This Alien Shore (The Outworlds series)
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Book details
- Print length576 pages
- LanguageEnglish
- PublisherDAW
- Publication dateJuly 1, 1999
- Dimensions4.2 x 1.5 x 6.8 inches
- ISBN-100886777992
- ISBN-13978-0886777999
Book overview
It is the second stage of human colonization—the first age, humanity's initial attempt to people the stars, ended in disaster when it was discovered that Earth's original superluminal drive did permanent genetic damage to all who used it—mutating Earth's far-flung colonists in mind and body.
Now, one of Earth's first colonies has given humanity back the stars, but at a high price—a monopoly over all human commerce. And when a satellite in Earth's outer orbit is viciously attacked by corporate raiders, an unusual young woman flees to a ship bound for the Up-and-Out.
But her narrow escape does not mean safety. For speeding across the galaxy pursued by ruthless, but unknown adversaries, this young woman will discover a secret which is buried deep inside her psyche—a revelation the universe may not be ready to face....
Review
"C. S. Friedman borrows some big ideas from writers like Cordwainer Smith, Frank Herbert, and Samuel R. Delaney, and runs with them. Instead of stumbling under the burden, she succeeds in making the material her own." —The New York Times
"Friedman keeps her tale moving at a vigorous pace that's boosted through an abundance of well-chosen details.... It is likely to hold readers' interest tenaciously." —Publishers Weekly
"Once again Ms. Friedman offers us great richness in both concept and detail, ingeniously weaving together two strong plotlines and piquant characters into a superior reading experience." —Romantic Times
"A wide-ranging, action-packed space opera. This Alien Shore is guaranteed to entertain those who like to be swept up in an adventure with lots of characters, dangers, and revelations." —Science Fiction Chronicle
"Concept and culture-building wise, This Alien Shore is brilliant." —Little Red Reviewer
"In many ways, C.S. Friedman's work reminds me of William Gibson's—unique settings, complex and fascinating (though not necessarily likeable) characters, cool ideas and technology, a smart and savvy style." —Fantasy Literature
"Friedman depicts a vast galaxy filled with diverse human kinds." —James Davis Nicoll
"There is so much of interest here and rather than spend paragraph after paragraph describing it all, which I could easily do, I will simply tell you to read it. It is a great book and well worth your time." —Worlds Without End
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
EARTH ORBIT
SHIDO HABITAT
The voices woke her up.
For a moment Jamisia just lay in the darkness, neither dreaming nor fully awake yet, listening. Whispers of sound trickled through her brain, coalescing into words for an instant or two, then breaking up again. Frightening words.
Danger.
Betrayal.
And one was almost a scream: Run!
Shaken, she sat up in bed. Her room in the Shido Habitat was reassuringly familiar, filled with all the comfortable relics of her teenage years. Tickets from a concert over at Mitsui Habitat. Flowers-real flowers!-from her coming out at Microtech's Grand Pavilion. Homework chips piled up on one corner of the dresser, along with the headset that would feed their contents into her brain. All of it-her things, her life-familiar, comforting. It wasn't always that way. Sometimes she awoke to find things on her dresser that didn't (couldn't!) belong to her. Sometimes there were pieces of jewelry in her slideaway that she knew she had never bought, so alien to her taste that she could hardly imagine herself wearing them. Sometimes there were worse things, frightening things, and she threw those in the trash chute with shaking hands, wondering who had left them there in the middle of the night, in the room she locked so carefully before she went to bed. She kept waiting for the rightful owners to say something about their stuff, to yell at her for having chuted it without asking them . . . some kind of reaction, anything. But no one ever yelled. No one ever said a word, and her tentative queries to the habitat database yielded no explanation for the strange offerings, or any hint of their purpose.
It wasn't like that today; at least today everything in the room was really hers, and that should have been comforting. Only it wasn't. The voices were still clamoring inside her head, even though the act of waking up for good should have banished them. She couldn't make out most of what they were saying, but the few words she did understand-and the tone in which they were voiced-were terrifying.
Danger!
Betrayed!
Run, Jamisia!
Her heart began to pound, triggering her wellseeker program; bright words scrolled across the corner of her visual field, assessing her emotional state in purely biological terms. ADRENALINE SURGE, it informed her. PULSE RACING, B-PRESSURE ENTERING RED ZONE, PHASE ONE MUSCULAR CONTRACTIONS NOTED. ACTION?
Before she could answer it the door slid open, as quickly and silently as if she had never locked it. A man moved into the room, and she opened her mouth to scream-and then realized who it was and drew in a deep, shaky breath instead.
