book in Good Condition
Product information
| Publisher | Bantam; First Edition (February 2, 1999) |
|---|---|
| Language | English |
| Hardcover | 768 pages |
| ISBN-10 | 0553108034 |
| ISBN-13 | 978-0553108033 |
| Item Weight | 2.6 pounds |
| Dimensions | 6.42 x 1.72 x 9.53 inches |
| Best Sellers Rank |
#53,937 in Books (See Top 100 in Books)
#1,484 in Sword & Sorcery Fantasy (Books)
#2,122 in Science Fiction Adventures
#3,544 in Epic Fantasy (Books)
|
| Customer Reviews | 4.7 out of 5 stars 42,731Reviews |
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Customers find the book awesome, fun, and engaging. They describe the storyline as remarkably engrossing, interesting, and exciting. Readers praise the writing style as captivating, smooth, and beautiful. They appreciate the multi-dimensional characters and strong female characters. They also describe the world as rich and surprising. Customers describe the series as fantastic and a good continuation to the first book.
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Customers find the book amazing, fun, and engaging. They say the series is amazing, enlightening, and entertaining. Readers also mention the world of Westeros is masterfully built.
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"...This series is highly addicting, and I'm incredibly late reviewing this because it's impossible to stop reading after finishing a book to compose a..." Read more
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Customers find the storyline engrossing, intriguing, and exciting. They say the book combines the best of epic fantasy, historical fiction, sword-and-sorcery, and is one of the great masterpieces of speculative fiction. Readers also mention the action scenes are riveting. They also appreciate the fascinating characters and complex plotting.
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"..."A Song of Ice and Fire" is a truly unique and refreshing entry in the fantasy genre...and it's impossible to stop reading after one (or even two)..." Read more
"...are his intelligence, sharp tongue, sarcastic aptitude, and political boldness...." Read more
"...A Song of Ice and Fire is truly a mammoth story, combining the best of epic fantasy, historical fiction, sword-and-sorcery, and horror...." Read more
"...write would pale in comparison to Martin's complicated, yet readable, plotting...." Read more
Customers find the writing quality captivating, smooth, and beautiful. They say the book allows them to better understand the inner thoughts and motives. Readers also appreciate the vivid and immediate characterizations. They mention the author has created a detailed, fully imagined world.
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"...While Tyrion isn't my favourite character, his perspective is always interesting since he has to go about things in a vastly different way than the..." Read more
"...qualities for Tyrion are his intelligence, sharp tongue, sarcastic aptitude, and political boldness...." Read more
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"...The prose can sometimes be plodding with detailed descriptions of people's clothing (do I really care where the silk came from?)..." Read more
Customers find the characters amazingly developed, multidimensional, and distinctly different. They also appreciate the strong and independent female characters. Readers also mention the plot is interwoven between the many characters.
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"...Each character's viewpoint is distinctly different with the characters' biases and backgrounds moving prominently to the forefront...." Read more
"...in 1999, "A Clash Of Kings" is a gripping multi-layered saga filled with characters that are interesting, witty, loathsome, or sympathetic...." Read more
"...Full of world-building, character development, and hints of the impossible, this thirty-page chapter is a model of fantasy storytelling...." Read more
"...Couple that with some of the most fascinating characters I've ever encountered between the covers of a book and you have an absolute winner...." Read more
Customers find the characters relatable, intricate, and rich. They also appreciate the world-building, character development, and hints of the impossible. Readers describe the world as alive, believable, and complex. They say the technique adds layers of depth to the story.
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"...The first book was great in being unique and unpredictable, but could Martin really maintain that high standard throughout a second book?..." Read more
"...Full of world-building, character development, and hints of the impossible, this thirty-page chapter is a model of fantasy storytelling...." Read more
"...much to this series and just within the two books I have read, it is so complex and mind boggling...." Read more
"...The technique adds layers of depth to the story.Likewise, the world Martin created is a morally neutral one. Evil sometimes triumphs...." Read more
Customers find the series fantastic, amazing, and better than the first book. They also describe the book as a robust and intelligent second novel.
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"...This is the perfect follow up to the first book - carries the momentum from the events introduced there and sets up its own story...." Read more
"...A Clash Of Kings" presents fantasy readers with a robust and intelligent second novel of a series that thrives with complexity and political..." Read more
"...Amazing sequel." Read more
"...George Martin has created one of those most deeply involving and satisfying series out there...." Read more
Customers find the story enthralling, intense, and detailed. They say it stirs passion within the soul and pulls them in. Readers also mention the book holds their attention and moves the story along.
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"...Where's the intellectual and emotional payoff ? Although gripping and entertaining, I'd be hard pressed to find much in this book that's uplifting,..." Read more
"...alive and believable, and the tone is morally ambiguous and undeniably intoxicating. Here's to hoping my issues are remedied in the sequel." Read more
"...Plus Points: Addictive, Addictive and Addictive. Please don’t read this when you are cooking. You might just burn that curry to hell!..." Read more
"...A Clash of Kings" stirs a passion within the soul, making the reader feel as if they're a knight in Westros...." Read more
Customers have mixed opinions about the pacing of the book. Some mention it has a lot of action and is fast-paced, while others say the story is boring and slow-paced.
