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Present Shock: When Everything Happens Now Hardcover – March 21, 2013

4.3 4.3 out of 5 stars 293 ratings

“If the end of the twentieth century can be characterized by futurism, the twenty-first can be defined by presentism.”
 
This is the moment we’ve been waiting for, explains award-winning media theorist Douglas Rushkoff, but we don’t seem to have any time in which to live it. Instead we remain poised and frozen, overwhelmed by an always-on, live-streamed re­ality that our human bodies and minds can never truly in­habit. And our failure to do so has had wide-ranging effects on every aspect of our lives.
 
People spent the twentieth century obsessed with the future. We created technologies that would help connect us faster, gather news, map the planet, compile knowledge, and con­nect with anyone, at anytime. We strove for an instanta­neous network where time and space could be compressed.
 
Well, the future’s arrived. We live in a continuous now en­abled by Twitter, email, and a so-called real-time technologi­cal shift. Yet this “now” is an elusive goal that we can never quite reach. And the dissonance between our digital selves and our analog bodies has thrown us into a new state of anxiety: present shock.
 
Rushkoff weaves together seemingly disparate events and trends into a rich, nuanced portrait of how life in the eter­nal present has affected our biology, behavior, politics, and culture. He explains how the rise of zombie apocalypse fic­tion signals our intense desire for an ending; how the Tea Party and Occupy Wall Street form two sides of the same post-narrative coin; how corporate investing in the future has been replaced by futile efforts to game the stock market in real time; why social networks make people anxious and email can feel like an assault. He examines how the tragedy of 9/11 disconnected an entire generation from a sense of history, and delves into why conspiracy theories actually comfort us.
 
As both individuals and communities, we have a choice. We can struggle through the onslaught of information and play an eternal game of catch-up. Or we can choose to live in the present: favor eye contact over texting; quality over speed; and human quirks over digital perfection. Rushkoff offers hope for anyone seeking to transcend the false now.
 
Absorbing and thought-provoking,
Present Shock is a wide-ranging, deeply thought meditation on what it means to be human in real time.
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4.3 out of 5 stars
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Customers find the book provides valuable insights and useful information about the digital world. They describe it as an engaging read that is well-reasoned and enjoyable. Opinions differ on the writing quality - some find it clear and easy to understand, while others consider it heavy reading.

AI-generated from the text of customer reviews

52 customers mention "Insight"46 positive6 negative

Customers find the book provides valuable insights and thought-provoking content. They say it provides an enlightening description of the digital world, with useful information and theoretical contemplation of the present. The book covers big ideas but with enough focus to deconstruct "symptoms" like dullness and dryness. However, some readers feel the subject matter is interesting despite being somewhat dull and dry.

"...It simply is. Personally I find the basic idea exciting...." Read more

"...Rushkoff is a pretty intelligent guy, with a really likeable writing voice, and he makes some great points about technology and how it works in our..." Read more

"...Rushkoff provides an enlightening description of how the digital world, including our relationship to the binary-based technology, is redefining our..." Read more

"...The research is excellent, the writing is very good and the ideas are provocative...." Read more

33 customers mention "Readability"33 positive0 negative

Customers find the book easy to read and engaging. They find it well-researched and informative, with good writing style. Readers mention it's a must-read for those seeking to understand Millennials. However, some find it challenging to understand the content.

"...Great read, if not a bit dense at times." Read more

"...politics, technology, information and media will find this a gem of a book to read." Read more

"...Either way, I really enjoyed reading this book. It is very rational and consistent...." Read more

"Present Shock was a challenging read. This book focuses on the technology based and technological reliant aspect of the 20th century...." Read more

24 customers mention "Writing quality"13 positive11 negative

Customers have different views on the writing quality. Some find it well-written and easy to read, with a clear style and points. Others find the book complex and difficult to summarize, describing it as long and rambling.

"...Rushkoff is a pretty intelligent guy, with a really likeable writing voice, and he makes some great points about technology and how it works in our..." Read more

"...This is a very difficult book to summarize, so I'll begin with a very specific argument the author makes, delivered completely out of context, but..." Read more

"...The research is excellent, the writing is very good and the ideas are provocative...." Read more

"...Even at it's best, Present Shock is long and rambling, often taking paragraphs and pages to say what could be said better by others in far fewer..." Read more

Top reviews from the United States

  • Reviewed in the United States on April 13, 2013
    This is copy of a review that I blogged at [...]

