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Earth Made of Glass (Giraut)

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Book overview

Welcome to the Thousand Cultures--in which humanity's hundreds of settled worlds are finally coming back together, via the recently invented technology of instantaneous travel. And in which Giraut and Margaret work as professional diplomats, helping to finesse the stresses and strains of so much abrupt new contact among wildly diverse cultures.

Now, however, their task is to bring in the terrifyingly hostile world of Briand, a planet of broiling acid oceans whose only habitable portions are Greenland-sized subcontinents that project out of the abyssal heat of the planetary surface into it stratosphere.

But Briand's physical hostility is nothing compared to the venom its two human cultures bear toward one another. Into this terrible world come Giraut and Margaret to try to do the right thing by the Cultures, by the inhabitants of Braind, and by one another.

Review

"A masterful job."--Publishers Weekly

"First-rate!"--
Library Journal

From the Publisher

"A major new novel....Barnes presents the story in a relentlessly realistic manner, revealing the failings and foibles of most of the characters, each of whom is a blend of good and evil impulses. The climax is both surprising and unsurprising, and if you want to understand that paradox, you'll have to read this excellent novel for yourself." --Science Fiction Chronicle

About the Author

John Barnes is the award-winning author of Orbital Romance, A Million Open Doors, Mother of Storms, Earth Made of Glass, The Merchants of Souls, Candle, and many other novels. With Apollo 11 astronaut Buzz Aldrin, he wrote the novels Encounter with Tiber and The Return. He lives in Colorado.

Excerpt. © Reprinted by permission. All rights reserved.

