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Quicksilver (The Baroque Cycle, Vol. 1) Hardcover – Deckle Edge, September 1, 2003
Neal Stephenson's Quicksilver is here. A monumental literary feat that follows the author's critically acclaimed New York Times bestseller Cryptonomicon, it is history, adventure, science, truth, invention, sex, absurdity, piracy, madness, death, and alchemy. It sweeps across continents and decades with the power of a roaring tornado, upending kings, armies, religious beliefs, and all expectations.
It is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight. It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox ... and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.
A gloriously rich, entertaining, and endlessly inventive novel that brings a remarkable age and its momentous events to vivid life -- a historical epic populated by the likes of Samuel Pepys, Isaac Newton, William of Orange, Benjamin Franklin, and King Louis XIV -- Quicksilver is an extraordinary achievement from one of the most original and important literary talents of our time.
And it's just the beginning ...
- Print length944 pages
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateSeptember 1, 2003
- Dimensions6.25 x 1.99 x 9.25 inches
- ISBN-100380977427
- ISBN-13978-0380977420
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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Editorial Reviews
Amazon.com Review
In the second book, Stephenson introduces Jack Shaftoe and Eliza. "Half-Cocked" Jack (also know as the "King of the Vagabonds") recovers the English Eliza from a Turkish harem. Fleeing the siege of Vienna, the two journey across Europe driven by Eliza's lust for fame, fortune, and nobility. Gradually, their circle intertwines with that of Daniel in the third book of the novel.
The book courses with Stephenson's scholarship but is rarely bogged down in its historical detail. Stephenson is especially impressive in his ability to represent dialogue over the evolving worldview of seventeenth-century scientists and enliven the most abstruse explanation of theory. Though replete with science, the novel is as much about the complex struggles for political ascendancy and the workings of financial markets. Further, the novel's literary ambitions match its physical size. Stephenson narrates through epistolary chapters, fragments of plays and poems, journal entries, maps, drawings, genealogic tables, and copious contemporary epigrams. But, caught in this richness, the prose is occasionally neglected and wants editing. Further, anticipating a cycle, the book does not provide a satisfying conclusion to its 900 pages. These are minor quibbles, though. Stephenson has matched ambition to execution, and his faithful, durable readers will be both entertained and richly rewarded with a practicum in Baroque science, cypher, culture, and politics. --Patrick O'Kelley
From Publishers Weekly
Copyright 2003 Reed Business Information, Inc.
From Booklist
Copyright © American Library Association. All rights reserved
Review
“Genius . . . You’ll wish it were longer.” — Time magazine
“[QUICKSILVER] explores the philosophical concerns of today . . . through thrillingly clever, suspenseful and amusing plot twists.” — New York Times Book Review
“Sprawling, irreverent, and ultimately profound.” — Newsweek
“A sprawling, engrossing tale.” — Seattle Times
“Stephenson’s new machine is a wonderment to behold. A-” — Entertainment Weekly
“An astonishing achievement.” — Sunday Telegraph
“[QUICKSILVER] is a rare thing: a 1,000-page book that you don’t want to end. — San Antonio Express-News
“[O]ften brilliant and occassionally astonishing ...[QUICKSILVER] has wit, ambition and ... moments of real genius.” — Book World
“[A]n awe-inspiring book, stuffed with heart-stopping action scenes ... and a treasure trove of forgotten historical lore.” — Book
“Dense, witty, erudite ... and gripping ... a far more impressive literary endeavor than most so-called “serious” fiction.” — Independent
From the Back Cover
Neal Stephenson's Quicksilver is here. A monumental literary feat that follows the author's critically acclaimed New York Times bestseller Cryptonomicon, it is history, adventure, science, truth, invention, sex, absurdity, piracy, madness, death, and alchemy. It sweeps across continents and decades with the power of a roaring tornado, upending kings, armies, religious beliefs, and all expectations.
It is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight. It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox ... and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.
