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The Tower, the Zoo, and the Tortoise Paperback – August 23, 2011
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Balthazar Jones has lived in the Tower of London with his loving wife, Hebe, and his 120-year-old pet tortoise for the past eight years. That’s right, he is a Beefeater (they really do live there). It’s no easy job living and working in the tourist attraction in present-day London.
Among the eccentric characters who call the Tower’s maze of ancient buildings and spiral staircases home are the Tower’s Rack & Ruin barmaid, Ruby Dore, who just found out she’s pregnant; portly Valerie Jennings, who is falling for ticket inspector Arthur Catnip; the lifelong bachelor Reverend Septimus Drew, who secretly pens a series of principled erotica; and the philandering Ravenmaster, aiming to avenge the death of one of his insufferable ravens.
When Balthazar is tasked with setting up an elaborate menagerie within the Tower walls to house the many exotic animals gifted to the Queen, life at the Tower gets all the more interesting. Penguins escape, giraffes are stolen, and the Komodo dragon sends innocent people running for their lives. Balthazar is in charge and things are not exactly running smoothly. Then Hebe decides to leave him and his beloved tortoise “runs” away.
Filled with the humor and heart that calls to mind the delightful novels of Alexander McCall Smith, and the charm and beauty of The Guernsey Literary and Potato Peel Pie Society, The Tower, the Zoo, and the Tortoise is a magical, wholly original novel whose irresistible characters will stay with you long after you turn the stunning last page.
Review
“History buffs, animal lovers, and simply the tenderhearted will swoon over this captivating story. . . . Sweet and enchanting.” —Entertainment Weekly,Grade A
“Feather-light without being feather-brained. Julia Stuart has penned a work that is original and every-page amusing.” —The Denver Post
“A marvelous confection of a book.” —The Washington Times
“Delightfully zany and touching. . . . With her deft and charming style, Stuart brings this comic story to a satisfying and heartwarming end.” —The Washington Post
“Julia Stuart’s sweet The Tower, the Zoo, and the Tortoise is a blessing, undisguised and undeniable, and apparent from the first sentence. . . . [A] tale at once contemporary and timeless. . . . The Tower, of course, is known as the home of the Crown Jewels, and Stuart’s many-faceted little gem adds to its glitter.” —Richmond Times-Dispatch
“This is fine writing. . . . For [those] who could use a little whimsy and a rousing good yarn, turtle soup is on.” —The Plain Dealer
“Imagine a funny, poignant book, full of delightful and wacky characters, then add a bit of English history, and you’ve got The Tower, the Zoo, and the Tortoise. . . . This is Carl Hiaasen for the Tower of London.” —NPR, “Best Books of 2010”
“The Tower, the Zoo, and the Tortoise unfolds with an airy whimsy. . . . Great fun. . . . For all that [Stuart’s] setups are ingenious, she never loses sight of the humanity of her characters. . . . Both original and memorably enjoyable.” —The Denver Post
“Stuart’s tale is a comedy of realms—her Tower, her England—where people and things are out of place. . . . Sometimes it takes an escaped Komodo dragon for people to begin sorting out their lives.” —BookPage
“A charming spoof.” —The Washington Times
“Enjoyable and humorous. . . . Has a human genuineness to it that is touching and, at times, heartbreaking.” —The Gainesville Times
“[A] treat for Anglophiles.” —Pittsburgh Post-Gazette
“It’s the delicate balance of odd and normal that makes Stuart’s book irresistible.” —Sacramento Book Review
“Stuart’s attempt to combine current reality with the ghostly past is a brilliant premise. . . . Remarkably funny. . . . Stuart is obviously fascinated by the multiple histories that inhabit the tower, and her research flavours the novel well.” —The Globe and Mail (Toronto)
“An absolute delight.” —IndieLondon
About the Author
www.juliastuart.com
Excerpt. © Reprinted by permission. All rights reserved.
Standing on the battlements in his pajamas, Balthazar Jones looked out across the Thames where Henry III’s polar bear had once fished for salmon while tied to a rope. The Beefeater failed to notice the cold that pierced his dressing gown with deadly precision, or the wretched damp that crept round his ankles. Placing his frozen hands on the ancient parapet, he tilted back his head and inhaled the night. There it was again.
The undeniable aroma had fluttered past his capacious nostrils several hours earlier as he lay sleeping in the Tower of London, his home for the last eight years. Assuming such wonderment was an oasis in his usual gruesome dreams, he scratched at the hairs that covered his chest like freshly fallen ash and descended back into ragged slumber. It wasn’t until he rolled onto his side, away from his wife and her souk of competing odours, that he smelt it again. Recognising instantly the exquisite scent of the world’s rarest rainfall, the Beefeater sat bolt upright in the darkness, his eyes open wide like those of a baby bird.