It was hard to believe that Rufeu had been killed nine years ago. As he sat with us over a glass of wine, he barely looked six years old today. "It's honestly getting better," he said. "In this last year I've finally gotten some fine motor control, and as the corpus callosum grows in, I've begun to be able to think more coherently. Still, puberty's a long way away."
The joyous obscenity of his grin made me glad we'd taken the trouble to visit. The travel time was literally nothing--you stepped through the springer, and there you were. But Margaret and I got so few vacations from our work for the Council of Humanity that usually all we wanted to do, during the weeks between assignments, was to go to ground at the home of any tolerant relative, spending our time sleeping and loafing, seeing no one but our families and not going out for anything.
The last time we had been back to Nou Occitan, two stanyears ago, Rufeu still had not been downloaded from his psypyx into his clone-body; instead, I had talked to Johan, who was wearing Rufeu's psypyx, by com every day.
I suppose I felt responsible because I had been there when Rufeu died, on a climbing trip up in Terrbori during the long vacation home that Margaret and I had taken, just after our first mission as full-fledged Council of Humanity diplomats, so the time from his death to the present virtually spanned our careers; he had started on this long journey of his, back to physical adulthood, at the same time we had passed our probation and begun our careers of wandering from one trouble spot to another around the thirty-one settled planets of human space. We had seen sixteen of humanity's twenty-five suns while he had sat in the back of Johan's mind, waiting for his new body to finish growing.
"It must feel like a big hole in your life," Margaret was saying sympathetically.
"That pretty much describes it," he said. "Could have been worse, of course--they say if you die when you're fifty or so, you can still be trying to get everything back off your emblok when you're thirty. Memory only moves so fast and the more of it there is, the slower it moves. As it is, they say I'll be off this thing in less than five stanyears more." He fingered the black knob, no bigger than the nail of his little finger, behind his ear, from which all the copied memories of his first lifetime played back slowly into his child's brain; till he had reincorporated all of them into his brain structure, when he needed to recall something of his first twenty-five years, he had to reach across the interface and pull it in from the emblok. "But really, I'd rather not spend our whole visit talking about my, er, medical problems, eh? I know you don't stay in touch with the old crowd--"
"Just you," I said. "And I kept in contact with Johan while he was wearing your psypyx, because we both thought it was important for you to stay in touch with as many people as possible, but…well, he's always blamed me for Marcabru's death."
Rufeu nodded. He looked like a six-year-old pretending to be grown up. I squelched that thought. He didn't want to talk about his situation, but it was pretty hard not to think about it.
At last he said, "Well, I never blamed you. Marcabru was a depressive drunk. He was going to either kill himself or find someone to do it, and all that drinking made such a mess out of his psypyx recordings that there was no way he could reconstitute."
"I'd been, uh, thinking of asking--" Margaret said, looking pointedly at Rufeu's wine.
"I take scrubbers," he explained, finishing his glass and signalling for another round. "I can get drunk, then come down off it fast and clean. No damage to my tender young brain, as far as they can tell." He raised his glass to us and said, "
Atz fis de jovent."
"
Atz fis de jovent," we agreed, and drank with him. It could mean "to the death of the young man," but it was more likely he meant another of its senses--"to the end of youth."
"It does get all of us, doesn't it?" I said.
"It does, Giraut. Though I was hoping that an occupation like yours would be different--"
Margaret snorted. "Go ahead, Giraut, tell him about the romantic way you and I spend our time out among the stars."
"Well, there's filling out forms," I said. "And asking questions so you know the answers to fill out the forms. And asking questions so you understand the answers that you need to fill out the forms. And--"
"Stop, stop, I need to retain some romantic illusions about you two. I prefer to imagine you spend all your time standing down local tyrants, rescuing hostages, getting rescued by the CSPs, maybe meeting intriguers and plotters in back alleys--"
"Absolutely," I said. "We tell the local tyrant that he hasn't filled out his permission for despotism form properly, we get the names and com codes of all hostages and fill out the request for rescue forms for them and the CSP--"
Rufeu laughed; not as if things were funny, but more in appreciation for a quick response. That killed the conversation for the moment, so I sat back and looked out over the broad terrace.
Rufeu lived on the east coast of Nou Occitan; I had grown up on the west coast. The cities over here were newer, so they showed some significant Interstellar influence in the architecture--excessive practicality here and there, the occasional spire, arch, window, or door not quite carried to the extreme conclusion that we Occitans had reveled in, before Connect. I liked my
very excessive and Extreme hometown, Elinorien, better, but still any Occitan city was a rest for the heart and eyes. Villa Guilhemi was not a bad place at all.
We were on the seaside edge of town, and the restaurant where we had met Rufeu looked across the beach down to Totzmare, the great world-ocean that encircled Wilson, We had been fortunate here, we Occitans, for we had gotten a whole planet to ourselves. Most cultures were jammed together, scores to a planet. But on Wilson, Nou Occitan was the only permanently habitable piece of land large enough for a colony; the two small polar continents, driven by the steep axial tilt of the planet and its slow, twelve-stanyear orbit, alternated between being burning deserts and glacial wastes, and were beyond the possibility of being made permanently habitable.
Hence Nou Occitan was the only culture that looked up to the tiny dot of Arcturus as our sun, its brilliance forever shielded and reddened by the vast amount of fine carbon dust in our upper atmosphere. Beyond the edge of the terrace, the soft white sand sloped down to the dark-green sea, which was gentle today, and warm as it always was in these equatorial waters. Children played in the shallows; further out, a yacht race was in progress, or perhaps it was some elaborate game of tag the sailors were playing.
For the thousandth time I wondered why I had ever left.
"Well," I said, "absent friends and old days."
Margaret looked at me a little strangely, but Rufeu raised his glass, I raised mine, and she joined us in drinking off the rest of the toast.
Of the friends of my
