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A Free Man of Color (Benjamin January, Book 1)

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Book overview

A lush and haunting novel of a city steeped in decadent pleasures . . . and of a man, proud and defiant, caught in a web of murder and betrayal.

It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evenings festivities are interrupted—by murder.

Ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen and into the huts of voodoo-worshipping slaves.

But soon the eyes of suspicion turn toward Ben—for, black as the slave who fathered him, this free man of color is still the perfect scapegoat. . . .

Praise for A Free Man of Color

“A smashing debut. Rich and exciting with both substance and spice.”Star Tribune, Minneapolis

“A sparkling gem.”
—King Features Syndicate

“An astonishing tour de force.”
—Margaret Maron

“Superb.”
Drood Review of Mystery

“A darned good murder mystery.”
USA Today

Review

“A smashing debut. Rich and exciting with both substance and spice.”Star Tribune, Minneapolis

“A sparkling gem.”
—King Features Syndicate

“An astonishing tour de force.”
—Margaret Maron

“Superb.”
Drood Review of Mystery

“A darned good murder mystery.”
USA Today

From the Publisher

"A smashing debut. Rich and exciting with both substance and spice."
--Star Tribune, Minneapolis

"A sparkling gem."
--King Features Syndicate

"An astonishing tour de force."
--Margaret Maron

"Superb."
--The Drood Review of Mystery

"A darned good murder mystery."
--USA Today

From the Inside Flap

A lush and haunting novel of a city steeped in decadent pleasures...and of a man, proud and defiant, caught in a web of murder and betrayal.

It is 1833.  In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evenings festivities are interrupted--by murder.

Ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death.  With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen and into the huts of voodoo-worshipping slaves.

But soon the eyes of suspicion turn toward Ben--for, black as the slave who fathered him, this free man of color is still the perfect scapegoat....

About the Author

Barbara Hambly is the author of Patriot Hearts and The Emancipator’s Wife, a finalist for the Michael Shaara Award for Excellence in Civil War Fiction. She is also the author of Fever Season, a New York Times Notable Book of the Yearand the acclaimed historical Benjamin January series, including the novels A Free Man of Color and Sold Down the River. She lives in California.

Excerpt. © Reprinted by permission. All rights reserved.

The ochre stucco cottage on Rue Burgundy was silent when January reached it. It was one of a row of four. He listened for a moment at the closed shutters of each of its two front rooms, then edged his way down the muddy slot between the closely set walls of the houses to the yard, where he had to turn sideways and duck to enter the gate. The shutters there were closed as well. The yard boasted a privy, a brick kitchen, and a garçonnière above it.

When first he had lived there, his sister had occupied the rear bedroom, his mother the front, the two parlors--one behind the other--being used for the entertainment of St.-Denis Janvier. Although he was only nine years old, Benjamin had slept from the first in the garçonnière, waiting until the house lights were put out and then climbing down the rickety twist of the outside stair to run with Olympe and Will Pavegeau and Nic Gignac on their midnight adventures. He smiled, recalling the white glint of Olympe's eyes as she dared them to follow her to the cemetery, or to the slave dances out on Bayou St. John.

His younger sister--his full sister--had been a skinny girl then, like a black spider in a raggedy blue-and-red skirt and a calico blouse a slave woman would have scorned to wear. Having a back room with access to the yard hadmade it easy for her to slip out, though he suspected that if she'd been locked in a dungeon, Olympe would still have managed to get free.

Olympe had been fifteen the year of Dominique's birth. The two girls had shared that rear chamber for only a year. Then Dominique had occupied it alone, a luxury for a little girl growing up. But then, Dominique had always been her mother's princess, her father's pride.

Presumably Dominique had occupied the room until Henri Viellard had come into her life when she was sixteen. By that time St.-Denis Janvier was dead, leaving his mistress comfortably off, and Livia Janvier had married a cabinetmaker, Christophe Levesque, who had died a few years ago. The rear room that had been Olympe's, then Dominique's, had been for a short spell Levesque's workshop. Now it was shut up, though Minou was of the opinion that her mother should take a lover.

January stepped to the long opening and drew back one leaf of the green shutters, listening at the slats of the jalousie for his mother's soft, even breath.