The sudden movement of the mattress caused his wife to undulate for several seconds like a body drifting at sea, and she muttered something incomprehensible. As she turned away from the disturbance, her pillow fell into the gap between the head of the bed and the wall, one of the many irritations of living within circular walls. Balthazar Jones reached down into the dusty no-man’s-land and groped around. After carefully retrieving the pillow, he placed it gently next to his wife so as not to disturb her. As he did so, he wondered, as he often had throughout their marriage, how a woman of such beauty, the embers of which still glowed fiercely in her fifty-fifth year, could look just like her father as she slept. For once, he didn’t feel the urge to poke her awake in order to rid himself of the harrowing illusion of sharing his bed with his Greek father- in-law, a man whose ferocious looks had led his relatives to refer to him as a good cheese in a dog’s skin. Instead, he quickly got out of bed, his heart tight with anticipation. Forgetting his usual gazelle’s step at such times, he crossed the room, his bare heels thudding on the emaciated carpet. He peered out, nose and white beard against the pane, which bore the smudges of numerous previous occasions. The ground was still dry. With mounting desperation, he scanned the night sky for the approaching rain clouds responsible for the undeniable aroma. In his panic not to miss the moment for which he had been waiting for more than two years, he hurried past the vast stone fireplace to the other side of the bedroom. His stomach, still bilious from the previous evening’s hogget, arrived first.
Grabbing his dressing gown, its pockets bearing the guilty crumbs of clandestine biscuits, the Beefeater pulled it across his pajamas and, forgetting his tartan slippers, opened the bedroom door. He failed to notice the noise the latch made and the subsequent incomprehensible babble it produced from his wife, a slither of hair skimming her cheek. Fingers sliding down the filthy rope handrail, he descended the corpse- cold spiral stairs clutching in his free hand an Egyptian perfume bottle in which he hoped to capture some of the downfall. Once at the bottom of the steps, he passed his son’s bedroom, which he had never brought himself to enter since that terrible, terrible day. Slowly, he shut behind him the door of the Salt Tower, the couple’s quarters within the fortress, and congratulated himself on a successful exit. It was at that precise moment that his wife woke up. Hebe Jones ran a hand along the bed sheet that had been a wedding present all those years ago. But it failed to find her husband.
s balthazar jones had been collecting rain for almost three years, a compulsion that had started shortly after the death of his only child. At first he thought that rain was simply an infuriating part of the job, which, along with the damp from their abominable lodgings, produced in all the Beefeaters a ruthless specimen of fungus that flourished on the backs of their knees. But as the months grated by following the tragedy, he found himself staring at the clouds, frozen in a state of insurmountable grief when he should have been on the lookout for professional pickpockets. As he looked up at the sky, barely able to breathe for the weight of guilt that pressed against his chest, he started to notice a variety in the showers that would invariably soak him during the day. Before long he had identified sixty-four types of rain, all of which he jotted down in a Moleskine notebook he bought specially for the purpose. It wasn’t long before he purchased a bulk order of coloured Egyptian perfume bottles, chosen not so much for their beauty but for their ability to conserve their contents. In them he started to collect samples, recording the time, date, and precise variety of rain that had fallen. Much to the annoyance of his wife, he had a cabinet made for them, which he mounted with considerable difficulty on the living room’s curved wall. Before long it was full and he ordered two more, which she made him put in the room at the top of the Salt Tower, which she never entered because the chalk graffiti left on the walls by the German U-boat men imprisoned during the Second World War gave her the creeps.
When his collection had swollen to the satisfying figure of one hundred, the Beefeater promised his wife, who now detested wet weather even more than was natural for a Greek who couldn’t swim, he would stop. And for a while it seemed that Balthazar Jones was cured of his habit. But the truth was that England was going through an extraordinary dry patch, and as soon as the rain started to fall again, the Beefeater, who had already been reprimanded by the Chief Yeoman Warder for gazing up at the sky while he should have been answering the tourists’ tiresome questions, returned to his compulsion.