"Grab some clothes," her tutor commanded, in a tone as unlike his usual fatherly warmth as this night was unlike any other. "Take anything you value, and do it fast." He looked back toward the door as if to see if anyone was following him. By the nightlight's glow she could see there was blood on his face. "We don't have much time."
"What's going on?" She could hear her own voice shaking as she asked the question. But he only shook his head sharply, his expression grim.
"Later." He wiped a hand across his forehead, smearing the blood, then saw that she wasn't moving yet. "Do it!"
Trembling, she forced herself out of the bed and began to move to the slideaway. The message in her visual field defaulted for lack of response and blanked out, which was just as well; she couldn't think clearly enough right now to give it instructions.
"What's happening?" she begged, as she gathered up handfuls of clothing. Hi-G, lo-G, no-G: he hadn't said where they were going, so she grabbed a few garments from each section of the slideaway and stuffed them into her traveling bag. "Where are we going?"
"It's a raid." His voice, usually calm, was shaking now, and there was a thin sheen of sweat on his face; it was a good bet his own wellseeker was blazing its protest across his field of vision even now. "They must have had an inside contact, the alarm systems were all shut down." She reached for the headset, but he stopped her. "No. Not that. Too easy to trace."
"Who is it?" she asked him.
He hesitated an instant, and she sensed that he was struggling with the question of how much to tell her. A thin line of red had trickled down into his eye; he blinked hard to clear his vision. "I don't know. It was all too fast. Whoever it is-it's trouble, at any rate." He grabbed the bag out of her hands and snapped it shut. "Come on!"
With the voices screaming their warnings in her ears, urging her to follow him to safety, there was nothing to do but obey. She followed him out of the room and into the network of corridors beyond. When they got to the nearest tube, she started to get into it, but he grabbed her by the arm and jerked her past it. It seemed to her that she could smell something sharp in the air, carried toward them by the habitat's ventilation system. Smoke, perhaps? Was that possible? Her tutor broke into a run, his strong arm pulling her alongside him. She struggled to keep up with his pace, but his legs were so much longer than hers, it was nearly impossible; twice she almost fell. What could be burning? Some few hundred yards beyond the tube he stopped to pull the cover off a maintenance crawlspace, and gestured for her to go inside. She hesitated, afraid-and then the whole floor shuddered, as if somewhere nearby something had exploded. Trembling, she clambered up to the lip of the opening and pulled herself inside. She wished that he'd let her take the headset so that she could access the habitat's monitoring programs and find out what the hell was going on . . . but then they'd know where I was, she thought. Chilled by the concept, without knowing why. Scared, as she had never been scared before.
When he was safely inside the crawlspace, he pulled its cover shut and urged her forward; she was all too happy to move, to focus on flight as a means of shutting out the claustrophobic closeness of the mechanical tube. For what seemed like a small eternity she pulled herself along, hand over hand, on rungs that were smeared with grease, past dials and switches edged in grit. No scrubs worked here, apparently. She twisted through a turn almost too tight to negotiate and was amazed that her tutor managed to follow. Then a turn again, and a long, slow curve, following his whispered directions as quickly as she could. Once or twice it seemed she could feel the whole tunnel shudder, and once she knew from his sharply indrawn breath that somewhere on the habitat real damage had been done, probably in the name of some corporate maneuver. As her tutor would say, Capitalism is a harsh mistress.
Would the maintenance tubes seal themselves off if the habitat's outer shell were breached, preserving enough air for them to breathe? She didn't know. She didn't want to know. It took all her courage just to keep moving, not to think about what was going on behind them.
"Here," he muttered at last, indicating a hatchway. Together they forced it open, and she slipped through. Beyond was a darkened corridor. Why weren't the lights on? As he emerged into the corridor himself, she stamped hard on the floor several times, trying to trigger the sensors, but still it stayed dark. "Why-" she began, but her tutor shushed her. "Listen," he said. She did. There was nothing. No distant explosions now, nor any human voice. Nor . . .
Something tightened in her chest, a new kind of fear. There was no soft purr of ventilation coming from the walls, no gentle breeze of recycled air wafting across her face. Those things were so taken for granted in her world that she could never have imagined what the habitat would be like without them. Now they were gone. Which meant . . .
"No life support?" she whispered.
"Bastards," he muttered, and he grabbed her again by the arm and pulled her forward. "Come on!"