He heard nothing. Quietly, he lifted the latch, pushed the jalousie inward. The room was empty, ghostly with dust. He crossed to the door of his mother's bedroom, which stood half-slid back into its socket. Slatted light leaked through the louvers of the doors to the street. The gaily patterned coverlet was thrown back in a snowstorm of clean white sheets. Two butter-colored cats--Les Mesdames--dozed, paws tucked, on the end of the bed, opening their golden eyes only long enough to give him the sort of gaze high-bred Creole ladies generally reserved for drunken keelboat men sleeping in their own vomit in the gutters of the Rue Bourbon. There was water in the washbowl and a robe of heavy green chintz lay draped over the cane-bottomed chair. The smell of coffee hung in the air, a few hours old.

Euphrasie Dreuze, or one of her friends, he thought. They had come to her for comfort, and Livia Janvier Levesque had gone.

January crossed the yard again, his black leather music satchel under one arm. There was still fire in the kitchen stove, banked but emitting warmth. The big enamel coffeepot at the back contained several cups' worth. He poured himself some and carried it up the twisting steps and drank it as he changed his clothes and ate the beignets and pastry he'd cadged from the ballroom tables in the course of the night. Half his gleanings he'd left at Hannibal's narrow attic, stowed under a tin pot to keep the rats out of it, though he suspected the minute he was gone one or another of the girls who worked cribs in the building would steal it, as they stole Hannibal's medicine, his laudanum, and every cent he ever had in his pockets.

Before eating he knelt on the floor beside his bed and took from his pocket the rosary he'd had from his childhood--cheap blue glass beads, a crucifix of cut steel--and told over the swift decades of prayers for the soul of Angelique Crozat. She had been, by his own experience and that of everyone he'd talked to, a thoroughly detestable woman, but only God could know and judge. Wherever she was, she had died unconfessed and would need the prayers. They were little enough to give.



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"Barbara Hambly (b. 1951) is a New York Times bestselling author of fantasy and science fiction, as well as historical novels set in the nineteenth century. After receiving a master’s degree in medieval history, she published The Time of the Dark, the first novel in the Darwath saga, in 1982, establishing herself as an author of serious speculative fiction. Since then she has created several series, including the Windrose Chronicles, Sun-Cross, and Sun Wolf and Starhawk, in addition to writing for the Star Wars and Star Trek universes.

Besides fantasy, Hambly has won acclaim for the James Asher vampire series, which won the Locus Award for best horror novel in 1989, and the Benjamin January mystery series, featuring a brilliant African-American surgeon in antebellum New Orleans. She lives in Los Angeles."

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Customers say

Customers find the writing quality excellent and beautiful. They describe the book as a great read and worth following. Readers describe the story as interesting, thrilling, and beautiful historical fiction. They praise the characters as great, likable, and engrossing. Opinions differ on the pacing, with some finding it good and convincing, while others say it's slow.

AI-generated from the text of customer reviews

33Customers mention
31Positive
2Negative

Customers find the story interesting, well-written, and thrilling. They appreciate the good suspense and struggle that keep them interested to the very end. Readers also mention the detailed information is vital to the story. They say the mystery is well-developed from the start, with enough information.

AI-generated from the text of customer reviews

"...I really enjoyed seeing the story unfold, and am on to the next." Read more

"...Keeping them straight is a challenge, but the story becomes so interesting that even though it's necessary to keep going back, and rereading..." Read more

"...So so topical, n'est-ce pas?!?!🤷🏾‍♂️🤷🏾‍♂️ Extremely well done, as conveyed by the author.Buy it, read it and enjoy!!👍🏾🇺🇲👍🏾🇺🇲👍🏾🇺🇲👍🏾🇺🇲👍🏾🇺🇲..." Read more

"...In terms of the story, the mystery is well developed from the start, with enough information that the "whodunnit" makes sense without it..." Read more

18Customers mention
18Positive
0Negative

Customers find the book interesting, enjoyable, and worth rereading. They say it immerses the reader in the rich world and curiosity.

