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Peter Gabriel

LP

Peter Gabriel Format: Audio CD

4.7 629 ratings

$15.98

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Peter Gabriel 3: Melt (Remastered)

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MP3 Music, May 23, 1980

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$9.49

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Audio CD, Original recording reissued, Original recording remastered, September 28, 2010

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$15.99

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Audio CD, October 25, 1990

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Track Listings

1	Intruder
2	No Self Control
3	Start
4	I Don't Remember
5	Family Snapshot
6	And Through The Wire
7	Games Without Frontiers
8	Not One Of Us
9	Lead A Normal Life
10	Biko

Editorial Reviews

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An epic production highlighted by the clockwork undertones of "Intruder" and the Afro-prog-rock of "Biko," the third in Peter Gabriel's trilogy of eponymous solo titles is a watermark of the former Genesis singer's career. Drummer Jerry Marotta's tight global groove templates drive the edgy guitar pastiches of Robert Fripp, David Rhodes, Paul Weller, and XTC's Dave Gregory. Yielding the enigmatic 1980 hit "Games Without Frontiers," the Steve Lillywhite-produced opus travels the dark psychic corners of its narrator with a then-profoundly futuristic sound that's no less compelling than Bowie's Scary Monsters, which was released the same year. The cover may depict Gabriel's melting face, but the album marks Gabriel's arrival as a solid solo artist. --James Rotondi

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Product Dimensions ‏ : ‎ 5.5 x 4.9 x 0.4 inches; 1 Pounds
Manufacturer ‏ : ‎ Geffen Records
Date First Available ‏ : ‎ February 10, 2007
Label ‏ : ‎ Geffen Records
ASIN ‏ : ‎ B000000OMJ
Number of discs ‏ : ‎ 1

Best Sellers Rank: #348,952 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #3,388 in British Music
- #5,905 in Progressive Rock
- #9,020 in Album-Oriented Rock (AOR) (CDs & Vinyl)

Customer Reviews:
4.7 629 ratings

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4.7 out of 5

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Gabriel's masterwork. Stunning and highly recommended.

Reviewed in the United States on March 17, 2005

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After two albums of exploration, Peter Gabriel finally developed a uniqueness awway from Genesis and settled on a direction-- haunting, paranoid, frightening. As though some internal torment needed to be exorcised.

Usually regarded as Gabriel's best, Peter Gabriel 3 is superb. Longtime guitarist David Rhodes joins Tony Levin, Larry Fast and Jerry Marotta as the primary backing band on this record, augmented at times by none less than Robert Fripp, Kate Bush, and Phil Collins (back when he was still a drummer).

The music starts off dark and haunting, "Intruder", a first person narrative about breaking into someone's home. The album maintains this feeling, both from an internal standpoint ("No Self-Control", "I Don't Remember") and external ("Games Without Frontiers", "Not One of Us"). The material rocks like little else, and its nature suits Gabriel well. The dark chant of "No Self Control", the energetic confusion and horror of "I Don't Remember", the venom in the delivery of "Games Without Frontiers"... the material inspires Gabriel. Instrumentally, its filled with odd bursts of guitars and percussion, sometimes wrapping around itself. Still, as great as these songs are, none of them can begin to compare to what I consider to be Gabriel's greatest song, "Family Snapshot". Starting soft and delicate, and building, saxaphone screaming along with Gabriel's voice, the externalized horror of an assassin, climaxing with the moment of assassination, then dribblign into a feeling of loneliness and hopelessness. It paints a sympathetic picture of a man who is so desparate for attention, he'll kill for it. As powerful as it is, few moments are as stunning as Gabriel's whimpering "Come back mom and dad" over a delicate fretless bass.

The end of the record takes the aggression out of the introspection, the delicate beauty of "Lead a Normal Life" and the powerful tribute, "Biko", similar in feel to "Here Comes the Flood" off of the the car album, builds until gaining anthemic power. "Biko" also paints the way to the future for Gabriel, with its tribal-esque percussion and chants.

