The level of ignorance incorporated in writing a book review -on political science- after reading 2 paragraphs is difficult to swallow without getting cynical about humanity. The only solace I find in the previous review is the irony in his words. This idiot is PRECISELY who Edelman is writing about in the quotes he used for his own shameful review.
Murray Edelman is a respected name in the field of political science. I used this book (along with some 20 others, including Walter Lippmann, Edward Bernays, Daniel Bell, et al) in writing my honors thesis. And yes, I actually READ THE BOOK. The difference I find in Edelman is his ability to make observations about human nature (en mass) without inferring popular contemporary opinions (regardless of the period he is writing in or about). I also read Edelman's "Constructing the Political Spectacle." His ideas "apply." Edelman is very honest in his observations without getting too pragmatic or showing outrageous bias (as political analysts often do). This is how and why he has earned the respect of academics in the field. His critiques are not limited to any one facet of our culture (of course, one would have to read more than a couple freakin' paragraphs to recognize that, wouldn't they?
If you're looking for biased "pundit" blabber that promotes particular ideologies, this book is not for you. If you're interested in politics for what it truly IS, without the need to shore up your own political slant (left or right) this book is a very enlightening read. And the amazing part is that the book accomplishes this without being too esoteric.
As a companion to this book I would highly recommend Walter Lippmann's "Public Opinion."
Hey basshunter, how about leaving book reviews to those who actually READ BOOKS.
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From Art to Politics: How Artistic Creations Shape Political Conceptions Paperback – October 1, 1996
by
Murray Edelman
(Author)
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Murray Edelman holds a unique and distinguished position in American political science. For decades one of the few serious scholars to question dominant rational-choice interpretations of politics, Edelman looked instead to the powerful influence of signs, spectacles, and symbols—of culture—on political behavior and political institutions. His first, now classic, book, The Symbolic Uses of Politics, created paths of inquiry in political science, communication studies, and sociology that are still being explored today.
In this book, Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art. He argues that political ideas, language, and actions cannot help but be based upon the images and narratives we take from literature, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order to make sense of political events, and he explores the different ways art can shape political perceptions and actions to both promote and inhibit diversity and democracy.
"Elegantly written. . . . He brilliantly contends that art helps create the images from which opinion-molders and citizens construct the social realities of politics."—Choice
"It is perhaps the freshness with which he puts his case that is what makes From Art to Politics, as well as his other works, so challenging and invigorating."—Philip Abbott, Review of Politics
In this book, Edelman continues his quest to understand the influence of perception on the political process by turning to the role of art. He argues that political ideas, language, and actions cannot help but be based upon the images and narratives we take from literature, paintings, film, television, and other genres. Edelman believes art provides us with models, scenarios, narratives, and images we draw upon in order to make sense of political events, and he explores the different ways art can shape political perceptions and actions to both promote and inhibit diversity and democracy.
"Elegantly written. . . . He brilliantly contends that art helps create the images from which opinion-molders and citizens construct the social realities of politics."—Choice
"It is perhaps the freshness with which he puts his case that is what makes From Art to Politics, as well as his other works, so challenging and invigorating."—Philip Abbott, Review of Politics
- Print length162 pages
- LanguageEnglish
- PublisherUniversity of Chicago Press
- Publication dateOctober 1, 1996
- Dimensions8.41 x 5.36 x 0.52 inches
- ISBN-100226184013
- ISBN-13978-0226184012
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- Reviewed in the United States on July 30, 2010
- Reviewed in the United States on April 14, 2010I haven't bought this book, nor do I intend to. Especially after reading the first two paragraphs of Chapter 1.
To blame the shaping of political conceptions on "assumption, bias and the news media," tells me instantly that
this is going to be a "slam book." The author seems to have overlooked a GIANT shaper of political conceptions--namely books! Politically inspired views of one party candidate/leader/etc. attacking an opposing party candidate/
leader/etc.
Voters are described by Walter Lippmann as "a bewildered herd," whom political parties and their candidates only want the votes to be cast their way, and expect the populace to go back to the tv, drink beer and watch sporting events.
Just leave the driving to us attitude.
No media slamming, please.
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Amazon KundeReviewed in Germany on February 11, 20165.0 out of 5 stars Good
Really good. Lovely book and edition. And it was in a very good condition when it arrived too, the book and the glove.

