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Alice In Chains
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Customer reviews
4.8 out of 5 stars
4.8 out of 5
1,635 global ratings
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Top reviews from the United States
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- Reviewed in the United States on April 15, 2025
- Reviewed in the United States on November 18, 2008As many of you may know by now Alice In Chains have reunited, having William DuVall step into Layne Staley's position. Staley passed away in 2002, rest in peace buddy. So while "Alice In Chains" poses as the bands last studio album with Layne, it may not be their final farewell.
Anyways, the self entitled album is much darker then their mega hit "Dirt". Dirt was more aggressive and was noticeably dark, this album is much more passive and releases a much gloomier haunting aura of things to come. AiC have composed songs that weave amazing vocal melodies, and you'll find them here as well. Jerry Cantrell manages to belt out a few more guitar licks that are as memorable and hooky as ever. The band seems to approach these songs with a mildly slower manor.
Opening with "Grind" a slush of guitar effects soak up the intro, and Layne's vocals noticeably different (well some effects were added for this song but continue listening to it, sounds lower and more jaded). The song manages a catchy chorus and released an alluringly odd music video. "Brush Away" details the sense of late arrival, and disappearances, and just the overall carelessness.
Four rather long tracks appear "Sludge Factory", "Head Creeps", "Frogs" , and "Over Now". Sludge Factories guitar wanders helplessly, look at the lyrics "Now the body of one soul I adore wants to die
You have always told me you'd not live past 25
I say stay long enough to repay all who cause strife".
The album to say the least is pretty messed up. "Head Creeps" isn't much brighter and is much thicker too (not to mention creepy). "Frogs" guitar serves as the spine, and never changes too dramatically during the eight minutes. At the end, you can hear Layne almost testing words in a trivial feel. "Over Now" is probably the most accessible of the four. After a brief static dotted intro, and a trumpet the song begins to really flesh itself out. Dry kicking guitar, and a song as ominous as Nirvana covering "Where Did You Sleep Last Night" for MTV Unplugged. It's like the band could just leach each others energy and just flow with it. One always seems to dip slower throughout a song.
Some of the other accessible tunes include heavy hitter "Again", and acoustic based "Heaven Beside You". The album oozes of depth, and is to be taken in consideration that this isn't a radio friendly album. Songs drift too long, some tracks progress too far, and overall isn't as hook ridden as some of the other grunge bands albums. Alice In Chains are thought to be a 'grunge' band, they are highly unique and draw upon dark punk material as well as metal.
So with Layne's last studio AiC album we have one of the darkest albums to date. From the powerfully deep "Frogs", to the short rocking "So Close", to the requiem like "Over Now", AiC left no terrain untouched. This is an album that sinks in with every listen, and should be a staple to your collection.
- Reviewed in the United States on May 22, 2013I first heard this CD a long time ago not have any idea it would provide such comfort in my life the way it did! "Shame in You" is my favorite on the album, but it is all brilliant!
1.Grind - A heavy, dark opening tune to the album. Jerry made a definite impression on this song along with Layne's distinct backing vocals! Great song!
2. Brush Away - A good song with Layne's incredible vocals and eerie lyrics and a catchy guitar riff.
3. Sludge Factory - The title describes the song. Layne's dark lyrics with Jerry and Mike on a sludgy guitar and bass. Very good!
4. Heaven Beside You - One of the hit singles on the album. Another good song that Jerry wrote. Very mellow!
5. Head Creeps - A great song that Layne wrote both the music and lyrics to! It's very suspensful and shows Sean Kinney's obvious talent in drumming.
6. Again - Another one of the singles on the album! More upbeat and once again Layne's lyrics and vocals match Jerry's guitar and will makes hyped up!
7. Shame in You - In my opinion, the most soulful song on the album! Layne's lyrics and vocals are so strong in this song and Jerry has the guitar at a relaxing pace and is that way the whole song! Great song!
8. God Am - It's a good song. You can obviously tell Layne has frustration towards God hence the title. Jerry has a heavy, crunchy guitar and Sean keeps an impressive drum beat in the song.
9. So Close - A very short, but rockin' song that has the potential to make you headbang. Layne's lyrics and vocals and Jerry's guitar make the song great!
10. Nothin' Song - The lyrics don't make any sense, but it shows Layne's ability to make you smile and it makes want to rock out! Good song!
11. Frogs - Layne, yet again provides his dark and eerie lyrics with Jerry, Mike, and Sean maintaining spooky music in the background! Very good!
