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The Diamond Age, or, A Young Lady's Illustrated Primer Hardcover – January 1, 1995
| Neal Stephenson (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length455 pages
- LanguageEnglish
- PublisherSpectra
- Publication dateJanuary 1, 1995
- Dimensions6.25 x 1.5 x 9.25 inches
- ISBN-100553096095
- ISBN-13978-0553096095
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This book in spite of its futuristic, insightful, science-oriented, and social-fabric reconstructing observations, is not that different from a good Louis L'Amour novel, say The Lonesome Gods. I know highbrow, self-proclaimed sophisticates and sci-fi mavens will turn up their noses at this; L'Amour was merely a writer of shoot 'em up, fast-paced westerns. But Stephenson in his own way is no different, he just does sci-fi.
What is the purpose of a book? For many years I read fiction books on a very surface level. It was hard for me to see symbolism and deeper meanings. However, there are always deeper meanings—especially in the best fiction of any genre. How sad if Hugo's Les Miserables was only the story of an overly punished convict and an overly zealous public official! What is the purpose of an automobile? No matter how many accoutrements we load on it, all of which make the experience of being in a car more enjoyable, still for most of us, the purpose of an automobile is to get us from one place to another, at least at this point. The purpose of a book is the same regardless whether it is loaded with skull guns, tag mites, and a primer (book), or horses, six-shooters, and campfires. Where the book takes us is the real reason we read the book. There is no one-destination-fits-all answer to any book. And, the author of a well-written book has no idea what destinations or answers individual readers will find. A good author creates the terrain we move through; what we get out of it is up to us.
I'm not going to expose the plot lines or describe the primary characters, Stephenson does an excellent job of that—read the book. I want to share some feelings and perspectives I experienced while reading. Books—and by extension, computers, in whatever form they may take going forward—hold the foundations of knowledge. We are foolish if we do not take advantage of and learn from those foundations. As Stephenson says in this book, "...a book is different—it is not just a material possession but the pathway to an enlightened mind." However, having knowledge does not mean we are enlightened or educated. Many people can have great knowledge and still be stupid. Knowledge is not wisdom. Enlightenment—which includes wisdom—is learned through the application of knowledge, but you cannot gain wisdom without doing. And some of that doing, maybe a lot of it, will result in failing, but it isn't failure if you keep going. Enlightenment is vital to a good life, and because it is vital it must be completely personalized, individualized. Education through public school programs is an oxymoron, especially when you get to advanced degrees. Job training through public school programs is doable, but never fully adequate. In The Diamond Age, Nell gains an education and enlightenment; in the Lonesome Gods, Johannes does too. We can learn from both of them.
Human nature is what it is. Society always creates frameworks where some people feel like they are better or more important than others. And those that manage to rise in whatever framework a society has established will go to great effort to keep their status and make sure others cannot rise. That is part of the reason social programs created to fight poverty will never work. If those of lower status rise, the high and mighty that run the programs would not be needed. It is a rare group of individuals that not only recognizes this, but willingly accepts it and acts accordingly. That is at least part of why the American Revolution had such a different outcome from the French Revolution. To use Stephenson's words, "...there is an ineffable quality to some technology, described by its creators as concinnitous, or technically sweet, or a nice hack—signs that it was made with great care by one who was not merely motivated but inspired. It is the difference between an engineer and a hacker." Or a credentialed expert and a creator of freedom and opportunity.
You definitely need patience for the story to build up, and I found the ending disappointing. However, this is most certainly a thought provoking and educating book.
The problem is, once the reader start reflecting on the novel, its shortcomings become apparent. I won't dump my entire write-up (it's 40 kilobytes!), but I'll share the worst three points.
First, the novel requires strong intellectual property protection. This requires a strong central government, with robust surveillance and lack of anonymity, that takes extreme measures to circumvent. Otherwise, Hackworth's deal with the Devil to pirate a second copy of the Primer wouldn't make any sense. On the other hand, it also requires complete anonymity with regard to communications and monetary payments. You need to be able to have a client who can pay you to do tasks for years on end, whom you do not know and cannot communicate with, except for "I accept the task," "I decline the task," and "Please consider using my services again." Otherwise, Miranda's whole plotline wouldn't make any sense.
