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Awakening Your Creative Soul: A 52-Week Journey to Artistic Discovery Paperback – October 16, 2018
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"Do everything with great love, whether it is painting, writing, dancing, relationships or learning." --Sandra Duran Wilson
Sharing your passion is the greatest gift you can give, and the journey to your creative awakening starts with a single step--or a single exercise. You never know what will open the door.
This book is for curious souls wanting to find the right spark to jump-start their creativity. Inside, there are 52 chapters with an exercise for each week of the year featuring a step-by-step art, writing or meditation project. Following the flow of the seasons, the exercises are designed to take you from the spring of your intuition, through the summer of personal growth, fall of self-discovery to arrive at the end of your creative cycle refreshed, revived and renewed.
Find your voice and vision:
- 52 fun and beautiful projects offer a new chance at self-discovery every week for one year--they are not necessarily sequential and can be completed at any time on your journey
- Weekly prompts merge art making with universal life challenges to help you open your mind and explore different spiritual and creative philosophies
- Print length176 pages
- LanguageEnglish
- PublisherNorth Light Books
- Publication dateOctober 16, 2018
- Dimensions8.01 x 0.52 x 10 inches
- ISBN-109781440353079
- ISBN-13978-1440353079
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About the Author
Her work is influenced by scientific concepts in physics, chemistry and biology. The pure fun of exploring what paint can do and her natural curiosity keeps the work fresh and lively. She is continually exploring new surfaces, materials and techniques. Her work is represented in galleries in the U.S. and Australia and is found in corporate, civic and educational institutions and private collections globally.
She experiments, paints, writes and teaches at her studio in Santa Fe, New Mexico. She also teaches around the U.S., Europe and Australia. She is the author of six art technique books and several DVDs, and her work has been featured in numerous books and magazines. Visit her website at sandraduranwilson.com.
Excerpt. © Reprinted by permission. All rights reserved.
Awakening Your Creative Soul
A 52-Week Journey To Artistic Discovery
By Sandra Duran Wilson, Sarah LaichasF+W Media, Inc.
Copyright © 2018 Sandra Duran WilsonAll rights reserved.
ISBN: 978-1-4403-5307-9
Contents
Introduction, 6,PART 1 The Eastern Gate, 8,
1 New Eyes, 10,
2 Who Are You, 12,
3 A Beginner's Mind, 17,
4 Vision Board, 19,
5 Attitude Cards, 22,
6 Life Force, 25,
7 Stone Meditation, 30,
8 Freedom, 32,
9 Outside of Time, 36,
10 Holding Intentions, 38,
11 Find Your Tribe, 42,
12 Dreams, 45,
13 Rebirth, 48,
PART 2 The Southern Gate, 50,
14 Go With the Flow, 52,
15 Tell a Story, 55,
16 A New Perspective, 58,
17 Animal Friends, 62,
18 Rekindle Passion, 66,
19 Planting the Seeds, 68,
20 Angel Art, 72,
21 Collaboration, 74,
22 Recognizing Intuition, 76,
23 Accidental Masterpiece, 78,
24 Focus, 80,
25 Awareness, 84,
26 Road Map, 86,
PART 3 The Western Gate, 90,
27 Power Shield, 92,
28 The Seven Chakras, 96,
29 Doorway to Stillness, 98,
30 Labyrinth, 100,
31 Double Decker, 103,
32 The Verb, 106,
33 Healing, 108,
34 Habits, 111,
35 Rhythm, 114,
36 Shadow Play, 118,
37 No Comparison, 120,
38 Resistance, 124,
39 Be Bigger Than Your Fears, 126,
PART 4 The Northern Gate, 128,
40 Ancestors, 130,
41 Living in the Question, 134,
42 Embrace the Unknown, 136,
43 Buried Treasure, 140,
44 Sacred Shrine, 142,
45 Trust and Synchronicity, 146,
46 Gratitude Tree, 148,
47 Share Your Light, 152,
48 What to Do When You Fall, 156,
49 Success, 160,
50 Find Your Song, 162,
51 Joy Is a Circle, 165,
52 Refill the Well, 168,
Contributors, 170,
Index, 172,
About the Author, 174,
Dedication & Acknowledgments, 175,
CHAPTER 1
PART 1
The Eastern Gate
THE EASTERN GATE OF THE WHEEL OPENS AT DAWN ON THE VERNAL EQUINOX.
