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Conservation of Shadows Paperback – April 16, 2013
Enhance your purchase
- Print length336 pages
- LanguageEnglish
- Publication dateApril 16, 2013
- Dimensions6 x 0.84 x 9 inches
- ISBN-101607013878
- ISBN-13978-1607013877
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The most interesting five stories are:
"Swanwatch" invites us to observe the crew of a space station whose duties require monitoring starships that enter their solar system to dive into its sun. Each member of the crew has a past and works toward some end. Not that they know these things about each other.
In "Flower, Mercy, Needle, Chain" a woman guards an ancient weapon that can remove pieces of the past. Large pieces. The dialogue between the two main characters is reminiscent of the book-long bar discussion in The January Dancer .
"Iseul's Lexicon" explores the magical power of language in the context of a civil war and a supernatural assault by the unseen Genial Ones. The use of words takes on additional dimensions and has effects according to discernable rules and patterns. The story stretches readers' imaginations about actions, intentions, and articulation.
"The Unstrung Zither" is superficially about the interrogation of five captured terrorists. On a deeper level it is a different kind of story that progresses toward a harmonious conclusion rather than a logical one.
"The Book of Locked Doors" turns around a book that captures the skills, memories, and personalities of the dead. The protagonist is able to draw on them to aid in her clandestine war against powerful alien invaders. She is reluctant to draw upon its pages.
A closing thought from Aliette de Bodard's introduction to the collection: "Lee's stories present, over and over, this fundamental tension between image and truth; between myth and reality; between actual behaviour and model." However you choose to describe Yoon Ha Lee's writing, it takes readers in directions unlooked for. They are worth reading.
SAMPLE PARAGRAPH
They say her true name means things like *gray* and *ash* and *grave.* You may buy her a drink, bring her candied petals or chaotic metals, but it's all the same. She won't speak her name.
---from "Flower, Mercy, Needle, Chain"
The language in all the stories is amazingly poetic and innovative. Occasionally I had a little trouble understanding some of the very far-reaching ideas and scenarios but for some reason I didn't care because the cadence of the writing just pulled me in. I felt, at times, as if I were dreaming awake while reading. The author is not afraid to confront unrecognizable futures, the actual strangeness of a mathematically poetic universe, as well as the nightmare realm of magic and sorcery. A lot of war themes abound, not necessarily my favorite thing to read. But well-placed in the hands of a talented author, any theme can soar and sing. Thus, I am giving this book five stars because, well, it's simply amazing writing. I hope this author publishes more.
Top reviews from other countries
This horrible language effectively killed any enjoyment I may have drawn from reading what otherwise are quite interesting, intelligent and engaging stories. Well, mostly. Really could have gone without the obvious throwbacks to Korean history and the stories about nothing.
The problems with Lee’s writing don’t end there. She has a tendency to introduce notions, ideas, technologies, weapons etc. and never explaining what they are or how they work, leaving the reader to puzzle things out with nothing to actually go on, leaving him confused. Is it technology? Or is it magic? Or is it technology so advanced that our 21st century minds think it’s magic? I doubt even the author herself knows what those things are. She just used words and terms that she thought sounded cool and left it there.
Another problem I have with Yoon Ha Lee’s stories is that some of them end too soon and have no proper resolution. Most of them feel like a setup for something bigger and they end the moment something interesting happens. As such, they feel like “slice of life” episodes taken out of context instead of full-fledged, stand-alone stories. And once again the reader is expected to fill in the missing parts. Conversely “Iseul’s Lexicon”, which is the longest story in this collection, actually outstays its welcome by a good twenty pages! It really didn’t need to be this long.
Above criticism aside, there’s some gold to be found here. I especially enjoyed the more normal and traditional stories like “The Bones of Giants” (I would have loved to see a novel in this setting), “Effigy Nights” (despite it being one of the worst offenders in the weird language and defamiliarisation department), “Counting the Shapes”, and “The Battle of Candle Arc”.
Then there are also “stories” that feel like the author’s attempt at showing off how smart and unorthodox she can be in her writing. I’m talking about “A Vector Alphabet of Interstellar Travel” and the eponymous “Conservation of Shadows”. Pointless waste of paper and the readers’ time. “Stories” that tell no story. I just skimmed those, because I wasn’t willing to waste my time on even more pretentious BS.
Overall, if like myself you're put off quirky language, vague ideas, and pretentious writing - stay away from this collection.
2. If you like 3 word sentences, you will hate it. The language can be near-gothic in its complexity.
3. It is closer to fantasy than sci-fi.



