Analyzes and compares the prehistoric rock paintings of Zimbabwe to show how the artists selected subjects and how the paintings were executed, and discusses the conventions that determined the paintings' styles and forms. Reconstructs the significance and meaning of the paintings by looking at them in the context of the basic tenets of the Sen societies that still survive on the outskirts of the Kalahari Desert. Includes b&w drawings and color photos of the paintings and their environment. Annotation copyright Book News, Inc. Portland, Or.
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This book is a great culmination to much of Garlake's classic books, which adds a great deal to his work. He has done the hard work of gathering "specimens" of rock art across southern Africa, preserving or recording them, conducting related archeology, toughing through political censorship, etc. Where he hinted before at the possible meanings of cryptic art, he now fleshes out some very credible theories. I find them fairly convincing, if not compelling. Highly recommended to anyone interested. Completely accessible to the lay reader, and with lots of pictures. I also recommend various books on similar topics by J.D. Lewis-Williams, and if you like him, you'll love this.
Very comprehensive history of cave art in Zimbabwe with a number of excellent photographs. Would wholeheartedly recommend it. This was a new copy and very cheap.Feel sorry for the author who must have received very little for all his hard work, with such a low cover price.