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Gone Baby Gone

Casey Affleck (Actor), Morgan Freeman (Actor), Ben Affleck (Director) Rated:
R
Format: DVD
4.5 4.5 out of 5 stars 2,844 ratings
IMDb7.6/10.0
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Format Multiple Formats, Widescreen, Closed-captioned, Color, Dolby, Dubbed, NTSC
Contributor Michelle Monaghan, Morgan Freeman, Dennis Lehane, Casey Affleck, Ed Harris, Ben Affleck
Language English, Spanish, French
Runtime 1 hour and 54 minutes
Color Color
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4.5 out of 5 stars
2,844 global ratings

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Great movie, just wanted to update an extras bio
5 out of 5 stars
Great movie, just wanted to update an extras bio
This is being collectively written by staff at one of the many many places Jill Quigg was a inmate/resident at...the corrections officer DID ask if she was in that movie, but DID NOT ask for an inmates "autograph" That would've been career suicide.2010 wasn't the last time she got arrested either. She also (last we all knew) lost the rights to her children because she consistently put them in harm's way, severely beat, & neglected them.So she is not only a racist, but she is also a child abuser.Her file made the stomachache turn.She should absolutely NEVER be left unattended on set with children due to herPoor moral character, and lack of verbal filter in social situations.Another contrarity in what her imdb bio implied, and her family was always adamant about in familiy mediation is that she only tried to "get clean" when it suited her needs. Be they be legal troubles, the documented time she was caught stealing prescription pads from a doc, and got caught redhanded at CVS trying to use one, or welfare inquiries due to her missappropriating govt. Funds. She is a colorful criminal for sure.When she played Dottie in Gone Baby Gone; she really didn't have to do much acting at all. She was, after all, playing herself. A scumbag.Please by all means dig further, and post an update. We here at the unmentioned facility would all be interested to hear what new & gross shananagans good ol Jill Quigg has been up to lately... if she is even still alive. What can we say,The girl (by choice) lives hard.
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Top reviews from the United States

  • Lyse M. Gunderson
    5.0 out of 5 stars Didn't read the book
    Reviewed in the United States on December 10, 2024
    Verified Purchase
    Amy Ryan plays her part so well I wanted to reach out and strangle her. Her character evokes NO sympathy from me, and I appreciate it when an actor creates a character that I despise. It means good acting. Always adore Ed Harris, he played it perfectly! Good plot, sincere acting, and smaht. If you don't mind a little dahkness, watch it!
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  • Lawrance Bernabo
    5.0 out of 5 stars The Brothers Affleck successfully bring another Dennis Lehane crime novel to the big screen
    Reviewed in the United States on February 22, 2008
    Verified Purchase
    Casey Affleck is having a great year in the movies, what with his Best Supporting Actor Oscar nomination for "The Assassination of Jesse James by the Coward Robert Ford" and his stellar performance in "Gone Baby Gone." I think Affleck would have been a shoe-in for the Oscar for the former role (it really is the lead part in the film, much more so than Brad Pitt's Jesse James), if he were not up against Javier Bardem's performance in "No Country for Old Men," but arguable what he does in the latter film is of more importance for his career because two points define a line segment. Casey Affleck can do more than broadly drawn character comedy and here is the proof.

    It does not take long watching "Gone Baby Gone" to be reminded of "Mystic River," another crime thriller set in Boston, which is not surprising since both novels were written by Dennis Lehane. The key difference is that "Gone Baby Gone" is the fourth of (to date) five novels by Lehane about the private investigator team of Patrick Kenzie (Affleck) and Angie Gennaro (Michelle Monaghan). Their area of specialization is tracking down missing people, which is to say deadbeat dads and the like. So when they are approached by Bea McCready (Amy Madigan) and her husband Lionel (Titus Welliver), about helping in the investigation regarding their missing niece, Amanda, the two PIs feel they are in over their head. But a little girl from the neighborhood is missing, and they want to do what they can to help. After all, Bea thinks a couple of locals can get do a better job of digging around Dorchester for answers. It does not take long for them to find out this is not going to be an easy case.

    This is especially true because Amanda's mother, Helene McCready (the Oscar nominated Amy Ryan), turns out to have been a pathetic figure long before her daughter disappeared. When Kenzie and Gennaro find out what her particular package of problems happens to be, they start looking at the case in a whole new light, trying to make sense of it all in time to save the little girl. No more need be said about the plot and if this is not enough to persuade you to check out the film then notice that the supporting cast includes Morgan Freeman, Ed Harris, and John Ashton. Anytime Freeman or Harris make a movie I am inclined to check it out when it is released on DVD, so having both of them in the film is a really good sign that this one might be something special.