The east's energies are about becoming new again. Beginning and returning, awakening, new growth, seeing things through fresh eyes, embracing the dawn and springtime. This is the time of early childhood and learning who you are. Spontaneity, playfulness, wonder, inquisitiveness, truth and creativity are all eastern energies. Question everything with a child's mind and curiosity. This is a magical time when all seems possible.
Face the eastern dawn and awake from the sleep of winter. Feel the rising sun illuminate your mind, body and soul. You are beginning anew, yet you retain the wisdom that you have carried around the wheel of life. The earth is coming alive with new growth and fresh promise.
Now is the time to turn outward to greet the day. You have completed the circle of the seasons and been reborn from the darkness of winter, bursting forth with the lively curiosity of the child.
In this season of light emerging from the darkness, we are fueled by the spirit — the part of us that is eternal. This light births creativity, and is manifested in art and writing. Through the exercises in the eastern section, we will peel away the layers of the ego to identify and clarify our soul. We will learn to see with fresh eyes and gain new perspective. We will begin anew and learn to trust our intuitive voices, harness our dreams and jump outside the constraints of time to manifest our creativity.
1
New Eyes
Make the common sights strange and the unusual familiar.
Your art will be found in the hidden corners and crevices of your soul. It won't hit you over the head, it will whisper your name. Learn to listen and see with fresh eyes. Expand your perceptions and invite your muse to join you in a grand adventure. Think of how when you are traveling to a new place, the time passes slowly compared to the return trip. You see with new eyes on the outward journey, and on the return trip your brain is editing those experiences. Time changes. Our routines can be very helpful for many things, but seeing with new eyes is not one of them.
When we become accustomed to seeing the same things every day, they tend to disappear. Our mind cuts out the familiar. We must train our mind to see again. Take, for example, water. How often do you encounter water in some shape or form during the course of your day? Many times, yet your mind doesn't register these encounters as events to remember.
Look at the page of this book or at a piece of paper. Do you see the cloud in the paper? Thich Nhat Hahn discusses this regarding meditation. The artist can see the cloud floating in the paper or the canvas. The cloud is necessary to produce water. The water is needed for the tree to grow and the paper comes from the tree. This exercise is twofold. First we will make the common sights and experiences memorable, then we will make the strange and unusual concepts more familiar. We are training ourselves to encounter our muse in both the most familiar and the most unlikely places.
Begin today by taking note of every time you encounter water. It is in your coffee or tea in the morning. It is in the shower and the bath. It is in the food you eat. All food requires water. It is used to grow the fibers to make many of the clothes you wear and to grow food for the cattle that produce the leather for your shoes. It is used in manufacturing plastics. It is everywhere. Notice and think about this for the day. Make yourself aware of the familiar. Think about how you will use this information in creating a work of art.
Now attempt to make the strange familiar by looking at something from a unique perspective. Open your eyes to the minute patterns around you to tell your muse that you are awake and listening. The muse will respond by revealing all kinds of creative ideas and patterns. Let's look from high above. Aerial or topographical maps that indicate elevation changes are a new way of seeing the earth. Think of these like vibrational lines or fractals. Fractals are never-ending patterns that continuously replicate themselves at an increasing scale. These same patterns are repeated over and over until they form larger patterns, but the same form is contained within the larger pattern. They surround us. When you begin to look you will see them everywhere, such as the center of a sunflower, the form of a cauliflower or the veins of a leaf.
Maybe math is strange for you, so begin to look at pictures of coastlines or satellite images of a river delta following its path as it flows into the ocean. This, too, is mathematics. Not as strange now, is it? Science and technology continue to bring new tools to the artist. Drone photography reveals incredible views from a fresh perspective, with artists today creating amazing video art by choreographing and filming illuminated drones at night to create patterns and movement.
2
Who Are You
Transform a blank canvas into a portrait to get to the heart of your identity.