A gloriously rich, entertaining, and endlessly inventive novel that brings a remarkable age and its momentous events to vivid life -- a historical epic populated by the likes of Samuel Pepys, Isaac Newton, William of Orange, Benjamin Franklin, and King Louis XIV -- Quicksilver is an extraordinary achievement from one of the most original and important literary talents of our time.
And it's just the beginning ...
About the Author
Neal Stephenson is the #1 New York Times bestselling author of the novels Termination Shock, Fall; or, Dodge in Hell, The Rise and Fall of D.O.D.O. (with Nicole Galland), Seveneves, Reamde, Anathem, The System of the World, The Confusion, Quicksilver, Cryptonomicon, The Diamond Age, Snow Crash, Zodiac, and the groundbreaking nonfiction work In the Beginning . . .Was the Command Line. He lives in Seattle, Washington.
Product details
- Publisher : William Morrow; First Edition (September 1, 2003)
- Language : English
- Hardcover : 944 pages
- ISBN-10 : 0380977427
- ISBN-13 : 978-0380977420
- Item Weight : 3.3 pounds
- Dimensions : 6.25 x 1.99 x 9.25 inches
- Best Sellers Rank: #395,859 in Books (See Top 100 in Books)
- #4,683 in Family Saga Fiction
- #8,819 in Science Fiction Adventures
- #12,020 in Epic Fantasy (Books)
- Customer Reviews:
About the author

NEAL STEPHENSON is the #1 New York Times bestselling author of the novels Termination Shock, Fall; or, Dodge in Hell, The Rise and Fall of D.O.D.O. (with Nicole Galland), Seveneves, Reamde, Anathem, The System of the World, The Confusion, Quicksilver, The Diamond Age, Snow Crash, Zodiac, the groundbreaking nonfiction work In the Beginning . . . Was the Command Line, and Some Remarks, a collection of short fiction and nonfiction. He lives in Seattle, Washington.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the story engaging and well-written, with a mix of intrigue and everyday life. They describe the book as an enjoyable read with thought-provoking historical details and humor. The characters are described as fascinating, accurate, and larger than life. However, opinions differ on the writing style - some find it beautifully written and deep, while others consider it uncompelling.
AI-generated from the text of customer reviews
Customers enjoy the engaging story with its mix of science, romance, travel, intrigue, and everyday life. They find the book exciting and stimulating, with wonderful scenes. Readers appreciate the inside look at the plots and intrigues of the royal families.
"...Quicksilver successfully mixes politics, science, romance, travel, intrigue and any number of other genres and in the mix gives us an exciting view..." Read more
"...The book is still difficult, but the book is a journey and Stephenson is an intriguing Sherpa. Quicksilver is a story about ideas...." Read more
"...Well...that is the difficult part. The book opens in the early 18th century...." Read more
"...Some of the interesting themes that Neal goes over in the book include: - cryptography / cyphers - Alchemy -..." Read more
Customers find the book engaging and worth reading. They say it's stimulating, exciting, and complex enough to warrant careful reading. Readers describe it as a rewarding journey that makes the effort worthwhile.
"...They are long enough and complex enough to warrant reading carefully and slowly, with frequent pauses for thought, and frequent re-reading...." Read more
"...Overall, as stated, I didn't find this to be an easy read but it was rewarding...." Read more
"...They add to the scenery, not detract from it. It is a magnificent read for those with the fortitude to attempt it." Read more
"...Look, I kind of enjoyed it. I enjoyed that I was learning a lot while reading it, and I enjoyed that 'learning' wasn't tedious...." Read more
Customers find the book's scholarly endeavors fascinating and thought-provoking. They appreciate the detailed explanations of science and politics, as well as the complex, educational details of history that we couldn't possibly know. The science is decent, but the descriptions of Europe are somewhat lacking. However, the author makes up for this by focusing on a series of important themes, gaining an understanding of 17th century politics, society, culture, customs, and business.
