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Looking Backward from 2000 to 1887 Hardcover – August 18, 2008
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- Print length232 pages
- LanguageEnglish
- PublisherBiblioLife
- Publication dateAugust 18, 2008
- Dimensions6.14 x 0.56 x 9.21 inches
- ISBN-100554379570
- ISBN-13978-0554379579
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Product details
- Publisher : BiblioLife (August 18, 2008)
- Language : English
- Hardcover : 232 pages
- ISBN-10 : 0554379570
- ISBN-13 : 978-0554379579
- Item Weight : 1.11 pounds
- Dimensions : 6.14 x 0.56 x 9.21 inches
- Best Sellers Rank: #6,950,387 in Books (See Top 100 in Books)
- #116,636 in Classic Literature & Fiction
- #232,770 in Literary Fiction (Books)
- #246,236 in Science Fiction (Books)
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Those who disdained it, at the time, did so because it offered a socialism that was evolutionary, not revolutionary; that supporters wanted the benefit without spilling blood for it. But that optimism is part of the author's formula, that it makes no sense to presume state-controlled protection but disdain state-controlled production. In both Star Trek and Star Wars, there's a Federation, representing what happens when people band together into an authority. Whether you like this book depends on whether you think that's likely to be a good thing or bad.
Looking Backward provides such a conundrum. Author Edward Bellamy deserves credit for developing his version of an Utopian society in such detail, thinking out every facet. He is writing in 1887. The premise is Julian West falls asleep in a bed chamber that is below his house in Boston. He suffers from insomnia, so has a doctor who puts him into hypnotic states to help Julian fall asleep. It is May 30, 1887. He wakes up in the year 2000 in Boston, when the chamber is exscavated. At the time of his sleep, West - and Bellamy - are wealthy, and grappling with how to deal with the issues being raised by the laborers, who are advocating for better wages and working conditions.
Dr. Leete, his wife, and beautiful daughter, Edith (the same name of Julian's fiance in 1887), now occupy the property.
What transpires is a long conversation as Dr. Leete tells Julian the new world that is Boston, the United States, always referred to as the "nation," and world. Everybody is equal. No divisions of wealth. Men are positioned to work in areas that take advantage of their talents. No one works past age 45. Means of distribution are so organized that the exact amount that is needed for each person is known, so in the case of food, there is no hunger. The nation controls production and distribution. There is no cash, but a credit card system, but not like our credit cards. A certain amount is deducted at purchase. There is no want, so no competition and no poverty. Private business, large and small, does not exist. People rarely prepare meals at home, instead eating in the only dining hall in the ward they live. Women have been freed from housework. However, they work in fields that “aren't strenuous for them,” and elect their own leaders. While the primary elected woman can serve in a cabinet of the President of the nation, it wasn't clear whether the woman could be President. There is no mention of African Americans’ participation in the new society.
While occasionally Julian sees the Boston outside the house with the Leetes, most of the dialog is a conversation between Julian and Dr. Leete, which makes the book lack excitement and action. The other challenge for the reader is it is written in 1887 formal language, with some words we're not familiar with, and using too many words to say something. Even though it is the year 2000, Dr. Leete is afflicted with the same problem, though I guess Bellamy couldn't help that.
The hints at future technology is a device that plays music, your favorite tunes, and can wake you up with music, which they call a telephone. Radio? Alarm clock radio? Ipod? There are mechanisms to transmit information about how much of a product is needed. Computers? Internet? However, no technology dealing with the visual.
This is a "perfect" Utopian society. Many aspects might seem great: a world at peace is something we wish for, and for every body to have enough food. The maddening thing about Looking Backward is it's too perfect to believe. As our current lingo would say, "everybody's all in."
To Bellamy's credit, Julian asks all the right questions. To his discredit, are the answers. One of the first questions is there must have been some conflict or war preceding the establishment of this new world. Paraphrasing, "No," Dr. Leete says, "everybody realized it was the right thing to do." For me, this hangs over the book. Every time Julian asks a question that some change must have caused conflict, the answer is always that's not the case; that didn't happen. When Dr. Leete criticizes how things were done in Julian's time, a period he didn't live in, and how it confounds people of today, it comes across as arrogant. Much of the analysis of the 19th century, though, seemed accurate - and for the actual 20th and 21st centuries.
That in itself, makes it hard to believe that one day everybody woke up, liked everybody else, agreed to share food, wealth, the rich gave up their businesses and money. In a post script, Bellamy says the beginning of the transformation was 50 years hence, which would have been 1938. We now know that was right before World II, but Hitler was entrenched in power in Germany.
All political change involves struggle, non-violent or violent. In the 20th century, we saw the rise and fall of Communism and Nazism; two World Wars to end all wars; the Holocaust and more. A hundred years after the Civil War, African-Americans were still marching for civil rights and whites didn’t change their attitude, and say, “sure, that’s great.” Fire hoses were used on African American protesters, and a governor blocked the entrance to a University. Eventually, change happened.
The ending of the book was a bit unexpected, but I don’t want to spoil it. One question Julian struggles with is, “Can I be part of a society I didn’t help to create?”