jovent, Rufeu probably was the only one I really wanted to be in touch with, or could be. David was a professor now and as dull a pedant as I'd ever seen. Raimbaut had died in a dueling accident not long before I first set off for the stars, and since his personality had not been transferable, his psypyx was still stored in the Hall of Memory, waiting for the improved technology that could bring him back. Marcabru had died unrecorded. Aimeric was now the prime minister of Caledony, a culture on Nansen, six and a half light years away. Excepting Rufeu, all had gone into death, personality storage, or adulthood--the one true grave of youth.
And as for the
donzelhas, well, a young Occitan worshipped women, but he avoided knowing them. My last entendedora, Garsenda, had by some twist of fate become Margaret's friend, but she was generally offworld these days, pursuing one business deal or another as head of Nou Occitan's largest trading house, and when she and Margaret visited each other they only rarely invited me.
It wasn't the absent friends, really, that I was drinking to or missing; it was the time of my life when I had thought they were my friends, and that I was theirs, and that that would always matter. So Rufeu and I drank and chatted away the afternoon, talking about times long gone and what had become of people we used to drink and chat with, and Margaret politely sat there and drank along with us. Finally as it turned toward supper time, and the sun began to sink behind the mountains, I shook hands with Rufeu again {he didn't get up--but then if he had, he'd have had to jump down from the chair), and we said we mustn't let it be nine years again, even though for my part, anyway, I didn't care much whether it was another week, or forever.
Neither Margaret nor I spoke as we walked back to the springer station. Villa Guilhemi was very much a provincial town, and it was already settling in for the evening, the few who cared for it going out to sit in the cafés, the rest sitting out on terraces and balconies to enjoy a fine evening. It was so quiet, I could hear Margaret's full skirt rustling, and the light crunch of my boots on the brick street. When we got to the springer station, the first star, Mufrid, was just visible.
"Look," I said, "home."
It was an old in-joke between us. Just as Mufrid, the sun of her home planet of Nansen, was the brightest star in Wilson's sky, Arcturus was the brightest star in Nansen's sky, and thus we could always "see each other's house."
We put our card into the springer and stepped through into the bright sunlight of the Elinorien town square. Elinorien was a full fifth of a radian west of Villa Guilhemi, and it would be more than an hour before the sun set here. Still we said nothing; I wished I knew, offhand, whether this was because we were leading up to a fight, or because we were comfortably enjoying each other's company. Lately it could be either.
I stole a glance sideways at Margaret. She was not beautiful by anyone's standards, even mine, but I had grown to like the way she looked--to crave it the way an addict wants his drug, I thought sometimes. Her almost-white hair was cut short; her forehead and mouth were what most people would call too wide; her body square, muscular, and squatty; breasts small and not firm; buttocks large and saggy. More than ten years of experience had taught me that hers was the only body I really wanted to touch, but at moments like this--as I noticed so many of my fellow Occitans glancing at her once and then dismissing her--I could still, sometimes, wish that she could turn a head other than mine.
I was quite sure that telling her I wished she were better-looking would not have been a good way to start a conversation. Especially not now; there had been…oh, almost a stanyear of fighting about I-didn't-know-what, then making up, then fighting again. She seemed angry half the time and sorry for me the rest of it, but whatever the matter might be, even when she tried to explain it, neither of us was able to put it into words.
As we entered my parents' house, the sun was still shining brightly, and I blinked for a moment as we came into the darkened vestibule. My father would be out in the garden tending his tomatoes and grape vines, and probably hadn't noticed our departure any more than he would our return; my mother had had an engagement with some friends and was staying somewhere in Noupeitau overnight, so there was no one to say hello or ask how the trip had been.
Margaret went into the bathroom. I went into the guest room, where we were staying, to sponge off and freshen up for the evening, whatever that might turn out to be (most likely, a game of chess with my father, or a walk down to the beach with Margaret, or some lute practice--I had been neglecting that badly).
I cleaned up, changed shirts, washed my face, and swallowed an alcohol scrubber to get the last of the afternoon's wine out of my system. I combed through my hair again and looked into the mirror at the emerging monk spot on top of my head.
"Sinking into melancholy again?" Margaret asked, coming up and putting her arms around me.
I dropped an arm around her wide, strong shoulders and leaned a little against her. "
Ja, you could say that. Trop de tristejoi."
"
Semper valors," she said, hugging back. "It's funny how hard vacations are on you; you get so tired of work, but after a few days away from it you sink into this."
"I suppose I miss the
jovent more here," I said. "Even though it's in your culture that I left it."
She stiffened; I had said the wrong thing again. My going to Caledony had led to two things, besides my personal end of adolescence: Margaret became the most important person in my life, and my life became the work did for the Council of Humanity and the Office of Special Projects.
But now and then--well, every day--my thoughts would begin to turn to my old
jovent days, and though 1 was too old for it now, and anyway the old jovent life was gone and no one in Nou Occitan did it anymore…I wished I hadn't had to leave the party so early. I wished I were back. I wished a lot of stupid things. And Margaret had been with me for so long that by now she knew every stupid thing I wished, whether I voiced them or not.
"Sorry," I said.
"Sorry you said it, you mean. You still think it."
"I can't help that."
"You could try." She wrenched out of the one-armed hug I had been giving her and was through the door before I could think of anything else to say. I heard her stamping down the hallway.
I knew that Margaret and I would be trying to make it up within an hour or less. Lately, though, I often had the feeling that a day would come when making it up would no longer seem worth the effort. And what then? I sat on the end of the bed, feeling sorrier and sorrier for myself.
I heard the swift thudding of Margaret's feet in the hallway. She threw the door open, smiling as if she had it in mind to tease me. "Hey, husband, are you still pitying yourself?"
"Uh, not for any longer than I can help. What--"
"It's Shan. We've got another assignment."
