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Max Ferguson's Digital Darkroom Masterclass 1st Edition
To find out 'what happens between click and ink area,' everyone involved in image production, from art directors to weekend amateurs, will find this an invaluable guide.
These unique masterclasses, in the modern technique-led approach to photographic post-production, show how darkroom and digital techniques go hand in hand in finishing off an image. Max provides, among many others, a thorough explanation of: * split grade printing, * printing through stockings, * monochrome toning emulation. So you too can achieve professional-looking results, a number of images are shown with a breakdown of the methods used in their production. Featured work includes inspirational images from these leading international professional photographers: Spencer Rowell, Phil Jude, Bob Carlos Clarke, Tobi Corney, Graham Goldwater, Jon Bader and Mark Anthony.
The accompanying CD-ROM contains: a series of tutorials for monitor viewing; some of the author's images in layered form for readers to edit and manipulate; extra information on colour management as PDFs; and relevant downloads from Adobe. Tryout versions [with limited functionality] of Adobe Photoshop® 5.5; Adobe Premiere® 5.0 and Adobe After Effects® 4.0, as well as Adobe GoLive TM and Adobe Acrobat Reader® for PC and Mac platforms, and Adobe InDesign TM and Adobe LiveMotion TM for MAC.
Review
Adam Woolfitt - professional digital imaging photographer; founding member of the Digital Imaging Group, London.
'When [Max Ferguson] gets going on computer usage there's no flannel, just hard-won experience laid out for everyone's benefit ... I am loathe to praise Max too much, but this is the best digital imaging book I've seen. Not just for transferring skills from darkroom to computer but for presenting photographers with a methodology for how to do their digital darkroom work.'
Joël Lacey, Best of Books 2000, Amateur Photographer, December 2000
'Thanks to his unique combination of experiences, Ferguson is one of almost certainly only a few people who could have written a book like this with such authority... Were it not for the fact that the digital world changes so rapidly, this ought to become classic in the best tradition of digital darkroom masterclass books. As it is, every digital image worker should go out and buy a copy right now.'
Jon Tarrant, British Journal of Photography, December 2000
'Max Ferguson has put together an easy to read book giving professional ways to achieve on the computer what you would once have done in the darkroom... A must have for any photographer who wants to get the best out of his images.'
A reader from Amazon.co.uk
'...well thought out with 'clean' imagery, well-planned screen grabs and a blow-by-blow commentary on the creation of some impressive illustrations. I loved this book for its clarity, simplicity and plain good sense. Suits all levels of experience - from novice to the well-accomplished pro photographer.'
Better Digital
From the Publisher
So you too can achieve professional-looking results, a number of images are shown with a breakdown of the methods used in their production. Featured work includes inspirational images from these leading international professional photographers: Spencer Rowell, Phil Jude, Bob Carlos Clarke, Tobi Corney, Graham Goldwater, John Bader, Mark Anthony.
The accompanying CD-ROM contains: a series of tutorials for monitor viewing; some of the author's images in layered form for readers to edit and manipulate; extra information on colour management as PDFs; and relevant downloads from Adobe. Tryout versions [with limited functionality] of Adobe Photoshop® 5.5; Adobe Premiere® 5.0 and Adobe After Effects® 4.0, as well as Adobe GoLive TM and Adobe Acrobat Reader® for PC and Mac platforms, and Adobe InDesign TM and Adobe LiveMotion TM for MAC.
About the Author
- ISBN-100240515692
- ISBN-13978-0240515694
- Edition1st
- PublisherFocal Press
- Publication dateSeptember 13, 2000
- LanguageEnglish
- Dimensions7.5 x 0.75 x 9.75 inches
- Print length224 pages
Product details
- Publisher : Focal Press; 1st edition (September 13, 2000)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 0240515692
- ISBN-13 : 978-0240515694
- Item Weight : 1.68 pounds
- Dimensions : 7.5 x 0.75 x 9.75 inches
- Customer Reviews:
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Second. I'm Mac based so the Director files are Mac based. Sorry about this but there is only so much room on a CD. I have PC emulation on my Mac. So no problem. My Mac can read PC stuff. Sorry it doesn't work the other way. Moan to Bill Gates.
Third.I can't include all the images from the book. They aren't my copyright. Most importantly if you are going to make images with this fabulous software, how about taking your own pictures. I thought that was the idea.
(...)
(...)The unsolicited (from me anyway) reviews from the British Journal of Photography, Hotshoe, Amateur Photgrapher in the UK, Professional Photographer in the UK, New Digital in Australia have described this book as a 'Classic' in the tradition of books about photographic techniques. The only reservation from John Tarrant was that software changes rapidly and the ramifications of that.
In all honesty I've tried to write a book that summed up nearly 30 years of darkroom practice that I've found a way of reproducing with Photoshop. It took 6 months of my life to work out how to make it readable and instuctive. I've tried to create a 'source' for image making that is not software generation specific. All the techniques work in any generation of Photoshop post Photoshop 5. This book is about pictures not computers. The photographers that allowed me to use their work only asked for a copy of the book in return for their images, as did the wonderful Jerry Hall.
The CD might not be of great use to some people, but it is after all a bonus. The content is the written bit. If you wish to complain first pay for the book, read it, try some of the ideas for yourself and if you are not happy I'll take on board what you say.
I believe I've written a useful book, with some great pictures taken by tallented photographers.
Photography is changing these days, don't you think? I still love the film world, but have fully embraced the digital world. If you're going that route too, then this book is well worth your time to spend some time with. It's a quality book, spend some quality time with it.
In many ways, the ability to digitally manipulate your images potentially causes a fundamental shift in the way that you set your shots up, because you know that the ability of your downstream digital processing is much more powerful. Not so many books approach this thinking process as well as this book.
The CD is nice, it will get you started if you're a beginnner. It's a good reference beyond that. I believe somebody in an earlier review got worked up about having technical problems with the CD...I think you should just take the CD as more of a reference. The real information presented is in the book, not the CD.
I've been getting, and no doubt will continue to get, a lot of good information from this book.