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Sidewaulk

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Capercaillie Format: Audio CD

4.4 17 ratings

$16.87

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Sidewaulk

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MP3 Music, January 1, 1989

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Audio CD, Import, January 5, 1993

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Track Listings

1	Alasdair Mhic Cholla Ghasda
2	Balindore
3	Fisherman's Dream
4	Sidewaulk Reels
5	Iain Ghlinn' Cuaich
6	Fosgail An Dorus/Nighean Bhuaidh' Ruadh
7	The Turnpike
8	Both Sides the Tweed
9	The Weasel
10	Oh Mo Dhuthaich

Editorial Reviews

Amazon.com

This gang of Scots broke a lot of barriers, paving the way for the overwrought synth pop of Enya that was just up the road. Hebridean vocalist Karen Matheson is the prize of this band, and this record is her shining moment. The disc opens with Matheson singing a traditional "waulking song," a thundering vocal piece with drums and a wash of keyboard. She is soulful on "The Fisherman's Dream," perhaps a bit too lush on Dick Gaughan's "Both Sides the Tweed," and delivers a piece of traditional "mouth music" with a modern gusto. Most of the instrumental tunes are more vibrant than their later recordings. Accordions, fiddles, whistles, recorders, guitars, and bouzoukis more than balance the occasionally overbearing electric bass and synthesizers, maintaining a lively contemporary feel and a traditional power. --Louis Gibson

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 5.59 x 5 x 0.51 inches; 4.66 Ounces
Manufacturer ‏ : ‎ Green Linnet
Item model number ‏ : ‎ 48248109420
Original Release Date ‏ : ‎ 1993
Date First Available ‏ : ‎ December 7, 2006
Label ‏ : ‎ Green Linnet
ASIN ‏ : ‎ B000005CNQ
Number of discs ‏ : ‎ 1

Best Sellers Rank: #315,882 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #219 in Scottish Folk
- #388 in Scottish Music
- #470 in Celtic New Age (CDs & Vinyl)

Customer Reviews:
4.4 17 ratings

Customer reviews

4.4 out of 5

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Top reviews from the United States

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brian m

capercaillie capercaillie

Reviewed in the United States on November 17, 2012

Verified Purchase

If you like there music, this is a bit different. It does grow on you but its different sound than much of there other music. I do recommend it.

Helpful

Metamorphic Rocker

Art is Synthesis; Tradition and Progress

Reviewed in the United States on March 13, 2014

I simply am not a purist--i.e. one who believes art must adhere to an immovable standard, formula, genre, or particular characteristics in order to carry validity. I am also not that much of a traditionalist: I think positive, healthy traditions can be beneficial to individuals and communities, but tradition seemingly for its own sake should be questioned and carefully evaluated, to ensure that they are not harmful either to individuals or to a just, humane society, nor simply a tool used by a certain party for unfair or ulterior reasons (i.e. to allow one group control or manipulation of another.) One of the spheres within our society rifest for the pursuit of experimentation and progress (often in that order) is that of art-- such as drawing, painting, photography, filmmaking, sculpting, writing, and, of course, music. The truly wondrous part of art is the *artists*. Consistently throughout history, across societies and civilizations, we find individuals and groups of people carrying the remarkable ability to, in various ways, gather the materials around them (whether physical or intellectual), and create some piece piece anew that excites the body, mind, and spirit, and/or which we can look to as some reflection of human life, times, thought, and feelings. That is why I feel art can be regarded as a synthesis or fusion: artists gather materials and inspirations, ranging from the observations of human nature surrounding them to, in the case of a musician perhaps a hollowed gourd, or for a painter, the natural pigments found throughout the world, to create a final product dependent on yet grater than the sum of its parts, and with the potential to be beneficial both to the individual (self-expression), and to society at large (the trading of ideas and perspectives.) While it is important to appreciate and keep record of the artistic ideas and styles that evolve over the years, music, like any art, will naturally change and evolve over time, and I think the strongest traditions are fluid: that is, room for development, and the true flourishing of artists, is provided, as change and experimentation is regarded as acceptable and natural. We should strive to be mindful and acknowledging of traditions, but open to their continuing development as a part of human society. As humans continue, art will continue, and new traditions will continue to evolve.

