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The Magician King: A Novel (Magicians Trilogy) Paperback – May 29, 2012
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Return to Fillory in the riveting sequel to the New York Times bestseller and literary phenomenon, The Magicians, now an original series on SYFY, from the author of the #1 bestselling The Magician’s Land.
Quentin Coldwater should be happy. He escaped a miserable Brooklyn childhood, matriculated at a secret college for magic, and graduated to discover that Fillory—a fictional utopia—was actually real. But even as a Fillorian king, Quentin finds little peace. His old restlessness returns, and he longs for the thrills a heroic quest can bring.
Accompanied by his oldest friend, Julia, Quentin sets off—only to somehow wind up back in the real world and not in Fillory, as they’d hoped. As the pair struggle to find their way back to their lost kingdom, Quentin is forced to rely on Julia’s illicitly learned sorcery as they face a sinister threat in a world very far from the beloved fantasy novels of their youth.
- Print length432 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateMay 29, 2012
- Dimensions5.4 x 0.92 x 8.4 inches
- ISBN-100452298016
- ISBN-13978-0452298019
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Editorial Reviews
Review
—The New York Times (Editor’s Choice)
“A spellbinding stereograph, a literary adventure novel that is also about privilege, power, and the limits of being human. The Magician King is a triumphant sequel.”
—NPR.org
“[The Magician King] is The Catcher in the Rye for devotees of alternative universes. It’s dazzling and devil-may-care. . . . Grossman has created a rare, strange, and scintillating novel.”
—Chicago Tribune
“The Magician King is a rare achievement, a book that simultaneously criticizes and celebrates our deep desire for fantasy.”
—The Boston Globe
“Grossman has devised an enchanted milieu brimming with possibility, and his sly authorial voice gives it a literary life that positions The Magician King well above the standard fantasy fare.”
—San Francisco Chronicle
“Grossman expands his magical world into a boundless enchanted universe, and his lively characters navigate it with aplomb.”
—The New Yorker
“Grossman is brilliant at creating brainy, distinct, flawed, complex characters, and nearly as good at running them through narrative gauntlets that inventively tweak the stories that generations have grown up on.”
—The Portland Oregonian
“The Magician King, the immensely entertaining new novel by Lev Grossman, manages to be both deep and deeply enjoyable.”
—Chicago Sun-Times
“Readers who have already enjoyed The Magicians should lose no time in picking up The Magician King. For those who haven’t, read both books: Grossman’s work is solid, smart, and engaging adult fantasy.”
—The Miami Herald
“Now that Harry Potter is through in books and films, grown-up fans of the boy wizard might want to give this nimble fantasy series a try.”
—New York Post
“Lev Grossman’s The Magician King is a fresh take on the fantasy-quest novel—dark, austere, featuring characters with considerable psychological complexity, a collection of idiosyncratic talking animals (a sloth who knows the path to the underworld, a dragon in the Grand Canal), and splendid set pieces in Venice, Provence, Cornwall, and Brooklyn.”
—The Daily Beast
“In this page-turning follow-up to his bestselling 2009 novel The Magicians, Grossman takes another dark, sarcastically sinister stab at fantasy, set in the Narnia-esque realm of Fillory.”
—Entertainment Weekly
“The Magician King is clearly the middle book in a trilogy, but it’s that rare creature that bridges the gap between tales and still stands on its own. And just as the first book showed that growing up is hard no matter how much power you have, it shows that becoming an adult involves far more than just reaching the right age.”
—The A.V. Club
“Fabulous fantasy spiked with bitter adult wisdom—not to be missed.”
—Kirkus Reviews (starred review)
“Fans of The Magicians will find this sequel a feast and will be delighted that a jaw-dropping denouement surely promises a third volume to come.”
—Booklist
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Quentin rode a gray horse with white socks named Dauntless. He wore black leather boots up to his knees, different-colored stockings, and a long navy-blue topcoat that was richly embroidered with seed pearls and silver thread. On his head was a platinum coronet. A glittering side-sword bumped against his leg—not the ceremonial kind, the real kind, the kind that would actually be useful in a fight. It was ten o’clock in the morning on a warm, overcast day in late August. He was everything a king of Fillory should be. He was hunting a magic rabbit.
By King Quentin’s side rode a queen: Queen Julia. Up ahead were another queen and another king, Janet and Eliot—the land of Fillory had four rulers in all. They rode along a high-arched forest path littered with yellow leaves, perfect little sprays of them that looked like they could have been cut and placed by a florist. They moved in silence, slowly, together but lost in their separate thoughts, gazing out into the green depths of the late summer woods.
It was an easy silence. Everything was easy. Nothing was hard. The dream had become real.
“Stop!” Eliot said, at the front.
They stopped. Quentin’s horse didn’t halt when the others’ did— Dauntless wandered a little out of line and halfway off the trail before he persuaded her for good and all to quit walking for a damn minute. Two years as a king of Fillory and he was still shit at horseback riding.
“What is it?” he called.
They all sat for another minute. There was no hurry. Dauntless snorted once in the silence: lofty horsey contempt for whatever human enterprise they thought they were pursuing.
“Thought I saw something.”
“I’m starting to wonder,” Quentin said, “if it’s even possible to track a rabbit.”
“It’s a hare,” Eliot said. “Same difference.”
“It isn’t, actually. Hares are bigger. And they don’t live in burrows, they make nests in open ground.”
“Don’t start,” both Julia and Janet said, in unison.
“Here’s my real question,” Quentin said. “If this rabbit thing really can see the future won’t it know we’re trying to catch it?”
“It can see the future,” Julia said softly, beside him. “It cannot change it. Did you three argue this much when you were at Brakebills?”
She wore a sepulchral black riding dress and an actual riding hood, also black. She always wore black, like she was in mourning, even though Quentin couldn’t think of anyone she should have been in mourning for. Casually, like she was calling over a waiter, Julia summoned a tiny songbird to her wrist and raised it up to her ear. It chipped, chirruped something, and she nodded back and it flew away again.
