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No One Is Talking About This: A Novel Kindle Edition

4.0 4.0 out of 5 stars 3,898 ratings

FINALIST FOR THE BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK
WINNER OF THE DYLAN THOMAS PRIZE
ONE OF THE ATLANTIC’S GREAT AMERICAN NOVELS OF THE PAST 100 YEARS
  
“A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.”New York Times Book Review, Editors’ Choice

“Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris
 
From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet?

As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?"

Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.

Fragmentary and omniscient, incisive and sincere,
No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

Get to know this book


From the Publisher

No One is Talking About This, Patricia Lockwood

No One is Talking About This, Patricia Lockwood

No One is Talking About This

No One is Talking About This, Patricia Lockwood

Editorial Reviews

Review

Praise for No One Is Talking About This:

Finalist for the Booker Prize
Finalist for the Women’s Prize for Fiction
Finalist for The Center for Fiction First Novel Prize
Winner of the Dylan Thomas Prize 

Named a Best Book of 2021 by
The New York Times Book Review, The Washington Post, NPR, TIME, Vulture, Esquire, Entertainment Weekly, BuzzFeed, PopSugar, Harper's Bazaar, LitHub and Publishers Weekly

“One of the most incisive observers of the spectacle of digital discourse . . . Lockwood is a sharp and often funny social critic. She writes wisely of the emotionally labile landscape of the internet . . . many of her images are evocative and often beautiful . . . More inventive than lapidary, Ms. Lockwood’s style is artful without being precious . . . What begins as an ironical story about irony becomes an intimate and moving portrait of love and grief. In this way, a novel that had been toying with the digital surface of modern life finds the tender heart pumping away beneath it all.”
—Emily Bobrow, The Wall Street Journal

“Lockwood is sending a bulletin from the future . . . [She] has set out to portray not merely a mind through language, as Joyce did, but what she calls ‘the mind,’ the molting collective consciousness that has melded with her protagonist’s singular one . . . Lockwood gets it right, mimicking the medium while shrewdly parodying its ethos . . . God, is she funny! . . . Lockwood’s conceit is smart, her prose original, hugely entertaining and witty . . . a powerful, paradoxical observation about what digital platforms take from us . . . Lockwood’s own writing takes on new depth and a more focussed, richer beauty as her protagonist gets farther from the portal and deeper into the tangible present . . . Lockwood’s writing grows radiant . . . it is a story, simply, about love, selfless and delighted.”
—Alexandra Schwartz, The New Yorker

“Reading Patricia Lockwood raises questions. Questions such as, How can a person understand both herself and the world with such clarity? How does a person experience things so intensely and express them so buoyantly? Am I laughing or am I crying? Lockwood’s first novel is as crystalline, witty, and brain-shredding as her poetry and criticism.”
—Molly Young, Vulture

“[Lockwood is] a master of startling concision when highlighting the absurdities we’ve grown too lazy to notice . . . It’s a vertiginous experience, gorgeously rendered but utterly devastating. I rattled around the house for days afterwards, shattered but grateful for the reminder that the ephemeral world we’ve constructed online is a shadow compared to the pain and affection we’re blessed to experience in real life.”
—Ron Charles, The Washington Post

“Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer.  Patricia Lockwood is a little like George Saunders in that she can write abstract characters and still make them real, and not just clever arrangements of words. Like Lorrie Moore she somehow crafts a devastating story out of jokes. I’m so glad I read this. I really think this book is remarkable.”
—David Sedaris, author of Calypso

“I really admire and love this book. Patricia Lockwood is a completely singular talent and this is her best, funniest, weirdest, most affecting work yet.”
—Sally Rooney, author of Normal Peopleand Conversations with Friends

“Reading Patricia Lockwood feels like looking through a kaleidoscope built by a mischievous sorcerer—the world is suddenly rearranged in fragments that are cosmic, wondrous, humiliating, and profane.
No One Is Talking About This is a furiously original novel, alive and unstable; the book builds to a reminder of how devastation and connection produce each other, endlessly and surprisingly, both on the internet and in human places that our shared digital consciousness can never reach.” —Jia Tolentino, author of Trick Mirror