Taken together, the book needs both no anonymity, and absolute anonymity. To say, "That's in different spheres of activity," really doesn't cut it. When it described the anonymous payments part, it specifically states that this system was so secure and private that "the nation-states collapsed" because they couldn't track financial payments anymore, and so couldn't collect taxes anymore (so who's enforcing I.P., now?). Hackworth, as a highly skilled programmer and systems engineer, should have been clever enough to use it- at the very least, to store and transport the data, instead of using an awkward kludge, which should have been easily detected as I.P. evasion tech by the all-seeing Source when it was made anyway.
Second, the novel tries to sing up the value of a good education, in the form of the Primer, as contrasted with the standard education of the young at that time. This represented, to me, the primary appeal of the book, as presented in a glowing review I read, that convinced me to buy. Give a great education to someone- even someone born to lowly status and deprivation- and that person can become a great person! What an uplifting idea, give me some of that!
If this was actually intended to be part of the message of the book, the book was a complete, unqualified failure in that regard. You see, the measure of a person's greatness is in that person's actions. So, as the Primers instilled greatness into their pupils, their actions would reflect those pupils' great potential more and more. The anticipation is especially exciting when Nell goes to school and makes friends with Elizabeth and Fiona, the owners of the other two (English) Primers. What an opportunity to see how great these girls can be, no doubt each in their own way!
Unfortunately, this isn't that type of story. Elizabeth and Fiona are brought in to be contrasted (unfavorably) with Nell, and then to disappear ignominiously. One goes out with a bang, and one, with a whimper. What good are those Primers at all?! Is it just dumb luck that one girl acquired enough resilience to weather the storm, and the other two don't?! It breaks your heart, to see two girls introduced solely to be broken so that Nell could look important and special in comparison. What is this, an amateur Mary Sue fic?
Third and finally, let's visit the ending. It's bad. It's abrupt. And Nell gets two fantastic rewards she didn't even come close to earning. I won't spoil the ending too much, but I can demonstrate she didn't earn any fantastic rewards- getting out alive would have been pretty fantastic all by itself, in light of her actions. Let's examine those actions.
Above, I said that the measure of a person's greatness is in that person's actions. Nell's noteworthy actions prior to the finale go as follows: She fought back against a bully; she tried to kill a domestic abuser; she assaulted a guy, who the Primer implied was a child-snatcher; she embarrassed a sadistic teacher and endured an unjust punishment; and- drumroll please- she goes to work at a brothel in an area which, she is warned, will soon be a war zone.
Now, fighting bullies, abusers, and sadists is good, but really not all that good. That last action, though... that's a bit of a headscratcher, isn't it? It's also the only truly independent action: those other actions can be framed as "reactions" to others whereas the last is only an "action" standing alone: her will manifested from unlimited possibilities. She could have gone anywhere, and done anything, and she chooses to work in a brothel in an impending war zone.
What do you suppose she's earned? If you answered, magic powers that save her mother's life and a free kingdom, then you think this is a fantasy book instead of a sci-fi book, but otherwise, you're pretty damn close to Neal Stephenson's opinion.
Still, it's a testament to Stephenson's writing skill that, if you don't think too intently about it, this is a very enjoyable book.
Top reviews from other countries
He also has an annoying habit of overusing captain words such as "vast", and to call some characters by one name and others by their full name, such as Carl Hollywood; which is irritating as we know who he means.
Nanotech is obviously so young as a technology that he can speculate as much as he likes, but here he treats it as a quick fix to allow his story avoid roadblocks.
It's the first of his books that I'm not sure I'm glad to have read.
I was disappointed with this. The first part was incredibly slow and I was close to giving up before the story properly got underway. It felt like the author was more interested in his own cleverness (eg using obscure words) than in telling a story.
If I had to criticise, the chinese characters are often quite stereotypical, and typos do start to creep in towards the end of the book. There also seems some ambiguity as to whether the reader of the Primer can effectively go back a few moves, or is committed to any decision she makes.
You have to enjoy luxuriating in a book like this, and certainly there is a huge amount here to savour. It could have been a third of the length, but then you would miss so much good stuff. The narrative picks up the pace towards the conclusion, and I was thinking about a five star marking. But for me, the actual ending felt a little too abrupt, with a few too many loose ends.
Well worth reading and re-reading.






