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Original Copies: Architectural Mimicry in Contemporary China (Spatial Habitus: Making and Meaning in Asia's Architecture) Paperback – Illustrated, January 31, 2013
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A 108-meter high Eiffel Tower rises above Champs Elysées Square in Hangzhou. A Chengdu residential complex for 200,000 recreates Dorchester, England. An ersatz Queen’s Guard patrols Shanghai’s Thames Town, where pubs and statues of Winston Churchill abound. Gleaming replicas of the White House dot Chinese cities from Fuyang to Shenzhen. These examples are but a sampling of China’s most popular and startling architectural movement: the construction of monumental themed communities that replicate towns and cities in the West.
Original Copies presents the first definitive chronicle of this remarkable phenomenon in which entire townships appear to have been airlifted from their historic and geographic foundations in Europe and the Americas, and spot-welded to Chinese cities. These copycat constructions are not theme parks but thriving communities where Chinese families raise children, cook dinners, and simulate the experiences of a pseudo-Orange County or Oxford.
In recounting the untold and evolving story of China’s predilection for replicating the greatest architectural hits of the West, Bianca Bosker explores what this unprecedented experiment in “duplitecture” implies for the social, political, architectural, and commercial landscape of contemporary China. With her lively, authoritative narrative, the author shows us how, in subtle but important ways, these homes and public spaces shape the behavior of their residents, as they reflect the achievements, dreams, and anxieties of those who inhabit them, as well as those of their developers and designers.
From Chinese philosophical perspectives on copying to twenty-first century market forces, Bosker details the factors giving rise to China’s new breed of building. Her analysis draws on insights from the world’s leading architects, critics and city planners, and on interviews with the residents of these developments.
- Print length176 pages
- LanguageEnglish
- PublisherUniversity of Hawaii Press
- Publication dateJanuary 31, 2013
- Dimensions7.37 x 0.37 x 9.25 inches
- ISBN-109780824836061
- ISBN-13978-0824836061
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Editorial Reviews
Review
With her lively, authoritative narrative, the author shows us how, in subtle but important ways, these homes and public spaces shape the behavior of their residents, as they reflect the achievements, dreams, and anxieties of those who inhabit them, as well as those of their developers and designers. ― www.goodreads.com
In her fascinating new book . . . Bosker focuses on the suburbs for the upper class that began to be built in the late 1990s, following the privatization of real estate. These are not just individual buildings but entire streetscapes, with cobblestone alleys, faux churches (often used as concert halls), towers, and landscaping designed to reproduce the feel of European and North American cities. . . . Original Copies is filled with analysis about why these developments flourish. ― NYR Blog
The topic is multifaceted, to be sure; Bosker’s account handles it comprehensively, presenting the various angles with patience and care. ― Publishers Weekly
Review
About the Author
Ronald G. Knapp, SUNY Distinguished Professor Emeritus, State University of New York, New Paltz, where he taught from 1968 to 2001, has been carrying out research on the cultural and historical geography of China since 1965. He is the author or editor of more than twenty books concerning the vernacular architecture of China and Southeast Asia.
Product details
- ASIN : 0824836065
- Publisher : University of Hawaii Press; Illustrated edition (January 31, 2013)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 9780824836061
- ISBN-13 : 978-0824836061
- Item Weight : 1.02 pounds
- Dimensions : 7.37 x 0.37 x 9.25 inches
- Best Sellers Rank: #2,600,596 in Books (See Top 100 in Books)
- #856 in Landmarks & Monuments
- #1,638 in Urban & Land Use Planning (Books)
- #4,674 in Chinese History (Books)
- Customer Reviews:
About the author

Bianca Bosker is an award-winning journalist and the author of Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste.
She's the former executive tech editor of the Huffington Post, where she explored technology’s influence on culture through subjects such as teen Vine stars, people who date video games, and the creators of Siri. Her work has appeared in the Atlantic, T (the New York Times style magazine), Food & Wine, the Wall Street Journal, the Guardian, and The New Republic, as well as The New Yorker online. She is the author of the acclaimed academic book Original Copies: Architectural Mimicry in Contemporary China. She lives in New York City.
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Then the best part: Blanca Bosker's careful delineation of the tradition, taken from scroll painting of honest copying, imitation, adaptation, and perhaps, a bit of fraud that sometimes occurs. She extrapolates from this to an important discussion of the China of today. It's prosperity, enormous social change and upheaval, all through the lens of domestic architecture. Quite an achievement !!
The story behind the creation and execution of these cities and the “duplitecture” behind them is undoubtedly a fascinating story. Unfortunately, this book isn’t it. If you look at all aspects of the story - the who, what, where, how and why, this book spends almost all of its text on the “why”, at the expense of covering all the other topics. Let’s meet the people who plan and build these cities. The people who live in them. See what their lives are like. But we get very little of this.
Instead, we have a book full of theories and history about what motivates the Chinese to build these cities. While that’s part of the picture, and is worth a few pages or maybe a chapter, it’s not the whole story. Worse, the book is written in turgid, academic prose. Quote: “...It will be demonstrated that while the forms in these simulascrascapes may be foreign, the desired functions are indigenous and driven by autochthonous demands, both functional and symbolic.” (Teacher! Look! I used all my vocab words!). This makes the book’s obsession with theory and historical topics all the more difficult to slog through.
The book is illustrated with many photographs, but even these are disappointing. Most are excerpts from sales brochures, or timid snapshots from a distance. Few of them take you inside these places and give you sense of what these cities are like.
I seriously hope a real journalist who knows how to write an engaging story writes a book on this subject. I’m eager to read it.
Bianca Bosker, the author of this fascinating book, has included numerous photos from real estate brochures and from her own camera. At first, the trend seems fun and kitschy, then on closer examination it starts to seem odd, like a quirk that is amusing at first, then seems out of control. Finally, it just seems like a different way of approaching things.
And it may help explain what seems to be a serious difference of opinion about what constitutes stealing and what's normal use of ideas in the ether. In the light of recent news about Chinese military hacking of American businesses, it's interesting to read in Original Copies Chinese housing development designers doing research in Western cities rubbed locals the wrong way by taking numerous photos and measurements, etc, while never mentioning that they planned to copy their cities in China. You can see that on one hand it's hardly stealing to copy Venetian canals in China, but that it might be considered impolite to not mention that's what you intend to do. You do have to wonder how it would be regarded in China if a carbon copy of the Birds Nest Stadium popped up in Dallas.
Lots to think about here, from a variety of angles -- architectural, philosophical, cultural, and political.