She was gone down the hall again, forcing me to run after her to my parents' parlor, where the image of Shan, twice life size, looked patiently from the screen toward us.
"Aha, Giraut, there you are," he said. A slight twitch at the corner of his mouth told me I must look disarrayed. It happens when you allow your personal grooming to be interrupted by fits of melancholy. "I hope that neither of you has any pressing commitments more than four standays from now?"
"None really," I said. The Dark was going to fall soon--the time when Terraust's forests and ranges would burn, and Wilson's sky would be darkened with the fine soot that chilled the world every six stanyears. I had enjoyed the Darks I could remember, when everyone in Nou Occitan stayed home and did creative work or held long parties with friends. But there would be other Darks, and besides, right now I had far too much time to think, anyway.
"Well, then," Shan said. "I have a thoroughly bad situation. If we succeed I suppose it will be a feather in all our caps and you will be in line for some promotions and commendations, but that is because no one expects us to succeed. Is that intriguing enough to make you interested in taking the job?"
Margaret made that flapping noise with her lips that sounded like a disgusted horse. "You know perfectly well that all we're doing here on leave is sitting around getting on each other's nerves and bickering. This is a job for the Office of Special Projects, isn't it?"
Shan grinned with something that might have been the glint of battle, or just his usual appreciation for Margaret's cut-the-crap approach. "Right. You're both secretly activated as of now in your appointments with the Office of Special Projects. As always your cover story will be that you're there on Council of Humanity business--as far as the Council, or any outsiders, are concerned, you're going to be cultural envoys again, which is something you are both experienced and effective at. It should be a good cover for you, because, in this particular case, the ability to roam about freely--or at all--is going to be critical. You're going to just about the worst trouble spot the Council has to deal with, and I'm not even going to pretend that you're likely to like it. In addition to two impossible local populations and a lot of complicated politics, you're going to be coping with high gravity, intense humid heat, foul air, and way too much shortwave ultraviolet. Not a bad looking place on postcards but that's all the closer I'd ever want to get to it. Have I scared you off yet?"
Margaret said, "You want us to go to Briand, don't you? Of course we will."
I felt a cold chill even before Shan slowly nodded yes. "I thought you'd guess it from that description. And I can't tell you how grateful I am that you accepted the job. Yes, it's Briand. Right now I have several of the OSP's field agents there, and we need more, as even a casual scan of the news would tell you. Unofficially, let me add, it's far worse than what the news depicts."
We made the arrangements quickly--shipping our personal effects from Wilson, and our furniture and warm-weather clothes from storage on Earth, to Briand in forty-five standays, setting up our appointment at the training school on Earth, for the rapid orientation we had to have first; and arranging concierge services for all the myriad of weird small things that always crop up in jumping tens of light years.
After that, there wasn't much left to talk about, and Shan rang off. Margaret got on the com to send a fast letter to her mother in Caledony and tell her we wouldn't have a chance to jump over for another visit on this vacation. I went back to my parents' guest room, stretched, and set about finishing my toilet. The hair finally wouldn't lie down till I put some antistatic on the comb, and then it took all the more effort to fluff it properly, and no matter what, that little hairless patch on top, like a death's-head surfacing from a sea of hair, could not be made to disappear or fit in.
But I was cheerful as I worked on this, and I could hear Margaret's fingers clattering away on the keys quickly and forcefully, not because we were in a hurry but just because she too had a lot of extra energy. All it took to banish depression, fighting, bad sex, and the tendency to drink a lot, in either of us, was a call from Shan with a job. It had been that way for some stanyears now, and I still had no sense of whether that was a blessing or a curse.
Neither of us knew much about Shan. Though I had known him for a decade of stanyears, I didn't even know if "Shan" was his given name, family name, patronym, matrenym, clan, generated name, or what. He had no other name I was ever made aware of. As I had advanced in both- my covert and overt positions, I had found myself at more formal receptions and on more platforms with him, and become steadily more aware both of how little I knew him, and how far-reaching his political power really was.
But even though I listened ever more closely for clues to his origin--or just to his full name--always it was the same. "Ambassador Shan." "Envoy Shan." "Minister Shan." Once, in a blistering hot graveyard on the beach of a salt-saturated sea, local officials had called him "Colonel-Commander Shan," but that culture had had no army for more than three hundred stanyears, and out of the seventeen cultures on that planet that had had armies, not one had ever had any such rank. I knew because I had checked.
So I knew Shan the same way that everyone did, as far as I could tell: not at all. And probably I knew almost everyone who knew him, across all the human-settled worlds.
The Council of Humanity's diplomatic service embraces a small bureaucracy on Earth, not more than four hundred people in all, plus the ambassadors to the Thousand Cultures (of which there are actually 1228), plus the Embassy staff--and each staff might be at most ten people, with three being much more typical. The Council Special Police, the military muscle behind Council decrees, number just twelve thousand. So the whole personnel roster of the Council of Humanity, from the three secretaries-general down to the lowliest private, is probably not as large as the population of most culture capitals.
The Office of Special Projects, within which Shan was not only my senior colleague but also my direct supervisor, never had more than a thousand personnel, and almost all of them also held jobs with the Council of Humanity.
Yet within either of those very small circles, no one I knew, who knew Shan, knew anything about him. It may have been no more than that he was very private, I suppose. Whatever the reason, despite the way in which he utterly shaped my life, I can't say I really know a thing about him, even if years later I could instantly remember his appearance down to his particular way of twitching an eyebrow or the slight pursing of one side of his thin lips that always meant he was looking forward to surprising some deserving
toszet with bad news.
I
was reasonably sure he liked me, and Margaret as well. Since we had entrusted our whole existences to him, that mattered.

