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Blade Runner (Movie-Tie-In Edition) Mass Market Paperback – July 12, 1987
By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies build incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force.
Praise for Philip K. Dick
“[Philip K. Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.”—Rolling Stone
“A kind of pulp-fiction Kafka, a prophet.”—The New York Times
- Print length272 pages
- LanguageEnglish
- PublisherDel Rey
- Publication dateJuly 12, 1987
- Dimensions4.2 x 0.7 x 6.9 inches
- ISBN-100345350472
- ISBN-13978-0345350473
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What I like about these couples is that the book and the film both take a different spin on the core matter resulting a more interesting, multi-layered story content.
In this particular case, the two are quite different, but the book delivers some nice background and some meaty details which would have been difficult for the film to digest and present. The Deckard of the book is decidedly not the Harrison Ford of the film, and he is [unhappily] married ! He also comes off more as a working stiff rather than the self confident, independent and assertive movie Deckard. Realism can be so dicey in film, but it is the very heart and soul of literature of this type. Consider Ian Flemming's own James Bond, who in the book Goldfinger, worries about about money, repairs to his car and consumes Benzadrine before going to the Casino with his boss to give him confidence, and later questions if he perhaps took too much. In a nutshell, this illustrates the difference between the two Deckards.
I now berate myself for not reviewing the book as a book, but as a companion to the film. The story involves a man living in a future Los Angeles, several years after a murkily described world war. The successful types have all left earth and went on to colonize other planets, while leaving the "losers", riff-raff, poor and an infrastructure (like law enforcement) behind on Earth. To our way of thinking, it does not seem so bad. Even the lowliest dirtbag gets to ride around in a hover [car/van?] and housing is plentiful. However, amongst the peculiar futuristic twists in logic and shifts in standards, the population has fallen so drastically that it now vogue to live in very crowded areas, in close proximity to one's neighbours. The cultural outcasts on the other hand, may live alone in a huge completely empty appartment building, or block, or neighbourhood. In another twist (considering the new Japanese electronic pets) The afformentioned war killed off much of the animal life on the planet, and one of the most coveted posessions is a real live animal pet such as a rabbit or a horse. For the lower class, electronic substitutes provide an acceptable facade, the way a bicycle can substitute for a BMW.
One of the tasks for the law enforcement division is the elimination of human electronic substitutes who are patently not acceptable, as their presence on Earth is indicative of massacaring their human former owners and escaping. The reason these androids escape to Earth differs in the book and the film, but the basically attempt to hide and merge. However, their inability to demonstrate any sort of empathy (an exclusively human reaction) eventually reveals them to be artificial. Deckard's job is to track down these articial humans, apply an empathy test and destroy them when he determines them to be androids. (He has never, apparently, killed a human by mistake).
A new type of android is developed that has memories implanted from real people. This new type may or may not be detectable by current testing methods and Deckard lands up in the middle of attempting to earn large bonuses tracking several of these new androids down and killing them.
Inevitably, there is some confusion, with some telltale signs prompting one to think that some humans are androids, and some androids are human. This raises the philosophical question about the substantive difference between the androids and humans, the ethics of terminating an otherwise completely convincing human.
If I had read this book before seeing the film, I would have described it as being a little quirky and eccentric. However, taken in the complete package, as I have described, is is both an extremely rich foundation *and* extension of the film.
I found out that it was loosely based on the book, "Do Androids Dream of Electric Sheep?" and decided that if the movie is as good as it is and it's a condensed version of the story in the book, than the book should be just as good, if not better.
I ordered it from Amazon and started reading. I was only a few pages in when I realized just how "loosely" the movie was based on the book. The book was an entirely different experience.
This book is filled with compelling drama, deception, sci-fi, and 1940's crime-noir style storytelling (complete with the classic femme-fatal) and it does not dissapoint.
Sure, you already paid to see the movie, and you might be thinking, "Why would I pay to read the same story?" You aren't. You will be pleased with this book emensely - it's a completely different story.
Top reviews from other countries
Prendendo in mano il libro bisogna cercare di dimenticare il film, poichè Ridley Scott ne prese solo atmosfera (in parte) ed alcuni concetti; la lettura scorre fluida, ma alcuni temi rimangono purtroppo solo sullo sfondo.
Libro comunque consigliatissimo.
SPOILER:
il dubbio sul fatto che Deckard sia un androide risale probabilmente al film versione "non director's cut", in cui il regista venne costretto ad editare il finale; nella trama originale (sempre del film), si capisce chiaramente come Deckard sia un androide.
Nel libro tutto ciò viene chiarito, poichè Deckard e Resch si somministrano reciprocamente il test, risultando entrambi umani con particolare e diversa empatia.
El contexto del libro es un mundo post-apocalíptico en el que después de una guerra nuclear el planeta Tierra queda desolado. Los humanos que habitan en él lo hacen porque no tenían suficientes recursos para emigrar a Marte, o tenían algún defecto genético o porque alguien tenía que quedarse. Se expone también la religión conocida como mercerismo (que Rick y John practican), que se basa en la empatía que existe entre los humanos, pero que no pueden experimentar los androides.
En la primera mitad del libro, la parte de la historia relacionada a Deckard me pareció más atractiva que la relacionada a Isidore. Los androides que ambos se encuentran en su camino los ponen en situaciones particulares hasta para un ser humano. Poco antes que ambos personajes se crucen, la narrativa se hace mucho más interesante. Las últimas páginas son algo confusas, sin embargo, creo que ahí radica una de las cosas que hacen sorprendente al género de ciencia ficción: en finales que sólo son finales (ni felices ni tristes) y que hacen que el lector haga sus propias preguntas e interpretaciones. Al final, una de las preguntas que yo me hago es la que viene en el título de esta opinión.
Le pongo cinco estrellas, porque aunque sí es algo confuso en algunas partes (sobre todo las relacionadas al mercerismo), creo que es un muy buen libro que hace una crítica sobre diversos temas importantes y en el que el autor se adelantó a su tiempo. Si te gusta la ciencia ficción, y en particular aquella relacionada a temas de intelgencia artificial y/o robótica, no dejes pasar la oportunidad de leer este libro.
Porém, a edição em si é complicada, pois embora venha com material extra o que oferece um novo olhar sobre a história toda, a fonte é cansativa por ser muito pequena.