    This is a very difficult book to summarize, so I'll begin with a very specific argument the author makes, delivered completely out of context, but probably familiar to most people of my generation:

    "The show's gags don't even relate to the story or throughline (such as they are), but serve as detours that thwart or halt forward motion altogether. Rather than simply scripting pulp culture references into the scenes, Family Guy uses these references more as wormholes through which to escape from the temporal reality of the show altogether, often for minutes at a time, which is an eternity on prime-time television. In one episode the mom asks her son to grab a carton of milk "and be sure to take it from the back." Apropos of nothing, a black-and-white sketch of a man's hand pulls the child into an alternative universe of a-ha's iconic 1984 "Take On Me" music video. The child runs through a paper labyrinth with the band's front man for the better part of a minute before suddenly breaking through a wall and back into the Family Guy universe."

    All of which makes me wish he'd tried to describe the fight with Chicken in such delightful academic language.

    If there's a unifying theme to "Present Shock", it's probably this: the invention of computing and digital communication is at least as transformative for our species as the Industrial Revolution, and possibly as transformative as the invention of writing. Therefore the way we think about time, money, democracy, relationships, and work is changing in much the same way as it changed during the Industrial Revolution.

    Rushkoff is particularly (and I would peculiarly) interested in how we think about time. Before the invention of writing, there was, in a sense, no time. Things obviously did change, but they changed gradually and as there was no way to create permanent records it was likely undetectable to the inhabitants of that era. There were also no days of the week or months of the year. Writing allowed records to be kept, but the Industrial Revolution and in particular the invention of railroads necessitated the invention of precise time: clocks and watches and the need to know time accurately to the minute (my current town of Waltham, MA became famous - and wealthy - by manufacturing the first pocket watches just when there was suddenly a need for them). The digital era is changing it all again, when, as the title suggests, everything happens now.

    The quote about Family Guy, above, is meant to illustrate how our changing relationship with time has in turn altered our relationship with the traditional story has changed, especially in the 21st century, as a result of this new relationship with time. The Simpsons, Mystery Science Theatre 3000, The Office, Family Guy, and Community are all examples of the TV shows that give their characters awareness of the fact that they are in a TV show, and so satirize narrative itself. Contrast this with the classic situation comedy: "The `situation' usually consisted of a history so important to the show that it was retold during the opening theme song" (yeah, I never made that connection either).

    This is of course a bit of a leap, but it's a microcosm of the issues touched on by Rushkoff, many of which are not meant to be convincing arguments at all but rather thought provoking starting points. If we take as a given that the Industrial Age is firmly over, and we have now entered what we might call the Digital Age, then we need to re-think how we approach the economy, government, and work-life balance. If stock trades need to be made instantaneously by a computer, and need to be immediately profitable, then the very meaning of value - so far as stocks are concerned - is destroyed. Viewed through this lens, the financial crisis is just the beginning of the end of an era when those sorts of commercial exchanges made sense. Now that they don't, the market will have to reinvent itself.

    Similarly, Occupy can be viewed not as a grassroots political movement with a particular goal in mind (like the civil rights movement) but as a first attempt to diversify - or even re-invent - the way people self-govern. Self-governance through representative democracy is after all a relatively recent invention. If the current dearth of voting options, lack of effective information through traditional media channels, and poisoning of the system through private interests is creating a climate in which government ceases to function, then what will replace it?

    Rushkoff is primarily descriptive, not prescriptive, and the point of the book is not to say whether the coming of the Digital Age is good or bad. It simply is. Personally I find the basic idea exciting. The basic conceit means that much of the current anxiety we have over the 21st century so far is not so much a symptom of technology being bad for our souls, but a disconnect that arises from trying to ram Industrial Age mentalities into a place where they don't belong. With technology current technology we are able to work anytime, anywhere. That doesn't mean it's a good idea. After all, in the end the whole point of everything from telecommuting to Netflix is to save time, which in turn means to create time for other things. The question is: why haven't they?
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  • Reviewed in the United States on November 9, 2013
    Though the writing gets bogged down in its own academia at times, the concept itself is pretty fascinating. Rushkoff is a pretty intelligent guy, with a really likeable writing voice, and he makes some great points about technology and how it works in our lives. Why doesn't it make our lives easier? Instead our lives have become much more difficult, we're expected to be working all the time now, we're micromanaged more than ever.