AI-generated from the text of customer reviews

"...busybody who "has to know the truth." All in all, an excellent read, and I'm looking forward to the next one!" Read more

"...They are so enjoyable that the mystery becomes almost secondary to the desire to delve further into their lives...." Read more

"I enjoyed the book very much and learned a great deal about a period of history I didn't really know at all (aside from basic dates)...." Read more

"...DO NOT MISS THIS ONE! It's an absolute gem." Read more

14Customers mention
11Positive
3Negative

Customers find the characters in the book great, likable, and engrossing. They also appreciate the depth of personality and complex motivations.

AI-generated from the text of customer reviews

"...It helps that Benjamin is a very likable man, heartbroken at the loss of his wife in France, who just wants to help and protect people and make a..." Read more

"...Benjamin January, a free black man, is a wonderful character and I'm looking forward to reading more about him." Read more

"...Free Man of Color is how the characters take shape with engrossing depth of personality and complex motivations...." Read more

"Engaging characters and wonderful setting, with fascinating historical context of life among free blacks and other people of color in the early days..." Read more

12Customers mention
10Positive
2Negative

Customers find the writing quality excellent and beautiful. They also say the author's research amazes them and the book provides a good, accurate look at the times.

AI-generated from the text of customer reviews

"...to read all of them, however - the first two are gripping, richly written narratives that give you almost an immersive sense of the time and place." Read more

"...Clearly Hambly can write well - I wish her editor had managed to get the pace picked up a bit." Read more

"...Well-written, well-paced, this murder mystery is a real thriller with a fantastic climax...." Read more

"...With wonderful writing, I met a hero who's skills would be accepted and utilized today but in New Orleans society of the time his medical and..." Read more

6Customers mention
6Positive
0Negative

Customers find the book's color wonderful and vivid. They say it paints a good picture of the black man in early history. Readers also mention the book is superb at depicting the struggles of blacks, including free blacks.

AI-generated from the text of customer reviews

"...This book is superb at depicting the struggles of blacks, including free blacks, in early 19th century America, at a time where the shade of one's..." Read more

"...Also the descriptions of the people and places were very vivid. I really could picture them in my mind...." Read more

"this was a book painting a very good picture of the black man in early America." Read more

"...an honest portrayal of a difficult time in history, and gives an honest picture of life in New Orleans among slaves, free persons of color and the..." Read more

9Customers mention
5Positive
4Negative

Customers have mixed opinions about the pacing of the book. Some mention it's good and the setting is wonderful, while others say it'll be slow but interesting.

AI-generated from the text of customer reviews

"From the very first paragraph, the author conjured up such a convincing sense of place that I knew I was in for a treat...." Read more

"...The pace of the book dragged, the first third of the book spent largely introducing characters, their relationship with others, and highlighting..." Read more

"Engaging characters and wonderful setting, with fascinating historical context of life among free blacks and other people of color in the early days..." Read more

"This book started out real slow for me. I did not start enjoying this book til about 40% through...." Read more

Top reviews from the United States

5.0 out of 5 starsVerified Purchase
Beautiful historical fiction.
Reviewed in the United States on June 15, 2024
Great descriptions of New Orleans in 1830. Just a great series of 20 books of Who Dunnits .
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4.0 out of 5 starsVerified Purchase
Dense with history.
Reviewed in the United States on February 11, 2020
This isn't a book a reader can breeze through, because not only are the characters mult-leveled and complicated, so is the location and history that the main character lives in. There's a lot of new words to learn, and many characters to be introduced to, as well as a whole... See more
This isn't a book a reader can breeze through, because not only are the characters mult-leveled and complicated, so is the location and history that the main character lives in. There's a lot of new words to learn, and many characters to be introduced to, as well as a whole city thick with a history that's changing every day.

Benjamin, who's recently returned to New Orleans after living in France for many years has to re-learn the complicated social rules of New Orleans at the time. Trained as a surgeon but who's allowed no practice of his own, and gifted at music, he's all too aware that the papers that proclaim him a Free Man can easily be lost or torn up, by those who would kidnap and sell him north, based only on his skin color.

Starting in the thick of a Mardi Gras costume party, there are quite a few characters that are introduced. It can make for a heavy bit of reading to keep them all straight, but I found it well worth the effort to keep up with them.

It helps that Benjamin is a very likable man, heartbroken at the loss of his wife in France, who just wants to help and protect people and make a living teaching music to those rich enough they can afford the lessons for their children. He's very much a character to root for, as he walks the mine-field of hate and prejudice, to unravel the mystery of a murder that may claim him as a victim as well.

