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The Dragonbone Chair (Memory, Sorrow, and Thorn, Book 1) Paperback – March 1, 2005
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With The Dragonbone Chair, Tad Williams introduced readers to the incredible fantasy world of Osten Ard. His beloved, internationally bestselling series Memory, Sorrow, and Thorn inspired a generation of modern fantasy writers, including George R.R. Martin, Patrick Rothfuss, and Christopher Paolini, and defined Tad Williams as one of the most important fantasy writers of our time.
This edition features a brand-new introduction from Tad Williams' editor as well as the original introduction from Williams himself!
“One of my favorite fantasy series.” —George R. R. Martin
“Groundbreaking.” —Patrick Rothfuss
“One of the great fantasy epics of all time.” —Christopher Paolini
BOOK ONE: THE DRAGONBONE CHAIR
A war fueled by the powers of dark sorcery is about to engulf the peaceful land of Osten Ard—for Prester John, the High King, lies dying. And with his death, the Storm King, the undead ruler of the elf-like Sithi, seizes the chance to regain his lost realm through a pact with the newly ascended king. Knowing the consequences of this bargain, the king’s younger brother joins with a small, scattered group of scholars, the League of the Scroll, to confront the true danger threatening Osten Ard.
Simon, a kitchen boy from the royal castle unknowingly apprenticed to a member of this League, will be sent on a quest that offers the only hope of salvation, a deadly riddle concerning long-lost swords of power. Compelled by fate and perilous magics, he must leave the only home he’s ever known and face enemies more terrifying than Osten Ard has ever seen, even as the land itself begins to die.
After the landmark Memory, Sorrow, and Thorn trilogy, the epic saga of Osten Ard continues with The Heart of What Was Lost. Then don’t miss the sequel trilogy, The Last King of Osten Ard, beginning with The Witchwood Crown!
- Print length672 pages
- LanguageEnglish
- PublisherDAW
- Publication dateMarch 1, 2005
- Dimensions5.98 x 1.38 x 9 inches
- ISBN-100756402697
- ISBN-13978-0756402693
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Editorial Reviews
Review
“Inspired me to write my own seven-book trilogy.... It’s one of my favorite fantasy series.” —George R. R. Martin, New York Times-bestselling author
“Groundbreaking.... Changed how people thought of the genre, and paved the way for so much modern fantasy. Including mine.” —Patrick Rothfuss, New York Times-bestselling author of The Name of the Wind
"Tad Williams is a master storyteller, and the Osten Ard books are his masterpiece. Williams’ return to Osten Ard is every bit as compelling, deep, and fully-rendered as the first trilogy, and he continues to write with the experience and polish of an author at the top of his game." —Brandon Sanderson, New York Times-bestselling author of Mistborn
“Memory, Sorrow, and Thorn is one of the great fantasy epics of all time.” —Christopher Paolini, New York Times bestselling author of Eragon
“Readers who delight in losing themselves in long complex tales of epic fantasy will be in their element here, and there is the promise of much more to come in future volumes.” —Locus
“Panoramic, vigorous, often moving.... Williams adroitly weaves together the tales...heralding a suitably epic and glorious conclusion.” —Publishers Weekly
“Highly Recommended. [Williams] draws on many mythologies for the background of his fantasy epic...story spiced with political intrigue and strong appealing heroes.” —Library Journal
“A grand fantasy on a scale approaching Tolkien's The Lord of the Rings.” —Cincinnati Post
About the Author
Product details
- Publisher : DAW; Reprint edition (March 1, 2005)
- Language : English
- Paperback : 672 pages
- ISBN-10 : 0756402697
- ISBN-13 : 978-0756402693
- Item Weight : 1.35 pounds
- Dimensions : 5.98 x 1.38 x 9 inches
- Best Sellers Rank: #175,747 in Books (See Top 100 in Books)
- #3,199 in Dark Fantasy
- #3,600 in Sword & Sorcery Fantasy (Books)
- #7,895 in Epic Fantasy (Books)
- Customer Reviews:
About the author

Tad Williams is a California-based fantasy superstar. His genre-creating (and genre-busting) books have sold tens of millions worldwide. His works include the worlds of Otherland, Shadowmarch, and Osten Ard—including the Memory, Sorrow, and Thorn, and The Last King of Osten Ard series—as well as standalone novels Tailchaser’s Song and The War of the Flowers, plus the Bobby Dollar urban fantasies. His considerable output of epic fantasy, science fiction, urban fantasy, comics, and more have strongly influenced a generation of writers. Tad and his family live in the Santa Cruz mountains in a suitably strange and beautiful house. Visit him online at tadwilliams.com. @tadwilliams @mrstad https://www.facebook.com/AuthorTadWilliams/?ref=aymt_homepage_panel
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That changed gradually and then my opinion of Tad Williams changed completely when I read the first two novels of his latest fantasy trilogy Shadowmarch: Shadowmarch: Volume I and Shadowplay: Shadowmarch Volume II .