"...Quicksilver successfully mixes politics, science, romance, travel, intrigue and any number of other genres and in the mix gives us an exciting view..." Read more
"...about the conventional story, he makes up for this by focusing on a series of important themes...." Read more
"...Wow. I feel that my understanding of 17th century politics, society, culture, customs, business, etc...." Read more
"...The depiction of the experiments performed by these men is not only educational, but takes trips over into the gross, the incredible, the fantastic,..." Read more
Customers find the characters fascinating, accurate, and larger than life. They appreciate the well-drawn minor characters and the balance between the three lead characters. The historical figures are described as delightful and introduced into the story in a humorous way. Readers praise the author's storytelling talent and consider it a masterwork.
"...He does this by inserting fictional characters into a historical epic; we see his characters interact with famous figures, such as Isaac Newton,..." Read more
"...He uses language like no one I know, keeping a historical distance from his characters while using modern idioms and attitudes to illuminate the..." Read more
"...Exactly! All three main characters are compelling in their own way, and you want to keep watching each one grow and change...." Read more
"...The three lead characters balance each other out nicely. Daniel can be a very passive character, which contrasts with Eliza's plotting and scheming...." Read more
Customers enjoy the book's humor. They find it witty, humorous, and lighthearted. The dialogue is clever and the prose is lucid. The book entertains and educates readers in an entertaining way.
"...Quicksilver in specific, and The Baroque Cycle in general, is brilliant writing...." Read more
"...in history, politics, culture, science, religion, or just a good dose of toilet humor, then you should check this book out...." Read more
"...Theres lots of Neals characteristic humor in the book, and some parts are laugh out loud funny and ridiculous...." Read more
"...such as the latest high fashions in clothing, are absolutely hilarious - satire that shows by contrast just how silly some things humans engage in..." Read more
Customers have varying opinions about the book's wordiness. Some find it beautifully written with an intelligent, complex look at the 18th century. The author plays around with different writing styles, such as writing a chapter as if it were a period. However, others find it uncompelling, dense, and difficult to read at times.
"...But, to my dismay, the reading experience was anything but easy. I ended up finishing the book, but the process was a long, hard slog...." Read more
"...Why? It's written from a modern perspective and filled with wit and humor...." Read more
"...It is full of trivial facts, archaic spellings and words usages but these are not overdone. They add to the scenery, not detract from it...." Read more
"...and as a reader being interested in history, I really appreciated his eye for detail...." Read more
Customers have different views on the book's complexity. Some find the language, dialogue, and plot straightforward, while others find it daunting and overwhelming. The technical details and genealogy seem beyond most readers' grasp.
"...They are long enough and complex enough to warrant reading carefully and slowly, with frequent pauses for thought, and frequent re-reading...." Read more
"...The book is still difficult, but the book is a journey and Stephenson is an intriguing Sherpa. Quicksilver is a story about ideas...." Read more
"...It is baroque in that it is complex, highly convoluted and ornamented with a myriad of frills...." Read more
"...I felt that Versailles was not given proper attention, a lack of detailed description of one of the most impressive palaces ever built...." Read more
Customers have different views on the book's pace. Some find it fast-paced and easy to keep up with the ideas coming fast and furious. Others feel the start seems slow and confusing, noting that the book requires a large time commitment.
"...are long enough and complex enough to warrant reading carefully and slowly, with frequent pauses for thought, and frequent re-reading...." Read more
"...The action in this book is, however, slow, so if you're looking for the 17th century recreation of Cryptonomicon, this is not it...." Read more
"...It gives a feel for the times as well as varying the pace. The three lead characters balance each other out nicely...." Read more
"I LIKED this book, but I didn't love it. The pace is a bit slower than his earlier works. It makes it difficult to read at times...." Read more
Top reviews from the United States
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- Reviewed in the United States on August 17, 2004Please be advised that this review is being written with the added perspective of having already read the second installment of the Baroque Cycle. As a novel standing on its own I would not give Quicksilver 5 stars, for some of the same reasons that other reviewers have not given it five stars (lack of firm plot, etc.). I think many of those reviewers will be ultimately proven wrong. The Baroque Cycle, in reality, is one 2500-2700 page book. The plot and the intent of the author in undertaking the project become more and more evident as you continue reading. How many books do you have all figured out by the time you are a third through them anyway? and on top of that, why would you want to read a book that you could have all figured out in the first few chapters?