“[
No One Is Talking About This] it is an arch descendant of Austen’s socio-literary style . . . [Lockwood] writes brilliantly and bitingly—the temptation is just to keep on quoting her.” —Clair Wills, The New York Review of Books

“Lockwood is a modern word witch, her writing splendid and sordid by turns . . . The chief virtue of the novel is how it transforms all that is ugly and cheap about online culture […] into an experience of sublimity.”
New York Times Book Review

“Lockwood’s exuberance and empathy are omnivorous, suited to any subject, and have produced a novel that is ferocious and also delicate, a celebration of one brief life gone too early to God.”
Harper's Magazine

“Lockwood insistently makes the text glow . . . It’s her poetic vision that animates the novel, embedded in yet not limited to the internet . . .
No One Is Talking About This articulates one version of lived experience now, with more authenticity than many writers.” The New Republic

“Weird, slyly sophisticated humor, and a deep commitment to the profane as a tool for revelation and critique, are hallmarks of Lockwood’s style . . . Despite her concerns about the individual mind’s dilution in the great tidal insanity of Online Discourse, Lockwood is a stylist who only ever sounds like herself . . . [she speaks] the language of the zeitgeist and [knifes] the zeitgeist’s heart in the same gesture—her ability to win at both humor and lacerating critique . . . a grand success.”
The Atlantic
 
“Witty and at times genuinely moving . . . Lockwood is a phenomenal writer who is a keen observer of the strangeness of online culture and the fragility of the human heart.”
—Roxane Gay, author of Not That Bad

“A stunning record of the hollows and wonders of language itself. A lot of it, necessarily, is very funny . . . Reading [Lockwood's] metaphors is like watching someone pull out a scalpel and cut the cleanest line you’ve ever seen, and then in the next sentence throw the knife over her shoulder with her eyes closed, grinning . . . afterwards, as I returned from the book, all of our languages seemed lit from within, stark and precious.”
Bookforum

“Just the kind of book we need . . . The feeling one gets from reading
No One Is Talking About This is that Lockwood has paid attention more closely than perhaps any other human on earth to what it’s like to be alive right now.” Vanity Fair

“[An] attention-grabbing mind-blower which toggles between irony and sincerity, sweetness and blight . . . surprisingly beautiful . . . Lockwood is a master of sweeping, eminently quotable proclamations that fearlessly aim to encapsulate whole movements and eras . . . It's a testament to her skills as a rare writer who can navigate both sleaze and cheese, jokey tweets and surprising earnestness, that we not only buy her character's emotional epiphany but are moved by it. Of course, people will be talking about this meaty book, and about the questions Lockwood raises about what a human being is, what a brain is, and most important, what really matters.”
—NPR

“Explores the kind of tumult and grief that almost defies language as well as the frightening uniformity of the online herds.”
The New York Times

“Never has the experience of being Extremely Online been more viscerally rendered than in
No One Is Talking About This, Lockwood’s astonishing novel . . . [that] locates both the profane and the profound in how we live online. No One Is Talking About This will frighten you, implicate you, and scrape your guts out, in the best way possible.”Esquire

“Deeply felt . . . dazzling, devastatingly funny and sharply observed . . . there’s a visceral sense of the genuine feeling underlying the performance—unironic emotion, raw and unself-conscious . . . the bright tang of joy and grief and hilarity in Lockwood’s writing overwhelms.”
Huffington Post

“Lockwood conveys what the internet does to the human mind better than any other working writer today . . . [She's] an incredibly funny and insightful writer, so I was expecting
No One Is Talking About This to be witty and wise. What I wasn’t expecting was how moving it would be. This is a special book.” WIRED

“[A]stute and studded with metaphors of jolting perfection . . . what feels most original in
No One Is Talking About This is Lockwood’s depiction of the shaping pressure of social media on the self . . . frequently radiant . . . the main character doesn’t repudiate the internet, exactly. She travels beyond the edge of something she had once believed was infinite.” Slate