And then this summer I fell in love with his absolutely incredible "Otherland" saga ( City of Golden Shadow (Otherland, Volume 1) , River of Blue Fire (Otherland, Volume 2) , Mountain of Black Glass (Otherland, Volume 3) , Otherland Vol. 4: Sea of Silver Light ). But I was still nervous about reading this particular series because there was such a vast difference from my beloved otherland-sci-fi versus pure fantasy, normal earth universe verses made up lands, modern tech and slang (and beyond) versus fictional religions, cultures, languages and histories.
But in the end the fact that Williams wrote it override my fears. Which was a good thing because at first this book really did not grab me. The other Tad William's books I read always had some kind of action going on-if it wasn't completely related to the action of the plot then it was background that the reader would really need to understand the rest. But "the Dragonbone Chair" wasn't like that really.
Like his other series "Memory, Sorrow and Thorn" is pretty damm complicated. It involves multiple governments, races, magical beings and characters, who all live in the land of Osten Ard-a land that has a long history of settlement by different people. The first who came weren't human but Sithi-a long living magical species. But eventually the growing population of humans stopped being friendly (or even subservient) to the Sithi and started taking their land-including the ancient stronghold of the Hayholt- a castle that has been added too by each ruler but which maintains it's Sithi bones.
For years Osten Ard has been at peace. Most people are united in one religion and all the diverse people seem to get along well. All has prospered under the reign of Prester John, a human man who became king when he retook the Hayholt from a fierce dragon. But John is old and dying-and his eldest son Elias is heir to the throne.
Our main character is Simon-an orphaned servant of the Hayholt who is treated (and acts) like a fairly stupid young teen. But because of his upbringing Simon knows every surface of the massive Hayholt-from the cellars to the very top of the Sithi built green angel tower. Lacking purpose in life he is apprenticed to the castles doctor-a man who is much more then he seems to be.
Soon life goes down hill from almost all of Osten Ard. Under Elias' reign the land literally suffers. People start to fight petty battles and soon there is a larger battle, for it seems that Elias has made a terrible pact with an evil that never died-and the only hope of opposing him may lie with an old league who is unprepared for such a task and Elias's brother Josua, who never had any interest in ruling the land. And Simon it seems has a role to play-one that will take him to farther and stranger places then he ever saw from the top of a tower.
I'll admit to almost giving up on this book. And that's because the first two hundred pages or so are very slow. And not slow in terms of time line-there are big leaps in the time line for the first two hundred pages (they cover maybe two or three years) and then the rest of the book takes place in under four months. It's just that there's no real action in the beginning of this book. There is some information that is valuable for the rest of the book but it is spaced so thinly between Simon's daily activities and other people's political wheeling and dealing that it all gets a little boring.
But I made it through. And the rest of the book is just what I would expect from Williams-amazing. Simon's evolution as a character and as a man is very, very real-he's no perfect hero at all but a boy who is thrown into events beyond his control or ability to truly understand. And all of the multiple secondary characters are equally well developed. Which is one of the most wonderful things about the way Williams writes-his characters may live in a made up land and battle made up forces but really they aren't so different from the average person on the street.
So is it complicated- yes. Lots of stuff to remember-yes (including the usual weirdly spelled and pronounced fantasy names.) But all and all it's a fun book in a series that seems like it has a lot to offer. I'm on to book two, The Stone of Farewell (Memory, Sorrow and Thorn, Book 2) .
Four stars.
As a side note-I didn't really notice the kind of dark, sarcastic humor that flitted through the "Otherland" novels and "Shadowmarch"-but maybe that's because this is an earlier work. Hopefully it will be present in the latter part of the series.
The first book in the "Memory, Sorrow, and Thorn" trilogy, "The Dragonbone Chair" chronicles the tragic adventure of Simon, castle scullion and immature youth, who finds himself apprenticed to the mysterious Dr. Morgenes - who is more than he appears to be. When a battle between brothers, sons of the late King John, escalates ominously, Simon is ripped from the life he knows and forced into the world beyond. In time, he discovers that things in Osten Ard are even worse than they appear, for the dreaded Storm King, deathless renegade of the elf-like Sithi race, is returning to the world, and bringing ruin in his wake. To say that this setup is "traditional" would be a kindness - but despite the clichés, Williams injects a life and passion into his world and characters that is considerably more impressive than the norm. On top of that, his writing is vivid and beautiful, almost poetic. Williams knows how to set the scene, and he has atmosphere to spare. If things are bleak in the novel, prepare to shiver as you read it.