This is really superb, one of the best of its genre. Highly recommended.

10 people found this helpful

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D. Knouse

No cymbals were harmed in the making of this album.

Reviewed in the United States on December 14, 2020

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Seriously, as Peter Gabriel insisted on the absence of cymbal crashes during recording. That is not to say there is not plenty of interesting percussion used throughout this sublimely unique album (e.g. xylophone, chimes, gated drums). The unusual production techniques used here were wholly original at the time, often imitated thereafter, creating a haunting melancholy madness that pervades the atmosphere allowing the provocative lyrics an unnerving quality. This remastered version (2002) is utter perfection in audio quality, with all the tiny details sharply rendered, the layers of sound, leveling and engineering come across spectacularly. Hearing this album remastered so beautifully is like listening to this masterpiece for the first time. Stunning. Truly.

7 people found this helpful

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Robert A. Clocker

I recently purchased this CD as a replacement for the ...

Reviewed in the United States on June 12, 2015

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I recently purchased this CD as a replacement for the vinyl LP version that I had purchased new upon its original release back in 1980. It was a breakout LP for Peter Gabriel . Instead of just another un-noteworthy Solo album by another lead vocalist who broke way from an A-list group (In this case , Genesis). Each track tells a story of its own . "The Intruder" tells the story as seen through the eyes of a voyeur , while "Family Snapshot" does the same , this time through the eyes of an Assassin . Also included (As the single plucked from the album ) is the track "Games without frontiers " , a catchy tune about geopolitical games. "Biko" tells the story of the South African leader/Martyr Stephan Biko. On a more personal level , there is "Lead a Normal Life". Every time that I listen to this track , I am reminded of certain - by way of certain background noises contained within the track - of being herded out to the drill pad (At 5 A.M.!!) for formation when I was a young Airman in the U.S. Air Force during Basic Training at Lackland AFB in Texas - and being screamed at by Training Instructors!

9 people found this helpful

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James Ciambor

Gabriels Masterpiece

Reviewed in the United States on May 13, 2011

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The initial untitled albums were an expansion on Peter's post-modernism conveyed in The Lamb Lies Down on Broadway. However understanding that he wanted to explore different directions he left Genesis to built a reputation on his own. His goal to explore new musical territories is somehow reached in this album where not only does he come into his own element he shows us how versatile he is. From social advocacy in Biko where he starts to incorporate World Music influence for the first time. Much of the hard rock influence in his earlier solo albums seems to reach more depth and pessimism but in a truly sincere and genuine way. Intruder, No Self Control, and Not One of Us deal with identity issues and sense of wanting to materialize into something else and somehow has a correlation to Peter trying to find himself and finally coming into his own.

The album is quite eclectic borrowing from new wave, world music, hard rock which was established in previous albums. The atmosphere is to die for, and he takes on multiple persona's to a much greater effect than when he was dressing up in Genesis performances. Again this album is all the proof you need to show that Peter needed to leave Genesis to artistically grow into this. Which benefited Genesis because they became more lucrative under Phil Collins that however doesn't mean they were as artistically inclined as this album.

3 people found this helpful

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Francisco Coelho

Essencial

Reviewed in Spain on April 21, 2022

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Muito bom

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VHA

Peter Gabriel es un genio

Reviewed in Mexico on April 3, 2019

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Este es uno de los discos que estuve escuchando cuando estuve haciendo mi tesis de maestría y realmente fue inspirador. Cada uno de los temas me transportaron a algo indescriptible. La etapa final de redacción de mi tesis se debe en parte gracias a este maravilloso disco. Sus discos son atemporales.

2 people found this helpful

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Alejandro Mijares

Excelente

Reviewed in Mexico on May 28, 2017

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Excelente disco, todas las canciones me gustan. Un disco de colección.que no debe de faltar en tu hogar. Si lo compras no te arrepentirás.