They ran. Long steps, leaping steps, made possible by the lo-G of the docking ring. Ahead of them two air locks yawned wide; he motioned her past them. "Not those." It seemed to her that over the pounding of her heart and the slap of her feet on the metal mesh flooring she could now hear something else: footsteps behind them, coming closer. Voices. Corporate raiders?
Run! her own voices urged, terrifying in their unity.
She ran.
By the time they reached the place where the pods were docked she was out of breath, and her legs ached from the unnatural strain of the lo-G run. She watched as her tutor readied the nearest pod for flight, noting with cold misgiving that it was a singler. He was sending her off alone, then. To where? For what?
Not alone. She wouldn't do it. She wouldn't go.
Trust him, the voices urged.
"Get inside, Jamie."
He was her tutor, her friend, the closest thing to a father she'd ever had. She wanted to trust him. But to go out there alone, without a word of explanation . . . "Where are you sending me?" she begged. "What's happening?"
With a muttered oath of frustration he grabbed her by the shoulders and turned her to face him. This close, she could see that the wound on his face was some kind of burn. Blood dripped from the edge of it down the side of his face, soaking into his collar.
"Listen to that!" He nodded back the way they had come, toward the voices that were steadily approaching. "They're here because they want you, Jamie. Do you understand? They want your brain and what's in it, and they don't care what they have to do to get it. Which is why my job was-"
He stopped suddenly. A muscle in his jaw clenched tight.
"To help me?"
His eyes met hers, then looked away. "My job was to kill you," he said hoarsely. "And God help me when Shido finds out I didn't." Gently but firmly he pushed her toward the pod. "Now go, Jamie."
Shaking, she clambered into the tiny vehicle. As she settled herself uncomfortably into its curved foam mattress, she could hear the distant sounds growing closer. Any minute now the enemy would come around the curve of the docking ring and see them. Any minute.
"Why?" she begged him.
"No time for that now." He was setting the controls on the pod manually, his head still bare of any interface. "You're carrying a program that'll explain it all to you, all in the proper time. I made sure of that."
"Where are you sending me?"
The footsteps were closer now, and shouted words could be heard to echo down the corridor. That way! Check the locks, sir? Hurry!
"Up-and-out," he said, keying in the final instructions. "There's a metroliner on its way out of the Sol System now; you should be able to catch up to it in this." He added hurriedly, forestalling her objection, "It's the only place you'll be safe, Jamie. Trust me."
Trust him, the inner voices chorused.
"I do," she choked out.
"I altered the launch records; if they manage to track you at all they'll think you went to Earth. By the time they discover that lie for what it is you'll be well out of their reach. Here's the data you'll need." He reached into the pod and pressed a small case into her hand; his own flesh was sweating. "Read through it as soon as you can, so that it's familiar to you." He hesitated, and for a moment she thought he was going to lean forward to kiss her good-bye, or pat her on the shoulder, or . . . something. But instead he reached up to the door of the tiny vehicle and began to close it. "I'm sorry, Jamie. Forgive me." He hesitated, then whispered, "Forgive us all."
The pod door snapped shut, sealing her inside the small vehicle. The voices beyond the door were muffled, as were several loud noises which followed, that might or might not have been explosions. Then absolute silence enveloped her as the air surrounding the pod was pumped out, leaving it in vacuum. She forced herself to breathe steadily as the pod began to move, feeling the mattress that surrounded her conform to her shape as the launching programs kicked in. PHASE THREE STRESS, her wellseeker warned. ACTION?
There was a sudden jerk as the pod was launched, like being kicked in the chest with an iron shoe. The mattress cradled her, absorbing the impact. ADJUST, she told it, visualizing the key icon in her mind's eye. Deep within her brain the image triggered a flurry of electrical activity, biological and mechanical, and her brainware, which was a combination of both, took control. Her pulse slowed. Her blood pressure lowered. A thousand and one symptoms of stress released, dissolved, dissipated.
Outside the small window-a token hole no larger than her face, its purpose not to afford a useful view as much as to counteract the effect of close confinement-she could see Shido Habitat falling away behind her, its sunward surfaces gleaming with liquid brilliance. Beyond it was the blue-and-white crescent of Earth, home to nearly ten billion souls. It and its habitats were the only home she had ever known, and now she was leaving them forever. The pain of it was a cold knot in her heart, only partly ameliorated by the flood of healing chemicals her brainware had loosed into her bloodstream. She could have asked it to do more for her, but she didn't. What did a brainware network know about despair? How could it "adjust" for the nameless agony of losing everything and everyone you valued all at once, and not even knowing why?