“[I]ngenious . . . Marvelously wicked bon mots on fame, race and politics whiz by . . . The heroine emerges quite changed at the end of this one. I did, too.”
San Francisco Chronicle

“Gives you the sense of scrolling through a very smart, very online person’s feed. Many of the bits kill . . . an adrenaline-filled, whipsawing first half . . . passages of sublime emotional power . . . gives us the twitchy pleasures of social media while taking advantage of the ethical and formal demands of the novel.”
TheBoston Globe
 
“Lockwood's talent for drawing life with words defies description; in fact, attempts at description feel embarrassing and redundant—just immerse yourself in the book and then, when you're ready to talk, call me and have a glass of wine in hand! Lockwood is a poet, and her narrative storytelling is imbued with the same sense of sacredness of certain poems and songs . . . I laughed hard and I cried hard.”
Glamour
 
“We need not worry about our culture as long as there are people like Patricia Lockwood who can render the human experience out of it. She has made a novel out of life, just as Joyce did over a century ago.”
Chicago Tribune

“Brings the chaos and comedy of social media to print . . . With a narrative perspective shift akin to
The Sound and the Fury . . . the contrast of the novel is meant to speak for itself by presenting two alternate styles of living, neither of them comfortable, but one infinitely more human than the other.” Seattle Times  

“A glowing object that somehow replicates and beautifies the experience of being on the internet…profoundly enjoyable. Lockwood reminds me a lot of Nabokov — less in style than in attitude, one of extraordinary receptivity to the gifts, sorrows, and bloopers of existence. What Lockwood lacks in Nabokov’s fastidiousness she makes up for in butt jokes.”
Vulture, Molly Young, Read Like the Wind

“Pure Lockwood—as a protagonist, and as a poet, essayist, and, now, mesmerizing novelist. She knows that to love discordance isn’t to justify it, but to let it gleam. She digs up every piece of foolishness she can find in the world, dusts it off, holds it up to the light, lets it shine, pockets it like a treasure.”
Vice

“Nothing short of astonishing . . . frequently brought me to tears. I’ve never read anything like it.”
BuzzFeed

“Our finest chronicler of the absurd.”
GQ

“A Twitter sage and a comforting voice of the digital age, reliably funnier, more incisive, and better able to deliver near-perfect commentary on both the quotidian and the serious than perhaps anyone else on the platform, Patricia Lockwood is a rare gem of joy—offering chaotic good in an online world that typically leans toward chaotic evil.”
Guernica

“Lockwood has established herself as a uniquely weird, irreverent voice in contemporary literature . . . a lighthouse for original thought.”
Jezebel
 
“A story of real analog human feeling, both heartbreaking and stealthily profound.”
Entertainment Weekly

“Excellent . . . Lockwood’s language is dense and lovely as a Cezanne painting, always . . . so clear, so tender, so radiant . . . It is that consciousness, in the end, that Lockwood’s dense and slippery prose evokes: not the consciousness of Twitter, but of the world. Of being alive in the world, and experiencing love for it.”
Vox

“Lockwood's intelligence is ablaze on the page, and there are moments of brilliant lyricism.”
Minneapolis Star-Tribune

“I cannot believe how brilliant the novel is, except that I can, because your work is fabulously, uncannily exquisite.”
—Julia Berick, The Paris Review
 
“The writing whirls . . . earnestly wistful . . . Many of [Lockwood’s] funniest and most exuberant meditations are gleeful.”
The Baffler

“Lockwood’s prose has a knack of grabbing the reader by the throat . . . dazzling . . . Her cult reputation rests on the dance of her sentences.”
The Economist

“[
No One Is Talking About This] captures that boundless online space [...] and distills it into elegant vignettes . . . Paired with Lockwood’s skillful imagery, it’s mesmerizing to read . . . It’s self-aware and unafraid to be ridiculous when the moment calls for it.” USA Today