Hebe Jones satisfied herself with the thought that eventually her husband would complete his collection and be done with it. But her hopes evaporated when he was sitting on the edge of the bed one night and, after pulling off his damp left sock, revealed with the demented conviction of a man about to prove the existence of dragons that he had only touched the tip of the iceberg. It was then that he had some official writing paper printed with matching envelopes, and set up the St. Heribert of Cologne Club, named after the patron saint of rain, hoping to compare notes with fellow wet weather enthusiasts. He placed adverts in various newspapers around the world, but the only correspondence he ever received was a heavily watermarked letter from an anonymous resident of Mawsynram, in northeastern India, which suffered from one of the world’s heaviest rainfalls. “Mr Balthazar, You must desist from this utter madness at the most soonest. The only thing worse than a lunatic is a wet one” was all that it said.
But the lack of interest only fuelled his obsession. The Beefeater spent all his spare time writing to meteorologists around the world about his discoveries. He received replies from them all, his fingers, as lithe as a watchmaker’s, quiver- ing as he opened them. However, the experts’ politeness was matched by their disinterest. He changed tack and buried himself in dusty parchments and books at the British Library that were as fragile as his sanity. And with eyes magnified by the strength of his reading glasses, he scoured everything ever written about rain.
Eventually, Balthazar Jones discovered a variant that, from what he could make out, hadn’t fallen since 1892 in Colombo, making it the world’s rarest. He read and reread the descriptions of the sudden shower, which, through a catalogue of misfortunes, had resulted in the untimely death of a cow. He became adamant that he would recognise it from its scent even before seeing it. Every day he waited, hoping for it to fall. Obsession eventually loosened his tongue, and one afternoon he heard himself telling his wife of his desperate desire to include it in his collection. With a mixture of incredulity and pity, she gazed up at the man who had never shed a tear over the death of their son, Milo. And when she looked back down at the daffodil bulbs she was planting in a tub on the Salt Tower roof, she wondered yet again what had happened to her husband.
s standing with his back against the Salt Tower’s oak door, the Beefeater glanced around in the darkness to make sure that he wouldn’t be spotted by any of the other inhabitants of the fortress. The only movement came from a pair of flesh-coloured tights swinging on a washing line strung up on the roof of the Casemates. These ancient terraced cottages built against the fortress walls housed many of the thirty-five Beefeaters who lived with their families at the Tower. The rest, like Balthazar Jones, had had the misfortune of being allocated one of the monument’s twenty-one towers as their home or, worse still, a house on Tower Green, the site of seven beheadings, five of them women.
Balthazar Jones listened carefully. The only sound emerging through the darkness was a sentry marking his territory, his footfall as precise as a Swiss clock. He sniffed the night again and for a moment he doubted himself. He hesitated, cursing himself for being so foolish as to believe that the moment had finally come. He imagined his wife emitting an aviary of sounds as she dreamt, and decided to return to the warm familiarity of the bed. But just as he was about to retrace his steps, he smelt it again.
Heading for the battlements, he noticed to his relief that the lights were off at the Rack & Ruin, the Tower’s tavern that had been serving the tiny community for two hundred and twenty-seven uninterrupted years, despite a direct hit during the Second World War. He did well to check, for there were occasions when the more vociferous arguments between the Beefeaters took until the early hours to be buried. Not, of course, that they remained that way. For they would often be gleefully dug up again in front of the warring parties by those seeking further entertainment.
- Print length320 pages
- LanguageEnglish
- PublisherAnchor
- Publication dateAugust 23, 2011
- Dimensions5.26 x 0.69 x 8 inches
- ISBN-109780307476913
- ISBN-13978-0307476913
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Product details
- ASIN : 030747691X
- Publisher : Anchor (August 23, 2011)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 9780307476913
- ISBN-13 : 978-0307476913
- Item Weight : 9.4 ounces
- Dimensions : 5.26 x 0.69 x 8 inches
- Best Sellers Rank: #289,699 in Books (See Top 100 in Books)
- #198 in Humorous American Literature
- #2,562 in Humorous Fiction
- #15,976 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Julia Stuart is a British author and journalist. Her first novel, published in 2007, was The Matchmaker of Périgord. Her second was published in 2010 as Balthazar Jones and the Tower of London Zoo in the UK, and The Tower, the Zoo, and the Tortoise in America. The latter is a New York Times and national bestseller.
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The premise is 'What if' the tower once again opened the menagerie of exotic animal 'gifts' to the Queen? It is a simple question, but this book has you crying, laughing out loud, sympathizing with romantically challenge persons and more.
The story follows the Yeoman Warder (Beefeater,) Balthazar Jones, as he is assigned being 'in charge' of re-opening the Menagerie. If this isn't enough for the poor man, he is also trying to cope with the death of his young son, Milo. His wife, Hebe Jones, has the most unusual job of working for the Underground's lost and found. Hebe is also torn by Milo's passing and finds her marriage in deep trouble.