    I really liked this movie (a lot more than last year's Best Picture winner "The Departed"), although I wonder if I had an advantage during the opening act because I already knew that Casey Affleck act having seen his other big movie of 2008. If you keep thinking about the bratty kid from "Good Will Hunting" and lesser fare then it might take you a while to accept Affleck carrying the heavy load, although Monaghan, his character's "better half," is providing ample support along the way. Because older brother Ben both directed the film and co-wrote the script with Aaron Stockard, there is a tendency to think that the first-time director is looking out for his little brother. But to be fair, this movie works because the Afflecks have a high regard for the Boston in which they grew up, and they are just being true to their neighborhood. You do not need to listen to the commentary track by the director and his co-writer to know this is the case, because there is ample evidence on the screen. I suppose there is no particular motivations for the Afflecks to do another one of novels in this series for the big screen, but it would be nice given how well they did on this one.
    4 people found this helpful
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  • D. Larson
    4.0 out of 5 stars Better than it ought to be
    Reviewed in the United States on August 28, 2019
    Verified Purchase
    My grandmother had a saying that was deployed when she and my mom were talking about some neighbor or relative who had behaved badly. “She’s no better than she ought to be!”

    I was never quite clear just what that gnomic aphorism was supposed to mean. My take is that the girl who had been caught out wasn’t expected to be any more virtuous than she had turned out to be, considering the no-account people she came from. Or something like that.

    “Gone Baby Gone” is better that it really ought to be. Assembled in a ramshackle manner out of spare parts, this Rube Goldberg movie shouldn’t work nearly as well as it does. That it does hang together is a credit to Ben Affleck, who shows a better eye for the underclass of Southie than I’d expected. Especially after “The Town” which uses the same setting but is a dreadful heap of clichés and moping. Yes, “Gone Baby Gone” opens with some voice-over narration that’s unnecessary, as most voice-over is. Not a good way to raise expectations. But, once we settle down into the mean streets of Dorchester with the junkies and dealers and working-class stiffs in grungy bars, it’s not bad. Keeps you interested and while Ben Affleck is no Scorsese, he’s workmanlike, the framing and lighting are good enough, and the pacing keeps moving ahead even when the improbabilities pile up too high for credibility.

    Besides Ben Affleck’s direction, Ed Harris is pretty darn good as a righteous/maybe bent/maybe crazy cop with a heart of gold and masculine appurtenances of pure brass. Really, really good is Amy Ryan. Her Helene is truly awful in every way, the embodiment of every trashy stereotype around. And yet she pulls some of our sympathy for this damaged, wounded woman. She’s the best thing in the movie.

    And Casey Affleck? Mmmm….not the best. He’s just so callow-looking. There’s a scene early on where Casey is stomping around a dive bar, trash talking big scary looking guys and demanding answers. But Affleck the Younger is so unconvincing as a tough guy, he’d be more likely to be laughed out of the place than threatened with dismemberment. He’s supposed to be a tough private eye, but I’d be more likely to hire him to find a lost dog than a missing child. He just looks too college boy harmless. A dozen non-Affleck actors could have sold this role better. But, he does have the brand the director was buying.

    Michelle Monaghan as the Voice of Reason has a thankless role, does it rather numbly, and basically disappears by the end. There are some meaty bits for various Boston lowlife characters. I liked Edi Gathegi as the fearsome drug dealer Cheese the best.

    And a patented turn for Morgan Freeman doing the kind of secular saint he does so well, and so frequently. Hard to screw up a character like that, and Freeman doesn’t. Always fated to be the decent, righteous self-sacrificing good man. That is, a little dull compared to the sleazeballs and drug addicts around him. It’s a dirty job, being the flawed hero, but somebody’s got to do it.

    Titus Welliver, of whom I’m mostly aware because of his so-so cop procedural “Bosch” on the Amazon channel, gets a lot of mileage out of a truly epic mustache. Acting behind that soup strainer can’t be easy, but he’s pretty good.

    Which brings us to the plot. Can we call it improbably convoluted and requiring a certain suspension of disbelief? A whole lot of impossible to predict occurrences would have fall exactly right for this scheme to work, and a lot of eyes would have to be averted from civilians getting in the way of police, various people’s shootings being covered up, drugs dealt without penalty, and Casey Affleck contaminating crime scenes when he’s not actually causing crime scenes.

    I did not read the book; life being short, I never will read the book. The movie is probably covering a lot of the novel’s ground very quickly, but Ben Affleck should get credit for keeping things moving along at a good clip, never boring us and showing us a nice cross slice of dirtbag life. Is South Boston really this grimy and crime-ridden? Dunno. But it looks convincing and that’s enough.