“[As] chummy and rapturous as her writing is, [Lockwood] doesn’t work for likes. Her aim is, in some ways, traditional: to give voice to that which escapes sublimation, to understand the wounds incurred by simply being alive . . . Immediate, tactile, horny, and zoologically inclined—that’s Lockwood . . . she has mastered the act of experience and immediate reflection, a two-step she executes as swiftly as refreshing her browser.”
4Columns
  
“A glory . . . From one of our most distinctive voices about life lived online, Patricia Lockwood’s latest reads like scrolling through bursts of fine-tuned hilarity, lyricism, and grief. A staggeringly original and moving debut novel.”
Vulture "Picks"
 
“When Lockwood patches these memories together, is she shoring fragments against our ruin, like an internet savvy T.S. Eliot? . . . She’s been reminded, as readers may be when they read this wonderful novel, of the human capacity to define ‘real life.’”
Pittsburgh Post-Gazette

“Rare is the writer who can adequately capture the strange duality of life in the age of social media, a reality in which the visceral and virtual are constantly colliding. But then, Patricia Lockwood is a rare writer; one whose work—whether a poem, memoir, or tweet—distills the essence of the extremely profane and reverent all at once . . . [Lockwood has an] ability to reflect what is so terribly funny and so terribly tragic about this particular moment in time.”
Refinery29

“Patricia Lockwood is a genius. No one else writes about the absurdism of internet culture with such mischief, affection, and awe. This novel cracked me up and then moved me to tears. I won't be able to stop thinking about it for a long time.”
—Leigh Stein, author of Self Care

“Lockwood’s book got its hooks into me inside of two pages. Her
observations about the pace and timbre and temperature and specific toxic weight of social media are so incisive, so perfectly-pitched, that they're like being shown portrait after portrait of oneself. In the second half of the book, when the world of hopes and genes and expectations pierces the rich wall of digital static, the effect is vertiginous, the pain profound, the tenderness of the family responding to crisis so real and so vivid that we feel present in the rooms with them as they learn the parameters of their grief. And not just grief, which is another of this book's great gifts. Lockwood saves her keenest, her best language for writing about the world of caring for a child with a debilitating genetic condition, the vocabulary of care, harder to describe than the Internet by half. This novel is a blessing, a gift, a difficult and great thing in the world.” —John Darnielle

About the Author

Patricia Lockwood was born in Fort Wayne, Indiana and raised in all the worst cities of the Midwest. She is the author of the novel No One Is Talking About This, a 2021 Booker Prize finalist, and the memoir Priestdaddy, which was named one of the ten best books of 2017 by The New York Times Book Review, and two poetry collections, Balloon Pop Outlaw Black and Motherland Fatherland Homelandsexuals, a New York Times Notable Book. Lockwood's writing has appeared in The New York Times, The New Yorker, The New Republic, and the London Review of Books, where she is a contributing editor.

Product details

  • ASIN ‏ : ‎ B089418R69
  • Publisher ‏ : ‎ Riverhead Books (February 16, 2021)
  • Publication date ‏ : ‎ February 16, 2021
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1429 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Sticky notes ‏ : ‎ On Kindle Scribe
  • Print length ‏ : ‎ 222 pages
  • Customer Reviews:
    4.0 4.0 out of 5 stars 3,898 ratings

About the author

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Patricia Lockwood
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Patricia Lockwood is the author of four books, including the 2021 novel "No One Is Talking About This," an international bestseller, finalist for the Booker Prize and the Women’s Prize for Fiction, and translated into 20 languages. Her 2017 memoir "Priestdaddy" won the Thurber Prize for American Humor and was named one of the Guardian's 100 best books of the 21st century. She also has two poetry collections, "Motherland Fatherland Homelandsexuals" (2014) and "Balloon Pop Outlaw Black" (2012). Lockwood's work has appeared in the New York Times, the New Yorker, and the London Review of Books, where she is a contributing editor. She lives in Savannah, Georgia.

Customer reviews

4 out of 5 stars
4 out of 5
3,898 global ratings

Customers say

Customers find the content devastating, beautiful, and insightful. They also say the book is relevant to the times we are living in. However, some customers find the writing style gibberish and disjointed, while others say the first half is completely disjoined. They find the storyline hard to follow and not interesting.