MATERIALS
Panel or old
painting
Creative Paperclay
Ornament or object
to shape the
clay around or
wax paper
Unmounted
rubber stamp
or flexible texture
plate
Light molding
paste by Golden
Paper and pencil
Acrylic gel gloss
Paintbrushes
Palette knife
Scissors
Grafix Artist-tac
adhesive
Washi tape
Acrylic paints
DecoArt Metallic
Lustre cream wax
Water-soluble
colored pencils
Who you are is much deeper than the labels we usually give ourselves. What are your labels — woman, friend, mother, artist, healer, man, father or the identity of your career? Think of it like peeling the fine, thin layers off an onion. First there are the dry outer skin layers that come off easily. Next there is a thicker protective layer and then the fine, thin membranes, which are very fragile. These layers are like our labels: easy to identify. Below are the layers of our experiences, followed by the layers of our emotions and, at the innermost center, our soul's core layers.
You can do this exercise with a partner or you can use a mirror to do the exercise by yourself.
To begin, ask the question, Who am I? Take a moment to breathe and answer the first thing that comes to you. It will probably be your name. Ask again, who are you? Continue repeating and answering the question like you are peeling off the layers to reveal your inner self. Take time to breathe and let your answers flow. There is no wrong answer.
You may write the words down, or simply stay in the process and write them afterward. If you are doing this with someone, ask them Who are you? making sure to look into their eyes when asking and responding. This may feel awkward in the beginning but stay with it. If you are doing this on your own, use a mirror to look deeply into your own eyes.
Write your words in pencil on paper.
When you have finished this exercise, make a self-portrait based on your responses. This is not a traditional self-portrait. It is not based on your outward appearance, but on who you are experientially, emotionally and soulfully.
Here are some of my words: Sandra, wife, friend, daughter, sister, artist, scientist, writer, poet, dreamer, activist, lover of life, sailor of space, light, the wind, the silence between the notes, stillness. The many roles I have throughout my life are the outer layers. My aspirations and dreams are the inner layers, and my soul's core is who I am without all those other roles, like stillness.
I decided to use an old painting I had done back in art school as my background canvas. I like the idea of building layers on top of who I was to create a current self-portrait many years later. All of my past experiences are contained and transformed into who I have become.
To prepare the surface, I covered the entire surface of my old painting with light molding paste, then I added gel gloss onto some areas at random. This created a totally white and somewhat absorbent substrate. If you choose to use an old painting, you can prepare it with gesso or just start with a new blank canvas altogether.
1 Make a heart with paper clay. Roll out the clay to about ¼" (6mm) thickness. I am using a decorative heart ornament as a base to shape the clay around. If you aren't using a base, simply roll the clay flat on top of wax paper and then cut out a heart shape with a knife.
Build up the clay gradually so it has some depth. Dampen your fingers to smooth additional clay and press around the edges to create the heart shape.
2 Using an unmounted rubber stamp or other textured material to emboss, press texture onto the heart. Carefully remove the clay from the heart base or the wax paper and set it aside to dry. It may take a day or two to dry.
3 Once the clay heart is fully dry, brush on a base of gold acrylic paint and let it dry.
4 When the paint is dry, use your fingers to apply some turquoise metallic cream wax to give the heart a metallic look. Set it aside to dry.
5 Draw the shape of a head and neck on copy paper and cut it out. Place the paper cutouts on your panel surface and use a brown water-soluble colored pencil to outline the shapes. If you like, you can simply draw the shapes freehand.
6 Paint the head and neck with mixtures of yellow and red acrylic paints diluted with water.
7 Select the colors for your background. My color palette is green, yellow, white and brown. Dilute the acrylic paints with a lot of water and apply with a large brush. Let it sit for a few minutes, then blot some off. This is a great way to control and build layers.
8 Use the brown water-soluble colored pencil to outline the face on your self-portrait.
9 Write your Who Am I words on a piece of copy paper using a pencil. Turn the paper over with the words facedown and apply overlapping strips of washi tape to the paper.
10 Here you see the washi tape, but the words are not visible. The words will be collaged facedown into the finished piece as a meaningful layer, just like the layers of an onion.
11 Cut the washi tape across the layers to create a new pattern: hair that will flow from the head.
12 Pull the protective backing away from a sheet of adhesive film and place the strips onto the sticky side. Reposition the cover paper and rub down to adhere the sticky adhesive to the strips of paper. Remove the cover paper and peel the strips off. The back side of the strips will now have adhesive on them.
