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King of Thorns (The Broken Empire) Paperback
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- LanguageEnglish
- PublisherHarper Voyager
- Dimensions5.31 x 1.65 x 7.99 inches
- ISBN-100007481896
- ISBN-13978-0007481897
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The Broken Empire Series By Mark Lawrence - 3 Book SetPaperback$12.45 shippingOnly 1 left in stock - order soon.
Product details
- Language : English
- ISBN-10 : 0007481896
- ISBN-13 : 978-0007481897
- Item Weight : 1.32 pounds
- Dimensions : 5.31 x 1.65 x 7.99 inches
- Customer Reviews:
About the author

Mark Lawrence is married with four children, one of whom is severely disabled. His day job is as a research scientist focused on various rather intractable problems in the field of artificial intelligence. He has held secret level clearance with both US and UK governments. At one point he was qualified to say 'this isn't rocket science ... oh wait, it actually is'.
Between work and caring for his disabled child, Mark spends his time writing, playing computer games, tending an allotment, brewing beer, and avoiding DIY.
Customer reviews
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Learn more how customers reviews work on AmazonReviewed in the United States on April 19, 2017
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As for the story, overall it was very good, though a little unlike the first book there wasn't as much of an intro (of course) and the events that occur aren't quite as big, they're still very important but at the same time they are very much setting up the third book. For the character development, it was a huge leap forward. I'd thought that we'd found out everything we needed to know about Jorg's childhood before being thrown into the thorns, but near the beginning of this book we see an almost more powerful moment. I won't give much away, but it was horribly graphic and heart wrenching without being distasteful, I admit that I cried a decent amount here, but I'm going to blame it partially on the fact my dog was curled up next to me as I read it. We also see that he had a penchant for climbing all of the walls of the Tall Castle, something that comes in handy during multiple parts later in the book. I really appreciated that part of the story jumps 4 years into the future, letting Jorg grow up and become an adult. He's definitely still the Jorg we know and love (or occasionally hate/despise) but he's not quite as crazy, and you can tell that he loves, in his own way, some of the characters surrounding him. It also gives Jorg time to become stronger, smarter, and a much better swordsman than he was when he was 14 years old. I won't talk too much about most of the story as it would have to be full of spoilers, but I will say that I enjoyed all of it, even when some of the parts were slower (meeting his relatives) or slightly goofy at times (searching for help for Gog) they were still very interesting/enjoyable and they really helped to set-up the future events.
For the world building I was surprised to find that there was a lot more of it here than in the first book. Many times in Fantasy, authors have to blast through as much of the world building as they can in the beginning of the first book to get past the reader's learning curve, this then lets them get into the meat of book, the characters and the story. However in King of Thorns, Lawrence dishes out the facts of the World like heavily guarded secrets, consequentially making them all the more treasured to the reader. A good way to explain why they are revealed in this way resolves around the fact that Jorg himself doesn't know too much about the world, and as he learns its secrets so does the reader. I want to put down the facts that I ascertained while reading the book, so if you don't want to be slightly spoiled, you should skip the rest of the paragraph. So the world featured in The Broken Empire series is our world, but it is somewhere around 1,000 to 1,300 years in the future (gleaned from a comment about a glass jar being around that old). The people known only as the Builders, are human beings probably 100 to 300 years in our future. The Builders were more advanced than we are today, as seen by the existence of virtual intelligences bordering on true AI's, water filtration systems that take in seawater & put out fresh drinkable water, satellite imaging that can be controlled and viewed through a ring, some kind of super metal (which is what Jorg's sword is made of), and among other things the invention of real magic. If the AI was telling the reader/Jorg the truth, the Builders somehow slightly decreased the separation between mind and matter, which over the stretch of time along with a nuclear apocalypse resulted in giving human beings with enough willpower the ability to control the elements, including death. Another important thing we learn about the world in this book, is that the oceans have risen by around the height of the Tall Castle (which was once a parking garage), or over a hundred feet. I also was very interested to learn a little more about the main religion in their broken empire, and why technological development has completely stagnated and reversed to that of the dark ages. Basically, The Roma church is the only version of Christianity around, as one of the Popes confiscated every copy of the bible in existence, letting them change the religion to whatever they wanted, as Jorg says that no one knows how much the Roma church resembles the old Roman Catholic Church. Related to this, Jorg talks about how while you might be hung or burned at the stake for supposedly being a witch, if anyone is found to have made a better type of glass/metal or some other development, they will tortured for days. I just really enjoyed the world building of this universe, and I can't wait to see what else will be revealed in the next book.
