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Bone Machine
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| Price | New from | Used from |
|
Vinyl, Import
"Please retry" | — | $150.00 |
|
Audio, Cassette, September 8, 1992
"Please retry" | — | $19.99 |
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Track Listings
| 1 | Earth Died Screaming |
| 2 | Dirt In The Ground |
| 3 | Such A Scream |
| 4 | All Stripped Down |
| 5 | Who Are You |
| 6 | The Ocean Doesn't Want Me |
| 7 | Jesus Gonna Be Here |
| 8 | A Little Rain |
| 9 | In The Colosseum |
| 10 | Goin' Out West |
| 11 | Murder In The Red Barn |
| 12 | Black Wings |
| 13 | Whistle Down The Wind |
| 14 | I Don't Wanna Grow Up |
| 15 | Let Me Get Up On It |
| 16 | That Feel |
Editorial Reviews
Product description
Tom Waits - Bone Machine - CD
Amazon.com
The abnormal has become the norm for Tom Waits, so, once again, Bone Machine is laden with odd timbres, archaic acoustics, and raw vocals. This time, however, Waits has built his songs around a Harry Partch-inspired fascination with primitive percussion. With a crew of Northern California musicians along to add spare adornments, Waits fashions pretty, sentimental tunes ("A Little Rain," Whistle Down the Wind") and hellish stampedes of clanging metal and hoarse shouting ("Earth Died Screaming," "Let Me Get Up on It," the latter the 53-second distillation of Bone Machine quintessence-just Waits distorted bellowing and banging. Bone Machine is both appalling and appealing. There are elements to this album that seem designed to drive away the faint of heart, and then there are melodies that melt in your hand. --Steve Stolder
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.71 x 5.08 x 0.39 inches; 3.6 ounces
- Manufacturer : Island
- Item model number : 2138157
- Original Release Date : 1992
- SPARS Code : DDD
- Date First Available : December 7, 2006
- Label : Island
- ASIN : B000001DVZ
- Number of discs : 1
- Best Sellers Rank: #72,541 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,358 in Progressive Rock
- #1,602 in Blues Rock (CDs & Vinyl)
- #2,217 in Pop Singer-Songwriters
- Customer Reviews:
Customer reviews
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This is a very percussive affair and unlike most of his later catalog, doesn't really reference any of his earlier stylings.
There are some great songs on here and those of you that like his post swordfishtrombones albums will probably enjoy this album.
Top reviews from other countries
Pour le coup, c'est un Tom Waits bien noir, lugubre même, qui nous revient. Parce que dès sa pochette (signée Jesse Dylan, fils de Bob), pochette qui ne ment pas, Bone Machine s'affiche comme un étrange animal, une exploration quasi-gothique du versant waitsien de la musique américaine où, c'est heureux, les belles ballades tristes, qui sont devenues la trademark du possédé, ne sont pas totalement absentes et servent idéalement de respiration dans un ensemble plutôt beaucoup plus étrange et claustrophobe que ce que Tom avait eu l'habitude de livrer jusqu'alors. Et c'est en grande partie à cette intense bizarrerie assumée, à cette absolue noirceur que reviennent l'exceptionnelle réussite artistique de l'album.
Parce que si état de grâce compositionnelle et sonore il y a indéniablement, pour la rigolade, vous repasserez ! Obsédé par la mort textuellement, Bone Machine s'affiche en blues cassé et percussif orné des croassements si immédiatement du Maître de Cérémonie. De fait, pour parvenir à ses noirs desseins, Waits remanie en partie ses accompagnateurs, trouvant d'idéals nouveaux partenaires de jeu dans la (alors) jeune génération en la personne de Les Claypool et Brain des agités du bocal de Primus. Le résultat, outres les belles ballades tristes précitées, est souvent glaçant avec Tom en grand ordonnateur vaudou, en touche-à-tout instrumental aussi.
Les meilleurs moments ? Tous ! Même quand l'invité de luxe Keith Richards y va de sa guitare et de sa gorge (That Feel, qui clôt l'album), même quand un chicano rocker de Los Lobos, David Hidalgo sur Whistle Down the Wind, vient poser son habituellement clicheteux violon et accordéon (pas ici !), c'est dire !
Sur la lancée de cette épatante réussite, Tom Waits sortira son petit frère bâtard trop ambitieux, The Black Rider qui, s'il comporte quelques très beaux moments, n'a ni la classe ni l'esprit ni l'ambiance de son glorieux devancier. Un de chute pour Tom qui se remettra bien vite, mais ça vous le savez déjà. Reste donc Bone Machine, beau de toute sa laideur, laid de toute sa beauté, un opus noir toujours aussi indispensable. Le meilleur de Tom ? Peut-être même bien !
Tom Waits - Vocals (all songs), Chamberlin (1,6,9), Percussion (1,3,4,5,6,15), Guitar (1,3,5,12,14,16), Sticks (1), Piano (2,13), Upright Bass (7), Conundrum (9), Drums (10,11,12,16), Acoustic Guitar (14)
Brain - Drums (3,9)
Kathleen Brennan - Sticks (1)
Ralph Carney - Alto Sax (2,3), Tenor Sax (2,3), Bass Clarinet (2)
Les Claypool - Electric Bass (1)
Joe Gore - Guitar (4,10,12)
David Hidalgo - Violin (13), Accordion (13)
Joe Marquez - Sticks (1), Banjo (11)
David Phillips - Pedal Steel Guitar (8,13), Steel Guitar (16)
Keith Richards - Guitar (16), Vocal (16)
Larry Taylor - Upright Bass (1,2,4,5,8,9,10,11,12,14,16), Guitar (7)
Waddy Wachtel - Guitar (16)
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