Copyright © 1998 by John Barnes

About the author

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My thirty-first commercially published novel came out in September 2013. I've published about 5 million words that I got paid for. So I'm an abundantly published very obscure writer.

For readers who are wondering where to start with my work, the most common suggestions are Orbital Resonance, A Million Open Doors, Mother of Storms, Encounter with Tiber, or Tales of the Madman Underground. However, almost no one likes all five of those books--I write a wider range than most people read--so you might want to flip a few pages before buying. My most popular have been Directive 51, Mother of Storms, and the two collaborations with Buzz Aldrin. My 3 most popular series begin with A Million Open Doors, Directive 51, and Patton's Spaceship. Nearest my heart are probably One for the Morning Glory, Tales of the Madman Underground, and The Sky So Big and Black. And the most fun was had in writing Gaudeamus, Payback City, and Raise The Gipper!

I used to teach in the Communication and Theatre program at Western State College. I got my PhD at Pitt in the early 90s, masters degrees at U of Montana in the mid 80s, bachelors at Washington University in the 70s; worked for Middle South Services in New Orleans in the early 80s. For a few years I did paid blogging mostly about the math of marketing analysis at TheCMOSite and All Analytics. More recently, I covered advanced technology, especially space, stories in the Government section of Information Week.

If any of that is familiar to you, then yes, I am THAT John Barnes.

I have also become aware of at least 72 Johns Barneses I am not. Among the more interesting ones I am not:

1. the Jamaican-born British footballer who scored that dramatic goal against Brazil

2. the occasional Marvel bit role who is the grandson of Captain America's sidekick

3. the Vietnam-era Medal of Honor winner

4&5. the lead singer for the Platters (and neither he nor I is the lead singer for the Nightcrawlers)

6.the Australian rules footballer

7. the former Red Sox pitcher

8. the Tory MP

9. the expert on Ada programming

10&11. the Cleveland-area member of the Ohio House of Representatives (though we're almost the same age and both grew up in northern Ohio) who is also not the former member of the Indiana House that ran for state senate in 2012 (one of them is a Democrat, one a Republican, and I'm a Socialist)

12. the former president of Boise State University

13. the film score composer

14. the longtime editor of The LaTrobe Journal

15. the biographer of Eva Peron

16. the manager of Panther Racing (though he and I share a tendency to come in second)

17. the British diplomat (who is not the Tory MP above)

18. the conservative Catholic cultural commentator (now there's an alliterative job)

19. the authority on Dante

20. the mycologist

21. the author of Marketing Judo (though I have an acute interest in both subjects)

22. the travel writer

23. the author of Titmice of the British Isles (originally published as Greater and Lesser Tits of England and Ireland, a title which I envy)

24. the guy who does some form of massage healing, mind/body stuff that I don't really understand at all

25. the corp-comm guy for BP (though I've taught and consulted on corp-comm)

26. the film historian,

27. the Pittsburgh-area gay rights activist (though we used to get each others' mail)

28. the guy who skipped Missoula, Montana, leaving behind a pile of bad checks, just before I moved there

29. the policeman in Gunnison, Colorado, the smallest town I've ever lived in, though he busted some of my students and I taught some of his arrestees

30. the wildlife cinematographer who made Love and Death on the Veldt and shot some of the Disney True Life Adventures ("Hortense the Presybterian Wombat" and the like) or

31. that guy that Ma said was my father.