In this case, I find Capercallie to be a delightful blend of traditional Scottish music and more contemporary touches. Throughout the diverse and experimental ten tracks of 'Sidewaulk', the band loses none of the powerful energy or vitality so associated with Celtic music, and complements this with an innovative electrified rhythm sections and tantalizing touches of the New Age. Some reviewers take issue with the presence of synthesizers on some tracks. Firstly, I would say that their use is fairly subtle and sparing, and does not at all dominate the traditional instruments or vocals--in other words, 'Sidewaulk' does not sound like any old mediocre 1980s pop record. I personally also find the blend of instrumentation aesthetically appealing. Another favorite Celtic/fusion group of mine is the more recent Kila, and while Kila's musicians are Irish, when I listen to Capercaillie, I sometimes wonder if Kila, which rose to prominence in the mid-late '90s, were influenced by this '80s-born group. The opener of this record, an energetic musical and vocal highlight titled, in Scots Gaelic, 'Alasdair Mhic Cholla Ghasda', almost seems to be echoed with the fade-in that begins 'The Compledgegationist', (a made-up word to my knowledge), the opening track of Kila's excellent 2000 album, Lemonade & Buns, and the incorporation of bases, electric guitars and keyboards to traditional Celtic rhythms and melodies is certainly a common element of both groups.

So Capercaillie, while it incorporates many strong traditional Celtic influences, is in no way afraid of moving beyond them. This is not a strictly traditional group, so if fusion-oriented music isn't your thing, be advised that this album may not be to your tastes. For me, I love the blend of sounds going on here. Lead singer Karen Matheson has a lovely, enchanting voice, well-suited both to the Scots and English language. To witness her virtuosity, listen to track 6, the Gaelic, 'Fosgail an Dorus//Nighean Bhuaidh' , and track 8, 'Both Sides the Tweed' back to back. The former is an energetic, rather fun medley of two traditional tunes, while 'Tweed', a more recent composition is a slow-tempo, reflective song about finding harmony and peace between societies ('Tweed', in this case, refers to a river near the border of England and Scotland.) Matheson renders both tracks beautifully--the former pulsating, the latter soft, serene, and profound. Listening to these two sublime tracks, one can sees how well--at least in my opinion--Matheson's voice is suited to a variety of musical styles and forms. 'Tweed' is a particular highlight of the album, using poetic lyrics to convey a powerful social message: "Let friendship and honor unite, and flourish on both sides the Tweed... think them poorest who can be a slave, and richest who dare to be free."

Apart from just about anytime Matheson opens her mouth, I find track 4, Sidewaulk Reels, and track 7, The Turnpike, to be particular highlights. The instrumental tracks are as energetic and exciting as the best Celtic jigs and reels, combining lovely sounds of fiddle, concertina, whistle, and recorder (a personal favorite of mine), with a great rhythm section, featuring some decidedly meaty bits of back-up from the bass guitar player. Donald Shaw's concertina does tend to dominate many tunes, while I myself prefer the flowing, flying sounds of recorder and fiddle, but this is a minor reservation for me as I still find these sets excellent overall, and there is a remarkably energetic and appealing effect gain by placing the old-style concertina alongside Capercaillie's astounding, electrified rhythm section--a striking contrast, if you will. I am listening to The Turnpike now, hearing some delight fiddle interludes, as the rhythm section grooves not quite like anything else I've ever heard--and then, without missing a beat, we dive straight from one melody to the brilliant next, into an invigorating concertina workout--sublime.

Overall, if you enjoy Celtic music, including Scots-language vocals, with generous overtones of New Age and pop-ish music, or you enjoy good experimental/fusion-oriented music, do give this talented group a try. While those of more strict traditionalist tendencies may not enjoy it as much, I think anyone approaching this group with an open musical mind will likely find *something* enjoyable or interesting about it. Personally, I find this sort of experimentation, fusion, and progress fascinating, and wish such beautiful music as that made by Capercaillie were more widely known and available. Society should promote art, and the music of Capercaillie is most definitely artistic. Giving something a little different a try, and maybe you'll float away, as I have, on this enchanting blend of songs and sounds.

