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The Fish That Ate the Whale: The Life and Times of America's Banana King Paperback – June 4, 2013

4.2 out of 5 stars 179 customer reviews

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Product Details

  • Paperback: 288 pages
  • Publisher: Picador; Reprint edition (June 4, 2013)
  • Language: English
  • ISBN-10: 1250033314
  • ISBN-13: 978-1250033314
  • Product Dimensions: 6.2 x 0.8 x 8.2 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (179 customer reviews)
  • Amazon Best Sellers Rank: #33,747 in Books (See Top 100 in Books)

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Format: Hardcover Verified Purchase
The Fish That Ate The Whale is sensational. A page turner, the book tells the story of poor Russian immigrant Sam Zemurray who came to the USA in the late 1800s with nothing but a strong body and a keen mind. He settled in Alabama, where he soon fell in love with the humble yellow banana--not so humble, it turned out. He started in the fruit trade at the bottom, selling the bananas other peddlers considered too yellow to make it to the market in time for a sale. Called ripes, these bananas were considered garbage by other so-called "banana men." With them, Zemurray built his first fortune. He would eventually move to Honduras, go to war with United Fruit, and conquer United Fruit, overthrowing governments in Honduras and Guatemala along the way. All of this is told with great style, color and verve. It's like an opera of the American dream that raises questions about righteousness and sin, the good and bad that has resulted from a certain kind of energy and overweening ambition. It's a book about business, family, love and loss, but mostly it's the story of America.
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Format: Hardcover Verified Purchase
I have worked for United Fruit Company over 30 years, 15 of which were in the tropics: Colombia, Costa Rica and Honduras, and remember the legend of Sam Zemurray well from the tales of people I worked with. While the story overall is fascinating and contains a number of historic facts that I was unaware of, for example the Israel connection, there are numerous technical errors in the manuscript. It makes me wonder who proofread the book before it was published. Here are just a few of those errors: The river Utila he refers to is called the Ulua. Utila is one of the Bay Islands off the Caribbean coast; bananas do ripen on the "tree" beautifully and taste delicious, you just have to cut them down green so they can be packed and transported by ship to the markets where they are finally ripened in specially equipped ripening rooms; the banana stem and bunch are synominous, the stem or bunch has typically 7 to 10 hands and each hand is cut into clusters of 5 fingers (average) for retail display for the final consumer.
Sam Zemurray was a real macho and the right man for those times. He created a banana empire where there were jungles before. The liberal minded college professors and historians should know that each farm had a village with a house for every laborer, a farm store, a free school and a free dispensary with access to a free central hospital. The pay may have been low, but they did not pay for their housing and many local schoolteachers quit their jobs in the national schools because the pay at the comnpany packing stations was so much higher. The unions fought the company whenever it wanted to turn over their facilities to local ownership because they knew that the laborers were far better off working for the "gringos" rather than local bosses/farmers.
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Format: Hardcover
Sam Zemurray walks into a jungle, grows a product, becomes a giant. He takes over companies, a market, a continent. He becomes a political problem. He rescues a nation. And he becomes a rich man, a legend, finally a great story. You travel the whole thing with him, under the big sun and with the smells of the jungle and the rolling train compartments and the central air in the boardrooms. You see him grow from a lanky green immigrant kid--Cohen describes him as tall and hard-eyed, and you keep seeing Sam as John Wayne, or like George Clooney--to a rolled-sleeve powerhouse on the plantations to a man in a suit in the corridors of power, the most dangerous of all. Rich Cohen is telling a great story, an adventure story. You look at the things you want. You imagine going out to get them; then you do get them and what does it mean to you and do to you? What does it mean for your family--the people you live with, the ones you leave behind with the money? It's The Godfather with Bananas. It's also any life, in bigger letters. And it's the business, how the banana traveled from jungle to your table; that's Sam Zemurray there, in your cabinet, who got the fruit sliced onto your cereal, in your yoghurt at the brunch place. In the book Cohen takes you across the picturebook South--farms and piers and sly deckhands--to palmy New Orleans and then into the tropics, the messy place we go to extract the good stuff. Manpower, resources, money, all to be spent and converted to power back in the necktie regions. The book gives you everything. The jungles. Gun fights on the plantations. Rickety airplanes. The stacks of money, the anxious men in offices and D.C., the agents, ultimatums. Mercenaries and revolutions.Read more ›
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Format: Hardcover
I've been a fan of Rich Cohen ever since Tough Jews, and I bought this book as soon as I could, and finished it in one sitting; I can confidently say it is his best yet. Sam 'the banana man' Zemurray is an endlessly fascinating and complicated character, with his fingerprints all over the history of the 20th century, from the creation of Israel to the Cuban Revolution, and a lesser writer would have allowed these events to consume the character at the heart of the book. But Cohen strikes the perfect balance between history and character study- each stage in Zemurray's life brings a fresh perspective, or some florid, wholly unexpected detail to well-known events, and illuminates another corner of the complicated banana man. By the end one feels they both know Zemurray the man, in all his ambitions and failings, and that they understand how well he fits as a microcosm of America at its most admirable and its most vicious. The writing is uniformly excellent, especially the thrilling opening in New Orleans- precise and atmospheric, almost cinematic. Buy this book as soon as possible. You will not be disappointed.
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