I really enjoyed seeing the story unfold, and am on to the next.
3 people found this helpful
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5.0 out of 5 starsVerified Purchase
Fascinating book, and highly recommended!
Reviewed in the United States on February 18, 2020
I bought it yesterday, and finished it today. The setting is 1830s New Orleans, and starts at a Mardi Gras party. Our protagonist is Benjamin January, or Janvier when French is spoken. He is, as the title has it, a free man of color - born a slave, later freed.... See more
I bought it yesterday, and finished it today.

The setting is 1830s New Orleans, and starts at a Mardi Gras party. Our protagonist is Benjamin January, or Janvier when French is spoken. He is, as the title has it, a free man of color - born a slave, later freed. We see this world through his eyes and through the limitations imposed on him in this society of Creoles, Americans, Africans, and the meticulously stratified society of the "sang mêlés", or mixed bloods.

He has returned home after nearly 2 decades in Paris, where he trained as both a surgeon and a fine musician. He no longer quite fits in New Orleans -- not really a fish out of water, but rather a fish aware that where he is, is not the only kind of life he could live. This seamlessly shows the reader the prickly bits of situations that might otherwise not be fully understood. It is a world most strange to me.

There is a welter of surnames, so it is sometimes hard to follow who's who and who's important to the story. There is a welter of unusual words, some slang (will have to work absquatulate and horripilated into a sentence sometime), some French, some African, and some period pieces. But there is a rhythm to the language that is enchanting.

There's also a murder, lives in peril, people learning who they can trust, and a satisfying resolution. I won't spoil your fun if you haven't read it yet. And I do heartily recommend you seek it out if you have not read it.
9 people found this helpful
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5.0 out of 5 starsVerified Purchase
Riveting!
Reviewed in the United States on April 21, 2020
From the very first paragraph, the author conjured up such a convincing sense of place that I knew I was in for a treat. The subject can be wrenching, of course - the hero is a black man in New Orleans at a time when the largely French-influenced culture is being changed... See more
From the very first paragraph, the author conjured up such a convincing sense of place that I knew I was in for a treat. The subject can be wrenching, of course - the hero is a black man in New Orleans at a time when the largely French-influenced culture is being changed by an influx of northern "kentucks" with harsher views of a non-whites' role in society. As a result, I had to wait a bit before reading the next one, "Fever Season". I still plan to read all of them, however - the first two are gripping, richly written narratives that give you almost an immersive sense of the time and place.
3 people found this helpful
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3.0 out of 5 starsVerified Purchase
A fine first novel - but in bad need of editing
Reviewed in the United States on December 20, 2020
Barbara Hambly's first Benjamn January mystery is a mixed bag. I particularly enjoyed her descriptions of 1830s New Orleans and the racial and social tensions in the city at that time and in that place as "Kaintucks" began to settle in greater and greater numbers with... See more
Barbara Hambly's first Benjamn January mystery is a mixed bag. I particularly enjoyed her descriptions of 1830s New Orleans and the racial and social tensions in the city at that time and in that place as "Kaintucks" began to settle in greater and greater numbers with their "American" attitudes towards race generally and Blacks specifically - which were very much at odds with the more nuanced attitudes of the French/Spanish inhabitants who had lived there for decades before. Likewise the very "Catholicness" of New Orleans was very much at odds with the WASP-y work ethic and emphasis on commercial success that was being introduced by the new comers.

Her accuracy in terms of the city, its growing pains and the ugly attitudes of the deep south at the time are without doubt a strong point of the book. But it wasn't enough to warrant more than a mediocre review. The pace of the book dragged, the first third of the book spent largely introducing characters, their relationship with others, and highlighting the setting. Admittedly this is necessary, but it was a drag on the narrative arc. Similarly, Hambly juggles far too many characters to keep who is what to whom straight as the story unfolds - several characters, at least in this introduction, seemed ancillary and unnecessary to the plot (even as a red herring.) I also struggled with a white writer using the "N-word" - even in writing, even recognizing it is part of the setting of the story ... it just didn't set right for me for a writer in the later 20th century (book first published in 1997) to do this - I am certain some will disagree.