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32 customers mention "Content"27 positive5 negative

Customers find the content devastating, beautiful, and riveting. They also say the prose is very clever, sharply funny, and insightful. Readers also say that the book is relevant to the times we are living in.

"...It all feels easy, a little lazy, very self-referential, a low-key mix of vanity/narcissism and twee cultural criticism in which she offers up her..." Read more

"...This author is talented at writing sentences that are witty, sometimes very funny, and even poetic...." Read more

"...The early part was frenetic, disjointed, saturated with information, but so too is how I spend my time attached to the internet, jumping websites,..." Read more

"...But I believe it is magnificent and stunning, as good sentence for sentence as almost any book I have ever read...." Read more

29 customers mention "Writing style"7 positive22 negative

Customers find the writing style fragmented, incoherent, trite, and self-absorbed. They also say the description of the book is misleading and has no real structure. Readers also mention that the first half is completely disjointed.

"...The book doesn’t make sense unless you finish it, and it helps a lot to have read Priestdaddy...." Read more

"...events in the 2nd half and I just couldn’t, due to the fragmented nature of the writing...." Read more

"...The text is flighty and self-indulgent, full of linguistic non sequiturs and vacuous mystery.So many words, so little story!..." Read more

"...This book continues in her poetic memoir writing style, as she relates her many experiences and a range of emotions in this volume...." Read more

12 customers mention "Storyline"0 positive12 negative

Customers find the storyline hard to follow, boring, and pointless. They also describe the book as lazy, self-referential, and insufferable.

"...It all feels easy, a little lazy, very self-referential, a low-key mix of vanity/narcissism and twee cultural criticism in which she offers up her..." Read more

"...So many words, so little story!I have more to say, but the preceding is ugly enough already...." Read more

"The first half of this book is, as someone told me, rather annoying...." Read more

"One of the worst books I've ever read. Just boring and pointless. No attempt at a story...." Read more

THIS BOOK IS EVERYTHING
5 Stars
THIS BOOK IS EVERYTHING
I am completely in love with this book. As soon as I finished, I went right back to the beginning to read it again. AND it somehow got even better the second time!The narrator divides this book into two distinct halves. The first part is like a stream of consciousness of tidbits of the narrator’s life and her observations. She’s vaguely internet/content creator famous and is touring around the world speaking to groups of fans.The second half begins immediately when our narrator receives the phone call that something was wrong with her niece. From that point on everything revolves around her family and her life quickly adjusts accordingly.Lockwood captures the disorienting nature of grief and caregiving so specifically in this book. It truly divides your life in half - before the thing and after the thing. Like the title says, you just want to scream, “No one is talking about this!!”This is a heavy book in many ways, but Lockwood still provides us with her trademark humor. There are so many fun observations that make you highlight the passage and holler, “IT ME!”This is a weird and wonderful book that I can already tell you will be on the top of my backlist reads for 2022. 🙌🏼
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Top reviews from the United States

Reviewed in the United States on February 28, 2021
First, Lockwood’s gorgeous, easy, lyrical prose enters your mind, slips into your mind, almost too easily. In this, it resembles the lazy slip into the “portal” aka the internet. It all feels easy, a little lazy, very self-referential, a low-key mix of vanity/narcissism and twee cultural criticism in which she offers up her own addiction as an almost-apology.

In this first section, I felt an Americanness akin to that found in Whitman’s Leaves of Grass—a whiff of confession, a colloquial swaying through easy talk, some humor, lots of lists and links and professions of AUTHENTICITY.

This was all brilliant, but if you find a show off annoying, you’ll be annoyed. But Part One is not the point, or the only point. In Part Two, Lockwood’s tragic interruption is strangely like Whitman’s. If Part One is about everything in the World Wide Web, just as Leaves of Grass is about all of life for a man from New Jersey who loves walking and people and nature and talk and humanity, then Lockwood’s Part Two and Whitman’s later work address the way the fragility of the body and death and suffering just wakes you up, Snap! And your first thoughts don’t sustain you. You need new words, you need service, you need your own wordlessness.