There are other characters that will have you laughing, sighing, and hoping for their favorable outcome in life. Meanwhile, there are the Penguins, Bearded Pig, Giraffes and more. Also, Mrs. Cook, a 181 year old Tortoise who gets her revenge on...well, I'm not going to spoil this tale.
This is an excellent novel and reads so quickly as the story compels you to see what happens. I'm looking forward to Ms. Stuart's next novel in my TBR piles, "The Pigeon Pie Mystery." This is a treat yourself book.
Still, "The Tower, the Zoo and the Tortoise" does a remarkable job of handling that material without bogging down into soap opera territory. This brings us back to that English eccentricity; I wonder if such a story could be set anywhere other than England and still retain that lightness of touch. With all due respect, for instance, how serious can a story possibly be when so many of the main characters dress in that outfit? It looks like some designer got a job in a clown-costume factory and couldn't quite remember where to put the accordion pleats. (Just take a look at the nearest bottle of Beefeater gin if you're not sure what I'm talking about - that's the dress uniform, but the daily uniform looks like a sort of depressed version of the same getup.)
Besides the clothing, the story also includes a clergyman who writes romance novels in his spare time, the man who spends his days taking care of the Tower's collection of ravens, the lost-and-found's other employee who alleviates her boredom by trying on the false beards people have left on the trains, and a few dozen other oddballs. Then you take another look and realize that they're all, without exception, looking for love. That's a nice touch from the author, who presents us with a genuinely loving couple in crisis as her main characters.
At which point we learn that the Queen has decided to restart an ancient tradition by moving all her exotic animals - the ones that foreign leaders have presented to her - from London Zoo to the Tower. She wants to have the Beefeaters set up a menagerie on the Tower grounds, like the one that used to be there in previous centuries. And on top of all his other problems, who gets to take care of these animals and birds? Balthazar, that's who. Well, a man needs a hobby.
If there's a weakness to this novel it's that from this point onward, the outcome is pretty much of a foregone conclusion. Just about all the characters are people of good will, and we all know what happens to people of good will in a romantic comedy, no matter how many obstacles they have to get through. This is a quirky, touching, sometimes moving romantic comedy - there's a child's death involved, for goodness' sake - but a romantic comedy nonetheless.
The author intelligently loaded in some structural weight to balance the lightness of her materials. Most noticeably, everyone in this story has some connection to the Tower of London, and that shared background provides the characters with some dimension, some life outside of the romance machinery. They didn't just drift into this story by coincidence; they were there already. A romance, like any fiction, is an artifice, but things like the common setting make this one seem more natural.
Another structural stroke that lends this confection some weight is Hebe's activities on behalf of the London subway's lost-and-found. She and her colleague don't just collect lost objects and take advantage of them - reading the books and diaries, trying on the clothes, trying to open the safe - they also look for the owners and return the things. Some of the people they encounter in this endeavor have stories of their own to tell and contributions of their own to make. They even have something to say about what's happened to Balthazar and Hebe.
Still, although this novel is more than a piece of cotton candy, it remains a romantic comedy. On the other hand, "Pride and Prejudice" is also a romantic comedy. What makes that one great, and this one good?
In the end, of course, you'll have to figure that out for yourself - there may even be those among you who think that "The Tower, the Zoo and the Tortoise" is great and "Pride and Prejudice" good, although if that's your opinion you and I are going to have to discuss sports or television shows rather than literature when we meet. My sense is that the respective quality of this novel and others has to do with a couple of things, plausibility and imagination.
Ms. Stuart has done a very fine job in this work, but no one really lives like her characters - even, I suspect, the real Yeoman Warders of the Tower. The greatest danger they face is sadness; painful but bearable. The characters in "Pride and Prejudice" face the real possibility of homelessness. Those in "Tom Jones" face public humiliation or domestic violence. Those in "Catch-22" face actual death. All very funny, partly because the stakes are so high. As has been said before, when someone in a silent movie slips on a banana peel, it's funny because you can't see the bruises, but you know the bruises are there. This novel doesn't quite reach that level.
But let's not take that whole business too seriously. All it really means is that "The Tower, the Zoo and the Tortoise" isn't a classic. Not yet, anyway - only time will tell. Meanwhile, this novel is very funny, often moving, and in the end triumphant. Wait until you learn, in the last line, what that tortoise accomplishes.
Benshlomo says, If it bends, it's funny - if it breaks, it's not.
