As with movies, there are many genres of prayer, and Larsen dwells on nine of them: praise, yearning, lament, anger, confession, reconciliation, obedience, meditation, and joy. Each of these chapters could be books in themselves, given how many movies are out there and how rich and layered the concept of prayer is. But Larsen, taking a specifically Christian tack, focuses on how those types of prayer and their analogous movies speak to the creation-fall-redemption-restoration trajectory of the Bible and the Christian faith it inspires. Through this prism, the central miracle in Children of Men provokes an awe-inducing response to incarnation. The violent anger of Fight Club is a primal scream against a fallen world. And the “holy nonsense” of The Muppets shows that sometimes joy manifests itself in silly and inexplicable ways.
Too often when “Christian” and “movies” come together, a didactic censoriousness and disordered view of art follow. Larsen takes the opposite approach. You’ll see no mention of Left Behind or God’s Not Dead, but you will see George Bailey struggling to be obedient in It’s a Wonderful Life and Alvin’s motorized meditations in The Straight Story and hushed yearning in In the Mood for Love. As his true in his reviews, he brings a generous, exploratory spirit to cinema, seeing the form’s good and beautiful and attempting to understand the bad and ugly.