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"...but actually the language is quite easy and this is definitely a fast to read book...." Read more
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"...His progress is slow and full of surprises...." Read more
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I usually give a brief summary of the novel's story in my review, but with "Clash of Kings," a brief summary simply isn't possible since there's so much going on in the book and a lot of it ties deeply to the events from the first novel. Instead, I'll supply a very brief overview. With Robert Baratheon dead and the legitimacy of his children brought into question, the Iron Throne is up for grabs and Westeros is plunged into civil war as (at least) four different people claim the Throne as theirs. Meanwhile, the Night's Watch in the North begins to investigate the people beyond the Wall, the Wildlings. In the East, Daenerys Targaryen moves forward with her plan to conquer the Seven Kingdoms for herself. Her following has dwindled after the death of her husband, but her three newborn dragons make her notorious. Though she refuses to give them away to secure aid, Daenerys hopes she can use her dragons to her advantage to reclaim what, in her mind, rightfully belongs to her family.
Martin sure knows how to tell a riveting story. I've read a fair bit of fantasy over the years and eventually had to take a break from the genre due to becoming bored with seeing the same clichés and tropes used over and over again. As I read "Clash of Kings," I found myself waiting to see the book fall into the same pattern of predictability that I've seen elsewhere. The first book was great in being unique and unpredictable, but could Martin really maintain that high standard throughout a second book? The joke's on me because he definitely can...and I've learned better than to doubt his originality. There isn't much in the way of resolution in this book, but that's ok since there are several more books that follow it. Instead, "Clash of Kings" serves to propel the ideas established in the first book. We see how events from "Game of Thrones" have unfolded and developed into something bigger and more widespread, and what we see is fascinating. It's also worth mentioning that there are a lot of big players in this war, but Martin manages to make all of them distinct. None are just thrown in to be there and all of them are fleshed out. This isn't a generic world filled with the normal trappings of the genre - Martin's Westeros is unique and fully realized. Reading about the different factions alone would be compelling...combine it with an intriguing plot and you've got one Hell of a good read!
It should also be noted that Martin pulls no punches when describing his dark, gritty world. If you're squeamish and prefer to read about characters that blush when thinking about kissing or battles that are over and done with relatively quickly and cleanly, this probably isn't your book. The big theme in "Clash of Kings" is the huge, ongoing civil war that has erupted across the entirety of Westeros, and no detail is spared. The full horrors of the battlefield - bones being crushed, flesh split, the gruesome results of someone being turned into a bloody pulp via being bludgeoned by a blunt object, soldiers being trampled by their own horses, pretty much any awful battle-related thing you can come up with - are portrayed in graphic detail. These fights aren't glorious; they're long, agonizing, and brutal, and Martin writes them so well that you'll find yourself on the battlefield alongside the characters (for better or worse, in some cases). He's done his research on the tools and tactics of the medieval period, and it definitely shows. He also doesn't hesitate to show us the other not-so-pleasant aspects of humanity. Sex (whether consensual or the spoils of war) is a common occurrence and it isn't portrayed in a nice, chaste manner. Like many other things in the books, it's blunt, realistic, and often uncomfortable...both for the characters and the reader. The people who populate Martin's world drink, curse, and entertain lewd, violent, or otherwise nasty thoughts. Sanitation is what you'd expect it to be in a war torn, medieval country. These things often aren't fun to read about, but they add a level of authenticity to the novel, and I personally find it refreshing to read an author who doesn't sugarcoat the realities of armed conflict. The details characterize the world and the people in it - if you read "Clash of Kings" and think "Wow, this person/event/place is awful!" then you're probably thinking what Martin intended with this characterization. Westeros is not a fun place to be, and Martin's attention to the dark, gritty, unpleasant details bring that into sharp focus.
Much like with "Game of Thrones," this book has several main characters with the point of view changing in each chapter. This continues to work well by providing different viewpoints of big events without becoming repetitive and tiresome. More importantly, it showcases Martin's talent for creating dynamic, three-dimensional, complex, fully realized characters. I've read a lot of novels lately that have been in first person point of view, but have ultimately failed to capture the essence of the character or put the reader in the protagonist's head. "Clash of Kings," though written in third person, doesn't have this problem. Each character's viewpoint is distinctly different with the characters' biases and backgrounds moving prominently to the forefront. Even better, with the figures' biases colouring events, you'll often wonder whose version of events is the correct version or if any of them are truly accurate. It makes of an interesting, unique reading experience, especially with the big events that unfold in this book.
It's also worth mentioning that although there are certain characters who are clearly protagonists and antagonists, whether or not you like them will be largely dependent on how you react to their characterization, not what their role in the story is. Since starting "A Song of Ice and Fire," I've noticed that everyone seems to like and dislike different characters - and what one person may like about a certain character may cause another person to dislike them. I think this demonstrates how realistic Martin has made his characterization. It's a lot like reading about an actual person: very few people are simply classified as good or bad - instead, they have numerous aspects to their personalities that resonate well with some people and act as turn-offs to others. The characters in this book are much the same...and with many of them doing or being witness to darker, nastier things in the second novel, there are plenty of opportunities for your opinions on certain characters to change.