And despite perennial confusion by some science fiction fans and readers, I'm not Steve Barnes and he's not me, and we are definitely not related, though we enjoy seeing each other and occasionally corresponding (not often enough).

I used to think I was the only paid consulting statistical semiotician for business and industry in the world, but I now know four of them, and can find websites for about ten more. Statistical semiotics is about the ways in which the characteristics of a population of signs come to constitute signs themselves. It has applications in marketing, poll analysis, and annoying the literary theorists who want to keep semiotics all to themselves and spend their time studying individual signs and the processes around them in very deep detail. It also shouldn't be confused with computational semiotics, which was about how software could parse complex signs to communicate with humans and other software. Just to make it a bit more confusing, both statistical and computational semiotics are being gradually subsumed into natural language processing, which in turn seems to be being absorbed into data science. Someday all universities will just have a Department of Stuff and that's what everyone will major in.

Semiotics is pretty much what Louis Armstrong said about jazz, except jazz paid a lot better for him than semiotics does for me. If you're trying to place me in the semiosphere, I am a Peircean (the sign is three parts, ), a Lotmanian (art, culture, and mind are all populations of those tripartite signs) and a statistician (the mathematical structures and forms that can be found within those populations of signs are the source of meaning). Recently I've begun working on a certificate in Data Science for pretty much the same reason that the Scarecrow needed a diploma and the Lion needed a medal.

I have been married three times, and divorced twice, and I believe that's quite enough in both categories. I'm a hobby cook, sometime theatre artist, and still going through the motions after many years in martial arts.

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Top reviews from the United States

5.0 out of 5 stars
The ending of this one nearly tore my heart out ...
Reviewed in the United States on February 1, 2018
The ending of this one nearly tore my heart out. The characters, over two books, felt so real to me, and their pain was hard to bear. I was surprised to see this one only had three stars. I've read a lot of science fiction in my time and this book is one of the few that... See more
The ending of this one nearly tore my heart out. The characters, over two books, felt so real to me, and their pain was hard to bear. I was surprised to see this one only had three stars. I've read a lot of science fiction in my time and this book is one of the few that really stayed with me.
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5.0 out of 5 stars
Irreconcilable differences
Reviewed in the United States on March 12, 2004
I just finished re-reading Earth Made of Glass and then the third book in the series, The Merchants of Souls. Both are compellingly written and readable. The author is very good at telling stories through the viewpoint of the main character. Giraut's viewpoint is an... See more
I just finished re-reading Earth Made of Glass and then the third book in the series, The Merchants of Souls.
Both are compellingly written and readable. The author is very good at telling stories through the viewpoint of the main character. Giraut's viewpoint is an interesting place to be.
Giraut's marriage with Margaret is in trouble, and he doesn't understand why. Previous reviews characterized Margaret's behavior as irrational and irritating. It didn't strike me that way at all.
She seemed to be behaving very reasonably by what was actually wrong: she didn't want to be married to Giraut anymore, but she still loved him as a friend, and she recognized that he still was in love with her, though she was insecure enough to consider that being in love with her was stupid of him.
Both characters were very clearly of their cultures, which the author describes and delineates beautifully so that when they are being what we might think of as obtuse, they're using different cultural markers. It might have seemed obvious to us what Margaret was doing, and how everyone else knew, but in Giraut's culture it was a duel-worthy challenge (and worse, as he would put it, "ne gens") to doubt someone's word or faith. Not something he would willingly ever do. Also in his culture, women were expected to act irrational and flighty toward men whether or not that was their nature. So he didn't really see anything peculiar about how Margaret was acting; what had been strange was her earlier Caledonian candor and straightforwardness. If he'd thought of it, he would have realized she was acting weird; he didn't think of it because, to him, her behavior seemed natural.
Barnes is a tremendous writer and I enjoy almost all his work. The sequence that Earth Made of Glass is part of is tied for my favorite of his series. I dislike star ratings but I can't bring myself to give the book less than 5 stars, although in an ideal world I'd be able to give it a less linear-scale rating or ratings on several axes of quality.
I agree with earlier reviews that putting parentheses in characters' speech is jarring. I also think that in the edition I read, the grammatical errors were fixed: I didn't notice any.
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5.0 out of 5 stars
Earth Made of Glass
Reviewed in the United States on July 5, 2006
As always John Barnes bring us into a fascinating future world which is very realistic, build up upon real facts and cleverly constructed fiction. This book provides the reader with an option to think over about the world, not even the one that is being described in the... See more
As always John Barnes bring us into a fascinating future world which is very realistic, build up upon real facts and cleverly constructed fiction. This book provides the reader with an option to think over about the world, not even the one that is being described in the book. J. Barnes learns us how to think about the present world from many points of view just by entertainlingly shifting us into a fantastic world.