13 Position the strips of washi tape where you want them. You can easily reposition them before you rub them down into place. Once everything is arranged as you like, use your hand or a burnishing tool to rub the strips onto the surface.
14 Finish painting the face with your acrylics and watercolor pencil, and continue to add the washi strips.
15 I found some wooden rings that I painted gold. You could also use old jewelry or personal symbols to make this your own portrait. Use acrylic gel gloss to attach the heart and your symbols. Apply enough to the objects so that when you press down, some gel oozes out. You can clean off the extra before it dries. Set it aside and let it dry.
3
A Beginner's Mind
Avoid overthinking your work by abandoning expectations.
Contributed by Seth Apter
MATERIALS
Watercolor paper,
12" × 18" (30cm × 46cm)
Black gesso
Acrylic paints
Brushes
Embossed
wallpaper or other
textured paper
Rubber stamps
Ink pads
Craft sponges
Stencils
Journaling pens
Scissors
Sometimes starting something new, especially as a beginner, can feel daunting and overwhelming. On the other hand, a beginner does not bring the expectations of immediate success, which can often stifle creativity. In fact, beginners come with excitement, eagerness, passion, hope, curiosity and often a sense of playfulness. Think about creating as a child, the ultimate example of a new beginning.
No matter where you are on your creative path, a complete novice or a seasoned pro, try to think like a beginner. Take risks, be spontaneous, let go of any preconceived outcome, and bring with you the sense that anything is possible. The exercise here, which I call "Layer Conveyor," is all about letting go and having fun. I selected these techniques to help you create without over-thinking. So bring your beginner's mind and play!
1 Cut watercolor paper into four 6" × 6" (15cm × 15cm) squares. Brush black gesso loosely on one side of each square. When the gesso is dry, squeeze two colors of acrylic paint onto the surface of each square one at a time and brush it out. Let the colors mix and leave bits of the black surface showing through. Add additional colors of paint as desired.
2 Place your watercolor squares into a pile, overlapping one another. Select one pattern from a variety of pieces of textured paper and brush on acrylic paint. Press the surface of the pattern paper onto the pile of squares, swiping with your hand to apply the pattern from the textured paper to the squares. Shuffle your pile of squares and repeat the process with different colors of paint and different patterns of paper.
3 Once dry, replace your watercolor squares into an overlapping pile. Ink a variety of rubber stamps with background details and press onto the pile. Do this at random with no thought of composition. Shuffle your pile of squares and repeat the process with different colors of ink and different stamps.
4 Select a variety of stencils and create a focal point on each watercolor square by pouncing layers of acrylic paint and ink from the ink pads through the stencil using a craft sponge. Let each layer dry before proceeding to the next. I used 6" × 6" (15cm × 15cm) stencils/masks on each piece, but you can use any number of different stencils to create your own design.
5 Using your choice of journaling pens, outline the stencil words and designs and add your own marks or doodles to make the artwork uniquely yours.
4
Vision Board
Find your vision in the circle by following the Earth's energies.
MATERIALS
Foamcore or
mat board
Pencil
Craft knife
Cutting board/surface
Ruler or T-square
Shapes for making
circles
Magazine images
or other printouts
Paper and pens
for writing words
Glue stick
I have used visioning to manifest most things in my life. I didn't have the words vision board when I was a child, and manifesting didn't mean the same thing back then, but I used pictures. I would write and draw about the things I wanted to do or things I wished for. I would use pictures for my birthday or holiday wish list to present to my parents. I never did get my horse, but I became very adept at drawing them. Later I had posters in my room of places I wanted to go and things I wanted to do. These were my early vision boards. I would stare at the posters and this would become a type of meditation. When I looked out the window and heard the whistle of a distant train, I would imagine where it was going and that I would be on it. I used words, pictures and my imagination to create and manifest.
I now understand that the secret to manifesting relies on feelings. What you focus on expands, so make room for it in your life. Focus on how you want to feel. Create a vision board to hold your desires and dreams in front of you daily so you can focus on them. When you create the vision board, you are defining your desires and dreams. When you put it in front of you every day, you are refining these dreams through short visualizations every time you look at it.
"Your brain will work tirelessly to achieve the statements you give your subconscious mind. And when those statements are the affirmations and images of your goals, you are destined to achieve them!"