Nobody noticed, except for Quentin. She was always giving and get- ting little secret messages from the talking animals. It was like she was on a different wireless network from the rest of them.
“You should have let us bring Jollyby,” Janet said. She yawned, holding the back of her hand against her mouth. Jollyby was Master of the Hunt at Castle Whitespire, where they all lived. He usually supervised this kind of excursion.
“Jollyby’s great,” Quentin said, “but even he couldn’t track a hare in the woods. Without dogs. When there’s no snow.”
“Yes, but Jollyby has very well-developed calf muscles. I like looking at them. He wears those man-tights.”
“I wear man-tights,” Quentin said, pretending to be affronted. Eliot snorted.
“I imagine he’s around here somewhere.” Eliot was still scanning the trees. “Discreet distance and all that. Can’t keep that man away from a royal hunt.”
“Careful what you hunt,” Julia said, “lest you catch it.”
Janet and Eliot looked at each other: more inscrutable wisdom from Julia. But Quentin frowned. Julia made her own kind of sense.
Quentin hadn’t always been a king, of Fillory or anywhere else. None of them had. Quentin had grown up a regular non-magical, non-royal person in Brooklyn, in what he still in spite of everything thought of as the real world. He’d thought Fillory was a fiction, an enchanted land that existed only as the setting of a series of fantasy novels for children. But then he’d learned to do magic, at a secret college called Brakebills, and he and his friends had found out that Fillory was real.
It wasn’t what they expected. Fillory was a darker and more dangerous place in real life than it was in the books. Bad things happened there, terrible things. People got hurt and killed and worse. Quentin went back to Earth in disgrace and despair. His hair turned white.
But then he and the others had pulled themselves together again and gone back to Fillory. They faced their fears and their losses and took their places on the four thrones of Castle Whitespire and were made kings and queens. And it was wonderful. Sometimes Quentin couldn’t believe that he’d lived through it all when Alice, the girl he loved, had died. It was hard to accept all the good things he had now, when Alice hadn’t lived to see them.
But he had to. Otherwise what had she died for? He unslung his bow and stood up in the stirrups and looked around. Bubbles of stiff- ness popped satisfyingly in his knees. There was no sound except for the hush of falling leaves slipping through other leaves.
A gray-brown bullet flickered across the path a hundred feet in front of them and vanished into the underbrush at full tilt. With a quick fluid motion that had cost him a lot of practice Quentin nocked an arrow and drew. He could have used a magic arrow, but it didn’t seem sporting. He aimed for a long moment, straining against the strength of the bow, and released.
The arrow burrowed into the loamy soil up to the feathers, right where the hare’s flashing paws had been about five seconds ago.
“Almost,” Janet said, deadpan.
There was no way in hell they were going to catch this thing. “Toy with me, would you?” Eliot shouted. “Yah!”
He put the spurs to his black charger, which whinnied and reared obligingly and hoofed the empty air before lunging off the path into the woods after the hare. The crashing sound of his progress through the trees faded almost immediately. The branches sprang back into place behind him and were still again. Eliot was not shit at horseback riding.
Janet watched him go.
“Hi ho, Silver,” she said. “What are we even doing out here?”
It was a fair question. The point wasn’t really to catch the hare. The point was—what was the point? What were they looking for? Back at the castle their lives were overflowing with pleasure. There was a whole staff there whose job it was to make sure that every day of their lives was absolutely perfect. It was like being the only guests at a twenty-star hotel that you never had to leave. Eliot was in heaven. It was everything he’d always loved about Brakebills—the wine, the food, the ceremony—with none of the work. Eliot loved being a king.
Quentin loved it too, but he was restless. He was looking for some- thing else. He didn’t know what it was. But when the Seeing Hare was spotted in the greater Whitespire metropolitan area, he knew he wanted a day off from doing nothing all day. He wanted to try to catch it.
The Seeing Hare was one of the Unique Beasts of Fillory. There were a dozen of them—the Questing Beast, who had once granted Quentin three wishes, was one of them, as was the Great Bird of Peace, an ungainly flightless bird like a cassowary that could stop a battle by appearing between the two opposing armies. There was only one of each of them, hence the name, and each one had a special gift. The Unseen Monitor was a large lizard who could turn you invisible for a year, if that’s what you wanted.
People hardly ever saw them, let alone caught them, so a lot of guff got talked about them. No one knew where they came from, or what the point of them was, if any. They’d always been there, permanent features of Fillory’s enchanted landscape. They were apparently immortal. The Seeing Hare’s gift was to predict the future of any person who caught it, or so the legend went. It hadn’t been caught for centuries.
Not that the future was a question of towering urgency right now. Quentin figured he had a pretty fair idea of what his future was like, and it wasn’t much different from his present. Life was good.
They’d picked up the hare’s trail early, when the morning was still bright and dewy, and they rode out singing choruses of “Kill the Wabbit” to the tune of “Ride of the Valkyries” in their best Elmer Fudd voices. Since then it had zigzagged them through the forest for miles, stopping and starting, looping and doubling back, hiding in the bushes and then suddenly zipping across their paths, again and again.
“I do not think he is coming back,” Julia said.
She didn’t speak much these days. And for some reason she’d mostly given up using contractions.
“Well, if we can’t track the hare we can track Eliot anyway.” Janet gently urged her mount off the track and into the trees. She wore a low- cut forest-green blouse and men’s chaps. Her penchant for mild cross- dressing had been the scandal of the season at court this year.
Julia didn’t ride a horse at all but an enormous furry quadruped that she called a civet, which looked like an ordinary civet, long and brown and vaguely feline, with a fluidly curving back, except that it was the size of a horse. Quentin suspected it could talk—its eyes gleamed with a bit more sentience than they should have, and it always seemed to follow their conversations with too much interest.