The story itself, these shortcomings aside, was solid: the complex interplay of race and social status as January seeks to clear his name from a murder during Carnival was a great McGuffin. The suspects were all plausible, and when the climax finally arrived it was taught, its resolution a suprise. Clearly Hambly can write well - I wish her editor had managed to get the pace picked up a bit.
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4.0 out of 5 starsVerified Purchase
--Decadence in Old New Orleans--
Reviewed in the United States on November 25, 2004
This is the story of Benjamin Janvier or January in English, who is a free man of color. Ben was born a slave in Louisiana. He was eventually set free, left America and went to France, where he married, and became a medical doctor. The book actually begins in... See more
This is the story of Benjamin Janvier or January in English, who is a free man of color. Ben was born a slave in Louisiana. He was eventually set free, left America and went to France, where he married, and became a medical doctor.

The book actually begins in 1822, when after sixteen years of living in France, Ben returns to the Creole society of New Orleans. Since he's black, he's not allowed to practice medicine. Fortunately, he is also a very talented musician, and is able to make his living by teaching piano and performing at social functions. Ben experiences culture shock on his return to America. When he had previously lived in Louisiana, the French and Spanish dominated the area and now, the Americans are very prominent and powerful. Ben also has to adjust to the change in his family. His young light skinned sister is now a placee and his older sister is involved in voodoo. Ben tries to find a way to live in Louisiana, but he's constantly comparing it to his life in Paris. When Angelique Crozat, a beautiful placee is killed, Ben becomes involved in finding her murderer. Placee was the name given to the light skinned women of color, who became the mistresses of white planters.

The book is a little difficult to follow since so many characters are introduced in the first chapter. Keeping them straight is a challenge, but the story becomes so interesting that even though it's necessary to keep going back, and rereading earlier passages, I didn't really mind. This is an fascinating story, and I plan to read the next book in this series.
7 people found this helpful
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5.0 out of 5 starsVerified Purchase
WOW!!!
Reviewed in the United States on June 24, 2020
One of the most thought provoking historical fictional stories that I've ever read. This book was written for its entertainment value, but the educational aspect should not be overlooked. If you are a student of early American history, pre Civil War New Orleans, and... See more
One of the most thought provoking historical fictional stories that I've ever read. This book was written for its entertainment value, but the educational aspect should not be overlooked. If you are a student of early American history, pre Civil War New Orleans, and languages, while also enjoying a good ole whodunit, then this series is for you. I consider myself a learned man, but I thank God for Amazon Kindle's built in Dictionary and Wikipedia!!😁😁

The protagonist of the series, Benjamin January, is an extremely gifted and complex man, at a time when men of color were not allowed to be so. A classicly trained musician and school trained surgeon, in Paris no less,, but limited by virtue of being a former slave, and a black man. Once he returns to America the limitations are even more pronounced, as you can imagine.

I found his attitudes and...psychology, especially given the time period, very interesting as he unveils himself throughout the book. It's as if he longed to shout out, "I AM A MAN!!!" So so topical, n'est-ce pas?!?!🤷🏾‍♂️🤷🏾‍♂️ Extremely well done, as conveyed by the author.

Buy it, read it and enjoy!!👍🏾🇺🇲👍🏾🇺🇲👍🏾🇺🇲👍🏾🇺🇲👍🏾🇺🇲
5 people found this helpful
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5.0 out of 5 starsVerified Purchase
spectacular start to the series
Reviewed in the United States on June 22, 2017
I love this author's fantasy novels, and I wasn't sure how I'd like a historical mystery, but everything I love it here, too. The rich "world building" this time is underpinned by research, but nothing really beats the author's eye for detail and her ability to drop... See more
I love this author's fantasy novels, and I wasn't sure how I'd like a historical mystery, but everything I love it here, too. The rich "world building" this time is underpinned by research, but nothing really beats the author's eye for detail and her ability to drop you into a busy city with a complex, heavily stratified culture, and make it all come alive. The characters - even the secondary characters and the villains of the piece - are fully fledged people, who make human choices for human reasons. Sometimes they're deplorable choices, but they're natural and familiar to anyone who's lived in a close knit community under pressure from the outside world.