So in closing, I would definitely recommend this book, in fact I would even recommend this book to people that were turned off by the grittiness/darkness in the first book as this one maintains the excellent writing and story development (probably even improving it) while being slightly less dark. Jorg still does horrible things, but he is much more likeable and relatable, in fact I think you could actually call him an anti-hero this time around. I wouldn't necessarily advise readers to skip Prince of Thorns, but I think that you could potentially read King of Thorns as a stand-alone novel and still get a lot out of it. I really liked the first book of the series, but I absolutely loved this book and hate the fact that I have to wait for awhile to read the conclusion to Jorg's story.
Mr. Lawrence is an excellent storyteller and I cannot wait to continue Jorg's story in Emperor of Thorns - what a great character he is, with all his flaws, his anger, and his hatred. One of the best grim dark fantasy characters I have ever encountered!!
Personally, I find him hilarious. Which should probably disturb me.
But doesn't.
The premise of the novels is there's a hundred kingdoms spread across post-apocalypse Neo-Medieval Europe ("The Broken Empire"). Teenage Jorg Ancrath is the prince of a minor nation of these, blessed with a child prodigy's intellect and thorough education. He's also blessed with an immense ruthlessness and sociopathy (helped along by unnatural forces) which allows him to do whatever it takes to achieve his goals. These goals include: avenge his mother's murder, get revenge on his father, kill his uncle, and take over the Empire in no particular order.
King of Thorns picks up after he's accomplished two of these goals and taken over his uncle's kingdom. Unfortunately, the book opens with Jorg's position worse than before with an immense foreign army bearing down upon him, a hopelessly outmatched army in his castle, a child-bride waiting to wed him in his chapel, and (worst of all) no decent clothing to wear. The rest of the book's anarchic ordered series of events explains how Jorg got into this pickle and how he's going to try to extirpate himself.
I like Jorg, I do. He's actually, to be perfectly honest, not nearly as bad as all that. I mean, yes, he's a murderous bastard who does something nightmarish with a lion but Jorg is only slightly worse than most fantasy heroes aside from this. The vast majority of his worst actions were done under mind-control or by accident. I mean, yeah, he activated a nuclear bomb which destroyed a city but who hasn't wanted to do that? Mark Lawrence does a wonderful job of making it always apparent Jorg is someone seriously messed up but always redeemable.
Well, except for the lion bit.
Bad evil genius prince!
One element I strongly liked was the increased role of Princess Katherine, a character I strongly liked in the previous volume. Here, we get many of her journal entries and watch her develop into a character who is equal and opposite to Jorg in almost every way. There's a number of moments which amount to, "wait, that scene didn't happen that way?" However, that's just part of the story. Who can trust memory, really?
If the book has any flaws, I'd have to say it's the fact it's full of a lot of seemingly aimless wandering. The strong central core of revenge from the previous book is absent and Jorg is floundering somewhere with no one to direct his attention. I was also troubled by the constant back and forth between flashback and present-day chapters even if I came to appreciate how it all came together. Finally, I very much was annoyed by the fact there was a conflict between the heroic Prince Orrin and the not-so-heroic Jorg being set up throughout the entire book which didn't get, in my humble opinion, a satisfying payoff.
Despite this, I've got to say this is an even better book than Prince of Thorns and that's a book I loved despite its psychotic protagonist (or because of it--I write The Rules of Supervillainy after all). Newcomer characters Miana, Prince Orrin, and Prince Egan are all entertaining. Miana reminds me of Swedish Princess Christina, daughter of Gustavus Adolphus, which is a rare character to be compared to. She's a young woman, wise beyond her years, but intelligent and aware in the way nobles daughters probably were more than fiction tends to portray them as. One of my favorite parts of the book is when she talks to Jorg about their kill/death ratio in the coming battle--heady stuff for a twelve-year-old.
I also liked the fact Prince Orrin is the kind of character who would be the protagonist in a more idealistic series but he's dealing with an environment far too treacherous for his Stark-like honor to triumph over. Despite what Jorg says, I don't believe for a second he'd have ever opened his gates (i.e. surrendered) to him. Is it better to be the doomed moral victor or the victorious evil one? Is it too much to ask for both? In this series? Probably.
In conclusion, if you like grimdark and antihero protagonists then you could far-far worse than this series. Those sensitive to such things, though, should note that it has a woman dealing with sexual assault as a major plot point as well as copious graphic violence. Jorge, even if he's not responsible for all of his actions, is still a jerkass who just so happens to have the brains of Batman, the wit of Spiderman, the lust for carnage of the Joker, and the body of a teenager.
10/10
Top reviews from other countries
The narrative was confusing at times, split between the present, and four years earlier. The narrator himself, Jorg, is unreliable mostly because he does not recollect a lot of the things that happened in his past, and slowly recovers each memory at a time. It mostly works well though.