On a random, character-related note, I'm pleased to see that Martin actually has a wide array of female characters. I'll be honest and say that the stereotypical female tropes that pop up in the fantasy genre bug the Hell out of me: women tend to be either delicate damsels or kickass warriors, neither of which has ever struck me as particularly interesting or realistic. In "Clash of Kings," we're treated both to some of our favourite women from the first book as well as new heroines. There are no stereotypes here and each character embodies her own strengths and flaws. Sure, there are women who fall in line with the traditional gender roles of a medieval wife and those who prefer a more warrior-esque life (as well as many who lie somewhere in between), but they're so wonderfully characterized that they never become predictably stereotypical, nor are they overlooked in favour of the male characters. A lot of authors could learn something from Martin: it's possible to write a varied female cast without them becoming stereotypes. Furthermore, it never feels like a character is included to provide "another female perspective" (or another male perspective, for that matter) - they all matter and they all provide valuable insight into Westeros, the war, and their unique situations.
While there isn't a "main character" per se, if I had to pick a point of view character that features most prominently, it would definitely be Tyrion. This is his book: how he rises to the lofty position of the King's Hand and how he uses his intellect and cunning to overcome his lack of physical prowess in a book that's largely about battles, knights, and their consequences. While Tyrion isn't my favourite character, his perspective is always interesting since he has to go about things in a vastly different way than the book's other figures. If you're a fan of Tyrion, this is your book!
"Clash of Kings" is a solid follow up to "Game of Thrones." It manages to be darker and grittier than its predecessor without coming off as gratuitous and continues the story without seeming like it's being unnecessarily dragged out. Martin's writing and characters are just as satisfying as they were in the first book, and I finished the novel feeling like I needed to start the next one immediately (and I did - thank goodness I didn't have to wait!). "A Song of Ice and Fire" is a truly unique and refreshing entry in the fantasy genre...and it's impossible to stop reading after one (or even two) books.
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The title of this fantasy novel is entirely accurate. Following the suspicious death of King Robert Baratheon in the first novel, his Iron Throne that unites the Seven Kingdoms of Westeros is suddenly in dispute. Although Robert has three children and his eldest son, the adolescent and wholly reprehensible Joffrey, has ascended to the throne, the regency of his mother Queen Cersei is perceived as weak. More than one claimant seeks the Iron Throne and many kings clash as peace flees the land and challengers continue to scheme and multiply.
The Competing Monarchs
Stannis Baratheon: A younger brother of the late King Robert, he declares himself the rightful heir of the kingdom. He dismisses the children of Robert by claiming (correctly) that they are bastards. Cersei conceived all three of the children with her twin brother Jaime Lannister with whom she has had an ongoing incestuous relationship. The allegation is so shocking however that it is not sufficient to topple the regency of Queen Cersei. Additionally, Stannis Baratheon is supported by the sorceress Melisandre who is a priestess of the Lord of Light R'hllor. She is aggressively spreading this religion in the Seven Kingdoms and her power is real. Stannis has attached himself to her power and his quest to take the throne is deadly serious.
Renly Baratheon: The younger brother of Stannis Baratheon also seeks the Iron Throne. Although he has no direct claim because of numerous heirs ahead of him, Renly is attractive and well-liked, which is not the case for the dour Stannis. Renly also has many important allies and supporters that make him militarily strong.
Robb Stark: The eldest son of Eddard Stark who was executed at the end of the first novel, Robb does not seek the Iron Throne. Instead, as the heir of the northern kingdom that had been united within the Seven Kingdoms, Robb has reverted to an independent state and been crowned the King of the North by his followers. He is young, only fifteen, but battles have made him grow up quickly, and with his pet dire wolf Grey Wind, he strikes a strong pose and has earned the loyalty of his men and knights.
As if a kingdom splintering into civil war were not sufficient, the plot of "A Clash Of Kings" is even thicker than good clam chowder and many more characters and subplots are woven into the story.
As in the first novel in the series, the Stark children hold a central role in the story, but now they are separated by multiple conflicts. Although the daughters Arya and Sansa take up a good portion of the novel, their brother Bran and half brother Jon Snow tend to have more interesting storylines. The crippled Bran remains in the Stark ancestral home of Winterfell. Since being pushed out a window by Jaime Lannister, Bran has begun to experience supernatural abilities now that his body is broken. He can join with his pet dire wolf during his dreams, but he is not quite sure what it all means.
Then the adventures of the bastard son of Eddard Stark, Jon Snow, with the Night's Watch on the Wall take him among the wildlings of the north. During his terrifying trek, Jon faces many trials and grows increasingly appealing as a character. He also learns about the gathering threats to the Seven Kingdoms in the wild lands.
The Lady Catelyn, the widow of Eddard Stark, is also an important figure in the novel. She wields a fair measure of authority as the mother of Robb, now King of the North, but her diplomatic efforts ceaselessly fail and her decisions always turn out to be bad.
Tyrion The Dwarf
Of all the characters devised by the imagination of Martin, Tyrion Lannister, the reviled dwarf born of his noble family, draws the reader into his life with all the power that a novel can conjure. Despite being often scorned, disliked, and dismissed, Tyrion's power has been growing. He has cultivated a dependable group of cutthroat mercenaries to his side and in this novel his powerful father has installed him as the King's Hand, an important albeit thankless administrative position with the monarchy.