— Jack Canfi eld —
at it. Visualization works. It works for improving performance in sports, and it works for imagining the outcome of an activity. It stimulates the same areas in the brain whether you are doing the activity or simply imagining it. It works when you feel the experience like it is happening now.
I have been making simple vision boards with groups for years using a piece of posterboard, a glue stick and a stack of magazines. I remember one person methodically looking through a huge stack of magazines for a very specific image. I suggested that she shut her eyes and visualize the image she wanted using her imagination and to focus on this until it became very clear and she could sense it. I then told her to open her eyes and go grab a magazine from the table. Pick up the first one that speaks to you. She started to give me that are-you-kidding-me look, so I asked her to just act, not think. She trusted and did as I asked. She picked up a magazine and began to flip through it. I returned to the rest of the group, but within a few minutes I heard a squeal. "It's here. It's perfect. It is exactly what I saw!" She added it to her board and proceeded to close her eyes and visualize her next image. She got it. She now understood the power of visualization.
In this project we are going to make a vision board by allowing the Earth's energies to direct and guide us. We will keep an opening in the center of the circle to represent the unknown — the place where all creation is possible. Here are some of the symbolic meanings behind each of the Earth's four directions and a simple objective to contemplate:
EAST — Spring, new beginnings, dawn, awakening, illumination, imagination, play, rebirth, curiosity, wonder and clarity: things I wish to embody.
SOUTH — Summer, growth, learning trust, abundance, paradox, clarity, action, intuition, experimentation, joy: things I wish to learn.
WEST — Autumn, strength, introspection, renewal, gratitude, understanding, acceptance, self-love, maturity, reflection, collaboration: things I wish to share.
NORTH — Winter, wisdom, purity, peace, paradox, serenity, time of reinvention, sitting in the silence, balance transformation, moving from old age to the next level: to simply be.
(Continues...)Excerpted from Awakening Your Creative Soul by Sandra Duran Wilson, Sarah Laichas. Copyright © 2018 Sandra Duran Wilson. Excerpted by permission of F+W Media, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : 1440353077
- Publisher : North Light Books; Illustrated edition (October 16, 2018)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 9781440353079
- ISBN-13 : 978-1440353079
- Item Weight : 1.35 pounds
- Dimensions : 8.01 x 0.52 x 10 inches
- Best Sellers Rank: #325,376 in Books (See Top 100 in Books)
- #165 in Mixed Media (Books)
- #852 in Painting (Books)
- #1,075 in Creativity (Books)
- Customer Reviews:
About the author

Sandra Duran Wilson is a fourth-generation artist. Her Mother's relatives were artists and come from Mexico, Spain, and Italy. Sandra's early years were spent on the border of Mexico where the people, animals, landscape, drama of the religious rituals, and stories of the curanderas shaped her reality.
Sandra's father and his relatives were physicians and scientists and they nurtured her love of science. Making her paints and paper from materials found in Nature is a direct result of this passion. She has degrees in both Fine Art and Science. "I have always loved to mix things up and this has nurtured my art explorations".
This combination of art and experimentation led to the creation of the first art technique book, Image Transfer Workshop. Surface Treatment Workshop, Mixed Media Revolution and Alternative Art Surfaces followed. Her fifth book, Acrylic Painting for Acrylic Effects has been widely embraced by both acrylic and encaustic painters. Her sixth book is due out in October 2018. She paints and lives in Santa Fe, NM and her art is in international public, corporate and private collections. She teaches workshops in the US and internationally.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book incredible, informative, and thought-provoking. They say it spurs personal adventures and guides them on an amazing journey to discover their spiritual, artistic, and imaginative selves. Readers also mention their artwork has become richer and conveys more depth.
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Customers find the book incredible, informative, and thought-provoking. They say it spurs personal adventures and guides them on an amazing journey to discover their spiritual, artistic, and imaginative self. Readers also mention the book provides weekly opportunities to embrace and connect with the multiple facets of their creative soul.
