Laura Wetherington’s first book, A Map Predetermined and Chance (Fence Books 2011), was selected by C.S. Giscombe for the National Poetry Series. The Brooklyn Rail called the book “humble, folksy, romantic, tough, inventive, and not over-programmed.” Her second book, chosen by Peter Gizzi for the New Measure Prize, was released with Free Verse Editions in January 2021. She has published three chapbooks: Dick Erasures (Red Ceilings Press 2011), the collaboratively written at the intersection of 3 (Dancing Girl Press 2014), and Grief Is the Only Thing That Flies (Bateau Press 2018), which Arielle Greenberg selected for the Keel Chapbook Contest. Her poem “No one wants to be the victim no one when there is a gun involved and blue” was adapted as an artist book by Inge Bruggeman.
Her poetry appears in Narrative, Michigan Quarterly Review, Colorado Review, FENCE, VOLT, Anomaly (Drunken Boat), among others, and in three anthologies: Choice Words: Writers on Abortion (Haymarket Books 2020), The Sonnets: Translating and Rewriting Shakespeare (Nightboat Books 2012), and 60 Morning Talks (Ugly Duckling Presse 2014). Her essays and book reviews have appeared in The Volta, Hyperallergic, Full Stop, Jacket2, and 1508.
Laura co-founded and, for a decade, co-edited textsound.org: an online journal of experimental poetry and sound. Poets & Writers named textsound an “indie innovator,” one of a small group of “groundbreaking presses and magazines that are redrawing the publishing map.” She developed an integrated curriculum for graduate and undergraduate students working on the Sierra Nevada Review and for four years taught those classes. In 2014 she joined Baobab Press as their poetry editor.