I think if more peoples on this world would be reading such books the world would look better already...
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1.0 out of 5 stars
Utterly Horrible
Reviewed in the United States on September 19, 2013
As I moved through John Barnes' "Earth Made of Glass," I gradually reduced in my mind my rating of it. Nothing happens through most of its 416 pages. The first third of it describes in agonizing detail the architecture, philosophy, and arts of the Tamil culture on the... See more
As I moved through John Barnes' "Earth Made of Glass," I gradually reduced in my mind my rating of it. Nothing happens through most of its 416 pages. The first third of it describes in agonizing detail the architecture, philosophy, and arts of the Tamil culture on the subject planet. The second third does the same for the Maya culture. The main characters do nothing but wander around and talk. Probably the worst bits of those two thirds of the book are the bits highlighting the protagonists' marital troubles (interspersed with graphic "intimate" scenes out of the blue). The final third of the book takes the cake, though. Finally some things start happening. But, the protagonists aren't the ones doing them. Instead, between the almost constant material on their marital woes and "intimate" life, we basically get news reporting on what the plot should be. It's all talk and description. What finally pushed the book over the edge down to an Abysmal 1 star out of 5 rating is the ending. I don't know what Barnes thought the point of the book was, but this ending makes it all moot. Four hundred and sixteen pages of gossip/travel magazine and hundreds of pages of personal problems with a painfully obvious denouement for a "plot" ending like this. Don't bother. I'm going to see if I can borrow the remaining books in the series to see if they're worth reading. But for this one, just read the wikipedia summary. And that's only if you want to continue with the rest of the series.

The books in his "Thousand Cultures" series are:

1. A Million Open Doors -- Kindle version not available
2. Earth Made of Glass - Kindle version not available
3. The Merchants of Souls (Giraut)
4. The Armies of Memory (Thousand Cultures)
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2.0 out of 5 stars
So much potential, such disappointing execution
Reviewed in the United States on March 21, 2001
The one thing that you can unequivocally say about John Barnes is that he has exciting ideas. Great, wonderful concepts that if properly executed would form some classic sci fi novels. The disappointing part is that he tends to fall flat on his face when it's time for... See more
The one thing that you can unequivocally say about John Barnes is that he has exciting ideas. Great, wonderful concepts that if properly executed would form some classic sci fi novels. The disappointing part is that he tends to fall flat on his face when it's time for execution. Especially disappointing are his endings and how he tends to rush through them.
The concepts of A Million Open Doors were very promising. Humanity spreading out and colonizing worlds. Loss of communication between the colony worlds. New technology making instanteous travel possible. Earth Made of Glass is based on these same concepts, with a subplot of a marriage somehow gone wrong tied in. It's with that whole subplot that this story degenerates from an exciting tale of cultural prejudice and how technology is stirring up the pot into a story of how two people can no longer relate to each other. I'm not saying that this doesn't belong in a sci fi story. I'm saying that Barnes' inability to execute that subplot well drags the entire rest of the book down the drain.
I thought the first 100 pages of this book were GREAT! Very exciting, getting to learn about new cultures and how the instantaneous travel technology was affecting their relations. Then, Barnes goes into his standard "I will philosophize them relentlessly and they will understand the world better" mode. For example, three pages of the prophet Ix explaining while it is better to love rather than to hate is a bit much.
I wish that Barnes would collaborate with someone who would teach him to take himself a little less seriously. Also, it would be great if he could get an editor who would correct his grammer and style. My pet peeve, in addition to the grammer gaffs noted in other posts, is that Barnes uses parentheses in the speeches given by characters... how the heck does that make it past an editor? We're not talking about a character whispering an aside to someone during his conversation -- we're talking about an integral part of a speech given by a character!
All in all, the most disappointing part of this novel is the rushed ending. Barnes rolls out all kinds of different technology, revelations about the personal lives of characters, etc, etc in the last few pages to wrap up some dilemmas.
I love that Barnes doesn't take the easy way out for his characters -- not everything is beautiful in their lives at the end of the book. I just wish that he could do a better job in writing about his ideas.
2 people found this helpful
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3.0 out of 5 stars
This is strange.
Reviewed in the United States on October 30, 2012
Wow, this is kind of interesting. I was actually looking for the documentary "Earth Made of Glass" (2007) about the Rwandan genocide in 1994, in which the Hutu's massacred over million Tutsi's. I read (somewhere) that the division between the Hutu's & Tutsi's was made (or... See more
Wow, this is kind of interesting. I was actually looking for the documentary "Earth Made of Glass" (2007) about the Rwandan genocide in 1994, in which the Hutu's massacred over million Tutsi's. I read (somewhere) that the division between the Hutu's & Tutsi's was made (or exaggereated) by the Belgium colonialists in the 1930's. The documentary argues that the French expoloited the division and encouraged the genocide (I don't know).
The documentary begins with the Emerson quote "Commit a crime and the earth is made of glass". Seems like that is where the title of the documentary came from.
Now here's this novel, with the title "Earth Made of Glass", and it has 2 artificially created sides.
Did the maker of the documentary and the author of the novel just happen to both pick the same title? I don't know - just curious. Haven't read the book, so sorry this is not a review.

