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BESIDE THE OCEAN OF TIME Hardcover – September 28, 1994
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About the Author
He studied at the University of Edinburgh and lived most of his life in Stromness, Orkney Islands. He died in Stromness in 1996. This is his last collection of poems.
- Print length224 pages
- LanguageEnglish
- PublisherBayeux Arts
- Publication dateSeptember 28, 1994
- Dimensions5.5 x 0.8 x 8.5 inches
- ISBN-101896209122
- ISBN-13978-1896209128
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Product details
- Publisher : Bayeux Arts; First Edition (September 28, 1994)
- Language : English
- Hardcover : 224 pages
- ISBN-10 : 1896209122
- ISBN-13 : 978-1896209128
- Item Weight : 1.05 pounds
- Dimensions : 5.5 x 0.8 x 8.5 inches
- Best Sellers Rank: #4,195,198 in Books (See Top 100 in Books)
- #6,452 in Metaphysical & Visionary Fiction (Books)
- #149,780 in Literary Fiction (Books)
- Customer Reviews:
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Erling Aspelund
The author centers the book around young Thorfinn Ragnarson, who daydreams about the past, including being on a Viking ship that travels to the Byzantine Empire and going to the Battle of Bannockburn with a knight who wants to fight with Robert the Bruce. He winds up in a German prisoner-of-war camp in World War II and becomes a writer. Much of this sounded interesting, so I purchased a copy of the book. The reality did not always come up to these expectations, even with some terrific moments during reading.
Top reviews from other countries
Greenvoe is a marvellous book but this one is even better. I've just finished it and I've got that kind of exhaustion of the spirit you get when you've been in the presence of genius. I'll need a rest before I go back to him.There was one chapter that moved me so deeply at its conclusion that I couldn't get to sleep. It had set off something like an undersea landslip way down dark and deep lifting all sorts of blind turbidities. I don't know what that was about but I take it as a mark of the genius of the writer. I struggled to attend to the following two or three pages as my soul was still swimming and I had to go back and read them again.
Magic realism is a phrase that gets used with George Mackay Brown and I can see why but this book made me think of Thomas Mann's The Holy Sinner. The same mythic light and melody, a deft command of episodic and oceanic time, a jewel like quality like an early medieval illuminated book of hours. I loved the descriptions of the island and the people. I cared about the people - even when they weren't people - and Thorfinn Ragnarson sits with me now like Hans Castorp, Tom Cundall or Leopold Bloom; one of the most finely realised characters in literature.
I hope I'm not overdoing this - I have gone on a bit - but I sort of need to get it out of my system. Never mind what I think, just read the first sentence: 'Of all the lazy useless boys who ever went to Norday school, the laziest and most useless was Thorfinn Ragnarson.' I'll have to read it again myself now... when I'm feeling up to it.
George Mackay Brown führt seinen Leser mit dem Teleskop seiner Schreibfeder ganz nah zu Thorfinn Ragnarson, dem 11jährigen Schuljungen auf Norday, einer Orkney Insel, so nah, dass selbst seine Tagträume sichtbar werden. Thorfinn ist ein begabter Träumer, ein begnadeter Segler auf dem Meer der Zeit, und es bedarf nur einer der zahllosen todlangweiligen Unterrichtstunden seines Lehrers, einer Stammtisch-Politik-Runde in der Schmiede oder eines herrlich warmen Sommertages im Fischerboot, und schon gleitet seine Fantasie in die Welt hinaus, dort, wo Schwedische Vorfahren Erkundungen auf der Wolga machten, wo Schottland sich bei Bannockburn gegen England behauptete, wo Orkneys Fischer sich in Rundtürmen verschanzt gegen Winkinger zur Wehr setzten.
Die Perspektiven wechseln, nicht nur mit den Handlungsorten, sondern auch mit den Personen. Schon begleitet der Leser den Schulmeister, die Besitzerin des Post- und Krämerladens oder den Gutsherren, der für ein paar Wochen auf der Insel verweilt. All diese vielfarbigen Garne webt GMB in Thorfinns Flies mit hinein. Eine Bilderfolge entsteht und zeigt, wie der kleine Junge sich entwickelt, wie er älter wird. Eine der Begegnungen schlägt Wurzeln, ein Urlaubsgast, ein junges Mädchen, durchschaut das Bild vom angeblichen Faulpelz und Nichtsnutz und sieht statt dessen ... einen Poeten. Doch der Krieg erreicht auch den Norden Schottlands und drückt der Inselgruppe nachhaltig seinen Stempel auf. Der Bau des Luftwaffenstützpunkts vernichtet Jahrtausendealtes, entreißt den Insulanern ihre gewachsene Lebensweise, vertreibt sie schließlich. Aber die Kraft der Fantasie zeigt mit der Geschichte des zum Mädchen verwandelten Seehunds, ihrer Kinder und ihrer Befreiung, in die Thorfinn abermals eintaucht, dass Veränderungen nie endgültig sind. Der Dichter, der keiner wurde, kehrt als Bauer und Fischer auf die Insel zurück, das Mädchen, dass seine Zukunft sah, erkennt, dass es sich um die Zukunft ihrer Kinder handelt.
George Mackay Brown enthüllt das Leben auf Orkney in allen Stationen, zeigt die Vielschichtigkeit der dort lebenden Menschen und vor allem, wie sehr ihr Leben von der Natur und von der Geschichte geprägt wurde. Und Seite für Seite nimmt man Teil an diesem Leben und hat am Ende das Gefühl, Norday sei Station im eigenen Leben gewesen.
Eine Sternstunde der Erzählkunst und alles andere als Fantasy.
Having enjoyed but simultaneously been utterly confused by a previous title written by the same author, I felt compelled to read more of his work, to see if I'd failed to understand his intentions, or whether his work just wasn't my cup of tea. Happily, the former seems to have been the case as I found this book made perfect sense, and I thoroughly enjoyed reading it.
Thorfinn, the protagonist, travels through time via dreams and daydreams, thereby sharing with the reader the history and mythology of the Orkneys. The island portrayed in the book is, in fact, imaginary but presumably acts as a substitute for any of the other islands.
Having visited and fallen in love with the Highlands, I adore reading about Scottish history. I also find Scottish mythology the most believable or reasonable so am often drawn to books incorporating it into modern tales. This book didn't disappoint in either area. As an Orcadian, Mackay Brown obviously knows the islands well and does an impressive job of bringing Norday to life.
Mackay Brown's uniquely-styled prose is conversational yet poetic. He animates people and places with such ease that one is entirely captivated, to the extent of forgetting one is reading at all; the reader is drawn into a dream-like state in which time passes almost imperceptibly.
I read this short novel in little over two hours and will almost certainly return to it again. I imagine there is much metaphorical profundity hidden within its pages that will become apparent with closer attention to detail.
The only thing the story lacked, for me, was a recognisable plot. However, it was still an enjoyable read, and I may feel differently about that after a second read.
4 Stars