"Oh, God," she whispered. Tears streamed down her face. TEAR DUCT OVERFLOW, the wellseeker informed her. ACTION? She wiped away the wetness with a shaking hand. There was a flash of light from the direction of Shido Habitat, but the satellite was behind her ship now, and so she couldn't make out its cause. What's going to happen to me? She hoped to God that her tutor was going to be okay. She knew, deep in her soul, that he wasn't.
My job was to kill you.
Undetected, unpursued, the tiny pod fled Earth's crowded skies, and headed toward the up-and-out.
There are those who would pay a fortune to discover how our outpilots navigate the ainniq, and many have devoted their lives to trying to guess the Guild's secrets. Among such investigators there are two conflicting schools of thought:
About the author
Follow authors to get new release updates, plus improved recommendations.Born in New York City in 1957, Celia S. Friedman inherited the writing bug from her father, technical writer Herbert Friedman, and has been putting pen to paper since she learned how to read. At age 12 she discovered science fiction and realized it was the ultimate form of literature in the universe; she has been writing science fiction and fantasy ever since then.
Celia's original career as a theatrical costume designer left little time for writing, but she managed to sandwich in enough work between dress rehearsals and university teaching positions to put together her first novel, IN CONQUEST BORN, which she sold to DAW Books in 1985. By 1996 she had become successful enough as a novelist that she decided to quit her job as costume designer and write full-time. She has never looked back.
To date Celia has published 14 novels, including the highly acclaimed Coldfire Trilogy (BLACK SUN RISING, WHEN TRUE NIGHT FALLS, CROWN OF SHADOWS) and the groundbreaking science fiction novel THIS ALIEN SHORE, which was a New York Time Notable Book of the Year. Her most recent novel, THIS VIRTUAL NIGHT, was included in Newsweek's list of "25 Must-Read Books to Escape the Chaos of 2020". THE DREAMING KIND is her first short story collection.
Celia lives in Northern Virginia with two very spoiled cats who insist on helping with the typing. If you find any typos in her books, blame it on them. In her spare time she LARPs, plays with molten glass, and hangs out with the Society for Creative Anachronism.
For more information please visit her web page, www.csfriedman.com
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Product information
| Publisher | DAW; First Edition (July 1, 1999) |
|---|---|
| Language | English |
| Mass Market Paperback | 576 pages |
| ISBN-10 | 0886777992 |
| ISBN-13 | 978-0886777999 |
| Item Weight | 11.6 ounces |
| Dimensions | 4.2 x 1.5 x 6.8 inches |
| Best Sellers Rank |
#997,243 in Books (See Top 100 in Books)
#3,496 in Alien Invasion Science Fiction
#4,459 in First Contact Science Fiction (Books)
#11,616 in Space Operas
|
| Customer Reviews | 4.5 out of 5 stars 470Reviews |
4 stars and above
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Customers say
Customers find the story very creative, compelling, and entertaining. They describe the book as an awesome, thrilling read that remains worth the wait. Readers also find the ideas interesting and imaginative. They appreciate the well-developed characters and wonderful writing.
AI-generated from the text of customer reviews
Customers find the story creative, compelling, and entertaining. They say the worlds are well-developed and constructed with enough detail to convince. Readers also mention the characterization is excellent and fits a multicultural story.
AI-generated from the text of customer reviews
"...is wonderful, the characters beautifully fleshed out and the story zips along nicely...." Read more
"...Highly detailed and creative, in fact one of the best for originality in the sci-fi world (other than the Dune thing...) , where so many books seem..." Read more
"...however, the book is certainly interesting enough--the plotline is by no means stagnant, and the character development is fantastic...." Read more
"One of the two or three best novels I've ever read. Wonderful world building, the Guerans, Terrans, and variants...." Read more
Customers find the book awesome, interesting, and thrilling. They say it's worth the wait and a beautiful novel.
AI-generated from the text of customer reviews
"...This is a beautiful novel, full of hope for the future...." Read more
"...This sci-fi mystery is extremely well-written and remains thrilling upon multiple reads...." Read more
"...Overall, however, the book is certainly interesting enough--the plotline is by no means stagnant, and the character development is fantastic...." Read more
"C.S. Friedman's novels come out in a trickle but are always worth the wait...." Read more
Customers find the tale compelling and thought-provoking. They say it's a fast and pleasant read with interesting and imaginative ideas. Readers also mention the book is creative, original, and enthralling. They also appreciate the complex and nuanced society the author creates.