Dauntless didn’t want to follow the civet, which exuded a musky, un-equine odor, but she did as she was told, albeit at a spiteful, stiff-legged walk.
“I haven’t seen any dryads,” Janet said. “I thought there’d be dryads.”
“Me neither,” Quentin said. “You never see them in the Queenswood anymore.”
It was a shame. He liked the dryads, the mysterious nymphs who watched over oak trees. You really knew you were in a magical fantasy otherworld when a beautiful woman wearing a skimpy dress made of leaves suddenly jumped out of a tree.
“I thought maybe they could help us catch it. Can’t you call one or summon one or something, Julia?”
“You can call them all you want. They will not come.”
“I spend enough time listening to them bitch about land allocation,” Janet said. “And where are they all if they’re not here? Is there some cooler, magical-er forest somewhere that they’re all off haunting?”
“They are not ghosts,” Julia said. “They are spirits.”
The horses picked their way carefully over a berm that was too straight to be natural. An old earthwork from an ancient, unrecoverable age.
“Maybe we could make them stay,” Janet said. “Legislate some incentives. Or just detain them at the border. It’s bullshit that there’s not more dryads in the Queenswood.”
“Good luck,” Julia said. “Dryads fight. Their skin is like wood. And they have staves.”
“I’ve never seen a dryad fight,” Quentin said.
“That is because nobody is stupid enough to fight one.”
Recognizing a good exit line when it heard one, the civet chose that moment to scurry on ahead. Two sturdy oak trees actually leaned aside to let Julia pass between them. Then they leaned back together again, leaving Janet and Quentin to go the long way around.
“Listen to her,” Janet said. “She has so totally gone native! I’m tired of her more-Fillorian-than-thou bullshit. Did you see her talking to that fucking bird?”
“Oh, leave her alone,” Quentin said. “She’s all right.”
But if he was being honest, Quentin was fairly sure that Queen Julia wasn’t all right.
Julia hadn’t learned her magic the way they had, coming up through the safe, orderly system of Brakebills. She and Quentin had gone to high school together, but she hadn’t gotten into Brakebills, so she’d become a hedge witch instead: she’d learned it on her own, on the out- side. It wasn’t official magic, institutional magic. She was missing huge chapters of lore, and her technique was so sloppy and loopy that some- times he couldn’t believe it even worked at all.
But she also knew things Quentin and the others didn’t. She hadn’t had the Brakebills faculty standing over her for four years making sure she colored inside the lines. She’d talked to people Quentin never would have talked to, picked up things his professors would never have let him touch. Her magic had sharp, jagged edges on it that had never been filed down.
It was a different kind of education, and it made her different. She talked differently. Brakebills had taught them to be arch and ironic about magic, but Julia took it seriously. She played it fully Goth, in a black wedding dress and black eyeliner. Janet and Eliot thought it was funny, but Quentin liked it. He felt drawn to her. She was weird and dark, and Fillory had made the rest of them so damn light, Quentin included. He liked it that she wasn’t quite all right and she didn’t care who knew it.
The Fillorians liked it too. Julia had a special rapport with them, especially with the more exotic ones, the spirits and elementals and jinnis and even more strange and extreme beings—the fringe element, in the hazy zone between the biological and the entirely magical. She was their witch-queen, and they adored her.
But Julia’s education had cost her something, it was hard to put your finger on what, but whatever it was had left its mark on her. She didn’t seem to want or need human company anymore. In the middle of a state dinner or a royal ball or even a conversation she would lose interest and wander away. It happened more and more. Sometimes Quentin wondered exactly how expensive her education had been, and how she’d paid for it, but whenever he asked her, she avoided the question. Sometimes he wondered if he was falling in love with her. Again.
A distant bugle sounded—three polished sterling silver notes, muffled by the heavy silence of the woods. Eliot was sounding a recheat, a hunting call.
He was no Jollyby, but it was a perfectly credible recheat. He wasn’t much for drafting legislation, but Eliot was meticulous about royal etiquette, which included getting all the Fillorian hunting protocol exactly right. (Though he found any actual killing distasteful, and usually man- aged to avoid it.) His bugling was good enough for Dauntless. She trembled, electrified, waiting for permission to bolt. Quentin grinned at Janet, and she grinned back at him. He yelled like a cowboy and kicked and they were off.
It was insanely dangerous, like a full-on land-speeder chase, with ditches opening up in front of you with no warning, and low branches reaching down out of nowhere to try to clobber your head off (not literally of course, though you could never tell for sure with some of these older, more twisted trees). But fuck it, that’s what healing magic is for. Dauntless was a thoroughbred. They’d been starting and stopping and dicking around all morning, and she was dying to cut loose.
And how often did he get a chance to put his royal person at risk? When was the last time he even cast a spell? His life wasn’t exactly fraught with peril. They lay around on cushions all day and ate and drank their heads off all night. Lately whenever he sat down some unfamiliar interaction had been happening between his abdomen and his belt buckle. He must have gained fifteen pounds since he took the throne. No wonder kings looked so fat in pictures. One minute you’re Prince Valiant, the next you’re Henry VIII.
Janet broke trail, guided by more muffled bugle notes. The horses’ hooves made satisfyingly solid beats on the packed loam of the forest floor. Everything that was cloying about court life, all the safety and the relentless comfort, went away for a moment. Trunks and spinneys and ditches and old stone walls whipped and blurred past. They dodged in and out of hot sun and cool shade. Their speed froze the falling sprays of yellow leaves in midair. Quentin picked his moment, and when they hit open meadow he swung out wide to the right, and for a long minute they were side by side, coursing wildly along in parallel.
Then all at once Janet pulled up. Quickly as he could Quentin slowed Dauntless to a walk and brought her around, breathing hard. He hoped her horse hadn’t pulled up lame. It took him another minute to find his way back to her.
She was sitting still and straight in the saddle, squinting off into the midday gloom of the forest. No more bugle calls.