3 people found this helpful

Helpful

Ian Martyn

An early Capercaillie shines here

Reviewed in the United States on December 2, 2005

Despite further successes, the best of Capercaillie lies in their early recordings. This one is no exception.

Now with new members Manus Lunny and John Saich, the skill level of guitar, bouzouki, and bass reaches new heights. You can especially notice this in the bass lines, as Saich's melodic bass lines give a new depth to Capercaillie's sound.

Of course, Karen Matheson, Donald Shaw, Charlie McKerron, and Marc Duff are in excellent form. Karen's voice really shines here as both Gaelic and English songs take center stage (Sidewaulk is the first Capercaillie album to have English songs as well as Gaelic songs).

With wonderful songs and impeccably performed tunes, how can you go wrong here?

One person found this helpful

Helpful

Not my cup of tea, though others may enjoy it

Reviewed in the United States on December 3, 2002

Modernized Celtic music that follows in the path of early Clannad albums -- brisk instrumentals interspersed with glossier vocal numbers and a thumping electric bass or intrusive synthesizer here or there. Talented, it's true, but for the more traditionally-minded among us, this Scottish ensemble may be a hit-or-miss affair. They are more true to their roots on the instrumental numbers -- bad news for folk like me who prefer hearing songs. I'm also not terribly fond of vocalist Kathy Matheson... I guess I just don't like the timbre of her voice, or perhaps I'm just used to hearing a Hebrides accent in a rougher context. This early album is perhaps your best shot to size them up as a proper "trad" band.

4 people found this helpful

Helpful

Christopher Culver

Reworked Capercaillie songs, original versions were better

Reviewed in the United States on November 24, 2000

CAPERCAILLIE, a self-titled disc, is a set of remixed and reworked songs, mostly from SECRET PEOPLE (which is, for some strange reason, getting hard to find).
Most of the songs give an even greater showcase of Capercaillie's singer Karen Matheson but, to tell the truth, the original versions are better. Giving songs like "Alisdair Mhic Cholla Ghasda" an afro-sounding beat might make them hip and modern, but the remixing takes away from the traditional nature of Capercaillie's repetoire.
Because a lot of the tracks of SECRET PEOPLE were already pretty contempory-sounding, a few songs like "Bonaparte" and "The Miracle of Being" aren't very different from the originals. But nonetheless, I would encourage anyone to pick up SECRET PEOPLE (or any other Capercaillie album) before listening to this interesting, though uninspired, diversion.

4 people found this helpful

Helpful

Donald R Schwabe

Been done better on "Secret People"

Reviewed in the United States on November 30, 2000

I was disappointed in this album. Most of the songs were remakes from the "Secret People" CD (I already knew this) and I guess I just expected better. There is liberal use of musical programming on each song and (in my opinion) it gets monotonous pretty quickly. I'm a big fan of Capercaillie but this one just didn't cut it for me. The versions on "Secret People" are better.

4 people found this helpful

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Georg Albrecht

Na ja.....

Reviewed in Germany on July 24, 2019

Verified Purchase

Ein paar Lieder sind ganz schön, der Rest wirkt auf mich eher einfallslos. Die wunderschöne Stimme von Karen ist natürlich weiterhin wunderschön.....aber insgesamt für mich ein verzichtbares Album der tollen Band. Viel besser ist da das Life-Album.

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Amazon Customer

Me hace bailar

Reviewed in Spain on January 28, 2021

Verified Purchase

Es uno de los mejores discos de la banda Capercaillie

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Price		$16.87
AmazonGlobal Shipping		$14.75
Estimated Import Fees Deposit		$0.00

Total		$31.62

Price		$16.87
AmazonGlobal Shipping		$14.75
Estimated Import Fees Deposit		$0.00

Total		$31.62

Price		$16.87
AmazonGlobal Shipping		$14.75
Estimated Import Fees Deposit		$0.00

Total		$31.62