"...her book a chapter at a time, and am finding that it's inspiration is well worth the journey....my artwork has become richer and conveys more depth..." Read more
"...It spurs personal adventures. Although I have not finished the book I found my wish to do more creative projects moved into action...." Read more
"...This book is wonderful window into the personal process of making art based on a 52 week journey of discovery...." Read more
"This book is an incredible journey to your personal creative soul. Sandra's teaching is captivating, connective and thought provoking...." Read more
Customers find the art direction in the book richer and deeper. They also appreciate the technique suggestions with beautiful photos.
"...that it's inspiration is well worth the journey....my artwork has become richer and conveys more depth than ever before." Read more
"...this book as with her previous books, Sandra offers technique suggestions with beautiful photos as well as all materials to achieve similar results...." Read more
"...you on an amazing journey to discover your spiritual, artistic and imaginative self...." Read more
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I recommend that any reader of this wonderful book delve into a lesson and go with the flow of what it has to teach you. I have loads of art books but this one is quite different. When I first thumbed through it, a series of pages grabbed me immediately and I was compelled to try the process described. This book is jam packed with not only the art exercises but most importantly, in my view, the mind exercises. I have learned a great deal about exploring numerous materials from this author in videos and her other books in the past, but to learn ways to access one's inner muse is essential to getting the most out of creative efforts. And I believe that is a key part to the magic of this book. Within the first paragraph of most of the chapters is a key sentence describing the mind or "soul" exercise, if you will, that the particular exercise embodies. Most art instruction books are about the materials and the "how to," but ignore the exploration of ways to access one's muse more easily. This is the first book I have read which pulls your being, your heart and your inner messages to the forefront so you can create directly from them and make your artful expressions truly your own. I am currently losing myself in her book a chapter at a time, and am finding that it's inspiration is well worth the journey....my artwork has become richer and conveys more depth than ever before.
This book is wonderful window into the personal process of making art based on a 52 week journey of discovery. It will also make a welcome gift for friends and family who love art.
This is more of a book about intuition and the intuitive and spiritual aspect of creativity than it is about creativity within itself. I love that approach, don't get me wrong, but the projects in this book... just a big "no" for me. Not because they aren't good projects or executed well, but because they are all sort of "maker" projects- assemblage, making a necklace out of old spoons, medicine pouches out of suede, found objects on canvas, creating things out of clay, implanted paper with seeds, dreamcatchers, etc. Very "sort through odds and ends and find a bunch of stuff and assemble it all into something meaningful." That's just not my process or approach or my interest. Not that it's bad or not worthwhile- not at all- but I wish that the cover and preview pages of the book showed more of the fact this book is about that.
I'm a painter (acrylic and watercolor) and I love mixed media, but not "root around in the garage" kind of mixed media, if that makes any sense. So the art in this book is not for me. There are maybe two projects in this book (of 52 projects total) that appeal to me, and both use techniques that I'm very familiar with already. So that was a total disappointment.
I kind of feel like the authors and contributors felt like they HAD to provide stepped-out projects to compliment the stories and advice they were sharing about their approaches, and the book suffers from that because the projects are SO varied in media (paint pouring, clay, paper-making, metal working, etc. ) that each medium is approached in a very VERY beginners-friendly way and therefore, the projects look like stuff you'd make at camp. Not that there's anything wrong with that, but it just does the book a huge disservice. I mean, most of us are not looking for basic projects in an art book, and if we are, we buy a book that caters to ONE discipline and teaches us the basics in a thorough way. If I wanted to learn about assemblage, I would buy a book about that.
This book would have been SO much better if it was just inspiration and words with accompanying images of finished pieces that embodied what the artists were talking about.
I don't know. It's just absolutely not what I was expecting from the preview. I don't have enough time to try most of these projects, and none of them appeal to me so much that I would make time and go find/buy supplies. I was hoping to find some elements I could add to my body of work as it is, but there's just too many things going on in this book.
What does interest me about this book is the mind-body-soul aspect of the book. This is the kind of book I'd sit down and underline for inspiration for my mind and soul, but not use for NOT inspiration for my art. There's a lot of what people would consider "woo woo" in these pages- I enjoy spiritual philosophy and am open to the idea of bringing a little of my inner workings into my art, but I know a lot of people do not.
Just thought I would post this review in case anyone out there is wondering what this book is. I think it has value, just not necessarily as your typical art/creative inspiration book. I returned it, very disappointed.
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Reviewed in Canada on July 7, 2020
I am giving it to the local library.




