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Edc

4.9 out of 5 stars 27 ratings

$16.95
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Audio CD, July 26, 1994
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Audio, Cassette, July 26, 1994
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Track Listings

1 Mr. Brown
2 Equilibrium
3 Taste It
4 Trouble Come Down
5 More Ways Than 3
6 Hollywood
7 O
8 Mr. Pink
9 Built 4 It
10 Mr. Blue
11 Willow
12 The Roof Almighty
13 Suffering

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Product Dimensions ‏ : ‎ 5.62 x 4.92 x 0.33 inches; 3.84 ounces
  • Manufacturer ‏ : ‎ Sony Legacy
  • Original Release Date ‏ : ‎ 1994
  • Run time ‏ : ‎ 50 minutes
  • Date First Available ‏ : ‎ January 14, 2007
  • Label ‏ : ‎ Sony Legacy
  • ASIN ‏ : ‎ B0000029FO
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.9 out of 5 stars 27 ratings

Customer reviews

4.9 out of 5 stars
27 global ratings

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Top reviews from the United States

  • Reviewed in the United States on October 6, 2020
    It is difficult to separate a lot of the music that came out of "grunge" from its era in time. Yet some of it is timeless. Satchel's first album, EDC, is timeless.

    At this point, it is not even easy to say what grunge is, or was. Some sort of combination of punk, metal, different time signatures, different keys, and so forth. Some of the most popular grunge never appealed to me at all, and even some of the better early grunge can easily sound dated. How much of that is the extent to which it was copied and warped, who can say? Nevertheless, I think that the best of the movement was actually the side projects, and the minor albums. Mad Season. Brad.

    Satchel.

    Brad and Satchel were quite different, despite Shawn Smith, and appealing in distinct ways, but EDC stands on its own decades later. None of the trappings of overly simplistic punk. None of the bombast of metal. Instead, just a hint of the funk/R&B that came out of LA's... I hate to say "alternative" scene, but the movement that produced bands like Jane's Addiction, along with the compositional sophistication that came from some of the more ambitious New York rock bands, with just enough of the grunge aesthetic to keep Satchel vaguely categorized within that movement. That combination keeps the sound so unique that Satchel doesn't sound at all dated because it doesn't really sound like part of the grunge scene at all.

    With Smith's voice, rather than the stereotypical grunge vocal approach, it was always going to sound different anyway. There's that R&B thing, giving Satchel part of its uniqueness. Smith matched his voice to different aesthetics in different projects, but the mix was particularly appealing here because of the contrast between the sweet soul of his voice and the crunch of the guitar. Yet without the kinds of basic, conventional grunge chord progressions dominating everything, it still stands out as something that you don't think of as just a companion piece to Ten or Badmotorfinger or something like that.

    Grunge basically went away, and so much of it is just dated. EDC, though, stands the test of time. It still warrants attention in ways that the popular stuff perhaps doesn't, except as historical pieces. Yes, I do think that the best of the movement, such as it was, came from the side projects.
    One person found this helpful
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  • Reviewed in the United States on October 10, 2010
    Working in a record Store in 1995 we received a lot of promos on a daily basis and the owner allowed me to take them all home. The first time I gave this a spin I was like WOAH!!! there's something about this that has my full attention. This material is not Grunge, Funk, Hard Rock, Trash Jazz, Ballads etc.. it's all that combined and more and perfected like a fine piece of art. Shawn Smith's vocal style changes throughout this disc from soulful to powerful on "Taste It" and a little funky on the Hip Hopish/Ballad "Trouble Comes Down" in a style that reminds me of the late Marvin Gaye and then we have "More Ways Than 3" which has a Grunge/Psychedelic sound and then the first stand out for me "Hollywood" that has a slow, sad, haunting creepy sound about the "Darkside of Hollywood" and I swear Shawn's vocal style on this one reminds me of the late Andrew Wood. "O" switches to a funky jazz style. and then there's "Mr. Pink" one of my favorite tracks on this disc that is always turned up LOUD when in rotation. The others tracks on this disc with the exception of the last "Suffering" are really "Filler" of Funk/Metal/Soul for me however still very enjoyable.

    Recently when I went to replace my worn out copy I was surprised to find how difficult it was to find another CD and especially a new one. This album is very underrated in my opinion, and one I consider a 'Classic" in my large collection and full of variety. I would love to see a deluxe edition one day.

    I never understood the "Reservoir Dogs" connection though???
    2 people found this helpful
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  • Reviewed in the United States on May 26, 2019
    Epic disc. RIP Shawn Smith.
  • Reviewed in the United States on August 25, 2004
    music fan from texas.. im not gunna say anything about the album .. i think.. as i listen to the clips its alright, but i just want you to get something straight members of this band were involved in grunge and its ok for them to be labeled grunge if this was grunge (although i say its fussions of jazz rock and soul or something in that area). Nothing would have been forced if this album was considered grunge they were around when it began.. they, im sure helped shape it. grunge wasnt nirvana only and nirvana wasnt entirely grunge, they were a morphed form of grunge if you wanna call it just like this would be .. grunge was more or less seattle bands playing at the satyricon.. with a bluesy rock or blues metal kinda sound that turned into a big thing. of course not everyones gunna sound the same. pearl jam was different than nirvana and nirvana was different than mother love bone, and they were both different than alice in chains or sound garden and stone temple pilots and their former band Mighty joe young Malfunkshun didnt sound like stone temple pilots either. ... whatever though its ok
  • Reviewed in the United States on August 21, 2017
    Killer album for the Seattle sound. Right next to the first Brad album- two forgotten classickz.
  • Reviewed in the United States on May 15, 2015
    Being a HUGE Brad and Shawn Smith fan, I was delighted at the quality of Shawn's older work. Every song is good. It's Seattle easy listening.
    One person found this helpful
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  • Reviewed in the United States on December 31, 2017
    👍👍👍👍👍👍
  • Reviewed in the United States on April 3, 2015
    excellent

Top reviews from other countries

  • Amazon Customer
    5.0 out of 5 stars great
    Reviewed in the United Kingdom on February 27, 2013
    Yet another band Shawn Smith is involved with, this guy has one of those voices & writing talents that's been hidden for so long, listen to anything that he's involved with & his passion shines through
  • aaron
    5.0 out of 5 stars Awesome album!
    Reviewed in the United Kingdom on October 24, 2018
    Great album by a great band!
  • Stephen Alan wilkinson
    4.0 out of 5 stars Excellent
    Reviewed in the United Kingdom on February 6, 2019
    Great singer.