That said, Quicksilver in specific, and The Baroque Cycle in general, is brilliant writing. I'm lucky that there is a Neal Stephenson out there to write like this because otherwise I would have to do it myself... and I wouldn't be good at it. Stephenson writes the kind of books that I want to read. Quicksilver successfully mixes politics, science, romance, travel, intrigue and any number of other genres and in the mix gives us an exciting view into 16th century life, both for the upper classes and the lower. Like all of Stephenson's work, I laughed out loud at the absurdity of certain events in the story while reluctantly admitting that, yes, that could have actually happened. It bogs down in places with what you might take as a bit too much detail, but by now that is an intrinsic element of Stephenson's style and this book would be incomplete without it. I hated my history classes in school, but I love reading this sort of historical fiction. Why? It's written from a modern perspective and filled with wit and humor. I realized in reading Quicksilver that people 500 years ago were pretty much the same as people now, and that I can learn a lot from their lives and the triumphs and mistakes they made. On top of all that, in Quicksilver you get a fun retrospective on what was happening in the world of science, the great fire of London, the state of political affairs in Europe, etc., etc.
One of the things that I really enjoy about Neal Stephenson's work is that it takes some effort on my part to get the most out of his books. They are not just sit-back-and-read-it books. They are long enough and complex enough to warrant reading carefully and slowly, with frequent pauses for thought, and frequent re-reading. It's unfortunate that some people aren't willing to put forth the effort. If you are willing to put forth that amount of effort, you will be greatly rewarded!
- Reviewed in the United States on January 26, 2012I purchased this book almost three years ago after reading some positive reviews. I'd never read Stephenson before, but I was drawn to the idea of a cyberpunk/historical fiction novel. I read Quicksilver while I was in college, in between my regular class work.
But, to my dismay, the reading experience was anything but easy. I ended up finishing the book, but the process was a long, hard slog. I quickly abandoned the idea of reading the two other novels of equal size.
So, about a month ago, I decided that it was time to dust off Quicksilver and give it another go. The book is still difficult, but the book is a journey and Stephenson is an intriguing Sherpa.
Quicksilver is a story about ideas. Stephenson weaves a tale about the forces and individuals that shaped the modern world. He does this by inserting fictional characters into a historical epic; we see his characters interact with famous figures, such as Isaac Newton, Gottfried Leibniz, William of Orange, et al. His fictional characters are involved in their on intrigues, but they're largely in the story to tease out information from the real-life individuals.
There are three primary fictional characters that make the course of events of the book.
The first and arguably most important character in the story is Daniel Waterhouse. The story is told in book one: Quicksilver; it begins in Boston in 1713,with an old Daniel Waterhouse getting a message to come back to England to help settle the great Calculus dispute between Newton and Leibniz. The story quickly shifts to a series of flash backs starting at about 1661. We follow the career of Waterhouse as he goes to Cambridge and becomes involved in the Royal Society of London. Waterhouse works with early natural philosophers, John Wilkins and Robert Hooke, as they partake in all sorts of bizarre scientific experiments.
The second book, The King of the Vagabonds, sets a different tone to the story. While Stephenson earlier focused on kings and natural philosophers, the hero of this book is a vagabond called half-cocked Jack. Jack is roaming around Europe, half mad, and looking for adventures. He eventually winds up at the Siege of Vienna. Jack encounters the third important fictional character, Eliza. She was sold into slavery and became a Turkish harem. Jack rescues Eliza, and the two travel around Europe learning about finance and trade, while Eliza pursues her goal of ending slavery.
If you've read this far into the review don't think that I've given much of anything away. Stephenson loads this 916-page book with all sorts of twists and turns in the story.
