Struck by lightning, resurrected, cut open, and stuffed full of arcane documents, the Divinity Student is sent to the desert city of San Veneficio to reconstruct the Lost Catalog of Unknown Words. He learns to pick the brains of corpses and gradually sacrifices his sanity on the altar of a dubious mission of espionage. Without ever understanding his own reasons, he moves toward destruction with steely determination. Eventually he find himself reduced to a walker between worlds - a creature neither of flesh nor spirit, stuffed with paper and preserved with formaldehyde - a zombie of his own devising. The line twixt clairvoyance and madness is thinner than a razor blade. In 1999, The Divinity Student captured the attention of fans of dark fantasy everywhere, eventually winning the International Horror Guild Award for best first novel. Now, The Divinity Student has been paired with its sequel, The Golem, for a must-have book - The San Veneficio Canon. Michael Cisco has created a city and a character that will live in the reader's imagination long after this book has been read...
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This was my first dip into Michael Cisco's flavor of dark modern fantasy. A 'weird tale' that is in fact VERY weird. It's hard to say exactly what this story is about... if it has any theme at all. It might be accused of just being a collection of atmosphere and strange objects/characters. There's certainly and air of mystery to the goings on that is never much revealed. I, for one, enjoy that sort of thing... I like filling in the blanks that an author thoughtfully leaves open. Others might be annoyed. I'm also guessing that some folks will find Cisco's style 'pretentious' or 'boring'... but again, I'm not one of those. There is a certain joyousness to this book that seems to linger in between the lines. Despite having plenty of darker colorations it's a sort of mirthful darkness. In more than one place I was reminded of a carnival spookhouse... full of 'scary' things that are not seriously meant to frighten. That's how I felt after reading this book... like I'd been to a weird place full of scary stuff but it was all a lark and really not mean-spirited at all. Compared to something Thomas Ligotti might have wrote this really was a fun little read that just seeks to entertain.
The San Veneficio Canon was my first exposure to Michael Cisco, and I approached the book with some trepidation. I'm not a fan of Thomas Ligotti, but I adore early Mieville, Lovecraft, and Vandermeer, all of whom I read Cisco being compared to. I wasn't sure how I'd react.
The result? For me, a mixed bag. There's no doubt Cisco can write. According to the notes, he's got a PhD, so one assumes he's a smart guy. He's also got quite a talent for creating uniquely visceral imagery and captivating atmosphere. The problem for me was he didn't do enough with these images; the plots of these two related novellas did not live up to the heights (or depths, considering the ghoulish subject matter) of the stylish writing.
I will never forget some of the set pieces and literary power contained in this book, and how Cisco's writing made me feel, but I felt there was little to make these images more than just lurid mental pictures. What actually happens in The Divinity Student and The Golem becomes so buried by the heavy-handed writing, the events seemed little more than a loose, abbreviated structure upon which Cisco piles his considerable descriptive arsenal.
For example, I got the strong sense that San Veneficio itself was a strange and broken place indeed, but I could never put my finger on exactly why. San Veneficio seemed to be largely sensation with little grounding, making it difficult for me to accept it as a "real" place. Opposing examples would be Vandermeer's Ambergris or Barker's Imajica, with their richly imagined histories and mythologies.
If you're the type of reader who enjoys a mesmerizing barrage of incredibly poetic gothic language, change my ranking to five stars; you'll eat this up. If, like me, you prefer your dark fantasy to also feature an involving plot and relatable characters, look elsewhere. Mieville's Perdido Street Station, for starters.
If Cisco ever dreams up substance to match his style, the result will be a wonder indeed. For my taste, however, his Canon was half-amazing.
I've already written a review for The Divinity Student, so the majority of this will focus on the second half of The San Veneficio Canon. In The Divinity Student, you are introduced to an enigmatic character whose insides are stuffed with papers and he lives off of formaldehyde. His task is to create a lexicon of lost words. In order to do this, he must slip into other realms of consciousness and (literally) probe the brains of the deceased. The cast of characters he encounters are wildly imaginative. Cisco really pulls you into the world of San Veneficio.
In The Golem (the second half of The San Veneficio Canon), the Divinity Student returns, but with a different purpose this time. Unable to go into the underworld himself, he creates a copy of himself, The Golem, and proceeds to chase after the woman he loves to marry her. Cisco creates a dazzling and overwhelming underworld. The pace of the novel, once the chase begins, is pretty fast paced.
Michael Cisco has been hailed by many authors as a Gothic revivalist of sorts. The worlds and characters he creates are simply unparalleled. If you're a fan of decadent literature, Thomas Ligotti, Jeff Vandermeer or Neil Gaiman, this book is for you.