“What is it?”
“Thought I saw something,” she said.
Quentin squinted too. There was something. Shapes.
“Is that Eliot?”
“The hell are they doing?” Janet said.
Quentin dropped down out of the saddle, unslung his bow again, and nocked another arrow. Janet led the horses while he walked in front. He could hear her charging up some minor defensive magic, a light ward-and-shield, just in case. He could feel the familiar staticky buzz of it.
“Shit,” he said under his breath.
He dropped the bow and ran toward them. Julia was down on one knee, her hand pressed against her chest, either gasping or sobbing, he couldn’t tell which. Eliot was bent over, talking to her quietly. His cloth-of-gold jacket had been yanked half off his shoulder.
“It’s okay,” he said, seeing Quentin’s white face. “That fucking civet threw her and bolted. I tried to hold it but I couldn’t. She’s okay, she just got the wind knocked out of her.”
“You’re all right.” That phrase again. Quentin rubbed Julia’s back while she took croaking breaths. “You’re okay. I always said you should get a regular horse. I never liked that thing.”
“Never liked you, either,” she managed.
“Look.” Eliot pointed off into the twilight. “That’s what made it bolt. The hare went in there.”
A few yards away a round clearing began, a still pool of grass hidden in the heart of the forest. The trees grew right up to its edge and then stopped, like somebody had cleared it on purpose, nipping out the border precisely. It could have been ruled with a compass. Quentin picked his way toward it. Lush, intensely emerald-green grass grew over lumpy black soil. In the center of the clearing stood a single enormous oak tree with a large round clock set in its trunk.
The clock-trees were the legacy of the Watcherwoman, the legendary—but quite real—time-traveling witch of Fillory. They were a magical folly, benign as far as anyone could tell, and picturesque in a surreal way. There was no reason to get rid of them, assuming you even could. If nothing else they kept perfect time.
But Quentin had never seen one like this. He had to lean back to see its crown. It must have been a hundred feet tall, and it was massively thick, at least fifteen yards around at its base. Its clock was stupendous. The face was taller than Quentin was. The trunk erupted out of the green grass and burst into a mass of wiggly branches, like a kraken sculpted in wood.
And it was moving. Its black, nearly leafless limbs writhed and thrashed against the gray sky. The tree seemed to be caught in the grip of a storm, but Quentin couldn’t feel or hear any wind. The day, the day he could perceive with his five senses, was calm. It was an invisible, intangible storm, a secret storm. In its agony the clock-tree had strangled its clock—the wood had clenched it so tightly that the bezel had finally bent, and the crystal had shattered. Brass clockwork spilled out through the clock’s busted face and down onto the grass.
“Jesus Christ,” Quentin said. “What a monster.”
“It’s the Big Ben of clock-trees,” Janet said behind him.
“I’ve never seen one like that,” Eliot said. “Do you think it was the first one she made?”
Whatever it was, it was a Fillorian wonder, a real one, wild and grand and strange. It was a long time since he’d seen one, or maybe it was just a long time since he’d noticed. He felt a twinge of something he hadn’t felt since Ember’s Tomb: fear, and something more. Awe. They were looking the mystery in the face. This was the raw stuff, the main line, the old, old magic.
They stood together, strung out along the edge of the meadow. The clock’s minute hand poked out at a right angle from the trunk like a broken finger. A yard from its base a little sapling sprouted where the gears had fallen, as if from an acorn, swaying back and forth in the silent gale. A silver pocket watch ticked away in a knot in its slender trunk. A typically cute Fillorian touch.
This was going to be good. “I’ll go first.”
Quentin started forward, but Eliot put a hand on his arm. “I wouldn’t.”
“I would. Why not?”
“Because clock-trees don’t just move like that. And I’ve never seen a broken one before. I didn’t think they could break. This isn’t a natural place. The hare must have led us here.”
“I know, right? It’s classic!”
Julia shook her head. She looked pale, and there was a dead leaf in her hair, but she was back on her feet.
“See how regular the clearing is,” she said. “It is a perfect circle. Or at least an ellipse. There is a powerful area-effect spell radiating out from the center. Or from the foci,” she added quietly, “in the case of an ellipse.”
“You go in there, there’s no telling where you’ll end up,” Eliot said. “Of course there isn’t. That’s why I’m going.”
This, this was what he needed. This was the point—he’d been waiting for it without even knowing it. God, it had been so long. This was an adventure. He couldn’t believe the others would even hesitate. Be- hind him Dauntless whickered in the stillness.
It wasn’t a question of courage. It was like they’d forgotten who they were, and where they were, and why. Quentin retrieved his bow and took another arrow from his quiver. As an experiment, he set his stance, drew, and shot at the tree trunk. Before it reached its target the arrow slowed, like it was moving through water instead of air. They watched it float, tumbling a little end over end, backward, in slow motion. Finally it gave up the last of its momentum and just stopped, five feet off the ground.
Then it burst, soundlessly, into white sparks.
“Wow.” Quentin laughed. He couldn’t help it. “This place is enchanted as balls!”
He turned to the others.
“What do you think? This looks like an adventure to me. Remember adventures? Like in the books?”
“Yeah, remember them?” Janet said. She actually looked angry. “Re- member Penny? We haven’t seen him around lately, have we? I don’t want to spend the rest of my queenhood cutting up your food for you.”
Remember Alice, she could just as well have said. He remembered Alice. She had died, but they’d lived, and wasn’t this what living was about? He bounced on his toes. They tingled and sweated in his boots, six inches from the sharp edge of the enchanted meadow.
He knew the others were right, this place practically reeked of weird magic. It was a trap, a coiled spring that was aching to spring shut on him and snap him up. And he wanted it to. He wanted to stick his finger in it and see what happened. Some story, some quest, started here, and he wanted to go on it. It felt fresh and clean and unsafe, nothing like the heavy warm lard of palace life. The protective plastic wrap had been peeled off.