Take away the aspects of the title – Tower, zoo, and tortoise – from the story and one is left with four relationship/love vignettes - stories as old as time. The first is the story of Balthazar and Hebe Jones – two people who are still very much in love after years of marriage, but who are dealing with a tragic loss of their only child Milo in different ways, and who now have difficulty communicating to each other. Hebe has the sense that Balthazar has recovered from the grief (he has never really cried) and in fact perhaps never loved their son very deeply because all he cares about is catching rain drops in perfume bottles. Hebe has become cold to Balthazar and he is unable to communicate with her. The second relationship story is that of Rev. Septimus Drew and Ruby Dore – a long-time bachelor reverend who writes erotica under a pen name and tries to stop rats from overtaking and destroying his chapel and a lovely barmaid at the Tower’s Rack & Ruin who finds she is pregnant by a one-night stand. Until near the end of the book, this is a story of unrequited love as Drew pines for Ruby without her realizing how much he cares for her. The third love story is of Valerie Jennings and Arthur Catnip – she a goofy colleague of Hebe’s at London’s Underground Lost Property Office and Catnip a ticket inspector. These two deal with their inferiority complexes – Valerie with her weight issue and eccentricities and Arthur with his “limited height”. The fourth relationship story is centered on the Ravenmaster, his various lovers, and his wife. Each of these stories is a slice of real life and has been written in fiction many times. However, Stuart handles the interweaving of the story lines through the uniqueness of the location and the absurdity of some of the characters, their actions, and situations. I think this is a hallmark of British humor. Think of Monty Python or A Fish Called Wanda.
But I do not think Stuart uses these methods just to bring in whimsy, comic relief, or ridiculousness, though that is part of her reasoning. I sense she is trying to use symbolism and say something about life. For example, Balthazar can’t stop his obsession with collecting some rain drops in special perfume bottles until he actually sheds real tear drops for the loss of his son. Hebe can’t move on and forgive her husband until she finds someone (Tom Cotton) with whom she can talk about Milo’s death and until she can return the lost ashes in an urn to a loved one. Note that Stuart purposely has Hebe working at the “Underground Lost Property Office” because Hebe is a lost soul herself who feels some comfort laying in a magician’s box (not unlike a coffin). Then of course there is the “zoo” – the albatross that mates for life, but that has been taken away from its mate – not unlike Balthazar or Rev. Drew who both suffer and pine for the respective woman they love. There is also the female love bird that savaged its mate – not unlike the animosity of the Ravenmaster and his wife.
I’m sure if I kept thinking about it, there are many other reasons why Stuart included certain characters (such as the ghost of Sir Walter Raleigh) or animals, such as the parrot, the ravens, and of course, the tortoise, and why Stuart placed characters in certain situations. I don’t think her choices were strictly for the goofiness or the laughs. The reviewer mentioned earlier did not feel the same note of hope at the end that she felt after reading The Guernsey Literary and Potato Peel Pie Society, a book to which The Tower is often compared, but I disagree with that criticism. I thought Stuart left us with a great deal of hope – Hebe and Balthazar reunite, Rev. Drew and Ruby Dore and Valerie and Arthur begin or continue their respective relationships, both the ravens and the Ravenmaster get their punishment, and the animals are brought back to their habitats at the zoo. And of course, the longest-living tortoise, missing throughout much of the book, triumphantly returns.
Top reviews from other countries
The story involves an improbable cast of characters (the inhabitants of the Tower of London) most of whom are emotionally stuck. The central characters are a couple struggling to come to terms with the tragic loss of their only son. Weaved around the central story are this separate threads of the secondary characters which include the vicar of the Tower's chapel, the landlady of the Tower's pub, a tattoed ticket inspector and a work colleague at the London Underground Lost Property office, all of whom are searching for love in their lonely lives.
The novel is written in a feather light and humorous style. The author's choice of the improbable setting of the Tower of London and the plot device of the introduction of a menagerie are strokes of genius that provide the perfect backdrop for the chief protagonist, Balthazar Jones, to act out his grief as he marches the battlements in the dead of night and display his humanity in his generous treatment of his animal charges. Similarly his wife, Hebe's, job at the London Underground Lost Property office offers her the perfect tonic to her own troubles as against all odds she successfully reunites people with their long lost treasures.
This book had me smiling, chuckling and laughing out loud all the way through until the final two pages when I cried my eyes out. A wonderful shot of whimsical joy in these troubled times!
The history of the Tower of London was fascinating. The characters were colourful & unpredictable.
I enjoyed reading this book.