The documentary "Earth Made of Glass" about the Rwandan genocide is incredibly moving. It's not what one might expect from such a documentary.
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4.0 out of 5 stars
What ethnic hatred really means
Reviewed in the United States on April 23, 2006
This sequel begins twelve years after the end of the first volume (in what now appears to be a planned series of five). Giraut and Margaret have been professional diplomats for more than a decade, on a number of worlds, and in situations that varied from tedious to way too... See more
This sequel begins twelve years after the end of the first volume (in what now appears to be a planned series of five). Giraut and Margaret have been professional diplomats for more than a decade, on a number of worlds, and in situations that varied from tedious to way too exciting. They specialize -- officially -- in culture and tourism, and they know how to do their jobs, but this time that won't be enough. Because they are also agents for the Office of Special Projects, a shadowy bureau whose job is to reunite far-flung humanity in preparation for the inevitable first contact with aliens (whom two dozen known artifacts demonstrate are definitely out there). Briand is a frontier world with only two cultures, both of them "artificial": A Tamil city filled with ornate temples where everything revolves around the traditional medieval literature of south India, and a Mayan city, also filled with temples, where everything is as close as possible to the traditional subsistence agricultural society of ancient Central America. No problem -- except volcanic eruptions have forced the two to share a much small space than originally intended and centuries of increasingly violent ethnic hatred are proving impossible to overcome. The story gets darker as it progresses and the not-happy ending is extremely pessimistic. Or maybe just realistic. In addition to Barnes's proven anthropological talents, there's a lot of personal psychology here, too, as Margaret finds she can't come to terms with her husband's nostalgia for his lost youth and seeks solace elsewhere. (Which comes as a shock to Giraut, though it was telegraphed to the reader pretty early.) In fact, one of the overarching themes of this volume is betrayal: Personal, professional, political, and ethnic. I'm happy to say, in any case, that this one doesn't suffer from "sequelitis." And I've already started on the third volume.
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5.0 out of 5 stars
Uneven but great successor to "A Million Open Doors"
Reviewed in the United States on March 23, 1998
This book is a successor to "A Million Open Doors" with continuing characters: Giraut Leones, Margaret Leones, and Shan (chief of their agency which wants to bring together all the 1000 world societies to meet the aliens whose ruins they keep finding). Giraut and... See more
This book is a successor to "A Million Open Doors" with continuing characters: Giraut Leones, Margaret Leones, and Shan (chief of their agency which wants to bring together all the 1000 world societies to meet the aliens whose ruins they keep finding). Giraut and Margaret are on a new world, a high-gravity, hot, hostile environment with two cultures who hate each other. There are two major plots going on at once. In the first, one of the societies had put up a Prophet named Ix who preaches peace between the two cultures. I am not easily impressed by such things, but I had tears in my eyes several times as I read about him and things he said. I thought it was as beautiful as some of Christ's parables. The other plot is about the difficult marriage Giraut and Margaret are having. Barnes ABSOLUTELY avoids any easy answers, and I was impressed with the whole work. The uneveness problem arose from a few things: (1) the plot took a while to get interesting, maybe 100 pages; (2) there are frequent non-grammatical constructs of a certain type: "...to Margaret and I...," for example, and it is a little annoying. But the man is a genius in writing a moving story!
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