“You’re really not coming?” He said.
Julia just watched him. Eliot shook his head.
“I’m going to play it safe. But I can try to cover you from here.”
He began industriously casting a minor reveal designed to suss out any obvious magical threats. Magic crackled and spat around his hands as he worked. Quentin drew his sword. The others made fun of him for carrying it, but he liked the way it felt in his hand. It made him feel like a hero. Or at least it made him look like a hero.
Julia didn’t think it was funny. Though she didn’t laugh at much of anything anymore. Anyway, he’d just drop it if magic was called for.
“What are you going to do?” Janet said, hands on her hips. “Seriously, what? Climb it?”
“When it’s time I’ll know what to do.” He rolled his shoulders.
“I do not like this, Quentin,” Julia said. “This place. This tree. If we attempt this adventure it will mean some great change of our fortunes.”
“Maybe a change would do us good.” “Speak for yourself,” Janet said.
Eliot finished his spell and made a square out of his thumbs and forefingers. He closed one eye and squinted through it, panning around the clearing.
“I don’t see anything . . .”
A mournful bonging came from up in the branches. Near its crown the tree had sprouted a pair of enormous swaying bronze church bells. Why not? Eleven strokes: it still kept time, apparently, even though the works were broken. Then the silence filled back in, like water that had been momentarily displaced.
Everybody watched him. The clock-tree’s branches creaked in the soundless wind. He didn’t move. He thought about Julia’s warning: some great change of our fortunes. His fortunes were riding high right now, he had to admit. He had a goddamned castle, full of quiet courtyards and airy towers and golden Fillorian sunlight that poured like hot honey. Suddenly he wasn’t sure what he was wagering that against. He could die in there. Alice had died.
And he was a king now. Did he even have the right to go galloping off after every magic bunny that wagged its cottontail at him? That wasn’t his job anymore. All at once he felt selfish. The clock-tree was right there in front of him, heaving and thrashing with power and the promise of adventure. But his excitement was slipping away. It was becoming contaminated with doubt. Maybe they were right, his place was here. Maybe this wasn’t such a good idea.
The urge to go into the meadow began to wear off, like a drug, leaving him abruptly sober. Who was he kidding? Being king wasn’t the beginning of a story, it was the end. He didn’t need a magic rabbit to tell him his future, he knew his future because it was already here. This was the happily ever after part. Close the book, put it down, walk away.
Quentin stepped back a pace and replaced his sword in its sheath in one smooth gesture. It was the first thing his fencing master had taught him: two weeks of sheathing and unsheathing before he’d even been allowed to cut the air. Now he was glad he’d done it. Nothing made you look like more of a dick than standing there trying to find the end of your scabbard with the tip of your sword.
He felt a hand on his shoulder. Julia.
“It is all right, Quentin,” she said. “This is not your adventure. Follow it no further.”
He wanted to lean his head down and rub his cheek back and forth against her hand like a cat.
“I know,” he said. He wasn’t going to go. “I get it.”
“You’re really not going?” Janet sounded almost disappointed. Probably she’d wanted to watch him blow up into glitter too.
“Really not.”
They were right. Let somebody else be the hero. He’d had his happy ending. Right then he couldn’t even have said what he was looking for in there. Nothing worth dying for, anyway.
“Come on, it’s almost lunchtime,” Eliot said. “Let’s find some less exciting meadow to eat in.”
“Sure,” Quentin said. “Cheers to that.”
There was champagne in one of the hampers, staying magically chilled, or something like champagne—they were still working on a Fillorian equivalent. And those hampers, with special leather loops for the bottles and the glasses—they were the kind of thing he remembered seeing in catalogs of expensive, useless things he couldn’t afford back in the real world. And now look! He had all the hampers he could ever want. It wasn’t champagne, but it was bubbly, and it made you drunk. And Quentin was going to get good and drunk over lunch.
Eliot climbed back into the saddle and swung Julia up behind him. It looked like the civet was gone for good. There was still a large patch of damp black earth on Julia’s rump from the fall. Quentin had a foot in Dauntless’s stirrup when they heard a shout.
“Hi!”
They all looked around.
“Hi!” It was what Fillorians said instead of “hey.”
The Fillorian saying it was a hale, vigorous man in his early thirties. He was striding toward them, right across the circular clearing, practically radiating exuberance. He broke into a jog at the sight of them. He totally ignored the branches of the broken clock-tree that were waving wildly over his head; he couldn’t have cared less. Just another day in the magic forest. He had a big blond mane and a big chest, and he’d grown a big blond beard to cover up his somewhat moony round chin.
It was Jollyby, Master of the Hunt. He wore purple-and-yellow striped tights. His legs really were pretty impressive, especially considering that he’d never even been in the same universe as a leg press or a StairMaster or whatever. Eliot was right, he must have been following them the whole time.
“Hi!” Janet shouted back happily. “Now it’s a party,” she added to the others, sotto voce.
In one huge leather-gloved fist Jollyby held up a large, madly kicking hare by its ears.
“Son of a bitch,” Dauntless said. “He caught it.” Dauntless was a talking horse. She just didn’t talk much. “He sure did,” Quentin said.
“Lucky thing,” Jollyby called out when he was close enough. “I found him sitting up on a rock, happy as you please, not a hundred yards from here. He was busy keeping an eye on you lot, and I got him to bolt the wrong way. Caught him with my bare hands. Would you believe it?”
Quentin would believe it. Though he still didn’t think it made sense. How do you sneak up on an animal that can see the future? Maybe it saw other people’s but not its own. The hare’s eyes rolled wildly in their sockets.
“Poor thing,” Eliot said. “Look how pissed off it is.”
“Oh, Jolly,” Janet said. She crossed her arms in mock outrage. “You should have let us catch it! Now it’ll only tell your future.”