I grew to love Lockwood because of her great good heart as she suffers and commemorates and praises and loves. Her “fictional” sister becomes a true hero. The art of maternal love has rarely been so wonderfully portrayed. I thought of Whitman writing those letters home to the mothers of dying soldiers—and I realized how art can be a version of grace, and perhaps the best way to convey the great blessing that is simple, unconditional love.

Whitman found a form that worked to talk about his age—and changed poetry forever. Maybe Lockwood has done this too, but I don’t really care. That’s what brilliant structure/form does—when it works, it vanishes. And you feel the vibrant intimacy of shared love.

This is wonderful, this is rare. I loved this book.
8 people found this helpful
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Reviewed in the United States on July 8, 2022
My personal voracious reading passions usually are of a different genre; however, after reading this author’ first book (Priest Daddy) which I loved, I decided to also read this 210-page soft cover volume (No one is talking about this by Patricia Lockwood), which I purchased on Amazon.

This author is talented at writing sentences that are witty, sometimes very funny, and even poetic. When I first began reading this book I was not impressed; however, as I kept reading this two-part volume, I was compelled to finish the book as I became more intrigued by each paragraph. This book continues in her poetic memoir writing style, as she relates her many experiences and a range of emotions in this volume.

In conclusion, I liked this book very much, but did not love it. If you are a fan of this poet/writer, you should check out this book.
Rating: 4 Stars. Joseph J. Truncale (Author: Zen Poetry Moments: Haiku and Senryu for special occasions).
6 people found this helpful
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Reviewed in the United States on December 26, 2023
This book might be perfect for readers with a short attention span, but the format turned me off. The first half of the book is a series of social media witticisms, and, if that’s what I wanted to read, then I would read witticisms on social media. Granted, the author’s witticisms are way funnier and thought-provoking than those I might find on the internet, but this book was just not cohesive enough for me. The first-person unnamed narrator is a woman who posts pointed ruminations on “the portal” and travels the world for speaking engagements. The subject of these speeches was a mystery to me, but I assumed that she was sharing with her audience more comic observations about social media and that people were willing to pay to hear this stuff. The second half of the book deals with a real-life tragedy that starkly contrasts with the first half’s twitter posts, if that’s what they are. I foolishly hoped that the format of the novel would become more traditional in the second half, but no such luck, and I felt like the format diluted the content. I recognize that the author has an important message to deliver about what really matters versus the barrage of trivialities that we consume on the internet. I just wish that she had stated her case without making me read it as a series of twitter-like snippets.
3 people found this helpful
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Top reviews from other countries

Luke Young
5.0 out of 5 stars Funniest book I’ve read in a while
Reviewed in Mexico on February 12, 2022
I lol’d several times reading this. And was loved along the way. This is a book that stuck with me long after I finished. I still think about it often. I loved it!
Trottershack
5.0 out of 5 stars Gift
Reviewed in Canada on December 23, 2021
A gift for a very close friend. She was thrilled.
Carolina Quito
3.0 out of 5 stars Hard but interesting
Reviewed in France on December 1, 2022
Is hard to read and to understand the style, but it's quite interesting at the end.
Cliente Amazon
5.0 out of 5 stars Read it
Reviewed in Spain on June 14, 2021
Just that. As soon as I finish this review, I’ll read it again. I don’t have much else to say. Read it.
Chris Hagen
5.0 out of 5 stars Great book, awful cover
Reviewed in the United Kingdom on March 19, 2021
This book is superb. I laughed, I cried and was amazed at how perfectly the book captures the mental state of those of us who spend a lot of time online. The first half is incredibly funny and the second incredibly poignant while still maintaining a sense of absurdism that often produces laughter amongst the tears.

I will say that the cover is a very poor reflection of the book. I implore you, please do not think this will be a saccharine romance novel or an airy-fairy spiritual tome, it is a brilliant, hilarious and provocative book that needs a much better cover than some clouds and a rainbow!
2 people found this helpful
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