Redeeming qualities for Tyrion are his intelligence, sharp tongue, sarcastic aptitude, and political boldness. Along with these strong traits, he gains the devotion of the reader simply by prevailing as a small man in a big world. He always seems to slip away from death despite his lack of friends outside the influence of his ample Lannister purse. Also near the end of the novel, Tyrion joins the fighters defending King's Landing from the invasion of Stannis, and it is Tyrion's strategies that save the city from the inept and inattentive leadership of his sister and regent, Queen Cersei.
"A Clash Of Kings" presents fantasy readers with a robust and intelligent second novel of a series that thrives with complexity and political machinations. Some readers may be intimidated by the length and detail of Martin's fantasy novels, but the reader has little need to try to keep track of everything. Martin has the ability to endow characters with a fullness of life, emotion, ambition, and everything in between that is truly a gift to literature. Readers will care about the characters. Some you will want to throttle. Others you will want to save. While still others will awe you with their majesty, like Daenerys and her three hatchling dragons leading the remnants of her followers through a hostile desert as she seeks her destiny.
I graciously give Martin another five sword rating for A Clash of Kings. I wish all books could be so good.
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I think there's a good balance of pure pseudo-historical adventure story with subtle fantasy elements without being too in-your-face fantasy. It takes place in a kingdom that believes magic and magical creatures no longer exist except in very subtle holdover ways, like the occasional witch-type character, but those are a rarity and viewed skeptically. As you move thorugh the books, some of this supposedly dead magic turns out to be not so dead, but it's not like a Dungeons and Dragons world where trolls and wizards run amock. So it doesn't have a "kitsch" problem the way some bad fantasy novels do. (Need I mention the trite regurgitated Eragon dragon series so lauded by critics a few years ago? I mean, yes, it was good for being written by a 16-year-old, but that doesn't make it actually good.) As I said, the "magical" parts are subtle and the characters treat them with uncertainty and suspicion. The supernatural aspects are almost peripheral to the main plot, at least in Book 2.
As with the first book, the subsequent ones focus on the Stark family, and we get chapters on all of them regularly (eldest brother Robb trying to be a "man" at 16; bastard brother Jon who was sent North to the Wall; the two sisters - one dreaming of being a queen, the other learning the art of the sword; 8-year-old Bran who fell off the roof early in the first book; 4-year-old Rickon who has yet to really develop as a character). The children's connection to their direwolves continues to fascinate me; the animal on the family crest who appears to be connected to the family line more than metaphorically... This potentially supernatural element seems to solidify that the Starks are the true focus of the overall story. But other major players on the chessboard of this "game" also become near and dear to the reader (Tyrion Lannister, "the Imp," we love you!), even some who are less than admirable. Some of the surlier characters introduced as "bad guys" (Sandor Clegane, i.e., "the Hound") have their heartfelt or compassionate moments (but not all of them - Tywin Lannister deserves whatever he gets!). Characters make good choices and bad; lots of bad things happen to good characters - it's really very engaging and resists dictating the readers' opinions (unless I'm being so subtley controlled I don't realize it, which is totally possible; I'm a pushover sometimes!). At this point in the story, as may be plain from the title of book 1, various figures are vying for the throne. I honestly don't know who I'm rooting for; there is definitely more than one compelling option. The only thing all readers probably agree on is who shouldn't be on the throne (Joffrey, "the Douche." Ok, I made that nickname up myself.)!
As far as actual literary value, I have no complaints. The prose can sometimes be plodding with detailed descriptions of people's clothing (do I really care where the silk came from?) or the various courses of a feast (yum! but let's get on with it), but for the most part it is artful and eloquent. Like Stephen King, he spells out the dialectic quirks in dialogue which makes voices come alive and makes the world they're in feel more real (poor uneducated people and fancy rich people speak differently? hey, that's like real life!). He uses historical vocabulary a lot, which has made me grateful for the Kindle's built-in dictionary at times, but I think speaks to the level of research and preparation that went into it. I'm sure that if I really put my mind to it, there would be phrases or pages that I could slash with a red pen, but only very few, honestly. Even the tangential moments - during which I am anxious to get back to the action and find out what happens next in the grander scheme of things - have a purpose and feel necessary even in the moment. The story is thorough to a ridiculous degree, but this makes it feel more real; it is so holistic in its attention to detail (in both physical descriptions and emotional/psychological insight) that you can't help but believe this all happened or is happening somewhere, somewhen. Ah, verisimilitude.