She sounded not at all disappointed by this, but Jollyby—a superb all-around huntsman but no National Merit Scholar—looked vexed. His furry brows furrowed.
“Maybe we could pass it around,” Quentin said. “It could do each of us in turn.”
“It’s not a bong, Quentin,” Janet said. “No,” Julia said. “Do not ask it.”
But Jollyby was enjoying his moment as the center of royal attention.
“Is that true, you useless animal?” He said. He reversed his grip on the Seeing Hare and hoisted it up so that he and the hare were nose to nose.
It gave up kicking and hung down limp, its eyes blank with panic. It was an impressive beast, three feet long from its twitching nose to its tail, with a fine gray-brown coat the color of dry grass in winter. It wasn’t cute. This was not a tame hare, a magician’s rabbit. It was a wild animal. “What do you see then, eh?” Jollyby shook it, as if this were all its idea and therefore its fault. “What do you see?”
The Seeing Hare’s eyes focused. It looked directly at Quentin. It bared its huge orange incisors.
“Death,” it rasped.
They all stood there for a second. It didn’t seem scary so much as inappropriate, like somebody had made a dirty joke at a child’s birthday party.
Then Jollyby frowned and licked his lips, and Quentin saw blood in his teeth. He coughed once, experimentally, as if he were just trying it out, and then his head lolled forward. The hare dropped from his nerve- less fingers and shot away across the grass like a rocket.
Jollyby’s corpse fell forward onto the grass.
“Death and destruction!” the hare called out as it ran, in case it hadn’t made itself clear before. “Disappointment and despair!”
Product details
- Publisher : Penguin Books; Reprint edition (May 29, 2012)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 0452298016
- ISBN-13 : 978-0452298019
- Item Weight : 12.8 ounces
- Dimensions : 5.4 x 0.92 x 8.4 inches
- Best Sellers Rank: #130,060 in Books (See Top 100 in Books)
- #1,749 in Contemporary Fantasy (Books)
- #6,416 in Epic Fantasy (Books)
- #8,890 in Literary Fiction (Books)
- Customer Reviews:
About the author

Lev Grossman's new novel The Bright Sword is the story of a motley group of oddball knights—and one sorceress—who are trying to rebuild Camelot in the wake of King Arthur's death. Rebecca Yarros has called it "utterly enchanting," and George R.R. Martin says: "If you love King Arthur as much as I do, you’ll love Lev Grossman’s The Bright Sword."
Grossman is also the author of the #1 New York Times bestselling Magicians trilogy—The Magicians, The Magician King, and The Magician’s Land—which was adapted as a TV show that ran for five seasons on Syfy. He has written two novels for children: The Silver Arrow, which was on the best-of-the-year lists of the New York Times, Wall Street Journal, People, Apple and Amazon, and its sequel The Golden Swift. He wrote the screenplay for the movie The Map of Tiny Perfect Things, which was a finalist for the Critic’s Choice awards. He' also a journalist: from 2002 to 2016 he worked at Time magazine, where he wrote 20 cover stories, and he’s written essays and articles for, among others, Vanity Fair, the Believer, the Wall Street Journal, the New York Times and Wired.
Lev grew up in Lexington, Massachusetts, the son of two English professors. His twin brother Austin is a writer and game designer, and his older sister Sheba is an artist. He lives in Brooklyn, New York but spends a lot of time in Sydney, Australia, too, where his wife is from. He has three children and a somehow steadily increasing number of cats.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book consistently engaging and enjoy its deeper story arc, with one review highlighting its detailed magical battles. Moreover, they appreciate the character development, noting how the protagonist has grown and matured, and the book's stunning style that isn't unnecessarily graphic. However, the plot receives mixed reactions, with some praising its pacing while others find it slow, and the writing quality also divides opinions between those who find it well-written and those who say it's less clever.
AI-generated from the text of customer reviews
Customers find the book compelling and exciting, with one mentioning it's enjoyable for multiple readings.
"...The plot is superbly executed and the prose is sharp and clever. If you loved The Magicians the way I did then this book will not let you down...." Read more
"...This book almost manages to suspend disbelief, but when it delves into the anthropology of magic, instead of showing us the author's opinion..." Read more
"...that has wonderful doses of humor and appropriate inappropriateness, and characters that are far from..." Read more
"...leisurely than "The Magicians," especially at the beginning, I was never bored...." Read more
Customers praise the book's storytelling, noting its well-executed plot and detailed magical elements, with one customer highlighting its creative battle scenes.
"...The plot is superbly executed and the prose is sharp and clever. If you loved The Magicians the way I did then this book will not let you down...." Read more
"...This is a super book for writers; if I had signed up for the Writer's Cruise on my "book-cation", I would have been thrilled to debate these points...." Read more
"...There are far more twists and surprises, the characters and the stories progress and go far deeper, the magical world of Fillory is revealed even..." Read more
"...Some of the passages were so powerful and beautiful, they literally stunned me. If you liked "The Magicians," you will like this book...." Read more
Customers love this series and consider it a great trilogy, with one customer noting it's a perfect continuation of the previous book.
"The Magicians by Lev Grossman was one of the best books I read last year...." Read more
"...The Magician King was a wonderful read that made me laugh..." Read more
"...The interconnectedness of the twin story lines and the final conclusion are masterful, his understanding of pre-Christian religion refreshing...." Read more
"...Overall, The Magician King is a solid sequel to The Magicians...." Read more
Customers appreciate the character development in the book, noting that the protagonist has grown and matured throughout the story, with one customer highlighting how Julia becomes a major character.
"...She is a wonderfully drawn character. Beautiful, dark Julia who finds the light. Now bring her BACK?!)...." Read more
"...doses of humor and appropriate inappropriateness, and characters that are far from cliche, then you will most certainly enjoy this series...." Read more
"...plot twists based on the created rules of the world, characters we basically care about...." Read more
"...For me, the television character of Julia is a bit annoying (though she does come into her own later in the season)...." Read more
Customers appreciate the book's style, finding it stunning and noting that it isn't unnecessarily graphic. One customer describes it as an amazing display of world crafting, while another praises its vividly depicted worlds.
