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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence Paperback – Illustrated, April 24, 2008
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From October to December of 1888, Paul Gauguin shared a yellow house in the south of France with Vincent van Gogh. They were the odd couple of the art world -- one calm, the other volatile -- and the denouement of their living arrangement was explosive. Making use of new evidence and Van Gogh’s voluminous correspondence, Martin Gayford describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Gayford also makes a persuasive analysis of Van Gogh’s mental illness -- the probable bipolar affliction that led him to commit suicide at the age of thirty-seven. The Yellow House is a singular biographical work, as dramatic and vibrant as the work of these brilliant artists.
- Print length352 pages
- LanguageEnglish
- PublisherMariner Books
- Publication dateApril 24, 2008
- Dimensions5.5 x 0.81 x 8.25 inches
- ISBN-100618990585
- ISBN-13978-0618990580
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Editorial Reviews
Review
“Offers fascinating interpretations of the work that came out of the short, stormy conjunction of their lives.” – Entertainment Weekly “Gives the reader renewed appreciation for the darkness of Van Gogh's mental state and the brilliance of his artistic achievement.” – Chicago Tribune “Informative and entertaining.” – New Yorker “Brings fresh insights into the personalities and work of this odd couple of art.” – Los Angeles Times —
About the Author
Martin Gayford was educated at Cambridge University and the Courtauld Institute of the University of London. He is the coeditor of The Grove Book of Art Writing and was the chief art critic for Bloomberg Europe. Gayford lives in Cambridge, England.
Product details
- Publisher : Mariner Books; Reprint edition (April 24, 2008)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0618990585
- ISBN-13 : 978-0618990580
- Item Weight : 12 ounces
- Dimensions : 5.5 x 0.81 x 8.25 inches
- Best Sellers Rank: #305,041 in Books (See Top 100 in Books)
- #439 in Biographies of Artists, Architects & Photographers (Books)
- #842 in Women in History
- #1,286 in Art History (Books)
- Customer Reviews:
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the book great, interesting, and fun to read. They appreciate the excellent explanations of the artists' artistic styles and examples of paintings. Readers also mention the narrative quality is fascinating and well-told.
AI-generated from the text of customer reviews
Customers find the book interesting, fun, and well-written. They also say it's informative and doesn't disappoint if you want to learn about psychological aspects.
"...Gogh, especially this period of his life, and still found this an interesting read...." Read more
"...This book does not disappoint if you want to learn about the psychological profiles of two great artists, Van Gogh and Gauguin...." Read more
"This was so much fun to read...." Read more
"...What an entertaining and informative read!..." Read more
Customers find the book incredibly interesting and well-researched. They also say it provides examples.
"I so loved this book. It is well written, incredibly interesting, and gives a lot of examples of paintings of Van Gogh and Gauguin, along with the..." Read more
"...The book is well written and extremely well researched...." Read more
"...to the Jack the Ripper case, but still an enjoyable read and great insight into two of the worlds finest painters." Read more
"...A lot of detail and insight on the part of the author." Read more
Customers find the book full of details about the artists, the historical period, and atmosphere in Arles. They appreciate the pictures of some of their work. Readers also mention the book includes a good bit of biography leading up to their time at the Yellow House.
"...the personalities of these two artists as well as excellent explanations of their artistic styles." Read more
"...It is well written, incredibly interesting, and gives a lot of examples of paintings of Van Gogh and Gauguin, along with the orientation of what..." Read more
"...Brilliant artists to be appreciated in museums for the beauty and intensity of their work" Read more
"...Packed full of details about the artists, the historical period & atmosphere in Arles during that time." Read more
Customers find the narrative quality fascinating and informative.
"...An interesting story, well written and worth reading twice." Read more
"It is a fascinating tale, told well...." Read more
"...Gayford fits the pieces together with an exciting narrative." Read more
"An interesting and well-written book covering the intersection of two great artists during a crucial period of their artistic lives...." Read more
Reviews with images
Useless illustrations, no color, just faint black-and-white and barely visible
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Top reviews
Top reviews from the United States
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Gayford's volume is complete and detailed, and I am confident to say, the definitive work on this time period in the life of these two giants in the world of art. In it, he describes details of their daily life, as well as their exchange of ideas. Much of what he writes about here is based on the letters of these two prolific artists, primarily of Van Gogh's, whose life was fully documented in his daily, sometimes even more frequent, letters to his brother, Theo, an art dealer in Paris.
Despite the thoroughness with which Martin Gayford explores his topic, there are also some problems with this text. The biggest problem is that, although the author stresses the importance of color in Van Gogh's work, this book is printed with only black and white reproductions of the artists' work, leaving a very frustrated reader.
Another problem is that Mr. Gayford might describe and analyze a painting at length, and then not even have a reproduction of that important work in the book. In other cases, there are paintings reproduced here that are not mentioned in the text.
In spite of these important downfalls, Mr. Gayford does succeed in giving the reader a vivid depiction of the personalities of these two artists as well as excellent explanations of their artistic styles.
Martin Gayford beautifully dramatizes the personality conflicts and very different work styles that slowly fed the collapse of the happy household in Van Gogh’s beloved Yellow House. Then of course there was the factor of Van Gogh’s madness. Gayford analyses one by on all the theories of the root cause of Van Gogh’s mental illness — and gives his own explanation (which I found totally convincing).
I was hoping for a good description of the ear slashing incident, and I was not disappointed. Gayford goes into it fully and sympathetically.
The fact is, the author’s sympathies are all with Van Gogh. I don’t think he likes Gauguin very much. That was fine with me, since that’s how I feel too.
I did find the descriptions of the paintings a bit tedious at times. I looked up the paintings on the Internet as I read, and this was more meaningful than a verbal reporting of colors and elements. But Gayford’s actual analyses of the paintings were enlightening. Allusions to literature and theology abound in the work of both painters, and we get lots of details on these influences.
All in all, Van Gogh and Gauguin came alive for me in these pages.
Top reviews from other countries
What a pity the budget didn't stretch to presenting the art works, on the Kindle version, in colour.
Others have criticised the poor quality of the illustrations and it is true that the experience would have been greatly improved by full colour glossy prints. But it would also have made for a much more expensive book - as it is, this is cheap enough to be accessible, and the smudgy grey prints are so poor that they really drive you to seek out good reproductions elsewhere - or even to track down the originals - which may be no bad thing.