It's not a love story, although there is some love. It's not a true war story, despite the battle scenes - it certainly doesn't resemble All Quiet on the Western Front, A Farewell to Arms, Catch-22, or any other "war novel" I've ever read; it isn't really making a commentary on "war" as an evil thing nor is it glorified (even though heroic acts in battle certainly are). Rather the evils of war are a given, but it is accepted as a necessary process to achieve eventual stability; knights are idolized for their ability to "protect the innocent"; their ability to decapitate with a single blow is merely the method of their brave and gentlemanly duty; of course, some relish it more than they ought to. There is no identifiable hero or villain (there are definitely a few heroes and villains though) and there is no particular "quest" except maybe "achieving leadership who will protect the realm" - but that's a pretty lame quest if you ask me. With humans fighting humans while a supernatural threat looms in the background, it could become more of an "us against them" in some later book, but that's not really the groundwork I think the author is laying. It feels more like just a context for a foray into the virtues and pitfalls of humanity. It should be called "A Game of Good-Choice, Bad-Choice." :)
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At the end of A Game of Thrones, a red comet appeared in the sky. Its presence dominates the opening chapters of A Clash of Kings, as every faction in the conflict rippling across the continent of Westeros interprets the comet as a portent of its own victory. At most one of these interpretations is correct, of course, and the book is silent on what the comet actually means, if it has any significance apart from the astronomical. That's the way of magic in this series; it's vague, difficult to explain, nothing if not equivocal.
Mysterious and strange though magic may be, its power is on the rise in A Clash of Kings. Whether, as is suggested at one point, its resurgence has to do with the birth of Daenerys Targaryen's dragons is another open question. What's certain is that magic casts its ominous shadow over the events of this novel, creating at intervals an atmosphere of uncanny threat uncommon in epic fantasy, more reminiscent of classic tales of horror, the supernatural, and the weird. The locations in which A Game of Thrones took place were largely based on medieval precedents, basically familiar to readers of epic fantasy, though reinvigorated by Martin's use of gritty historical detail. New settings in A Clash of Kings are less familiar, and more disturbing.
The book's gem of a prologue introduces readers to Stannis, brother of the late king Robert and a major player in the titular conflict. Stannis' home, the island fortress of Dragonstone, is a dark, eerie place, made all the more so by the arrival of a priestess from a distant religion. As an elderly adviser who raised Stannis after the death of his parents tries to curtail the priestess' rising influence, the reader learns of the sad history, grim architecture and melancholy inhabitants of the fortress. Full of world-building, character development, and hints of the impossible, this thirty-page chapter is a model of fantasy storytelling. Further chapters in this narrative strand, with a new point-of-view character, are less dazzling, but still excellent, and never without ambiguous aspects.
The second new point-of-view character introduces the reader to the Iron Islands, a harsh environment whose inhabitants live a harsh lifestyle not dissimilar to that of the Vikings. The bare, stony, sea-swept islands have their own religion, less comforting than that of the mainland; almost Lovecraftian, in fact. And then there's the city visited by Daenerys, an ornate mecca full of vast buildings, strange beasts, and warlocks. These chapters have about them something of Jack Vance, whom George R. R. Martin regards as the greatest living fantasist. Unlike some writers of epic fantasy, whose influences begin and end with Tolkien, Martin has read widely in fantasy, science fiction, and horror, and the vast world he creates reflects all of that reading.
But these new characters and situations are balanced by old ones, by the same mix of courtly intrigue and violent action that characterized A Game of Thrones. As the book opens, Tyrion Lannister arrives in King's Landing to act in his father's place as Hand of the King. But enemies and potential enemies are everywhere, from the eunuch spymaster Varys to the calculating treasurer Littlefinger to his own sister, Queen Regent Cersei, and her spoiled, unstable son, King Joffrey. Tyrion will need his sharp wit to survive, and indeed, he puts it to good use in some of the most entertaining chapters in the entire series. Although many of the protagonists of A Song of Ice and Fire fancy themselves to be master manipulators, Tyrion is the only point-of-view character who has a real genius for such things, and his fierce sense of humor lends his arc a particular edge.
Meanwhile, Arya Stark, daughter of the executed Eddard, is in disguise as a boy, being led north toward home. That course takes her through the lands devastated by the conflict the nobles of various houses have so blithely started, and gives her a rapid education in the cruelties of war. Death and disease are rampant, and only strength, intelligence, and bloody-minded cruelty of one's own offer a chance of survival. Despite being a young girl, Arya quickly demonstrates her growing mastery of all three. Like many characters in the series, she's on a dark road, and things seem likely to get much worse before they get better.
These are only some of the protagonists and situations of the novel, and I've barely hinted at the growing moral ambiguity of the series, created by the widening range of point-of-view characters, each with his or her own plans, flaws, histories, and justifications. A Song of Ice and Fire is truly a mammoth story, combining the best of epic fantasy, historical fiction, sword-and-sorcery, and horror. The author has described his childhood reading as "all sorts of weird stuff," and that's also a good description for this series: all sorts of weird, wonderful stuff.
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This is such an awesome read but a book you would not want to read out of order so a reader must read The Game of Thrones first or they would be completely confused of the reasoning's behind the conflicts and drama's.
I have many conflicting emotions concerning this second book. Yes it is very good but aggravating because it seems the good guys have no luck and are all destroyed. The author does keep the reader hooked to every sentence in hopes that the good guys will prevail. I'm looking forward to jumping into the third book "A Storm of Swords".
There is too much going on in this 700 plus pages to explain every detail but below I'm listing notes on some of the characters I either hate or love:
Joffrey - spoiled rotten brat (13 yr old new king) that needs to be killed along with his mother Cersei and his hound Sandor Clegane - talking about a twisted individual - one sick puppy that is lethal.
Cersei - another person I hate and hope she gets her head chopped off in front of her son Joffrey.