"...more strongly to our world, making the it even more engaging and attractive...." Read more
"...Some of the passages were so powerful and beautiful, they literally stunned me. If you liked "The Magicians," you will like this book...." Read more
"...I love his style - other fantasy folks could use the earthyness. But The Magician had a good, we'll take it from here ending...." Read more
"...As long as you're ok with some graphic content..." Read more
Customers have mixed opinions about the plot of the book, with some finding it poignant and emotional, while others describe it as not-so-compelling and point out glaring plot holes.
"...the author pulled the rug out from under me and the storyline took an abrupt left turn...." Read more
"...Julia's story is rather tragic but it does falter on some levels...." Read more
"...The ending is a little pat -- and feels like it owes more than a little to Ursula K. LeGuin's "The Farthest Shore" -- but leaves Quentin in..." Read more
"...n't take itself too seriously, but it still had the power to elicit the spectrum of emotions that any powerful piece of literature should do...." Read more
Customers have mixed opinions about the pacing of the book, with some praising its well-paced plot and great suspense, while others find it slow and somewhat rushed.
"...dropped significantly from the first book, and a great deal of it seems plain lazy...." Read more
"...The plot moves along at a decent pace, and there are some creative magic battles that I liked...." Read more
"...Although I felt the book started slowly, it finished with a flourish. Four-and-a-half stars." Read more
"...Harry Potter/Narnia feeling that The Magicians did, it had a lot better paced plot and kept me more engaged...." Read more
Customers have mixed opinions about the writing quality of the book, with some finding it very well written and easy to read, while others note that the writing is less clever.
"...The plot is superbly executed and the prose is sharp and clever. If you loved The Magicians the way I did then this book will not let you down...." Read more
"...: for genius-level IQ characters, they stumbled and missed important pieces of information...." Read more
"...gotten that out of the way, I need to say that while I loved the writing in this book..." Read more
"...Yes, it possessed Lev Grossman’s distinctive writing, loaded with descriptions all his own...." Read more
Top reviews from the United States
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- Reviewed in the United States on January 21, 2012The Magicians by Lev Grossman was one of the best books I read last year. It may be too early to tell but I am going to go out on a limb and say that The Magician King is probably one of the best books I will have read this year. I was apprehensive at first. The Magicians beat all my expectations. It deserved a sequel, but I wasn't necessarily sure that it warranted one. Sometimes a great story should just be left alone, rather than run the risk of diluting the memory with sequels. At first I had trouble immersing myself in The Magician King but before long my expectations were blown away again and I was tearing through the pages at breakneck speed.
The Magician King picks up some while after The Magicians ended, with Quentin and friends installed as the monarchy of Fillory. A king's life is good and it seems as though Quentin is finally content. That is, until a mysterious run in with a mystical beast sets in motion a whole new adventure that will span from Fillory to Earth and back again. This time around Quentin is joined by Julia, a pre-Brakebills friend who learned magic in a less traditional sense and has the scars to show for it. Along the way Quentin has run ins with friends new and old and readers get a deeper look behind magic and the metaphysical universe.
The main advantage to The Magician King over The Magicians is that this is essentially a quest novel. Of course there was adventure to be found near the end of the first book and as gripping as it was it felt rushed in comparison to the time spent at Brakebills. The Magician King on the other hand is a singularly concentrated story and benefits greatly from this focus. Readers who found Quentin to be a bit irritating are also likely to find him much improved over the first book, as he does appear to have matured quite a deal since his last outing. Granted, Quentin still has some rough edges but he is a vastly wiser person than he was at the outset of his magical journey. And by the end of The Magician King, Quentin has grown yet more and it is nearly impossible not to be proud of his actions.
The inclusion of Julia and the fleshing out of her back story add a whole new perspective. Julia's accumulation of magical knowledge has come at a much greater price than any of the Brakebills students. There is a seedy, dark side to Julia that adds an extra edge to the tale. Julia's story is rather tragic but it does falter on some levels. Grossman must condense Julia's story to fit in alongside the quest at hand, there are years of development thrown into the alternating chapters. Because of this it is much less personal than I believe Julia deserves. Eventually Julia's story becomes tighter and it does tie into the plot with great effect. My only complaint here is that I would have liked to have seen a much more intimate portrayal of the trials Julia faced.
Where as The Magicians was mainly a coming-of-age tale about the dangers of fulfilling one's fantasies, The Magician King is an adventure about forgiveness and redemption. There are answers to be found and more questions arise. Some portions of the book even give off a sort of Neil Gaiman American Gods vibe. The plot is superbly executed and the prose is sharp and clever. If you loved The Magicians the way I did then this book will not let you down. If you thought The Magicians was decent enough but had no intention of reading the sequel, please give it a try. Lev Grossman is an amazing author with a wonderful career ahead of him.
- Reviewed in the United States on October 9, 2011I like to think of books of fiction as a mind vacation. I pick my books by where I would like to go; would I want to do the work of major sight seeing or do I want to go to a beach resort and be pampered? Fantasy, even dark fantasy, is the latter kind of book vacation. We read it to escape into new worlds in which we can do things that we can't do in our own lives. Let's call them "book-cations".
(OK, well that works for me as well as "stay-cations").
First, let me be clear that this series is NOT for children. References to adult activities make this inappropriate for the smaller fairy tale crowd.
Hmm. This may contain spoilers for readers of the first book. I promise no specific references, but my state of mind may give some away.
Having gotten that out of the way, I need to say that while I loved the writing in this book (which actually kept me on my toes looking up a few words and references, i.e. "pal·imp·sest"), I kept thinking that this book has an agenda. It seems to be the Anti-Narnia; exploring what is religion and what is not.
