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Shipping & Fee Details
| Price | $11.26 | |
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So 25th Anniversary Immersion BoxPeter GabrielAudio CD$24.06 shippingOnly 14 left in stock - order soon.
Track Listings
| 1 | Red Rain |
| 2 | Sledgehammer |
| 3 | Don't Give Up |
| 4 | That Voice Again |
| 5 | In Your Eyes |
| 6 | Mercy Street |
| 7 | Big Time |
| 8 | We Do What We're Told (Milgram's 37) |
| 9 | This Is The Picture (Excellent Birds) |
Editorial Reviews
Product description
Peter Gabriel ~ So
Amazon.com
So is generally regarded as a peak in Gabriel's recording career, notable both for its solid set of songs and lush yet musicianly production. For Gabriel, who'd put his music in theatrical contexts ever since his days with Genesis, the modern sound of So (co-produced with Daniel Lanois) was itself a dramatic conceit that effectively played off the more organic roots of many of its songs. The album's big hit was "Sledgehammer," the English rocker's somewhat stilted take on the Stax/Volt style of rhythm & blues. Gabriel was much more powerful on his own art-rock songs, such as "Red Rain," which evoked nuclear ruin with its cascading rush of guitars and synthesizers. "Don't Give Up" is perhaps Gabriel's best ballad, with Kate Bush's heavenly second vocal enough to give anybody encouragement. But the song that best exploited So's blend of technology and soul is "In Your Eyes," a beguiling rhythmic tapestry in which Gabriel duets with Youssou N'dour. --John Milward
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.5 x 4.94 x 0.45 inches; 1 Pounds
- Manufacturer : Geffen Records
- Date First Available : February 20, 2007
- Label : Geffen Records
- ASIN : B000000OPU
- Number of discs : 1
- Best Sellers Rank: #30,231 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #638 in Progressive Rock
- #1,431 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- #1,486 in Vocal Pop (CDs & Vinyl)
- Customer Reviews:
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Peter Gabriel’s first four albums all had the same title: Peter Gabriel. Gabriel set out in early 1985 to make a record that was more commercial than his previous music. He recorded the album at his home near Bath. He used a cowshed that had been converted into a home studio. The album took ten months and cost $260,000 to make.
"So" was a fusion of rock, pop, funk, avant-garde, and African influences. It also sounded like a pop album. It contains nine-songs. "Sledgehammer" reached number-one on the Billboard Hot 100. It was followed by four further singles, "Don't Give Up" (a duet with Kate Bush), "Big Time", "In Your Eyes" and "Red Rain."
“In Your Eyes” would feature in the Cameron Crowe film "Say Anything" in 1989 and would become one of Gabriel’s most popular songs. John Cusack plays the song on a boombox outside his girlfriend’s bedroom. “Mercy Street” is written about the American poet Anne Sexton who won the Pulitzer Prize for poetry in 1967 for her book of verse Live or Die. Sexton had long suffered from depression and sadly committed suicide in 1974.
"So" has an eclectic array of guest artists that includes Kate Bush on vocals. Gabriel recruited world-class musicians for this recording. They included: French-Ivorian percussionist Manu Katché; King Crimson’s Tony Levin on bass; Indian violinist L. Shankar; Stewart Copeland on drums; Simon Clark (Be Bop Deluxe) on keyboards; New York session legend Richard Tee on piano; Senegalese singer Youssou N’Dour; Laurie Anderson on vocals; Bill Laswell on bass; Simple Minds' Jim Kerr; soul singer P.P. Arnold; American session drummer Jerry Marotta; Nile Rodgers on guitar; and Joni Mitchell’s husband, Larry Klein.
David Rhodes has been Gabriel's principal studio and touring guitarist since 1980 and he co-wrote the song "That Voice Again." "Sledgehammer" was partially inspired by the music of Otis Redding, and Gabriel sought out Wayne Jackson, whom Gabriel had seen on tour with Redding in the 1960s, to record horns for that track and for "Big Time."
It seemed strange to hear some of these people on a pop album. I own solo records by Katché, Shankar, and Laswell and I would classify them as jazz/experimental. The album opened the doors for Katché who would later play on records by Sting, Joni Mitchell, Jeff Beck, Jan Garbarek, and many others. His solo albums on the ECM label are very good but they are really jazz records.
Daniel Lanois is a brilliant producer and his work with U2 increased his profile in the 1980s. I own several albums he produced in the late 1980s. Particular favorites include Power Spot – Jon Hassell; The Joshua Tree – U2; Robbie Robertson – Robbie Robertson; and Oh Mercy – Bob Dylan. Lanois also played guitar on a few "So" tracks.
Gabriel had been the lead vocalist of Genesis during the band's progressive rock phase of the early '70s. I still like Genesis's prog albums, but this isn’t prog. Unlike most pop from the 1980s, including anything recorded by Genesis after 1977, this album still sounds great.
So is one of the greatest pop/rock records of the 1980s and endures today as a masterpiece that has influenced many contemporary artists. Along with U2’s The Joshua Tree and Hounds Of Love from Kate Bush, it is one of my favorite records of its era.
The problem I had with "Big Time" from the '90's hits comp is that the kick drum was not so "BIG" and overall very thin quiet and noisy. Kick drum is almost absent which doesn't match the energy and attitude of the rest of the song, a favorite of mine.
Applied a limiter set to -8db RMS to this original quiet and thin sounding version and it now sounds identical in quality and loudness to this newer 2012 remaster of "So". That's not what I'ld call a true remaster. There are other labels that call this a remaster just making it loud with a limiter. Some 2002 Chicago remasters from Rhino I bought does the same thing.
But the one advantage of brickwalled wave files off a CD is I can now bring out the kick drum in Audacity and EQ it to sound much better and not brickwalled.
Lots of detail squashed by a limiter can be revived this way thanks to digital technology but why should I do all the work when it should've been done by the label I bought it from?
"Big Time" sounds much better after I edited it in Audacity.
Top reviews from other countries
So was the breakthrough although Gabriel didn't abandon his experimental side to achieve success but he made his music more accessible the best example of this was the lead single from the album a slice of pop soul called Sledgehammer which combined with its surrealist video pushed Gabriel to the top of the charts around the world. Sledgehammer is not the only track on So worth a listen it opens with the epic Red Rain there is also the delicate duet with Kate Bush [ who also sings on Games Without Frontiers] Don't Give Up, the African percussion driven Mercy Street and the funk of Big Time. The band on this album Daniel Lanois on guitar, Bill Laswell and Larry Klein on bass also Stewart Copeland [ The Police] on drums also African drummer and staple of Gabriel's band Manu Katche with backing vocalists including P.P. Arnold , Jim Kerr, Youssou N' Dour, Laurie Anderson and of course Kate Bush, the funk of Sledgehammer and Big Time was enhanced by the use of the Memphis Horns. So would lead to other albums with two letter titles Us and Up but neither though successful would match the enormous success of So. This 25th anniversary version of the album includes a two disc live album which makes this collection excellent value for money, for which you get one of the best experimental pop albums of the eighties.
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