Stannis Baratheon - King that needs to be slapped for getting messed up with a sorceress - get ready for all kinds of evil foul magic
Renly Baratheon - shamed he got killed but in a way he was a dumb greedy bastard like most of these kings and lords.
Jaime Lannister - the Kingslayer - sick and cruel individual that I hope gets killed. He is twin to Cersei and father to Joffrey (yes incest). Right now the Starks and Tullys have him captured.
Tyrion Lannister - Brother to Jaime and Cersei, one of the better ones in that family but very sly. Though he is a deformed midget I like him and find him humorous at times. I like his new protector Bronn, he is lethal. I like his new men Shagga and Timett - I love their bantering and love how they think. I feel sorry for Tyrion in a way, his family is so mean to him and I hope he finds away to destroy them all and will be able to find happiness with Shae. It is funny how Tyrion has more honor and wisdom then his family, I admire him for leading his men to victory when they went to war to fight.
Grand Maester Pycelle, Petyr Baelish (Littlefinger/master of coin), Janos Slynt (commander of gold cloaks),and Varys (Spider/spy-master of whisperers) - they're conniving instigators galore! CUT THROATS! Power Hungry pieces of Crap and un-trust worthy.
Robb Stark - New King of the North at the age of 15 yrs old - I like their whole family except for his sister Sansa and it seems they are being killed off one by one - I hope they get a break of luck soon.
Lady Catelyn - Robbs mother - one strong woman and very smart and wise.
Sansa - Robb's sister - I can't stand her, she is a snooty beotch and deserves what she gets. She is so blinded by fairy tales up until this second book and now she isn't getting such a fairy tale ending since her betroth Joffrey had her fathers (Ned)head cut off and he has her beat. However now Joffrey puts her aside for another and her life outcome is in the open - will she remain a captive and be rapped or will she escape????
Arya Stark - I love this 10 yr old, she is an all out Tom Boy. When reading I look forward to her chapters and hope she comes back and kills everyone that has done her family wrong.
Bran Stark - I love this kid too and think it is neat that he is a Warg - a shapeshifter in dreams, one with three eyes or a crow with 3 eyes. He can see through his DireWolf,s eyes. He and his brother Rickon (4yr old) are survivors
Jon Snow - Ned Starks bastard child - I love him and his direwolf. He is a Warg also. I look forward to his adventures beyond the Black Wall and I hope he learns of the old magic and will prevail in the coming wars.
The Direwolf's - love them all - Nymeria, Summer, Shaggydog, and Ghost.
Though Winterfel has been burned and destroyed I hope the Starks make a comeback - they are the good guys. The kids are scattered all over, will they all come back in the end?????
Daenerys Targaryen - the queen across the waters - Mother of Dragons. I think she is cool but her journey is taking too long, will she make it back over with her 3 dragons???? Will she reclaim her throne???? There is not much action happening now with her so I look forward to her drama mixed with the kings. I also hope that the Dragons will grow and reproduce.
There is so much to this series and just within the two books I have read, it is so complex and mind boggling. One thing for sure and that is it keeps you on the edge of your seat, your laughing one moment and freaking out the next. The writing is a visionary wonder!
Excellent read!
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I'm convinced George R.R. Martin is producing literary crack with his stories of the battles and the intrigues of this fictional land. I almost referred to Westeros as a "mythical" land, but that would have fallen short as a description. Mythic has always seemed to refer to larger-than-life characters. In A Clash of Kings the characters are life-sized and very human. They are also very complicated, neither entirely good nor entirely evil. Even when they may do evil things, their motivations seem truly human and understandable. There are no "classic" bad guys who chortle with glee when their nefarious plans come to fruition. I even found myself empathizing with Cersei and her son, King Joffery, who are arguably the least likable characters.
Not only does Martin produce fascinating characters, but the world of Westeros is masterfully built. Rather than throw tons of exposition at readers all at once, Martin lets the kingdoms blossom slowly and we are constantly making new discoveries. Take, for example, his decriptions of the religions of Westeros. In A Game of Thrones he offers some details of the new gods and the old gods. In A Clash of Kings he adds new details that enhance what has come before. The technique adds layers of depth to the story.
Likewise, the world Martin created is a morally neutral one. Evil sometimes triumphs. Good sometimes get corrupted. Even the most noble characters can die (as we learned in the first book). Martin isn't afraid to turn the conventional wisdom of fantasy on its head (or even shake them up, toss them in a literary food processor, and serve up the results to readers). As a result - at least in the first two works - you get a series weaving traditional fantasy threads through a world that feels very natural and organic.
I've purposely avoided discussing the plot of A Clash of Kings. That's partly because any synopsis I could write would pale in comparison to Martin's complicated, yet readable, plotting. That he can keeps us reading while his plot runs from battlefields to bedchambers to the froze land beyond The Wall to the Red Waste across the Narrow Sea is nothing short of amazing. Couple that with some of the most fascinating characters I've ever encountered between the covers of a book and you have an absolute winner. Tyrion, Jon Stark, Arya, Caitlyn ... I'd almost swear these were flesh-and-blood people who allowed me to look over their shoulders.
It's nearly impossible to heap enough praise on Martin's series, but allow me one more observation: rather than taking a break after completing A Clash of Kings, I've already downloaded the next in the series, A Storm of Swords, and will eagerly dive into it tonight.