It does not settle comfortably in any zone. In fact, it has fairly clear references to Narnia but this would be the snarky Narnia of today's world. If one finally realizes that no one is coming to save us, we look at those spiritual paths in which we can save ourselves; Buddhism being my primary pick.
(Ember would make an interesting Buddha, but would have to go through at least one human life to get there). And, so the characters mostly take themselves in and out of............well just about everywhere.
There is plenty of plot thickening, without silly devices, ongoing and lots of honest twists and turns. I have to admit that I enjoyed the way the author wove Julia's story in and out of the second half of this book. She is a wonderfully drawn character. Beautiful, dark Julia who finds the light. Now bring her BACK?!).
We are left feeling uneasy when the endings are meted our for the characters. Though there is much talk about how stories should end, teasing the reader with Quentin's internal dialog, "Things had been going so well.....But...Just work out the sums". "We can't all be heroes. Then who would the heroes fight? It's a matter of numbers really. Just work out the sums."
So, the dutiful reader considers the considerable contributions and screw-ups of the main characters and makes that list.
But, rather like THIS world (not fantasy), in the end of this book the author does not "do the sums".
It is NOT fair! (Stomps foot)
(One cannot possibly think that Elliot has paid the same price or had to work as hard to be a "hero" as has Quentin?) He just holds his liquor better.
AND ALICE???? She rather took a major header through the Looking Glass in the last book and half of us bought the second one just to save her.
I rather liked "OLU"; if you are going to create a Goddess, she should be dangerous and hard to find but ultimately compassionate. Er...........almost.) And, yes, it will bring me back to buy that next book, but in the meantime, I'm thinking (along with Quentin) that this just ain't fair!
In some ways this seems more like a modern mythology than a fantasy. It is the kind of book that anthropologists may well wish to tear apart a thousand years from now to know what we were thinking these days. (And, in this book, some of it will be about sex, drugs and rock and roll magician style).
But, given these (pretty darn rough) times, not many will feel as though they went on the vacation for which they paid. They set out for Cozumel and ended up doing tours of haunted houses in the UK. The reader may find this interesting and absorbing, but it is not the fantasy for which the reader looked to leave THIS world.
Note to author: At least if we are rousing the energy to imagine sex, drugs, rock and roll and hangovers, we should be offered a cure for hangovers. Some palliative for our adrenal rushes that don't allow us to put this damn book down in that quiet summer night.
This book almost manages to suspend disbelief, but when it delves into the anthropology of magic, instead of showing us the author's opinion (as Tolkien did about fairies, not all nice critters), he explains it and debates it with the reader.
This is a super book for writers; if I had signed up for the Writer's Cruise on my "book-cation", I would have been thrilled to debate these points. But, I thought I was going to a venue in which I would have no problems with money, drugs, sex, or anything else...............just me and my book up reading late on a summer night.
By all means read this series. It is extremely erudite, cohesive and intelligent. But get insurance for any tickets for your "vacation" in fantasy land.
So, when is the next book due out?!
Top reviews from other countries
James StarkReviewed in India on March 31, 20185.0 out of 5 stars I'm stupid.
The book is great and the packaging and all was great. The problem is that I didn't check the dimensions before I bought it and now I have the first and second part of the series in different editions and sizes. I'm stupid but I learnt my lesson.
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Amazon CustomerReviewed in France on August 7, 20145.0 out of 5 stars Une superbe suite
J'ai adoré comme j'avais adoré le volume 1 (The Magicians), de nouvelles "aventures" pour ces anti-héros.
Le melange des mondes est toujours aussi bien fait.
Accrocheur jusqu'au bout.
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HoneymouthReviewed in Italy on November 27, 20225.0 out of 5 stars ottimo, da leggere in engl
ottimo e ottima serie tv, bellisismi libri, consiglio in inglese
Rowena HoseasonReviewed in the United Kingdom on March 15, 20135.0 out of 5 stars A mature, masterful multiverse of myth and magic
Don't pick this up if you haven't already immersed yourself fully in the realm of Fillory, land of the ram gods and clocktrees, adventure playground to post-modernist post-cynicist post-Harry Potter wizards, courtesy of The Magicians
Both episodes are such rare accomplishments that you absolutely must not kid yourself that it won't matter if you read them out of sequence, if you read MK first and busk the bits you missed, because you inconveniently don't have the first book to hand. Don't be a ditz. You'll ruin things if you read this one first. The painting will not come to life and the ship will not sail and you won't be able to taste the crisp clean tang of magic in the crystal sky. Unless you read them the right way around.
MK makes no damn sense if you've not romped 'The Magicians', anyway.
And they are both truly worthy of your time. Literary creations well worthy of every up-itself award going, they sublimely combine the secret dreams of every child whoever opened a wardrobe or drew sigils in the sky or rubbed a ring or dreamed of djinn. Each book is like a honeyed slice of childhood innocence, dripping in joy and fear and delight and terror, made all the more potent by the fact that even we adults can still taste it - can still stroll in the secret gardens, can visit the cave of the green dragon and wander awhile.
Stunningly clever - gloriously referential. Witty, entertaining and stuffed full of intriguing characters who look and talk like real people might if it turned out that somewhere over the rainbow really exists. Genuinely creative, beautifully written; hard-faced and gritty but achingly innocent at the same time. Not a book for children, by any stretch, but perfect for any adults still seeking to find their place in the universe.
So if you've read the first episode the stop faffing and buy this one too. And if you ever felt the pull of any alternate fantastical reality then treat yourself to this dense, carefully crafted multiverse of myth and magic.
It made me feel like I was nine again, and that the summer would last forever.
10/10
Shona B MooreReviewed in Australia on September 29, 20185.0 out of 5 stars A great follow up to The Magician.
Great book. Really engaging story. A great follow up to The Magician. I kind of expected the ending but at the same time was hoping for a different outcome. Can't wait to read book three and see what awaits my favourite characters.