AI-generated from the text of customer reviews
"...if not to our expectations of them--they are individuals, deeply meaningful, their lives and hopes and dreams and fears sketched out in vibrant..." Read more
"...of a better description, neo old school space opera, done with a remarkable originality. It's unlike anything I've read before...." Read more
"...Highly detailed and creative, in fact one of the best for originality in the sci-fi world (other than the Dune thing...) , where so many books seem..." Read more
"...much liked any other book by the author I've cracked open, but this book is special and I would love to see her expand this universe." Read more
Readers appreciate the well-developed characters.
AI-generated from the text of customer reviews
"...The characters are true--true to themselves, if not to our expectations of them--they are individuals, deeply meaningful, their lives and hopes and..." Read more
"...The writing is wonderful, the characters beautifully fleshed out and the story zips along nicely...." Read more
"...Jamisia, especially, is a fascinating character study--though unlike the Amazon reviewer for this book, I won't ruin why that is...." Read more
"...Great world-building and several unique central characters make this an excellent read...." Read more
Customers find the writing quality wonderful. They also appreciate the beautifully fleshed-out characters.
AI-generated from the text of customer reviews
"...The writing is wonderful, the characters beautifully fleshed out and the story zips along nicely...." Read more
"...This sci-fi mystery is extremely well-written and remains thrilling upon multiple reads...." Read more
"...(and should) have gotten a five-star review, except that the proffreading is atrocious...." Read more
"...I love C.S. Friedman's character development and dialogue writing ability...." Read more
Customers say the author is excellent. They also mention the book is a good read and picks up half way through.
AI-generated from the text of customer reviews
"...This book is phenomenal. Why it hasn't been translated into a movie is a mystery to me...." Read more
"...C.S. Friedman is one of the most amazing writers of our time...." Read more
"I have been a fan of this wonderful author a long time. Rereading this one just increases my opinion. Simply amazing," Read more
"It's a good read and picks up half way through...." Read more
Top reviews from the United States
I read this book as a teenager, and was deeply affected by it. Later, I read it as an adult, as was not-quite-so impressed anymore, but C.S. Friedman's world had sunk its claws into my mind, deep: the idea of Code as poetry, as art, became a bit of an obsession with me. I sought perfection with an <i>iru</i>-like determination, turning the entire text of my first published novel into a computer program that could be compiled...
If this review is vague and lacking in some specific details, it's mostly because I think other reviewers have discussed the plot and the characters -- book's been out for a while, after all -- and I think my contribution needs to be centered around my personal experience. For everything else, there's google.
I read this again today. And the critiques of it--from my early twenties--withered and died till only one of them was left.
This Alien Shore is one of the most beautiful implementations of starfairing humanity I've seen. The Guild is a hybrid of the Bene Gesserit and the Navigator's Guild of Dune, with politics and powerplays and complexity, but ultimately an entirely *ethical* worldview and objective. It's Dune without the soul-twisting. And the treatment of FTL...the anniq, the dragons...it will leave readers breathless. Without ever truly *talking* about it, the entire novel expresses and uplifts the hunger for starflight, the hunger to extend the threshold of our reach as individuals and as a species.
The plot has two threads--one follows a young girl, a repository of great and unknown secrets, on the run from Earth and its corporations. The other is Lucifer: a virus that is wrecking havoc on the Guild's navigators, threatening the foundations of mankind's salvation--FTL travel through the rifts of space that bind all the worlds together.
The computer/bioware aspects of this have many neuromancer-like components, but without the dystopian grit.
The characters are true--true to themselves, if not to our expectations of them--they are individuals, deeply meaningful, their lives and hopes and dreams and fears sketched out in vibrant 3D. Relationships-professional, romantic, adversarial-all are true to their function and form, and heartbreaking in some cases, liberating in others.
The complaints of my early-twenties were plot-related - that the pacing was off, certain scenes went on too long, others were not in the right places. This remains a mild criticism, tempered by the realization that back then I was young and impatient, and wanted to get to the "good bits". As a writer, I slowed down, appreciated the prose, the development, the subtle-but-necessary touches that made everything <i>more</i>. The one criticism that remains is that while the two plot-threads deepened and strengthened each others' themes, ultimately their intersection was not one of mutual resolution but of mutual understanding. That is...not a bad thing. But it doesn't bring the story full-circle in terms of action. The fear-and-threat felt so viscerally by the MC is not vindicated in a quite-satisfying way. Minus one star. But since this is getting graded on a 6-star scale, specially-made by me for the works that have influenced me so deeply, a full set of five stars remain.