In the post script, Bellamy tried to address the “rapidity” of the transformation:
“Looking Backward...is intended, in all seriousness, as a forecast, in accordance with the principles of evolution, of the next stage in the industrial and social development of humanity, especially in this country; and no part of it is believed by the author to be better supported by the indications of probability than the implied prediction that the dawn of the new era is already near at hand, and that the full day will swiftly follow.”
In 2014, we need to remember that Bellamy was not going to live to see 2000, and though we criticize aspects of his forecast, we shouldn’t stop our contributions to making a better world.
At the end of the 19th century Bellamy creates a picture of a wonderful future society. Bellamy's protagonist is Julian West, a young aristocratic Bostonian who falls into a deep sleep while under a hypnotic trance in 1887 and ends up waking up in the year 2000 (hence the novel's sub-title). Finding himself a century in the future in the home of Doctor Leete, West is introduced to an amazing society, which is consistently contrasted with the time from which he has come. As much as this is a prediction of a future utopia, it is also a scathing attack on the ills of American life heading into the previous turn of the century. Bellamy's sympathies are clearly with the progressives of that period.
"Looking Backward" does not have a narrative structure per se. Instead West is shown the wonders of Boston in the year 2000, with his hosts explaining the rationale behind the grand civic improvements. For example, he discovers that every body is happy and no one is either rich or poor, all because equality has been achieved. Industry has been nationalized, which has increased efficiency because it has eliminated wasteful competition. This is a world with no need of money, but every citizen has a sort of credit card that allows them to make individual purchases, although everyone has the same montly allowance. In Bellamy's world is so ideal that it does not have any police, a military, any lawyers, or, best of all, any salesmen. Education is so valued that it continues until students reach the age of 21, at which point all citizens enter the work force, where they will stay until the age of 45. Men and women are compensated equally, but there are some distinctions between job on the basis of gender, and pregnancy and motherhood are taken into account.
Bellamy was living during the start of the Industrial Revolution, and like Francis Bacon and Tomasso Campanella who wrote during the height of the Age of Reason, he sees science and human ingenuity as being what will solve all of humanity's problems. He does not get into too many details regarding the comforts of modern living in the future, but there are several telling predictions (e.g., something very much like radio). However, it is clear that Bellamy is writing primarily to talk about economics and sociology, especially because he always compares his idealized future with the problems of his own time.
Obviously Bellamy's critique of the late 19th century will be of less interest to today's students that his various predictions on the both the future and an ideal world, unless they are specifically studying the American industrial revolution. But the latter two are enough to make "Looking Backward" deserve to be included in a current curriculum and I am looking foward to how well my students think Bellamy predicted the world in which we now find ourselves living.
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The story is one of an insomnaic plantation owner who employs mesmerism and an underground chamber to place himself in a state of suspended animation, unfortunately, like Ash Williams at the end of The Army of Darkness, he sleeps too long and awakens in the distant future.
The story then follows the central character being taken in by a future family, the shock and awe of his totally changed environment where no convention appears untouched, his personal crisis at not just the unfamiliar and undreamed of seachange in values and the economy but also the knowledge that everyone he once knew is now dead. With the passage of time our hero finds love with one of the future family's women and adapts to his new life.
While it is obvious that Bellamy has written a "novel of ideas", and consequently the writting can be a little wooden, but it is none the less a readable book in the same fashion of Well's time traveller fiction such as The Time Machine or When The Sleeper Awakes.
So far as the important of the political ideas goes, I think its very much mistaken to consider it a book infused with marxism, socialism or a radical agenda, instead it's simply futurology with some predictions about social trends which where not that far off the mark, at least with covered malls, credit cards, labour exchanges and radio broadcasting into peoples homes.
Bellamy does depict a society where in mego corporations have merged and merged to the point of a single entity, this trend is accompanied by consensus about full employment but all in all its much more like the Japanese corporation of the seventies or early eighties than the USSR. The second novel, which hasnt been republished in any recent or thrift edition, Equality, is much more so a disection of the politics and business practices of Bellamys future order of superior technics and central planning.
In fact, William Morris is said to have been so perturbed at what he considered a technocratic nightmare that he wrote News from Nowhere, a depiction of a slow, restful, countryside idyle as socialist utopia.
Interestingly, costume in the year 2000 is not discussed, which would have been interesting.
Contemporary Socialists and Marxists held this book up to ridicule, one reason being that Bellamy appeared to think that many problems of life would be resolved by people being able to have live music piped into their homes via telephone, as well as an unlimited number of consumer goods delivered through pipes! The dismissive phrase used by William Morris was that it was a 'Cockney paradise,' meaning a brainless consumer binge, rather like the lyrics of the Big Rock Candy Mountain.
One other aspect of it held up to ridicule -by Victorian contemporaries- was the idea that people doing rotten dirty jobs would work shorter hours than people in-say-libraries. One contemporary satire of this book had 5,000 people working as gravediggers at a funeral, so that each person only had to work for five minutes or so.
Interestingly, the author uses the phrase 'credit card' for possibly the first time in human history, as his utopia's subsitute for money.
You may have guessed that I found this book to be very one-sided and flat. The reason I purchased this and actually read it was for historical interest, so, for this purpose, I did find it very interesting. I would recommend it for a social commentary by someone who actually experienced 1860s London society.
So physically good, content as expected.







