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The Diamond Age: Or, a Young Lady's Illustrated Primer (Bantam Spectra Book) Paperback – May 2, 2000
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Decades into our future, a stone’s throw from the ancient city of Shanghai, a brilliant nanotechnologist named John Percival Hackworth has just broken the rigorous moral code of his tribe, the powerful neo-Victorians. He's made an illicit copy of a state-of-the-art interactive device called A Young Ladys Illustrated Primer Commissioned by an eccentric duke for his grandchild, stolen for Hackworth's own daughter, the Primer’s purpose is to educate and raise a girl capable of thinking for herself. It performs its function superbly. Unfortunately for Hackworth, his smuggled copy has fallen into the wrong hands.
Young Nell and her brother Harv are thetes—members of the poor, tribeless class. Neglected by their mother, Harv looks after Nell. When he and his gang waylay a certain neo-Victorian—John Percival Hackworth—in the seamy streets of their neighborhood, Harv brings Nell something special: the Primer.
Following the discovery of his crime, Hackworth begins an odyssey of his own. Expelled from the neo-Victorian paradise, squeezed by agents of Protocol Enforcement on one side and a Mandarin underworld crime lord on the other, he searches for an elusive figure known as the Alchemist. His quest and Nell’s will ultimately lead them to another seeker whose fate is bound up with the Primer—a woman who holds the key to a vast, subversive information network that is destined to decode and reprogram the future of humanity.
- Print length499 pages
- LanguageEnglish
- PublisherSpectra
- Publication dateMay 2, 2000
- Dimensions5.2 x 1.03 x 8.2 inches
- ISBN-100553380966
- ISBN-13978-0553380965
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From the Son of Heaven down to the mass of the people, all must consider the cultivation of the person the root of everything besides.1,024 Kindle readers highlighted this
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Ordering matter was the sole endeavor of Life, whether it was a jumble of self-replicating molecules in the primordial ocean, or a steam-powered English mill turning weeds into clothing, or Fiona lying in her bed turning air into Fiona.884 Kindle readers highlighted this
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“Which path do you intend to take, Nell?” said the Constable, sounding very interested. “Conformity or rebellion?” “Neither one. Both ways are simple-minded—they are only for people who cannot cope with contradiction and ambiguity.”853 Kindle readers highlighted this
Editorial Reviews
Review
"[Stephenson is] the hottest science fiction writer in America. . . . Snow Crash is without question the biggest SF novel of the 1990s. Neal's SF novel, The Diamond Age, promises more of the same. Together, they represent a new era in science fiction. People who plow through these mind-bogglers will walk around slack-jawed for days and reemerge with a radically redefined sense of reality."—Details
"Neal Stephenson is the Quentin Tarantino of postcyberpunk science fiction. . . . Having figured out how to entertain the hell out of a mass audience, Stephenson has likewise upped the form's ante with rambunctious glee."—Village Voice
"Snow Crash drew its manic energy from the cyberpunkish conceit that anything is possible in virtual reality; in The Diamond Age the wonders of cyberspace pale before the even more dazzling powers of nanotechnology."—New York Times Book Review
"Diamond Age establishes Neal Stephenson as a powerful voice for the cyber age. . . . At once whimsical, satirical, and cautionary."—USA Today
"Stephenson's world-building skills are extraordinary. . . . The Diamond Age should cement Stephenson's reputation as one of the brightest and wittiest young authors of American science fiction."—San Diego Union-Tribune
From the Inside Flap
From the Back Cover
About the Author
Mr. Stephenson now resides in a comfortable home in the western hemisphere and spends all of his time trying to retrofit an office into its generally dark, unlevel, and asbestos-laden basement so that he can attempt to write more novels. Despite the tremendous amounts of time he devotes to writing, playing with computers, listening to speed metal, Rollerblading, and pounding nails, he is a flawless husband, parent, neighbor, and all-around human being.
Excerpt. © Reprinted by permission. All rights reserved.
A thete visits a mod parlor; noteworthy features of modern armaments.
The bells of St. Mark's were ringing changes up on the mountain when Bud skated over to the mod parlor to upgrade his skull gun. Bud had a nice new pair of blades with a top speed of anywhere from a hundred to a hundred and fifty kilometers, depending on how fat you were and whether or not you wore aero. Bud liked wearing skin-tight leather, to show off his muscles. On a previous visit to the mod parlor, two years ago, he had paid to have a bunch of 'sites implanted in his muscles—little critters, too small to see or feel, that twitched Bud's muscle fibers electrically according to a program that was supposed to maximize bulk. Combined with the testosterone pump embedded in his forearm, it was like working out in a gym night and day, except you didn't have to actually do anything and you never got sweaty. The only drawback was that all the little twitches made him kind of tense and jerky. He'd gotten used to it, but it still made him a little hinky on those skates, especially when he was doing a hundred clicks an hour through a crowded street. But few people hassled Bud, even when he knocked them down in the street, and after today no one would hassle him ever again.
