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Apologies to My Censor: The High and Low Adventures of a Foreigner in China Paperback – July 2, 2013
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Inspired by his article “Rent a White Guy,” published in The Atlantic, comes a chronicle of Moxley’s outrageous adventures in Beijing--from fake businessman to Chinese propagandist to low-budget music video star--as well as a young man’s search for identity in the most unexpected of places.
Mitch Moxley came to Beijing in the spring of 2007 to take a job as a writer and editor for China Daily, the country’s only English-language national newspaper. The Chinese economy was booming, the Olympics were on the horizon, and Beijing was being transformed into a world-class city overnight. Moxley planned to stay through the Olympics and then head back to Canada.
That was five years ago. In that time Moxley has fed a goat to a tiger, watched a bear ride a bicycle while wearing lingerie (he has witnesses), and has eaten scorpions and silkworms. He also appeared as one of Cosmopolitan’s 100 most eligible bachelors in China, acted in a state-funded Chinese movie, and was paid to pose as a fake businessman.
These experiences, and many more, are chronicled in Tall Rice, the comic adventures and misadventures of Moxley’s time in China and his transformation into his alter ego—Mi Gao, or Tall Rice. The books spans the five years that Moxley has lived in China; five years that coincide with China’s arrival on the world stage and its emergence as a global superpower. A funny and honest look at expat life, and the ways in which a country can touch and transform you.
- Print length300 pages
- LanguageEnglish
- Publication dateJuly 2, 2013
- Dimensions5.31 x 0.68 x 8 inches
- ISBN-100062124439
- ISBN-13978-0062124432
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Editorial Reviews
From Publishers Weekly
From Booklist
Review
“In this witty memoir, Moxley recounts his coming-of-age years in the strange, gritty, and wonderful environment that is 21st century China. . . . A nostalgic travelogue.” (Publishers Weekly)
Though [Moxley] infuses Apologies with much insight and color commentary as to the cultural divides between East and West, it’s his own interior development that makes his memoir a success. (Shelf Awareness)
“Honest, amusing accounts of coping with censorship at China Daily and living the high life as an expat in Beijing.” (Winnipeg Free Press)
“I really enjoyed this book... [It] will appeal to those looking to travel the world with a couple laughs along the way.” (A Bookish Affair)
“This humorous memoir chronicles a man’s professional and personal emergence.” (Library Journal)
From the Back Cover
The story of a young man's outrageous adventures in China and his search for identity in the most unexpected of places.
Mitch Moxley came to Beijing in the spring of 2007 to take a job as a writer and editor for China Daily, the country's only English-language national newspaper. The Chinese economy was booming, the Olympics were on the horizon, and Beijing was being transformed into a world-class city overnight. Moxley planned to stay only through the Olympics and then head back to Canada.
But that was six years ago. In that time, Moxley fed a goat to a lion, watched a lingerie-wearing bear ride a bicycle, and crisscrossed the country writing stories. He also appeared as one of Cosmopolitan's one hundred most eligible bachelors in China, acted in a state-funded Chinese movie, and was paid to pose as a fake businessman.
During Moxley's journey of self-exploration, his comic adventures and misadventures in China gave way to the creation of his alter ego—Mi Gao, or Tall Rice. A funny and honest look at expat life, Apologies to My Censor also depicts the ways a country can touch and inspire you.
About the Author
Mitch Moxley spent six years as a freelance writer in Beijing. He writes about culture, travel, and current affairs for publications including The Atlantic, the New York Times, the Globe and Mail, and others. Mitch went to China in 2007 to work at the state-owned China Daily.
Product details
- Publisher : Harper Perennial; Original edition (July 2, 2013)
- Language : English
- Paperback : 300 pages
- ISBN-10 : 0062124439
- ISBN-13 : 978-0062124432
- Item Weight : 8 ounces
- Dimensions : 5.31 x 0.68 x 8 inches
- Best Sellers Rank: #4,533,449 in Books (See Top 100 in Books)
- #482 in Historical Japan Biographies
- #827 in Historical China Biographies
- #898 in Canadian Historical Biographies
- Customer Reviews:
About the author

Mitch Moxley works as a freelance writer in Beijing, where he has lived for six years. He writes about culture, travel, current affairs, and business for magazines, newspapers, and the Web in the United States, Canada, and elsewhere. His stories have appeared in the U.S. in publications including the Atlantic, the Huffington Post, the New York Times, Time, the Wall Street Journal, Conde Nast Traveler, Foreign Policy (online); in Canada in the Globe and Mail, Maclean's, the National Post, Toronto Star, The Walrus, Report on Business, and others; and internationally in the Guardian, CNNGo, South China Morning Post, and Inter-Press Service, a non-profit newswire that covers the developing world. Mitch holds a masters degree in journalism from the University of Western Ontario and was a business reporter for the National Post in Toronto. Mitch came to China in 2007 to work at the state-owned China Daily.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book readable, interesting, and well-written. They also describe the humor as absurd, unexpected, and surreal. Readers praise the candid memoir as fascinating and accurately capturing their own experience.
AI-generated from the text of customer reviews
Customers find the book very readable. They say it's a great, fun read for anyone and interesting. Readers also mention it's well-written and provides a real insight into life in China.
"...– for me, China memoirs like ‘Apologies to my Censor’ are worthwhile reads...." Read more
"...A great read!" Read more
"...expat posting somewhere quite foreign to your home country it's worth a quick read...." Read more
"...Keep writing, Meetch. I will continue to buy your books. Great read, from the "bottle of my heart." Xie Xie hao." Read more
Customers find the humor in the book absurd, unexpected, and surreal.