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This is a difficult book to review because it is one part of a larger whole. Those skillful hands that began stitching the patchwork story in the first novel nimbly continue, giving us, at times, a clearer understanding of events. New threads are being added and we aren’t sure what image they are going to show us when all is said and done. But each new strand rivets us to the story and we become emotionally invested.
As I read A Clash of Kings, many things popped out at me from a writing standpoint. Martin has populated these books with a multitude of characters. In truth, I can’t name them all. It’s a no-no in the publishing world to do such a thing, so how does this author get away with it? The main characters are extraordinary, that’s how. Arya Stark, Jon Snow, Tyrion Lannister and Daenerys Targaryen (to name only a few) are memorable. They have faults and virtues, they are multi-faceted, ever growing and changing.
The words on the page are at times beautiful. Even while characters are hacking each others heads off, Martin commands the language expertly. For example:
“The long low note lingered at the edge of hearing. The sentries at the ring wall stood still in their footsteps, breath frosting and heads turned toward the west. As the sound of the horn faded, even the wind ceased to blow. Men rolled from their blankets and reached for spears and swordbelts, moving quietly, listening. A horse whickered and was hushed. For a heartbeat it seemed as if the whole forest were holding its breath. The brothers of the Night’s Watch waited for a second blast, praying they should not hear it, fearing that they would.”
This passage is written in such a way to allow the reader to see and hear what’s happening. As a result, the anxiety seeps into you as it does the characters.
This world and its inhabitants combine familiar and mysterious elements written in such a way that it’s as if we’ve lived there all our lives. I found myself torn between wanting to read constantly until I’d finished and holding back so that I could remain immersed in the world for as long as possible. I should have the third book in the A Song of Ice and Fire series soon. I’m ready to continue the journey, anxious even.
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(1) LEADEN PACE: Yes, I can now see what others have complained about. Book 1 moved along slowly, but Book 2 positively crawls at times.
(2) EXCESSIVE LENGTH/COMPLEXITY: The author should have put this book on a treadmill, and made it loose 250 or so pages. It's too flabby, even for someone of my laid back literary nature. The chief problem is that the author tells the tale from too many different angles at the same time, and the result is a story that's fragmentary ... and difficult to get back into if you put it down for more than a few days. Working from 8 different moving points on the same map, in simultaneous fashion, is a too fragmentary, and makes it difficult for the reader to relax into the tale. Instead, the reader is left to paddle furiously, like a poodle dropped in a swimming pool, with people shouting "over here !" from multiple different angles. It's sink or swim.
(3) EXCESSIVELY GRAPHIC VIOLENCE: I have the same complaint with movies these days ... the author seems to revel in describing sucking chest wounds, ropy intestines spilling out, and festering wounds. I'm well acquainted with the harsh realities of limited medieval medicine, but the author goes overboard at times, and there are moments when it feels like I'm watching a "splat" movie. Also, his "maester" healers seem rather under skilled, medically ... for all their supposedly great training, all the author seems capable of having them do is do simple bandages, pour boiling wine into gashes, apply leeches, and give people "milk of poppy" or "dream wine". There's a lot more to first aid, even at the medieval level, than just that.
(4) EXCESSIVE SEX: I've noticed a definite trend in both TV, SciFi and Fantasy over the past 20 years towards more and more sex. There were a few scenes in Book 1 of this series that raised my eyebrow, but not enough to carp about. This book, however, raises the bar considerably ... we see fellatio & cunnilingus, as well as repeated references to anal sex, buggery, incest, rape-murders, and even a reference to necrophilia {re: the character "Reek"}. In fact, I'd be hard pressed to name a chapter than didn't seem to have an obligatory sex scene, or sexual reference in it - and more often than not in an unsavory context. Don't get me wrong - I'm not a prude by any stretch of the imagination, and these things are realities of everyday life ... but there was no warning on the cover that the book is liberally interspersed with such content. Things have come a long way from the days of Robert E. Howard's Conan, and Edgar Rice Burroughs' John Carter of Mars pulps, in which we occasionally see women clad in gossamer veils, the occasional flash of nipple, and a quick fade-out on people who begin to get it on. GRRM doesn't leave the room at all ... he just lowers the action from XXX to NC-17 (single x) in order to avoid excessive complaints. In other words, he's pushing the envelope of the genre. I don't mind mature content at all ... but I *do* mind the lack of notice on the cover. The book should be marked as such, for the convenience of prospective readers who don't want to get blindsided by such things.
(5) EXCESSIVE MORTALITY: Ya know, I've played in some role playing campaigns in which the mortality level was gratuitously high - to the point where it seemed like the GM was perhaps overcompensating for their own real life shortcomings (e.g., no career, no sex life, no control over their fate) by making everyone else's life a living hell. In the case of this book, the author seems (to me) to go overboard in setting up characters and sub-plots, and then killing everything (and everyone) off, just to keep people guessing. Some people call that being bold and taking risks with the plot, whereas I think of it as being excessively sadistic - what's the point of sitting though all GRRM's long and plodding buildup, only to have the author crumple it up and toss it in the trash and go off in a completely different direction ? Where's the intellectual and emotional payoff ? Although gripping and entertaining, I'd be hard pressed to find much in this book that's uplifting, comforting, secure, nostalgic or inspiring, because the author is constantly ripping down plots and characters and papering up new ones every other chapter ... like a frothing tyrant, setting up elaborate patterns of dominos, just so he can gleefully kick them over. There's a fine line between having enough mortality to make death and failure a constant presence in the overall story (as it is in real life), and having half the characters die horribly, from book to book. It's too much, IMHO.