Bud had walked away, improbably unscratched, from his last job—with something like a thousand yuks in his pocket. He'd spent a third of it on new clothes, mostly black leather, another third of it on the blades, and was about to spend the last third at the mod parlor. You could get skull guns a lot cheaper, of course, but that would mean going over the Causeway to Shanghai and getting a back-alley job from some Coaster, and probably a nice bone infection in with the bargain, and he'd probably pick your pocket while he had you theezed. Besides, you could only get into a Shanghai if you were virgin. To cross the Causeway when you were already packing a skull gun, like Bud, you had to bribe the shit out of numerous Shanghai cops. There was no reason to economize here. Bud had a rich and boundless career ahead of him, vaulting up a hierarchy of extremely dangerous drug-related occupations for which he served as a paid audition of sorts. A start weapons system was a wise investment.
The damn bells kept ringing through the fog. Bud mumbled a command to his music system, a phased acoustical array splayed across both eardrums like the seeds on a strawberry. The volume went up but couldn't scour away the deep tones of the carillon, which resonated in his long bones. He wondered whether, as long as he was at the mod parlor, he should have the batteries drilled out of his right mastoid and replaced. Supposedly they were ten-year jobs, but he'd had them for six and he listened to music all the time, loud.
Three people were waiting. Bud took a seat and skimmed a mediatron from the coffee table; it looked exactly like a dirty, wrinkled, blank sheet of paper. " 'Annals of Self-Protection,' " he said, loud enough for everyone else in the place to hear him. The logo of his favorite meedfeed coalesced on the page. Mediaglyphics, mostly the cool animated ones, arranged themselves in a grid. Bud scanned through them until he found the one that denoted a comparison of a bunch of different stuff, and snapped at it with his fingernail. New mediaglyphics appeared, surrounding larger cine panes in which Annals staff tested several models of skull guns against live and dead targets. Bud frisbeed the mediatron back onto the table; this was the same review he'd been poring over for the last day, they hadn't updated it, his decision was still valid.
One of the guys ahead of him got a tattoo, which took about ten seconds. The other guy just wanted his skull gun reloaded, which didn't take much longer. The girl wanted a few 'sites replaced in her racting grid, mostly around her eyes, where she was starting to wrinkle up. That took a while, so Bud picked up the mediatron again and went in a ractive, his favorite, called Shut Up or Die!
The mod artist wanted to see Bud's yuks before he installed the gun, which in other surroundings might have been construed as an insult but was standard business practice here in the Leased Territories. When he was satisfied that this wasn't a stick-up, he theezed Bud's forehead with a spray gun, scalped back a flap of skin, and pushed a machine, mounted on a delicate robot arm like a dental tool, over Bud's forehead. The arm homed in automatically on the old gun, moving with alarming speed and determination. Bud, who was a little jumpy at the best of times because of his muscle stimulators, flinched a little. But the robot arm was a hundred times faster than he was and plucked out the old gun unerringly. The proprietor was watching all of this on a screen and had nothing to do except narrate: The hole in your skull's kind of rough, so the machine is reaming it out to a larger bore—okay, now here comes the new gun.
A nasty popping sensation radiated through Bud's skull when the robot arm snapped in the new model. It reminded Bud of the days of his youth, when, from time to time, one of his playmates would shoot him in the head with a BB gun. He instantly developed a low headache.
"It's loaded with a hundred rounds of popcorn," the proprietor said, "so you can test out the yuvree. Soon as you're comfortable with it, I'll load it for real." He stapled the skin of Bud's forehead back together so it'd heal invisibly. You could pay the guy extra to leave a scar there on purpose, so everyone would know you were packing, but Bud had heard that some chicks didn't like it. Bud's relationship with the female sex was governed by a gallimaufry of primal impulses, dim suppositions, deranged theories, overheard scraps of conversation, half-remembered pieces of bad advice, and fragments of no-doubt exaggerated anecdotes that amounted to rank superstition. In this case, it dictated that he should not request the scar.
Besides, he had a nice collection of Sights—not very tasteful sunglasses with crosshairs hudded into the lens on your dominant eye. They did wonders for marksmanship, and they were real obvious too, so that everyone knew you didn't fuck with a man wearing Sights.
"Give it a whirl," the guy said, and spun the chair around—it was a big old antique barber chair upholstered in swirly plastic—so Bud was facing a mannikin in the corner of the room. The mannikin had no face or hair and was speckled with little burn marks, as was the wall behind it.