    Great read, if not a bit dense at times.
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  • Reviewed in the United States on July 4, 2013
    The framework for Rushkoff's Present Shock is the re-cognition of the collapse of the narrative world and the emergence of the digital now, or present time to the exclusion of past and future, which I think can be described as truncated spacial time.

    There are a number of insightful reviews here that provide insightful observations into this wonderfully imaginative book. I won't duplicate those insights and encourage surveying the reviews here as Rushkoff's book is a multifaceted gem. Since reading, rereading, and consulting Marshal McLuhan's Understanding Media some years back, I have waited for a followup worthy of the Canadian's seminal work. Rushkoff's Present Shock is it.

    Rushkoff provides an enlightening description of how the digital world, including our relationship to the binary-based technology, is redefining our relationship with Time and how we live. McLuhan's history of media through all its transformations from oral to written to electronic anticipates the worldwide web, but Rushkoff's Present Shock examines the impact on our lives, starting with the collapse of the narrative.

    The narrative - the stories with beginnings, middles, and ends, used to define our lives by providing context to all life's mysteries - is being overtaken by the digital progression of email-to-texting-to-blogging-to-twitter. The truncated digital now is cut off from the linear context provided by the past (beginning) and future (end). Instead we are left with the truncated present, which can only be associated with other present moments cut off from their pasts and futures.

    In addition to exploring the effect of the digital on our perceptions and the media, Rushkoff examines the Tea Party and Occupy movements as reactions to the digital world. "Tea Partiers mean to wipe out the chaotic confusion of a world without definitive stories; the Occupiers mean to embed themselves within it so that new forms may emerge."

    Rushkoff's book might be guilty of the same narrow vision he sees as the widespread reaction to digital, except that he expands the spatial time of Present Shock to include the past and future contexts of digital. After examining the two types of ancient times - chronos (numeric/digital) and kairos (right moment/spaces between the digit, or narrative) - he weaves these two ancient perceptions into our current relationships with Time.

    In exploring digital gaming, he sees what McLuhan would classify as a "hot" media, engaging the player through shifting rules, improvisation, and seemingly infinite open possibilities, at the expense of closed traditional gaming with set goals and definitive rules; or even in contrast to characters in books who are revealed as opposed to constantly defined as in the digital world.

    Ultimately, Rushkoff sees a world where we create illusory digital selves that live in a digital universe that parallels our corporeal existance. The digital self wants to know why another digital character has not responded to, say, an email. A more nuanced and more realistic question would be to recognize the distinction between corporeal and digital universes and wonder whether the recipient has logged on and signed into his email.

    I have only touched on the expansive insights Rushkoff offers in his book, much like the zen finger pointing at the moon (the lunar light an indication of the highest wisdom that sheds light on all phenomena without dispelling the darkess, hence enlightening the relationships between all the phenomena of both day and night worlds).

    Speaking of which, Rushkoff makes many illusions to Buddhism (the philosophy of the "awakened mind") and I feel confident in writing that Rushkoff is not denigrating the digital. As noted in another review here, this book is descriptive. But he is pointing toward a spacial time that includes the past and points toward a future, even if what is to come is not written in stone (so to speak).

    There is such a concept of Time examined in great depth in Buddhism. It's most immediate expression is the mandala, or thangka, the highly stylized two-dimensional art that in addition to its central subject portrays the context of the subject in telling a story. For instance, in a thangka of Buddha's challenges stories of the Buddha's past are portrayed, as is the accomplished achieved (the future). These are meant not only to "tell" a narrative story in spacial Time (with a beginning, middle, and end), but also engage the viewer by touching qualities within (awaken the mind?).
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  • Reviewed in the United States on February 18, 2014
    This is one of the best books I read in 2013. Douglas Rushkoff manages to get to the nub of many of the social issues we face when it comes to technology, information and information technology. He illustrates how our relationship to time vis a vis technology has vastly shaped the way we interpret information and see it as part of a social, political landscape.