    And there’s a lot of nice shades of gray on display. Nobody, including our two heroes, are entirely admirable. Some characters, like the drug dealer Bubba, have faint gleams of nobility under their greed and criminality. People do obviously wrong things for what turn out to be arguably decent, even noble reasons. A mother’s love is not unlimited but more like incidental when convenient. A good cop is definitely a bad man. A good bit is the last bit, when Casey Affleck, who’s expressed zealous self-righteousness all the way through, finds himself realizing that he’s done a terrible thing for what seemed like all of the right reasons and fade to credits. It’s really the best acting he does in “Gone Baby Gone”.
    2 people found this helpful
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  • Mathew
    5.0 out of 5 stars Best movie ever made!
    Reviewed in Canada on November 2, 2024
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  • Domiboop
    5.0 out of 5 stars Baby Gone [Edizione: Regno Unito] [Blu-Ray] [Import]
    Reviewed in France on June 28, 2022
    Verified Purchase
    Version française ok pour cet excellentissime thriller... question posée : être légitime grâce à sa position donnée ou bien par ses actes ? rebondissements, actions, drame, très très bien
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  • Camelon
    5.0 out of 5 stars Bello, bello, bello.
    Reviewed in Italy on December 15, 2013
    Verified Purchase
    Debutto alla regia di Ben Affleck (che qui non recita però), ha un grande cast che si è destreggiato davvero bene in una storia di una delicatezza sconcertante. Il tema trattato è difficile da digerire, difficile da giudicare e certamente chiunque vedrà questo film non sarà tanto svelto a schierarsi da una parte o dall'altra. Morgan Freeman è un'assicurazione come sempre (non conosco nessun film in cui la sua performance non sia stata stellare), ma davvero brava anche M. Monaghan e soprattutto Ed Harris (fantastico davvero!). Dei tre film realizzati da Ben Affleck (che ho adorato!) questo è il migliore. Piccola nota: vedete assolutamente i contenuti speciali, perché vi spiegheranno in modo sicuramente più completo di quanto potrei fare io qui la peculiarità fondamentale dello stile di Affleck, ovvero la sua profonda conoscenza di Boston e delle sue "leggi non scritte"; potrebbe sembrare poco rilevante, ma credetemi, proprio questo è ciò che rende speciali i suoi film (infatti ammetto che in "Argo" ne ho sentito la mancanza). Ottimo!
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  • bone71
    1.0 out of 5 stars ¡OJO! CARATULA ERRONEA
    Reviewed in Spain on October 7, 2012
    Verified Purchase
    Comentario para la edición UK distribuida por Miramax (ASIN: B004XIQTRS).
    No me extraña que Miramax haya quebrado dos veces.
    El catálogo de Miramax ha sido comprado por paquetes de titulos, como lo fué en su dia, cuando quebró en pleno auge del dvd (de ahi el tiempo que estuvo descatalogada y sin editar Pulp Fiction, Jackie Brown, Abierto Hasta el Amanecer y otras muchas), por diversas distribuidoras y según paises. Ahora mismo, esas pelis que comentaba están siendo editadas y distribuidas en España por Emon.
    En la parte trasera de la carátula indica claramente que contiene audio y subtitulos en español. Pues de eso nada de nada; Inglés, alemán y frances y ni por asomo español.
    Antes de comprarla consulté en [...] (página de consulta excelente asociada a Amazon) para leer sus caracteristicas, análisis técnico y evaluación, sobre video, audio y contenidos extras. La información en cualquier página de consulta, es también errónea, motivado por el error de bulto a la hora de imprimir la contraportada de la pelicula.
    De esta película existen dos versiones blueray en cualquier país. La primera distribuida por Miramax y otra de mayor calidad, con mayores contenidos extras, editada y distribuida por Disney, según paises; esta última es la buena.

    Ahora toca devolver la peliculita y buscarme la vida para buscar a buen precio la buena.
    Avisados quedais.
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  • David Rowland
    5.0 out of 5 stars Gone baby gone
    Reviewed in the United Kingdom on September 8, 2012
    Verified Purchase
    I am not a great fan of American police movies and I usually find them lacking in originality and depth and I much prefer films about British police because I can identify more often with the characters portrayed and find them more true to life so I was not expecting too much when I started watching this movie but I was pleasantly surprised by this fine piece of well crafted, thoughtful and sensitive filmaking. It is about the disappearance of a little girl living in a run down area of Boston whose mother is a junkie and a prostitute who would never win a mother of the year award in any competition so the police are not exactly sympathetic towards her and treat her with contempt. Because of this the mother's sister and brother in law employ a young local private eye because they thought he could get information about the case from local people who would not never talk to the police.

    What the private eye finds is completely unexpected and raises the often asked question of in what circumstances should children remain with their natural parents when the grown ups are lousy at the job and how do you balance the rights of natural parents against the duty of the authorities to safeguard a child's wellbeing when this is at risk as it is so clearly here. The plot ends with the private eye eventually coming down on one particular side of the question and in the final scene that is superbly handled you are left with the feeling as he does that maybe he should have taken a different course of action.

    The film has many fine performances, especially by Morgan Freeman as the local police chief and Ed Harris as a police detective both of whom initially scorn the attempts of the private eye to help them and the movie has a depth that is rare in so many American movies of this genre and it does not wallow in sentimentality as it could so easily have given the nature of its subject matter.
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