"Status," Bud said, and felt the gun buzz lightly in response.
"Stand by," he said, and got another answering buzz. He turned his face squarely toward the mannikin.
"Hut," he said. He said it under his breath, through unmoving lips, but the gun heard it; he felt a slight recoil tapping his head back, and a startling POP sounded from the mannikin, accompanied by a flash of light on the wall up above its head. Bud's headache deepened, but he didn't care.
"This thing runs faster ammo, so you'll have to get used to aiming a tad lower," said the guy. So Bud tried it again and this time popped the mannikin right in the neck.
"Great shot! That would have decapped him if you were using Hellfire," the guy said. "Looks to me like you know what you're doing—but there's other options too. And three magazines so you can run multiple ammos. "
"I know," Bud said, "I been checking this thing out." Then, to the gun, "Disperse ten, medium pattern." Then he said "hut" again. His head snapped back much harder, and ten POPs went off at once, all over the mannikin's body and the wall behind it. The room was getting smoky now, starting to smell like burned plastic.
"You can disperse up to a hundred," the guy said, "but the recoil'd probably break your neck."
"I think I got it down," Bud said, "so load me up. First magazine with electrostun rounds. Second magazine with Cripplers. Third with Hellfires. And get me some fucking aspirin."
Product details
- Publisher : Spectra; Reprint edition (May 2, 2000)
- Language : English
- Paperback : 499 pages
- ISBN-10 : 0553380966
- ISBN-13 : 978-0553380965
- Item Weight : 13 ounces
- Dimensions : 5.2 x 1.03 x 8.2 inches
- Best Sellers Rank: #36,202 in Books (See Top 100 in Books)
- #307 in Cyberpunk Science Fiction (Books)
- #512 in Hard Science Fiction (Books)
- #953 in Coming of Age Fiction (Books)
- Customer Reviews:
About the author

Neal Town Stephenson (born October 31, 1959) is an American writer, known for his speculative fiction works, which have been variously categorized science fiction, historical fiction, maximalism, cyberpunk, and postcyberpunk. Stephenson explores areas such as mathematics, cryptography, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and has worked part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system.
Born in Fort Meade, Maryland (home of the NSA and the National Cryptologic Museum) Stephenson came from a family comprising engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor; his mother worked in a biochemistry laboratory, while her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University. He first specialized in physics, then switched to geography after he found that it would allow him to spend more time on the university mainframe. He graduated in 1981 with a B.A. in Geography and a minor in physics. Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.
Neal Stephenson is the author of the three-volume historical epic "The Baroque Cycle" (Quicksilver, The Confusion, and The System of the World) and the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.
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Top reviews from the United States
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If you read five-star reviews of romance novels on Goodreads, you'll see a lot of long gif-filled squeals of swoony love for the romantic relationships described. I can't read such reviews, because every one of them seems exactly like all the others. And I am certainly not about to write one. I mention them because that is how I feel about the relationship between Nell and her book.
Am I seriously comparing a girl's love for a book to a romantic relationship? (In fact, the relationship between A Young Lady's Illustrated Primer and Nell is more a mother-daughter relationship.) Yes, I am. What can I say? I am a book-lover. A Young Lady's Illustrated Primer is truly a book to be loved. Given that I can't have one of my own, The Diamond Age is the next best thing.
This book in spite of its futuristic, insightful, science-oriented, and social-fabric reconstructing observations, is not that different from a good Louis L'Amour novel, say The Lonesome Gods. I know highbrow, self-proclaimed sophisticates and sci-fi mavens will turn up their noses at this; L'Amour was merely a writer of shoot 'em up, fast-paced westerns. But Stephenson in his own way is no different, he just does sci-fi.
What is the purpose of a book? For many years I read fiction books on a very surface level. It was hard for me to see symbolism and deeper meanings. However, there are always deeper meanings—especially in the best fiction of any genre. How sad if Hugo's Les Miserables was only the story of an overly punished convict and an overly zealous public official! What is the purpose of an automobile? No matter how many accoutrements we load on it, all of which make the experience of being in a car more enjoyable, still for most of us, the purpose of an automobile is to get us from one place to another, at least at this point. The purpose of a book is the same regardless whether it is loaded with skull guns, tag mites, and a primer (book), or horses, six-shooters, and campfires. Where the book takes us is the real reason we read the book. There is no one-destination-fits-all answer to any book. And, the author of a well-written book has no idea what destinations or answers individual readers will find. A good author creates the terrain we move through; what we get out of it is up to us.