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Melomaniak

Fondu au noir

Reviewed in France on May 14, 2015

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Melt. Le meilleur album de la carrière solo de l'ex-vocaliste de Genesis ? Le plus sombre assurément, le plus radical dans ses préceptes de production aussi, un authentique chef d'aeuvre, surtout. Introducing PG3 aka Melt.
Première constatation, Peter Gabriel a fini de couper les liens avec ses anciens camarades, reste la voix, évidemment, mais, sinon, toute trace du rock progressif symphonique qui l'a fait connaître au monde. Ici, plus volontairement froid qu'il ne l'a jamais été, décidant de choix osés (de la batterie, oui, mais pas de cymbales), s'entourant encore et toujours de précieux collaborateurs (Kate Bush, si précieuse sur le plein d'espoir, la bulle d'oxygène d'une aeuvre au noir, Games Without Frontiers, Paul Weller venu apporter un peu de jeune électricité à l'énervé And Through the Wire, Phil Collins au tribalisme précieux sur Intruder et No Self Control, Tony Levin apportant le glissé précieux de son stick sur I Don't Remember, Robert Fripp toujours de la partie et toujours aussi décisif sur No Self Control, I Don't Remember et Not One of Us, Larry Fast et sa cornemuse vibrante sur le cri de douleur qu'est le magnifique Biko, etc.) apportant chacun, sous la bienveillante supervision de Peter évidemment, sa pierre a ce qui devient, au bout du compte, un impressionnant édifice.
uvre pensée, construite, précieuse mais aussi froide et détachée, Melt, troisième éponyme de l'archange, est un indéniable sommet d'art rock intelligent, supérieurement composé, interprété et produit par un artiste pointilleux à l'extrême. Et un album désormais classique qu'on ne devrait plus avoir à recommander tant, c'est l'évidence !, tout le monde l'a entendu, et si ce n'est pas le cas, il est encore temps, pus que temps même !, de se rattraper parce que, 35 ans après sa sortie, il brille encore de tous ses feux.

1. Intruder 4:54
2. No Self Control 3:55
3. Start 1:21
4. I Don't Remember 4:41
5. Family Snapshot 4:28
6. And Through the Wire 5:00
7. Games Without Frontiers 4:06
8. Not One of Us 5:22
9. Lead a Normal Life 4:14
10. Biko 7:32

Peter Gabriel - lead vocals; backing vocals (1, 5, 8); piano (1, 2, 4, 5, 8, 9, 10) synthesizer (3, 4, 7, 8); bass synthesizer (7); drum pattern (10); whistles (7)
Kate Bush - backing vocals (2, 7)
Dave Gregory - guitar (4, 5)
Robert Fripp - guitar (2, 4, 8)
David Rhodes - guitar (1, 2, 4, 5, 8, 9, 10), backing vocals (1, 4, 8)
Paul Weller - guitar on "And Through the Wire"
Larry Fast - synthesizer (1, 2, 3, 7, 10), processing (2, 4, 8), bass synthesizer (7), bagpipes (10)
John Giblin - bass (2, 5, 6, 7, 8)
Tony Levin - Chapman stick (4)
Jerry Marotta - drums (4, 5, 7, 8, 9, 10), percussion (7, 8)
Phil Collins - drums (1,2); drum pattern (1); snare drum (5); surdo (10)
Dick Morrissey - saxophone (3, 5, 9)
Morris Pert - percussion (1, 2, 9)
Dave Ferguson - screeches (10)
Steve Lillywhite - producer; whistles (7)
Hugh Padgham - engineer; whistles (7)

7 people found this helpful

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Fabio Furiosi

Bel disco,capolavoro?

Reviewed in Italy on January 20, 2023

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Non avevo mai ascoltato nulla di Gabriel:disco molto all'avanguardia per quei tempi,merita un'ulteriore acquisto dallo stesso artista...probabilmente "So"...

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