The parallels to Tolkien's Middle-Earth are easy to find, but Williams borrows more than he steals. The trolls of Osten Ard, for example, parallel Tolkien's hobbit-folk, for they are small in stature and child-like in appearance - but if hobbits are rural Englishmen, then Williams' trolls are miniature Eskimos. The Sithi certainly owe their existence to Tolkien's elves, but they also parallel the natives of the Americas, and harbor a bitterness toward humanity (or the European settlers, perhaps) that makes them considerably darker in nature than Legolas and his ilk. It is this bitterness that creates the Storm King - so is this "Dark Lord" a creation of the Sithi, or a creation of the humans who wrongfully cast them from their lands? Williams offers less black and less white, and more gray than most.
Unfortunately, the pacing of this massive tome is inconsistent. A less committed reader might toss this one aside after the first 100 pages, since very little happens that could not have been greatly condensed. To be blunt, the opening chapters can be a bit of a bore. Patience is certainly a virtue in this instance, though. When the plot begins to thicken, the pages virtually turn themselves. Sure, there are temporary lulls here and there, and I suspect that Williams got a little bit sloppier as he neared the finale, but when that finale comes, and you have read the final chapter, you will long for part two.
In the end, "The Dragonbone Chair" may be conventional, but it is immensely compelling, and you will fear the Storm King's wrath. Any fan of high fantasy who has not been treated to "Memory, Sorrow, and Thorn" should remedy that at once.
Top reviews from other countries
In all honesty, it reads like a book that was crafted by a 14 year old looking to describe a setting in such detail that it loses that key thing - an actual story. I don't need 8 paragraphs on the view from the top of a tower when a couple (or really one) is a big bag of plenty. In all honesty, it becomes boring. It no longer describes the setting because by the time you've dragged your tired eyes down to the 7th interminable paragraph describing the dusty throne room or the stereotypical wizard(-but-is-he?)'s room, your brain has started to drift off wondering if you turned off the oven after making dinner...or if that noise you just heard was just a fox in the garden or a dreaded nocturnal beast that's to eviscerate you messily in your bed. It just didn't hold my attention.
I've had more pleasure out of plucking my eyebrows, or stubbing a toe, than I did out of this book. Honestly, it is drivel of the highest order - I would advise against it.
Unfortunately, as the book progressed, two things became very clear. Firstly, how derivate everything is from Tolkien, and secondly, how little I cared about the story, each fragment of which seemed to be lacking gravitas.
The Tolkien issue was one that was difficult for me to get past. There are mythic, forest-dwelling semi-humans with keen senses, grace, and an archery affinity, who aren't quite elves; there are the arrogant and power-hungry races of men; there are the humble yet quick witted halflings (or "trolls", here); there is the forest-dwelling, semi-mythic healer, who lives in a forest, who heals the main character, in a chapter entitled "In the House of (not Elrond)". I could go on.
Secondly, each new aspect of the story, whilst, again, a product of its time, seemed stereotypical. A quest for swords; a nomadic savage who is actually wise, and has seen the danger before the arrogant men have noticed it; a dormant "shadow in the North" who, when awakened to full power, will enslave the races of men; Northern savages doing the "dark lord's" bidding... and so on.
Unfortunately, by about 3/4 through the book, I had lost interest. The book is a well written, high-fantasy epic, which many people will enjoy. Personally, I didn't care for the obvious derivations, and had lost interest in the story and characters by the 3/4 point.
The storyline will be familiar to any reader who indulges in this genre: Hero, evil folk and a difficult, if not impossible, quest to fulfil to save the World from the baddies!
Filled with exquisitely written prose that suggests the author has taken great care with every word and punctuation mark.
The thing I like most about the Author’s style is that he’s not in a hurry to reach a conclusion. He builds tension, intrigue and character at a leisurely pace – something that a lot of authors can’t do in today’s wham-bam action filled novels.
I’m just starting the second instalment of this saga and already I’m gripped with anticipation!
The only reason this book does not get five stars is that the story lacks adequate pace and interest at times, especially towards the end when the main character POV all but disappears to be replaced by an assortment of characters that have not received anywhere near the same kind of empathy association and of whom you could not really care or less about. Had the other characters been introduced earlier then it may have worked fine, but as it is you may need to grit your teeth for the last 100-200 pages to reach the rewarding climax.
Eagerly awaiting amazon making the second book in the series available again.