In terms of the story, the mystery is well developed from the start, with enough information that the "whodunnit" makes sense without it being an easy guess. The clues are all there, beginning with the very first scene, but it's Not an easy guess, and that's all I'll say. The main character has sensible reasons to be involved in the mystery, too - he's not just some random busybody who "has to know the truth." All in all, an excellent read, and I'm looking forward to the next one!
10 people found this helpful
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Top reviews from other countries

Marie
5.0 out of 5 starsVerified Purchase
A must read.
Reviewed in Canada on November 19, 2019
Never delete history. Even if it's hard to hear, we need to learn from it so we can stop making the same mistakes over and over again.
Never delete history. Even if it's hard to hear, we need to learn from it so we can stop making the same mistakes over and over again.

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Miezekatze
5.0 out of 5 starsVerified Purchase
Unputdownable
Reviewed in Germany on October 15, 2010
Welch ein rasanter Roman: Der schwarze Benjamin January kehrt aus Paris in das New Orleans der 1820er Jahre zurück. Hier findet der gelernte Chirurg Arbeit als Pianist bei den Bällen des Mardi Gras - wo die Octoroon-Geliebte eines weißen Plantagenbesitzers ermordert...See more
Welch ein rasanter Roman: Der schwarze Benjamin January kehrt aus Paris in das New Orleans der 1820er Jahre zurück. Hier findet der gelernte Chirurg Arbeit als Pianist bei den Bällen des Mardi Gras - wo die Octoroon-Geliebte eines weißen Plantagenbesitzers ermordert aufgefunden wird. Benjamin January nimmt sich des Falles an und macht dadurch Bekanntschaft mit der schwarzen Voodoo-Subkultur von New Orleans, aber auch mit der Sklavenhaltung auf den Plantagen der Weißen. Und Benjamin weiß: Nur innerhalb gewisser Grenzen von New Orleans kann er sich als freigelassener Schwarzer frei bewegen - ansonsten droht ihm aufgrund seiner dunklen Hautfarbe die Versklavung auf den Plantagen... Der erste Benjamin-January-Band hat mich mitgerissen. Die differenzierte Darstellung der Gesellschaft von New Orleans war ein absolutes Highlight; die Halbwelt an beinah weißen Geliebten (Octoroons), die von ihren Müttern meistbietend als Mätressen an die weißen Plantagenbesitzer verhökert werden, ist faszinierend dargestellt. Auch der politische Hintergrund war aufschlussreich; den Amerikanern gehört jetzt Louisiana, das von Napoleon verkauft wurde, und die Amerikaner sind wie Fremdkörper in der Stadt, über die sie befehlen. Ich fand alles an dem Roman wundervoll und mitreißend, daher 5 Sterne.
Welch ein rasanter Roman: Der schwarze Benjamin January kehrt aus Paris in das New Orleans der 1820er Jahre zurück. Hier findet der gelernte Chirurg Arbeit als Pianist bei den Bällen des Mardi Gras - wo die Octoroon-Geliebte eines weißen Plantagenbesitzers ermordert aufgefunden wird. Benjamin January nimmt sich des Falles an und macht dadurch Bekanntschaft mit der schwarzen Voodoo-Subkultur von New Orleans, aber auch mit der Sklavenhaltung auf den Plantagen der Weißen. Und Benjamin weiß: Nur innerhalb gewisser Grenzen von New Orleans kann er sich als freigelassener Schwarzer frei bewegen - ansonsten droht ihm aufgrund seiner dunklen Hautfarbe die Versklavung auf den Plantagen...

Der erste Benjamin-January-Band hat mich mitgerissen. Die differenzierte Darstellung der Gesellschaft von New Orleans war ein absolutes Highlight; die Halbwelt an beinah weißen Geliebten (Octoroons), die von ihren Müttern meistbietend als Mätressen an die weißen Plantagenbesitzer verhökert werden, ist faszinierend dargestellt. Auch der politische Hintergrund war aufschlussreich; den Amerikanern gehört jetzt Louisiana, das von Napoleon verkauft wurde, und die Amerikaner sind wie Fremdkörper in der Stadt, über die sie befehlen.

Ich fand alles an dem Roman wundervoll und mitreißend, daher 5 Sterne.