(6) ERATTA: There are some things that the author just plain gets wrong. For instance, the author's distance terminology usage appears wrong. I haven't analyzed it too closely, but it seems (to me) like he uses the term "leagues" as if they were the same as kilometers. They are NOT the same. One league = 3 miles = 4.83 kilometers. If his usage of the term were correct, then it should take a *lot* longer for people to get from place to place than it seems to in his plot. The author, however, doesn't seem to have the patience to support that sort of slow travel pace however, so he just seems to ignore the consequences of his improper use of terminology.
(7) CULINARY SHORTCOMINGS: I enjoy writers who take their food seriously (big props to GRRM for that), but it bothers me when people make mistakes. For instance - people going on multi-week trips over rough terrain, on foot or horse, don't typically lug lots of raw eggs with them for breakfast ... they're fragile, they're heavy (mostly water), and they easily spoil. Rib bones don't have soft edible marrow ... only the bones of extremities have soft marrow that's suck able. I'd also complain about blueberries (early summer), mint (late summer & early fall), and grapes (fall) not being in season at the same time, but since the seasons in the author's world span multiples of years, I think we can let that one slide. However, if the main continent of the seven kingdoms is truly a thousand leagues long, then Dorne and The Wall should be in different hemispheres, and the growing seasons should be reversed ... however, the plot seems to imply that the entire continent is in the same hemisphere, with much the same growing season. Perhaps there's something that the author is not telling us, and that perhaps their world is 10x the diameter of Earth (and spins faster on it's axis to make up for it). Still, I find it hard to believe that they can enjoy fresh oranges way up north, at The Wall. Based on the distances involved, the author should have (instead) featured pickled lemons, instead of fresh citrus. Also, there's not enough regional variations in the cuisine depicted. We don't see much dothraki cuisine except for mares milk and horse meat, and over in the seven kingdoms, and cuisine in the north seems to differ from the south only in that the south is more wealthy, and that fruit is a bit more prevalent. The only time the author mentions spices is in spiced wine, and the only seasoning in his food is salt and pepper. For the amount of word count that the author devotes to food, he could do better, with regards to regional diversity of cuisine.
Bottom line: I'm still very much enjoying this series, but there's room for improvement.
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Somehow, George R. R. Martin upped the stakes and made everything bigger in this fantasy book. The stakes are higher – there are factions and rebellions, new and dangerous characters, and the world just keeps getting bigger.
Tyron truly came into his own in this book. He commanded the story and had my favourite arc.
Sansa’s chapters were difficult to read but offered a glimpse into the mind of the boy king that we didn’t get (much of) anywhere else.
Cat and Robb had a steep hill to climb and their struggle really hit home hard. Bran’s story was quite slow but it’s beginning to pick up the pace.
Jon’s arc was brilliant – I want more of that!
Arya was on a bit of a travelogue – if a bit of a dark one – which was so much fun to be on because the world was amazing to explore.
Daenerys had a hell of a journey, but it’s not over yet.
This section is spoiler free, so I can’t really talk about what happened in more detail than that! All you need to know is that continuing with the story is worth it – it’s exciting, bloody, brutal, and engaging.
The characters are all fantastic and unique within this world. And the world itself feels so epic, it’s impossible not to get lost in it all.
SPOILER SECTION
Stannis was a great character to introduce in this book. He felt like a real contender to the Iron Throne, and even though I felt like he couldn’t win because Tyrion was a defender of the city, I was still surprised when he lost.
That’s always a good feeling, when a writer can do something like that. His storyline also introduced an element of magic to the books that was previously unseen, much of the time.
Davos is a great character to follow for these scenes and I hope to see more of him in the future – despite knowing that George R. R. Martin has to qualms about killing off whoever he likes!
Robb really came into his own as King of the North. His storyline, also told through Cat, was exciting and intriguing. I wasn’t expecting so much battle planning to be present in the book. He made a mistake, so he’s got to work through that, but otherwise his arc is brilliant.
Theon was another new character to follow in this book. He’s a dick. George R. R. Martin does an amazing job of making the reader hate Theon, but you also feel for him. He’s an outcast in his own family, in his own country, and he wants to prove himself. I hate him, but I also wish him well…
Jon’s storyline felt quite slow, even though it was still progressing forward. The introduction of Ygritte was an interesting twist for his character, but it was when he killed Qhorin Halfhand that I realised that his story was going somewhere interesting.
Bran’s story was very slow, but again, at the end it seemed like he was finally moving forward (literally and in a plot sense).
Daenerys’ story was really good in this book. She overcame the threat of starvation, for herself and her people, found somewhere safe to stay, and then she had to fight her was out of it again.
At parts, it felt slow, but for the most part I loved the characters involved and I’m excited for what comes next.
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