
The Importance of Being Earnest
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The Importance of Being Earnest is Wilde's most famous and oft-produced play. First performed in 1895, and subtitled "A Trivial Comedy for Serious People", it shows Wilde at his satirical and scathingly witty best. It follows the misadventures of Algy and Jack as they attempt to woo and wed Cecily and Gwendolen under the assumed name "Ernest", much to the disapproval of the aristocratic Lady Bracknell.
Cast:
- Algernon Moncrieff - Ben Lindsey-Clark
- Lane - Denis Daly
- John Worthing - Jeff Moon
- Gwendolen Fairfax - Amanda Friday
- Lady Bracknell - Elizabeth Klett
- Cecily Cardew - Tiffany Halla Colonna
- Merriman - Alan Weyman
- Rev. Canon Chasuble - Noel Badrian
- Miss Prism - PJ Morgan
- Stage directions read by Erin Louttit
- Audio edited by Elizabeth Klett
- Listening Length1 hour and 58 minutes
- Audible release dateNovember 17, 2016
- LanguageEnglish
- ASINB01MTO2153
- VersionOriginal recording
- Program TypeAudiobook

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Product details
Listening Length | 1 hour and 58 minutes |
---|---|
Author | Oscar Wilde |
Narrator | Ben Lindsey-Clark, Jeff Moon, Amanda Friday, Elizabeth Klett, Tiffany Halla Colonna, Noel Badrian, P J Morgan |
Audible.com Release Date | November 17, 2016 |
Publisher | Spoken Realms |
Program Type | Audiobook |
Version | Original recording |
Language | English |
ASIN | B01MTO2153 |
Best Sellers Rank | #338,207 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #176 in Ancient, Classical & Medieval Drama #1,182 in Ancient & Classical Dramas & Plays |
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Reviewed in the United States on October 21, 2016
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British society men Jack and Algernon often find themselves bored by their everyday lives, and so each has their own alter ego -- Jack lives a double-life, going by Earnest while in London and Jack while visiting his home in the country, while Algernon has invented a perpetually-sick friend to serve as a handy alibi. But when two lovely women catch each man's eye -- and each lady finds themselves falling in love with the completely fictitious Earnest -- the stage is set for a comedy of errors that will find double identities exposed for all to see.
Being written in script format, it's hard to judge this by the same standards one would judge a book by. There's no real prose to judge, mainly dialogue. But in this case the dialogue is fantastic, full of witty banter and observations that do a good job at pointing out the absurdity of social mores of the time... and some social mores that continue to this day. And despite being relatively short, the play manages to spin a neat and tightly entwined plot that's satisfying -- and hilarious -- to see played out. Most of the characters seem to have the same basic personality and voice, but I can forgive this.
"The Importance of Being Earnest" is a nicely absurd and observant play that manages to still be funny and biting over a century later. I hope to be able to see it on stage someday -- it's probably much more effective when you see it in action than read it on the page...
The Importance of Being Earnest not only flaunts Wilde's most inconsequential plot, it is also crammed with his funniest epigrams and wittiest bon mots. This 1895 three-act comedic tour-de-force was an immediate hit in London. The comic word-play was a sensation amongst audiences who flocked to see this brilliant manifestation of Wilde's epicene witticisms. Here was a glittering example of London's avant-garde in the 1890's. Much like the play Hair in the 1960's, it was a signature of the times that no self-respecting sophisticate could miss. Wilde enjoyed himself immensely during this apex of his fame. Unfortunately, his reputation was quickly eclipsed by the scandal that engulfed him and his work. It took several decades for that reputation to be rehabilitated. The Importance of Being Earnest seemed to float above the scandals, never losing its popularity and acquiring a theatrical life of its own as an absolutely iconic work.
This Norton Critical Edition contains an annotated version of the play as well as several brilliantly incisive articles. A few of the analysts engage in some scholarly hand-waving, trying to attribute a social commentary and literary symbolism to the play that may not exist. Some of it is quite funny, in fact. I can't help but think that Wilde would appreciate the irony of one critic portraying his comic depiction of the frequently agitated butler Lane as an assault on the English class system. Other articles are quite helpful, however. The essay by Camille Paglia is especially insightful with her brilliant analysis of Wilde's dramatic projection of an ambiguous sexual persona. It is a rare comic play that merits its own Norton Critical Edition. This is one of the few. If you love this play (and the hilarious 1951 Anthony Asquith film) as much as I do, this is the edition to have. Most strongly recommended.
Mike Birman
The illustrations in the book are the originals done by Aubrey Beardsley and they are only in Salome. I liked his illustrations in Macmillan's The Happy Prince and Other Stories but I found the ones for Salome nasty, grotesque and bordering on porn. Not to my taste at all.
The rest of the book still merits my five star rating both in content and quality.
Macmillan's Collectors library editions are well made beautiful pocket sized hard covers. There are two other Oscar Wilde books in the collection: Picture of Dorian Gray and The Happy Prince and Other Stories.
Top reviews from other countries

Initially I chose to read it because it was a classic, and because it was short 😂🤫 The reviews also said it was funny, but I couldn’t imagine a stuffy old play could be funny.
I’ve since realised they can be (so can a couple of Shakespeare plays too, but gone are the days when I’ll read a Shakespeare play; I prefer to watch them), and this one is as far from stuffy as a classic can get. The comedy is on point! So funny. I actually got my dad and a couple of others to read this too and they also loved it.
Worth a read (or a watch if reading it seems a bit too much for you - it’s an all-star cast!). You might just love it as much as I do

Does anyone not know Oscar? Go and get this, it's a treat.

The play follows a standard three act structure, and can be read casually easily in one sitting. I can imagine, and indeed would love to have the opportunity to perform what would be an exceptionally enjoyable play to rehearse.
It is not overly long, it is not overly pretentious and the language is beautiful. It knocks some of Shakespeare's overblown works for six and then some. This should be standard order for every classroom in the country. Wilde is a great, and is simply not revered enough.
The cheap Penguin edition is for my needs perfect. Clearly set out, nice handy size, good typeface and a brilliant £2 price tag. It's worth £2 of anyone's money. And I also like having the opportunity to have Wilde's plays in individual editions, rather than the bulky anthologies.
Concrete 5 stars, please read it, you certainly won't regret it.

This particular recording features a strong cast, with Jeremy Clyde, Richard Pasco and Prunella Scales taking the main parts.
It is also the first broadcast of the original four-act version of the play. The extra dialogue is not often met with in most modern productions.
It is ideal for listening to while doing a long, boring job, (such as the ironing!). And I am sure it will give equal pleasure, whether the listener is already familiar with the play, or whether it comes as an entirely new experience.
It remains a tragedy that the author of such a delicious light comedy should have met with such a disastrous fall from grace.
