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Damage

Eno, Roger (Artist), Hammond, Lol (Artist) Format: Audio CD

4.1 6 ratings

$39.94

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Audio CD, Import, Limited Edition, January 6, 2004

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Audio CD, April 6, 1999

$39.94

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Audio CD
$39.94

3 Used from $14.90 1 New from $39.94

Track Listings

1	Code
2	Damage
3	Something Orange
4	Gerrard St 4.15
5	Sky Becomes A Loop
6	Room Without Lights
7	Lose That Skin
8	Blue Kind Of Drug
9	Kinky Ink
10	Coming Up For Air
11	Burst
12	Hip Hop Flipperty Flop
13	Sky Becomes A Reprise

Editorial Reviews

Amazon.com

Damage is primordial urban music. Its deceptively simple, often subtle structure exposes the constant inborn struggle for homeostasis as nature battles with nurture. Eno and Hammond could be creating soundscapes for the resistant protagonists of filmmaker Krzysztof Kieslowski's masterfully wrenching early-'90s French trilogy Blue, White, and Red. In off-kilter looping ambient time the compositions rush like blood to blushing cheeks, like mini-cars through the tunnels of Paris, like verbal arrows to one's heart--each leaving a faintly hued streamer behind, pale evidence of movement and transformation. Hammond's arrangements are intriguing; texture is created not only by layering dual pianos and synthesizers and guitar with looped effects but also by an expansive sense of both tuning and volume. "Lose That Skin" becomes a warped beauty grounded in dissonance, while "Hip Hop Flipperty Flop" opposes a minor triad melody with a scratchy breakbeat. "Sky Becomes a Loop" and "Reprise" are aural parties of watery trips and trickles, and "Kinky Ink" aggressively beguiles with a pumped-up bottom line and midrange drone. --Paige La Grone

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Package Dimensions ‏ : ‎ 5.55 x 4.97 x 0.54 inches; 2.83 Ounces
Manufacturer ‏ : ‎ Thirsty Ear
Date First Available ‏ : ‎ February 11, 2007
Label ‏ : ‎ Thirsty Ear
ASIN ‏ : ‎ B00000I7RR
Number of discs ‏ : ‎ 1

Customer Reviews:
4.1 6 ratings

Customer reviews

4.1 out of 5

6 global ratings

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rubidium84

A strange mix, but it works

Reviewed in the United States on December 23, 2002

Roger Eno's career went from being merely a piano-laying vehicle for his older brother's "treatments", to a bizarre sort of art/ambient rock with vocals in Latin, to some sort of improv-driven chamber music, and now this. This record seems to combine elements from all of Roger's previous styles and add new influences, courtesy of Lol Hammond.
An interesting note: this sounds like an indie band that just got done listening to "Discreet Music" or something by Steve Roach.It's a strange mix but it somehow works. I would like to hear more.

3 people found this helpful

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Boony

Roses

Reviewed in the United States on November 20, 2008

This is the album I used to put on when I needed my anxiety to go away. The album before any big night or performance. The album to relax all nerves and take me to a place far far away.

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Kevin Mcallister

Wonderful!

Reviewed in the United States on March 18, 2001

Eno's manifold machinations on this album are refreshing. I have rather enjoyed his amalgamation of drums, piano, and spirited uplifts. It's a shame this artist isn't as revered as others in the New Age genre. I prefer Roger Eno to standouts such as Steve Roach.

2 people found this helpful

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Sam2095

Okay if you like drum machines

Reviewed in the United States on June 13, 2000

I found the plinks and plonks of the drum machine (courtesy of Lol Hammond I guess) on most of the tracks really off putting in this album. I particularly don't like fake wooden sticks and hand claps. A personal dislike granted and in my view very 80's not late 90's. Enough to make me avoid playing it very often. Perhaps my loss but give me the likes of "Lost in Translation", "Between Tides", "Swimming" or the more recent "The Night Garden" any day. Other than that musically it's as moody as any of Roger's other albums (most of which I'd rate 4+).

5 people found this helpful

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Damage

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