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poussinette
3.0 out of 5 starsVerified Purchase
Bon roman historique, roman policier moyen
Reviewed in France on June 20, 2010
L'auteur de ce roman est très prolifique, et j'ai aimé beaucoup de ses livres. Celui-ci est le premier tome d'une série policière historique originale. Il se déroule en 1830 à la Nouvelle-Orléans, qui vient d'être cédée par la France aux Etats-Unis. Le héros, Benjamin...See more
L'auteur de ce roman est très prolifique, et j'ai aimé beaucoup de ses livres. Celui-ci est le premier tome d'une série policière historique originale. Il se déroule en 1830 à la Nouvelle-Orléans, qui vient d'être cédée par la France aux Etats-Unis. Le héros, Benjamin January, est un "homme libre de couleur", un métisse au teint très foncé qui est libre parce que sa mère a été affranchie. Jeune adulte, il a quitté sa ville pour Paris, où il a fait des études de médecine (mais qui veut se faire soigner par un homme à la peau noire, même à Paris?), exercé le métier de pianiste professionnel. Suite à un drame personnel, il rentre à la Nouvelle-Orléans, dans le monde des métis(ses) libres qui travaillent, des métisses demi-mondaines au teint clair (dont sa soeur). Un meurtre est commis, et pour ne pas en être accusé, Benjamin va rechercher le coupable, explorant tout ce qui est en train de changer en Lousiane. A présent, les Américains esclavagistes sont au pouvoir, l'avenir des "gens libres de couleur" est compromis. Je n'ai pas pu reposer le livre, tellement pressée d'arriver au dénouement, et là, petite déception : l'enquête policière n'est pas spécialement bien conçue. Mais j'ai déjà commandé le deuxième tome et le troisième ! En effet, l'auteur a écrit avant tout un roman historique bien documenté et passionnant, l'enquête policière ne semble qu'un prétexte à l'exploration par Benjamin d'une société en pleine évolution. En conclusion : un très bon roman historique, un roman policier moyen sans plus (d'où les 4 étoiles)
L'auteur de ce roman est très prolifique, et j'ai aimé beaucoup de ses livres. Celui-ci est le premier tome d'une série policière historique originale. Il se déroule en 1830 à la Nouvelle-Orléans, qui vient d'être cédée par la France aux Etats-Unis.

Le héros, Benjamin January, est un "homme libre de couleur", un métisse au teint très foncé qui est libre parce que sa mère a été affranchie. Jeune adulte, il a quitté sa ville pour Paris, où il a fait des études de médecine (mais qui veut se faire soigner par un homme à la peau noire, même à Paris?), exercé le métier de pianiste professionnel.

Suite à un drame personnel, il rentre à la Nouvelle-Orléans, dans le monde des métis(ses) libres qui travaillent, des métisses demi-mondaines au teint clair (dont sa soeur).

Un meurtre est commis, et pour ne pas en être accusé, Benjamin va rechercher le coupable, explorant tout ce qui est en train de changer en Lousiane. A présent, les Américains esclavagistes sont au pouvoir, l'avenir des "gens libres de couleur" est compromis.

Je n'ai pas pu reposer le livre, tellement pressée d'arriver au dénouement, et là, petite déception : l'enquête policière n'est pas spécialement bien conçue. Mais j'ai déjà commandé le deuxième tome et le troisième !

En effet, l'auteur a écrit avant tout un roman historique bien documenté et passionnant, l'enquête policière ne semble qu'un prétexte à l'exploration par Benjamin d'une société en pleine évolution.

En conclusion : un très bon roman historique, un roman policier moyen sans plus (d'où les 4 étoiles)

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april
4.0 out of 5 starsVerified Purchase
good writing, recommended!
Reviewed in the United Kingdom on October 5, 2015
packed with info, almost bursting with setting and characters...one can smell, feel, taste the milieu, but the plot is almost lost in all the incidents, and the ending is almost too miraculously fitting...but ok, good stuff!
packed with info, almost bursting with setting and characters...one can smell, feel, taste the milieu, but the plot is almost lost in all the incidents, and the ending is almost too miraculously fitting...but ok, good stuff!

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Keeley
3.0 out of 5 starsVerified Purchase
Three Stars
Reviewed in Canada on October 30, 2016
okay
okay

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