This is a beautiful novel, full of hope for the future. Humanity's discarded children rise above the pettiness-of-soul that characterizes so much of mankind's history. Deeply flawed individuals display nobility of spirit, and the diverse, the mad, the broken, make their way to where they truly belong--the stars.
Read it. You'll be happy you did. And when you're done, perhaps you'll come to the same conclusion I did: We are all Variants, and Guera is our home.
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The writing is wonderful, the characters beautifully fleshed out and the story zips along nicely. This is, for lack of a better description, neo old school space opera, done with a remarkable originality. It's unlike anything I've read before. Once I got into it, the only thing that took me away was the need to eat, sleep, and go to the bathroom.
I plan on reading all her stuff now, and am, in fact, firmly entrenched in The Madness Season which I then plan to follow with her Coldfire Trilogy.
A note though for Kindle readers - there are a lot of typos in this book. A lot. So many that I deducted a star. And for the anti-format rating people out there - sorry, but Amazon leaves no other option. I'd be delighted, as I'm sure many readers would, if they gave us one.
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The story mainly follows Jamisia, a young girl living in the future, where humans are in the "second age" of space colonization. The first humans to leave Earth developed severe genetic mutations, causing those on Earth to immediately cut off space exploration--and the colonies they had sent out into the great abyss. Eventually, the mutations to one planet of colonists (Guera) leads to them being able to discover a safe way to travel through space. All the disparate colonies of Earth are thus reconnected, but the Guerans hold a deeply guarded monopoly on space travel, and there is a strong theme of "racial" conflicts between the different space colonies and Earth, whose residents are often hated for the abandonment generations earlier (alternately, those from Earth often look down upon the mutated "Variants" from other planets). Jamisia starts the novel as an orphan, living on a company-owned space station that orbits Earth. Her guardian wakes her in the middle of the night--a rival company has laid siege to their station, and they are after Jamisia for reasons she doesn't know. She has to escape in the middle of the night, setting her on a voyage across space wherein she discovers who she is and what the secret is within her.
Meanwhile, the book also follows the plotline of a virus called Lucifer that is attacking the pilots of the Guerans' special space travel ships. This aspect of the plot really touches on the internet of the future--not just its limitless possibilities, but also how much higher the stakes are when our dependency on the internet means a computer virus has the capability to kill. There is a lot of theorizing about the internet being something akin to a living, sentient, unknowable creature--and really, the idea of that is not so far fetched as relates to our internet now.
There were definitely times in the middle of the book where time lagged a bit. Jamisia's three-year stint in space traveling from Earth to the anniq seemed slightly unnecessary, and characters were developed there who wound up serving little to no purpose overall. Also, I think this book would seriously benefit from a small glossary. Seriously. It took me forever to figure out what the anniq was, and then there were the myriad of terms for different "Variants" and the terms for their different customs and face-paints and what have you. A glossary would REALLY have helped.
Overall, however, the book is certainly interesting enough--the plotline is by no means stagnant, and the character development is fantastic. Jamisia, especially, is a fascinating character study--though unlike the Amazon reviewer for this book, I won't ruin why that is. I also won't ruin anything about the ending, except to say it did feel a little abrupt. It wasn't bad, per se, just...abrupt. Not what I expected. Since I've read that many liked the Coldfire Trilogy even more than this book, I'll be picking that up soon.
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"This Alien Shore" provides an interesting glimpse into a possible future. While yes, science fiction is just that, fiction. Yet considering the exponential rate technology is shrinking in size while increasing in speed coupled with the increasing popularity of the internet (outernet in this novel) Friedman's novel may not be so far off the mark. It could be a long time before understand the human brain along time before we understand it enough to fuse a computer with but it could happen some day. Viruses are more intelligent, capable of improving their programming as they continue to fry computers. It is much worse to have your computer crash when it is hardwired into your brain.
Many people are quick to dismiss genre fiction as "escapist literature" but writers like Friedman are too good to pass up for any reason. You will miss a great deal if you brush her away.
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I love C.S. Friedman's character development and dialogue writing ability. The complexity of the world's she creates and detail she applies enthralls me. This book is phenomenal. Why it hasn't been translated into a movie is a mystery to me.
The ending is solid, but I was sad that the ride was over.
I want another excuse to jump back into this world. Ms. Friedman, please right a sequel.
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I was so pleased to receive this new looking hardback copy to replace my very worn paperback. Reasonable price and delivery time from the US was excellent.
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