"...and his observations about life in Beijing and China are by turns hilarious, heartfelt and humble. A great read!" Read more
"The book is an open, often hilarious, sometimes raw depiction of the experience many expats in China went through during one of the most monumental..." Read more
"...They are absurd, unexpected, humorous, and surreal. I've often asked myself what am I doing here, and I'm sure I'm not the only one...." Read more
Customers find the memoir candid and fascinating. They say it accurately captures their own experience.
"Mitch Moxley's candid memoir is a fascinating insight into life as a foreigner in Beijing during the city's recent extraordinary transformations..." Read more
"...Moxley does a great job of accurately capturing my own experience. His anecdotes may be different from mine, but they share the same qualities...." Read more
"As a China vet of 11 years in the PRC this is a great portrait of our lives here. Thanks Mitch for sharing. I worked for CCTV so I can totally relate." Read more
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Top reviews
Top reviews from the United States
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Mitch Moxley arrived in China for the pre-Olympics boom in Beijing in 2007. A trained journalist with not much going on in Canada, he’d accepted a job at the China Daily, an English-language newspaper that’s a mouthpiece for the Chinese Communist Party.
Moxley is not quite your quintessential loser back home who came to China to teach English and chase girls that wokesters once loved to hate. However, his late Generation X angst about being trapped in boring jobs and wanting to become a freelance writer despite little motivation to get out of bed some days are likely targets for critics. Does everybody have to be Peter Hessler-level committed to the task at hand? I listened to a podcast in which Moxley explains his editor wanted him to change his first draft so it focused more on his own problems rather than the situation of being a ‘white guy for hire’ in general. You can then understand he was annoyed by the criticism levelled at him for being self-centered.
The first part of the book about when he’s at China Daily is the most entertaining. Moxley and other foreigners working at the paper are there as window-dressing and bit-part editors rather than serious writers. Like many ex-pats in Asia memoirs, the profiles of weird and wonderful, flotsam and jetsom foreign colleagues make fun reading.
“When I arrived at China Daily, I was both appalled and thrilled by many of the men I met. Appalled for all the reasons above; thrilled because observing and drinking with them could be so entertaining, and because I figured no matter what I did I could always point to one of them and say at least I’m not like that.”
He makes friends with a local journalist Lois but apart from her, the local staff remain mysterious. Managers, reporters and editors playing a political game, Moxley understandably finds them hard to fathom. However, his observations on how censorship at the paper works are insightful.
“There were no shadowy Party agents leaning over reporters’ shoulders telling them what to write, and as far as I knew, day-to-day stories didn’t go to some high-up government official for approval or rejection. As the Vanity Fair article pointed out, and as I reinforced in my Globe article, there was no “thought police” at China Daily. Instead, reporters and writers simply knew what they could and could not report, and nobody ever challenged those limitations. In this way, change wasn’t coming from the bottom, and it certainly wasn’t coming from the top.”
No dictate then but everybody knows an invisible line exists and that in China it’s not hard to cross. I could be wrong, but in terms of self-censorship, Moxley seems careful to make his stance on China’s ubiquitous prostitution industry one that would please his editors at Harper Collins. Basically, he’s horrified by it. One of Moxley’s freelance stories is about the trafficking of Mongolian women. One woman he interviews for the story surprises him with her pragmatism.
“The boss paid the rent and the girls lived in the back room. When I asked her if she felt trapped, Gerlee, who came to Erlian after a falling-out with her Inner Mongolian boyfriend, said, 'I’m just looking for money. It doesn’t make it good or bad.'”
Moxley quits China Daily after a year. He then survives on voice recording work and the odd loan from his parents. He eventually gets a break by selling an article to the Atlantic called ‘Rent a White Guy’ detailing his short-term gig pretending to be an employee of a company he’s never heard of. The company wanted a few foreigners to pretend to be visiting bosses from the US on a quality control trip. All Moxley had to do for a thousand bucks was sit around the office for a week. The article goes viral and opens up doors for him.
A very solid four stars, maybe four and a half.
The "bad China days" and frustrations over seemingly simple actions, to cultural clashes and misunderstandings described in the book are universal (even for those with perfectly workable Mandarin) to expat life in developing countries. In equal measure though, Mitch appreciates the enormity and uniqueness of the time. China was blossoming and dominated news, and to live in Beijing was to feel the epicenter of an earthquake of change in geopolitics. That excitement and wonder is what the book captures.
In full disclosure, I count Mitch as a friend, and we spent roughly the same period of time in China.
Now when someone asks me what it's like to live in China, I can just tell them to read Apologies to my Censor.
However, the author's honest admissions about his failings also presents one of the problems with this book. In many places the author just isn't that likable. He struggles to find motivation, and fritters away a lot of the opportunities he was presented. On some occasions he comes across more like a college sophomore struggling to pick a major than a 30-ish professional who's attempting to conduct serious journalism in a foreign country. After awhile the angst -- should the author stay in Beijing or go -- becomes repetitive and doesn't seem to move the narrative forward.
In the end this is a mix of mild expat adventures in China plus a few "inside the scenes" tales of how a journalist gets some moderately interesting stories written in China. For a fresh take on the China experience, it's OK. But there are much better places to start if you're just starting to read current memoirs of journalists in China. Read any (or all) of Peter Hessler's books before you read this.
Top reviews from other countries
If you want to understand life in the fast lane as a young expat in China today it is well worthwhile reading.