Of course, in regards to the story, a potential reader should be warned that Stephenson is fairly lax in terms of conventional storytelling. If you're looking for a novel that carries the story from point A to point B to point C, then you're going to be disappointed. There are important twists and turns, but they can almost seem forgotten in the sheer magnitude of the larger book.
While Stephenson is less concerned about the conventional story, he makes up for this by focusing on a series of important themes. Quicksilver, and I would say the Baroque Cycle, is concerned with major thematic issues and ideas rather than a conventional plot. Stephenson is trying to paint a picture of this time period, so he peppers the story with historical figures here and there, but they can easily be forgotten compared to the larger issues.
The most important issues of this book are the debates between contrasting forces, such as: Reformation vs. Counter-Reformation; Feudalism vs. Nation States; the birth of science vs. religion; the birth of modern finance and commerce vs. religion. All of the characters in this story represent certain sides of these arguments. Various realms and countries represent certain sides of these arguments. France, headed by Louis XIV, is represented as being the center of all things premodern; on the other hand, England develops a complex role as the birth of modernism, while struggling internally with competing forces of reaction.
If there are major flaws to Quicksilver it's that Stephenson can get too wrapped up in all of this. I say this as someone who enjoyed the book, but it can be extremely difficult to see the forest through the trees in this. As others have noted, Stephenson seems to use 50 words where 10 would do. Stephenson's writing sometimes stands in the way of some otherwise exciting action sequences.
It equally can get tiresome to always have different characters launce into complex philosophical debates whenever they first start speaking. Some of the dialogue in this is just cumbersome. I wouldn't expect Isaac Newton to greet someone with, "What up dawg?", but you can imagine him acting human, sometimes. Stephenson also has fun dropping various old English words throughout the book, while also throwing in some F-bombs and other euphemisms that wouldn't have been used at the time. This isn't necessarily a negative on the book, but it does show that Stephenson could have worked in a little more humane dialogue.
In general, I enjoyed the book but wish it had been a tad bit shorter. I think Stephenson could have shaved off a 100 pages to this book and largely kept the spirit intact.
Overall, as stated, I didn't find this to be an easy read but it was rewarding. If you're interested in history, politics, culture, science, religion, or just a good dose of toilet humor, then you should check this book out. It may get frustrating from time to do, but keep on going! It's worth it.
Top reviews from other countries
Amazon CustomerReviewed in Sweden on April 14, 20235.0 out of 5 stars Wonderful series of books
Wonderful series of books
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gill45blueReviewed in France on September 3, 20205.0 out of 5 stars Premier volume d'un trilogié
Superbe trilogie de Neal Stephenson - 17ème siècle, philosophie naturelle, histoire d'Europe, mathématiques, cryptologie - tout y est!
Shreekant JoshiReviewed in India on January 5, 20201.0 out of 5 stars Too dilatory, too long, too slow.
Too lengthy, meandering, heavy style, could not go beyond 50 pages, could not return as the return date had passed.
the GReviewed in Australia on January 2, 20215.0 out of 5 stars SMASHING TRILOGY! AWE & WAR. sublime.
The Enlightenment trilogy. Same level as LOTR, mixed with The Fast & The Furious franchise but set late 1600 to early 1700s. 🤯 Historically a few suppositions but the FULL SWEEP OF WORLD HISTORY! VAST tale, can not offer more hyperbole!!!
-
eraldoReviewed in Italy on June 22, 20155.0 out of 5 stars ciclo barocco
grande romanzo storico: una gradevole storia a cavallo tra 17° e 18° secolo, intrisa di cultura e di conoscenza del mondo di allora.
la lettura è lenta e il continuo saltare dalla fine della storia allo svolgimento della avventura richiede all'inizio della lettura una certa attenzione (anche al titolo dei capitoli, con la data!)
l'intreccio tra le storie di più personaggi rende più avvincente il romanzo, attendendo il ricongiungimento dei vari filoni verso la fine della trilogia.
qualche migliaio di pagine ma io le ho apprezzate molto ("de gustibus:::")