    It is almost like the anti-mindfulness, mindfulness book in that it speaks to how we, as a society, are getting much more attune to the present moment, but not in a reflective way. True mindfulness is about understanding the flows of life and the past in the process of attending to the present. Rushkoff's analysis shows that we tend to see the present, get shocked and outraged and engaged in the moment, and then let it go. This letting go means we lose history, context and get too enraptured with the "now" and the new, shiny piece of information we get rather than sitting back and putting it into a larger frame of reference.

    The research is excellent, the writing is very good and the ideas are provocative. Anyone interested in social politics, technology, information and media will find this a gem of a book to read.
    3 people found this helpful
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  • BHUPENDRA MADHIWALLA
    5.0 out of 5 stars Why can't we see?
    Reviewed in India on February 25, 2019
    My review is same to what I said for your other book 'Throwing Rocks......'. Humans are becoming less and less rational and therefore less and less humane. True rationality, not irrational and unjust justification, gives birth to other virtues such as empathy, compassion, reasoning ability etc. and sadly we are loosing it. Homo sapiens are going down emotionally, who will stem the rot?
  • Julie Kooistra
    5.0 out of 5 stars Present Shock is still as relevant as the day it was written....
    Reviewed in Canada on July 1, 2015
    Probably the most thought provoking book I have ever read. Mr. Rushkoff manages to engage the reader at every turn of the page. Though it does take time to finish, don't stop partway through - I had as many aha moments in the last half as I did in the first. I am buying copies to give out. I have never read a book more than once, but this will be the exception!
  • M. Marc Kieken
    5.0 out of 5 stars A great book !
    Reviewed in France on April 18, 2016
    A very interesting, documented, far sighted book, that binds practical examples with an historical perspective and a nearly philosophical view, while never going into too many details or obscure paths.
    A must read !
  • Nicholas Winstanley
    5.0 out of 5 stars Required reading
    Reviewed in the United Kingdom on August 29, 2013
    This is a truly excellent book. A must read for everyone really - particularly those looking for ways to reduce the nonsense that fills so much of life.
  • Florian Beeres
    2.0 out of 5 stars Langweilig und ohne Aussage
    Reviewed in Germany on March 24, 2013
    Habe mir das Buch gekauft, nachdem ich ein relativ interessantes Interview mit dem Autor gesehen hatte. Das Buch selbst besteht zu 85% aus endlosen Beispielen für unser zu schnelles, modernes Leben. Mit "digital" hat das Ganze in meinen Augen wenig zu tun. Mal geht es mehrere Seiten um die Lieferkette von Zara, danach um sportliche Leistungen zu verschiedenen Mondphasen oder verschiedene Aspekte des Multitaskings (SMS im Auto, Telefonieren und Fernsehen...). Der Autor springt dabei von Beispiel zu Beispiel und schweift dementsprechend vom Thema ab. Was mir jedes Mal gefehlt hat, ist die Benennung des zugrundeliegenden Problems in Bezug auf das digitale Leben, sowie ein möglicher Lösungsansatz oder irgendeine zentrale Aussage, die mit diesem Beispiel untermauert werden sollte.
    Eine eigentlich interessante Passage beschreibt beispielsweise die Problematik der amerikanischen Drohnenpiloten. Sie leben zwei verschiedene Leben zugleich (Erst Soldat, dann abends Familienvater) und stehen dadurch unter enormem Stress. Am Ende des Paragraphs wird eine kurze Analogie zum digitalen Leben (mehrere Identitäten) hergestellt, weiterführende Fragen oder eine tiefgreifende Analyse fehlen aber. Weiter geht's danach mit Arbeitsbewältigung von Mensch und Maschine (Sequentiell vs Parallel).
    Somit wird das Buch mit jeder Seite repetitiver und führte bei mir dazu, dass aus Lesen allmählich überfliegen wurde. Um's jetzt mal ehrlich zu sagen: Für mich ist das nur ein weiteres Buch voller Geschwafel. Vielleicht kann man zu dem Thema auch nicht viel mehr sagen.