I'm not going to expose the plot lines or describe the primary characters, Stephenson does an excellent job of that—read the book. I want to share some feelings and perspectives I experienced while reading. Books—and by extension, computers, in whatever form they may take going forward—hold the foundations of knowledge. We are foolish if we do not take advantage of and learn from those foundations. As Stephenson says in this book, "...a book is different—it is not just a material possession but the pathway to an enlightened mind." However, having knowledge does not mean we are enlightened or educated. Many people can have great knowledge and still be stupid. Knowledge is not wisdom. Enlightenment—which includes wisdom—is learned through the application of knowledge, but you cannot gain wisdom without doing. And some of that doing, maybe a lot of it, will result in failing, but it isn't failure if you keep going. Enlightenment is vital to a good life, and because it is vital it must be completely personalized, individualized. Education through public school programs is an oxymoron, especially when you get to advanced degrees. Job training through public school programs is doable, but never fully adequate. In The Diamond Age, Nell gains an education and enlightenment; in the Lonesome Gods, Johannes does too. We can learn from both of them.
Human nature is what it is. Society always creates frameworks where some people feel like they are better or more important than others. And those that manage to rise in whatever framework a society has established will go to great effort to keep their status and make sure others cannot rise. That is part of the reason social programs created to fight poverty will never work. If those of lower status rise, the high and mighty that run the programs would not be needed. It is a rare group of individuals that not only recognizes this, but willingly accepts it and acts accordingly. That is at least part of why the American Revolution had such a different outcome from the French Revolution. To use Stephenson's words, "...there is an ineffable quality to some technology, described by its creators as concinnitous, or technically sweet, or a nice hack—signs that it was made with great care by one who was not merely motivated but inspired. It is the difference between an engineer and a hacker." Or a credentialed expert and a creator of freedom and opportunity.
Like William Gibson's "Count Zero", the Diamond Age flows through multiple characters' lives as their individual stories slowly converge together. The focal point of the story is a little girl named Nell and a big book called "A Young Lady's Illustrated Primer." The book is a deft act of subterfuge: an interactive story designed to be given to a little girl, to slowly shape her character and subtly guide her through her formative years. The trouble is, Nell is the wrong girl...only no one in this world needs it more than she.
It would take a long time to describe the many, many facets of Stephenson's future, but each is fascinating, and each is depicted in that manner-of-fact, "This is how things are" way that marks the Cyberpunk genre. In short, you will see how microscopic bio/technical engineering dramtically changes the way technology fills people's lives. You get a worldwide 'net written prior to the advent of the World Wide Web, yet spot on about how people will relate to each other. Thow in some very unusual cultures--urban Chinese rubbing shoulders with steampunk-like latter-day Victorians--and you have a very odd mix that somehow really seems to feel like you'd imagine these cultures would behave.
For all its amazing scenery and gripping action, there are flaws to The Diamond Age. The novel seems to accelerate towards the end, only to end on a full stop. It proposes an idea of human-technology convergence that I find distasteful. Stephenson creates societies that seem highly improbable, in the name of painting an interesting picture. A reader who can forgive these flaws will still find a lot to enjoy in the Diamond Age--and if you're like me, it will really stimulate those cognitive wheels in your head to start turning. Highly original, very inventive, and still relevant reading today.
Top reviews from other countries
Aber Neil Stevenson hat es mir seit Jahrzehnten angetan, begonnen "damals" mit Cryptonomicon.
Ich bin kein Literaturkritiker, und würde es mir als nicht-Native-Speaker nicht anmaßen, etwas zum Schreibstil zu sagen, aber subjektiv habe ich mich in seiner (teils scheinbar erfundenen) Sprache immer wohlgefühlt. Seine Art, Geschichten und Charaktere zu weben, ist komplex. Für mich ist aber das herausstechende Merkmal, wie detailverliebt Stephenson die hypothetischen gesellschaftlichen und technologischen Entwicklungen, die die Basis seiner Novellen bilden, ausarbeitet und zu Ende denkt. Ich finde, das gibt den Büchern eine Tiefe und mir immer wieder Grund zum Lachen, wenn ein solcher zu-Ende-gedachter Strang in einer Pointe mündet.
Ich mache hier keine Inhaltsangabe, erzähle nichts über das Buch, außer vielleicht, dass mich darin die Perspektive fasziniert, aus der Stephenson die Frage beleuchtet, was man eigentlich wollen können wird, wenn fast alles machbar und erreichbar ist und nur noch die Phantasie entscheidet; und welchen Wert und welches Ziel Bildung noch haben kann, wenn alles schon gedacht und getan ist.
Ich würde das Buch Menschen empfehlen, die anderen Bildung vermitteln wollen, egal ob beruflich oder anderweitig.
This is my third or fourth Stephenson book and as with his other works he doesn't play lightly with the readers' attention. If you stick with it the story gets better with each chapter.
The ending is not the strongest ...