Mark Lawrence is a very intelligent writer. He took a huge risk – ruthless despicable rapist killer as the only POV, shifting between timelines to tell his tale. It pays off brilliantly. Glad I brought this book forward in my TBR, and look forward to reading Emperor of Thrones next month.
Highly recommended!
If people believe that the middle/dark ages - the time period many fantasy worlds are based on - were all sunlight through cherry blossom and that bad things did not happen, even disturbing things then they are living in a dream world. They were mud choked, full of blood, rape and treachery, probably to an extent that The Broken Empire books only scratch the surface.
But... these novels are not set in a comparable middle age blueprint, in some ways they have to be considered science fiction over fantasy as they are set in our own world, in the future.
I remember when I was reading Prince of Thorns (first book in the series) and I felt that Lawrence's use of religion seemed to be based on Christianity, well it was Christianity, but it grated for me. I kept telling myself it was different but I did not think it worked. Until the story unfolded and revealed that this was our world after a nuclear war. Then everything made sense.
Lawrence said it was something that was only brushed upon in the first story, but it would be looked at in greater detail in this next novel. And he was not joking, here we get some depth and world building (and a bigger map) that really lets us feel this new world, what has happened to the old as it was burned away and left behind.
There is a lot of fun guessing just where they are in the new/old world and how it compares to what we know, and there is a lot of fun in guessing just what the ancient structures that have become castles once were. And there is a lot of interest too, in the seemingly odd things, like a graveyard encased in a kind of resin just to preserve it. Was it done by accident or design, and if the later, why?
This in itself, the old world elements, from the recognisable to the more Science Fiction remnants, an AI in a 'computer' that is a 'real' man, literally a ghost in a machine, a recording of a person. These things and so many more were enough to keep be gripped to the page, but you cannot talk about a book like King of Thorns without looking at the central character.
For me Jorg of Arcanth has to be one of the finest creations in recent times. Yes, has been stated elsewhere and time again, he is a truly nasty piece of work and the fact that he tells his own story just adds to that, but it also speaks of a kind of honesty, that he is not hiding the fact from both the reader and himself. No one can be truly irredeemable, and we see some other sides of Jorg in these pages. At times he is as ruthless and nasty as he has always been, but we see little chinks in the armour, a sign that he is growing in character as well as age.
The apparent rape of another character turns out not to have been what it seems (Lawrence really keeps his literary feet shuffling as he pulls the rug from under you not once, but twice); his decision with his new very young wife shows a slightly more tender side (even if the reasons are not exactly the most noble) and the conflict he goes through when deciding whether or not to murder his baby half brother is believable and humanising. The outcome of it all is even more devastating because of it.
Yes Jorg is still ruthless, but he carries a humanity that he seems to deny but is still there.
Lawrence throws in some great action sequences that really give the book some set piece highlights, and proves to be as ruthless with apparent main characters as he ever was in the first novel. In some ways, for me, this was one of the weaknesses, with one real POV character we have little time to really come and know the rest of the cast, so when they die there is not the impact there might have been - although to be fair, when it really needs the impact it is there - but this all comes through Jorg's perceptions of the people around him.
The climax at the end it just about spot on. If I was going to say anything negative about it, then it would be it happened to quickly. That is but a quibble though. It is a superb wrap up to an excellent second novel, that is spilt over four years, with some grim revelations, some stunning world building, and a different central character. (I also liked Jorg's new queen, a more than perfect match for him, even if he has not realised it by the end of the book). There is so much I liked about it that I could rattle on forever, but that would be pointless: go and read the book!
I said at the end of my review of the first book that I felt Lawrence would grow as he continued, and I feel that my words have been justified, this takes all the promise and runs with it. Even if it turns out that this is the high point of the trilogy, the third novel will still be a special something to look forward to.
Worthy Book 2, must go get book 3. New stuff here from an interesting new author on the scene...
STRONGLY RECOMMENDED
(You may have to wait til you feel strong or brave enough; it only gets blacker! But it is worth it)
The author's writing style is hugely improved over the first, the world is built up and vivid (important in fantasy I think), the main character, Jorg, had much more depth this time, rather than just being psychotic and the other characters in this book were much more three-dimensional and seemed to have better parts to play.
I have to say I do not like the mixing in of current-day dimensions (the idea being that this fantasy world is in the future after some sort of apocalyptic event where remnants of a world we would recognise are dotted about) such as bits of machinery and weapons, but that is just personal preference.
Overall a much improved read over the first book, with, dare I say it, even a smattering of humour and wit mixed in, and with an interesting storyline that flowed well (unlike the first where main events just happened without much explanation).
So now I am looking forward to third installment rather than thinking I had wasted my money on buying the set in one go!





