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The Importance of Being Earnest Paperback – Illustrated, August 27, 2012
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- Print length156 pages
- LanguageEnglish
- PublisherSimon & Brown
- Publication dateAugust 27, 2012
- Dimensions6 x 0.36 x 9 inches
- ISBN-101613822189
- ISBN-13978-1613822180
- Lexile measureNP0L
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"In short, there is material aplenty here for the average reader and considerable matter for the specialist." --English Literature in Transition 1880-1920
About the Author
Product details
- Publisher : Simon & Brown; 0 edition (August 27, 2012)
- Language : English
- Paperback : 156 pages
- ISBN-10 : 1613822189
- ISBN-13 : 978-1613822180
- Lexile measure : NP0L
- Item Weight : 8.4 ounces
- Dimensions : 6 x 0.36 x 9 inches
- Best Sellers Rank: #3,028,929 in Books (See Top 100 in Books)
- #2,386 in Comedic Dramas & Plays
- #3,469 in British & Irish Dramas & Plays
- #121,775 in Literary Fiction (Books)
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About the authors

Oscar Fingall O'Flahertie Wills Wilde was born in Dublin in 1854. He was educated at Trinity College, Dublin and Magdalen College, Oxford where, a disciple of Pater, he founded an aesthetic cult. In 1884 he married Constance Lloyd, and his two sons were born in 1885 and 1886.
His novel, The Picture of Dorian Gray (1891), and social comedies Lady Windermere's Fan (1892), A Woman of No Importance (1893), An Ideal Husband (1895), and The Importance of Being Earnest (1895), established his reputation. In 1895, following his libel action against the Marquess of Queesberry, Wilde was sentenced to two years' imprisonment for homosexual conduct, as a result of which he wrote The Ballad of Reading Gaol (1898), and his confessional letter De Profundis (1905). On his release from prison in 1897 he lived in obscurity in Europe, and died in Paris in 1900.

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This was a very interesting book they gave a perspective of what it was like to be a slave in the 17th/18th century.
From literally being stolen from his country to learning other skills, Olaudah Equiano’s hope in the midst of an absolutely dire and disgusting situation is commendable.
One insight that I had was realizing that from day to day even the freed slaves lives were tenuous. Nasty, disgusting people were willing to re-enslave them for greed.
It reads a little rough at times but it’s a book that I think all people should read and be aware of.
“If you are not too long, I will wait for you all my life.”
“Oh! Not at all, Gwendolen. I am very fond of being looked at.”
“If I am occasionally overdressed, I make up for it by being always immensely over-educated.”
“I don’t play accurately – anyone can play accurately – but I play with wonderful expression.”
“You see, it (her diary) is simply a very young girl’s record of her thoughts and impressions, and consequently meant for publication.”
The other terribly interesting thing in this play is the role of family. Not only are the families quite dysfunctional, even when people know who their parents are, but the title character is about as confused about how he fits into the complex world of family relations as it is possible to make someone. The thing that makes the line about the handbag quite so funny is that this handbag is about the closest thing he has to family in the entire world. As Pascal once said, we laugh and cry about the same things.
Wilde is, it hardly needs to be said, the closest thing to a God we are likely to have visit us on this planet. There are, for example, even now, more than 100 years after his death, entire companies that produce desk calendars that would not be in business if not for the endless supply of quotes he provides for the foot of Monday the Ninth of February and so on.
If humour comes in a spectrum and slapstick is at one end of that spectrum, then this is the other end.
The Importance of Being Earnest not only flaunts Wilde's most inconsequential plot, it is also crammed with his funniest epigrams and wittiest bon mots. This 1895 three-act comedic tour-de-force was an immediate hit in London. The comic word-play was a sensation amongst audiences who flocked to see this brilliant manifestation of Wilde's epicene witticisms. Here was a glittering example of London's avant-garde in the 1890's. Much like the play Hair in the 1960's, it was a signature of the times that no self-respecting sophisticate could miss. Wilde enjoyed himself immensely during this apex of his fame. Unfortunately, his reputation was quickly eclipsed by the scandal that engulfed him and his work. It took several decades for that reputation to be rehabilitated. The Importance of Being Earnest seemed to float above the scandals, never losing its popularity and acquiring a theatrical life of its own as an absolutely iconic work.
This Norton Critical Edition contains an annotated version of the play as well as several brilliantly incisive articles. A few of the analysts engage in some scholarly hand-waving, trying to attribute a social commentary and literary symbolism to the play that may not exist. Some of it is quite funny, in fact. I can't help but think that Wilde would appreciate the irony of one critic portraying his comic depiction of the frequently agitated butler Lane as an assault on the English class system. Other articles are quite helpful, however. The essay by Camille Paglia is especially insightful with her brilliant analysis of Wilde's dramatic projection of an ambiguous sexual persona. It is a rare comic play that merits its own Norton Critical Edition. This is one of the few. If you love this play (and the hilarious 1951 Anthony Asquith film) as much as I do, this is the edition to have. Most strongly recommended.
Mike Birman
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Initially I chose to read it because it was a classic, and because it was short 😂🤫 The reviews also said it was funny, but I couldn’t imagine a stuffy old play could be funny.
I’ve since realised they can be (so can a couple of Shakespeare plays too, but gone are the days when I’ll read a Shakespeare play; I prefer to watch them), and this one is as far from stuffy as a classic can get. The comedy is on point! So funny. I actually got my dad and a couple of others to read this too and they also loved it.
Worth a read (or a watch if reading it seems a bit too much for you - it’s an all-star cast!). You might just love it as much as I do
Does anyone not know Oscar? Go and get this, it's a treat.
The play follows a standard three act structure, and can be read casually easily in one sitting. I can imagine, and indeed would love to have the opportunity to perform what would be an exceptionally enjoyable play to rehearse.
It is not overly long, it is not overly pretentious and the language is beautiful. It knocks some of Shakespeare's overblown works for six and then some. This should be standard order for every classroom in the country. Wilde is a great, and is simply not revered enough.
The cheap Penguin edition is for my needs perfect. Clearly set out, nice handy size, good typeface and a brilliant £2 price tag. It's worth £2 of anyone's money. And I also like having the opportunity to have Wilde's plays in individual editions, rather than the bulky anthologies.
Concrete 5 stars, please read it, you certainly won't regret it.
This particular recording features a strong cast, with Jeremy Clyde, Richard Pasco and Prunella Scales taking the main parts.
It is also the first broadcast of the original four-act version of the play. The extra dialogue is not often met with in most modern productions.
It is ideal for listening to while doing a long, boring job, (such as the ironing!). And I am sure it will give equal pleasure, whether the listener is already familiar with the play, or whether it comes as an entirely new experience.
It remains a tragedy that the author of such a delicious light comedy should have met with such a disastrous fall from grace.












