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The Difference Engine Mass Market Paperback – January 1, 1992
| William Gibson (Author) Find all the books, read about the author, and more. See search results for this author |
| Bruce Sterling (Contributor) Find all the books, read about the author, and more. See search results for this author |
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Sybil Gerard—a fallen woman, politician’s tart, daughter of a Luddite agitator
Edward “Leviathan” Mallory—explorer and paleontologist
Laurence Oliphant—diplomat, mystic, and spy.
Their adventure begins with the discovery of a box of punched Engine cards of unknown origin and purpose. Cards someone wants badly enough to kill for….
Part detective story, part historical thriller, The Difference Engine is the collaborative masterpiece by two of the most acclaimed science fiction authors writing today. Provocative, compelling, intensely imagined, it is a startling extension of Gibson’s and Sterling’s unique visions—and the beginning of movement we know today as “steampunk!”
- Print length429 pages
- LanguageEnglish
- PublisherSpectra
- Publication dateJanuary 1, 1992
- Dimensions4.57 x 1.2 x 6.9 inches
- ISBN-10055329461X
- ISBN-13978-0553294613
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That said, I highly recommend this novel to fans of Cyberpunk and Steampunk. Rich and redolent with 19th Century period detail, it is an espionage caper set in a world transformed by a single “What If?” tweak: What if Charles Babbage’s “difference engine”, a large mechanical computer that would have been capable of algebraic computation had it been completed and worked – what if it had come to fruition? The computer revolution, sans electronics, rewrites the history we know from that point onward.
I will not spoil it with plot details in this review. Armed with that knowledge (and the fact that one can now easily look up the names of various historical characters on the Internet to learn more and better appreciate the alternate history), I recommend that science-fiction fans looking for what may be arguably the first Steampunk novel delve into this, stick with it all the way to the end, and read the Afterword. Perhaps read it twice and catch what you likely missed on the first read.
(NOTE: It’s tempting to think of Jules Verne and H.G. Wells as “Steampunk”, but there’s a fine distinction. They wrote of the present time or near-future affected by scientific progress beyond where it was, whereas Steampunk imagines an alternate past affected by modern tech that uses the milieu of past techniques and materials.)
I get the feeling that the book really has no idea what to think of itself, either. In the last few paragraphs we get a peak at the novel's purpose--although a vague peak, one that even its Wikipedia entry misinterprets. I don't want to go into it here for fear of spoilers, but I found the ending abrupt and unsatisfying, even if it is appropriate to the story. It just doesn't do quite enough to justify the 500 meandering pages that preceded it. When I got excited for it to resolve, it digressed. When I got to the ending and turned the page to arrive at the afterword, I was surprised to see that I'd already finished it, because I didn't really understand what it had accomplished.
Through the entire book, I found myself wondering where the story was heading, since the narrative lacked traditional structure or even a single focal character. It's a story about a MacGuffin, the characters are incidental. It's also a story about a time and place. While the narrative frustrated me, I had a lot of fun with the alternate history of steam-ified 19th Century London. I loved the jargon, the nods to real life events. I loved Benjamin Disraeli as a tabloid-writer-turned socialite (in my mind, he is basically Truman Capote). I loved the mentions of the Sepoy Rebellion or the French using mummies to fuel their engine in Egypt. But these are artifacts, Easter eggs. And they point to the central problem with this book: it doesn't stand that well on its own. It's almost TOO post-modern. If you know you're history, you'll laugh out loud while you turn the pages. If you identify with cyberpunk, you'll love seeing it transposed onto brass. But if you just want to read a good book, this will frustrate the hell out of you.
So, in the end, it's a rambling, self-important chin-scratcher with some incredibly winning scenes that will, at the very least, drop you off in the present day thinking to yourself "What the hell just happened?" It's important that books like this exist. It's not for everyone, but I'm glad I read it.
Top reviews from other countries
There are a few exciting bits, there is one shockingly explicit sex scene with some rather unnecessary words which has a completely different tone to the rest of the book and once it's done it's unimportant. You spend ages reading about characters only for them to be unimportant, or dropped and never mentioned again.
I liked the scene - the imagery, the setting I guess. And the idea is great too, but the execution not so great.
In conclusion: I read most of it, and will attempt to read to the end, but I am disappointed.
The storyline is very lame almost not existing, characters totally unbelievable and I couldn't get to like them.
Waste of time.
It is vastly longer than it needs to be, the plot is not the tightest, I do rather wonder if the joint authors just wrote alternate chapters. However if you want to luxuriate in this cod-Victorian style of adventure, then it is well thought out, intelligent stuff.