12. Over Now - A single on the album that Jerry wrote and it has a mellow, acoustic vibe that is very good and yet again well put together!
This album is truly remarkable and I recommend it to all of the Alice in Chains fans out there!
- Reviewed in the United States on August 17, 2024Excelente
- Reviewed in the United States on February 18, 2024Such a good album. The CD was packaged pretty well too.
- Reviewed in the United States on October 31, 2023For me is the best produced grunge album, sounds fantastic, and the artwork its from other space and time, heavy, dark, depressing, almost doom.
- Reviewed in the United States on March 22, 2024I love Alice in Chains and while Dust maybe considered their best album I personally love the self-titled album. It is dark and brooding and contains the gems like Sludge Factory, God Am, Grind, radio hits such as Again, Heaven Beside You, and Over Now. Definitely don't pass this album by.
- Reviewed in the United States on January 14, 2024If you’re a fan of AIC no review necessary.
Top reviews from other countries
adriano godinhoReviewed in the United Kingdom on December 1, 20125.0 out of 5 stars AIC
without a doubt, this is an amazingly important album in rock music. you may like it or not, no one can erase out the Seattle scene from rock music and neither diminish AIC in the Seattle scene. Not that quite grunge thing, AIC always standed apart of it, but always with this dirty, cold and fuzzy rock sound. this band still is one of my favorite ones, and this album the one a prefer. recommended.
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Francesco FoisReviewed in Italy on March 7, 20255.0 out of 5 stars Soddisfatto
Nuovo, ancora cellophanato
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OliveReviewed in France on October 23, 20235.0 out of 5 stars Bon album
Un classique d’Alice, à écouter sans modération !!
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Kurt GrantowitzReviewed in Germany on November 11, 20155.0 out of 5 stars "Grow to see the pain too soon"
"Unsere Stärke ist die Tatsache, daß man uns keiner bestimmten Richtung zuordnen kann. Unsere Einflüsse sind viel zu unterschiedlich, als daß ein klares Bild daraus entstehen könnte."
JERRY CANTRELL. Zitat entnommen aus: Kühnemund, Götz: Zwischen Himmel und Hölle; RockHard, Oktober 1991, zit. n.: Stratmann, Holger (Hg.): ROCK HARD MANIA – 20 Jahre Rock&Metal im Überblick. Rock Hard GmbH. Dortmund 2004, S. 161.
Dieses Statement gilt fraglos für sämtliche Werke des ebenso höhepunktgesegneten wie abgrunderfahrenen Seattle-Quartetts gilt. Im Wissen um die obwaltenden Umstände sei jedoch die raumgreifende Prominenz eines Einflussfaktors zentral herausgestellt: Die Betäubungsmittelabhängigkeit insbesondere des ehemals stimmgewaltigen Sängers Layne Staley. Man höre zum Vergleich nur einmal die Vorgänger "Facelift" und "Dirt", aber auch den MTV-Unplugged-Auftritt vom 10. April 1996. Ausgehend von der Annahme, dass die Stimmkraft mit der leiblichen Gesundheit korrespondiert, sind wenige Interpretationskunststücke vonnöten, um Staleys vorrangig heroinbedingten Zerfall als "logische Tragödie" zu definieren.
Geblieben ist die außergewöhnliche Ausdrucksstärke seines nach wie vor unverwechselbaren Organs. Bei den erschreckend passend titulierten Eröffnungs- bzw. Abschlussstücken "Grind" und "Over Now" sowie beim vornehmlich akustischen "Heaven Beside You" steuert Jerry Cantrell zudem seine warme Klangfarbe bei.
Das Debüt "Facelift" wurde von "We Die Young" eröffnet. Layne Staley starb irgendwann im April 2002 im Alter von vierunddreißigeinhalb Jahren. Damit endet ein Kreislauf.
Das auf der dritten Langrille der Band dargebotene Songdutzend führt den Hörer durch ein verstörendes Labyrinth, das vorderhand nicht die Wucht der Vorgänger entfaltet. Andererseits malmen die schweren Stücke zäher und härter, wohingegen ihre ruhigeren Geschwister den Hörer unweigerlich tiefer denn je in Gefühlstreibsand hineinziehen ("Shame In You", insbesondere aber das hypnotisch-bedrohliche "Frogs"), ganz ohne Rührseligkeit oder Ursachenforschung, ohne die mitunter sarkastische Lust an der Kontemplation eigener Misere. Stattdessen prägen harsche Resignation und unsentimentale Hoffnungslosigkeit nahezu alle Kompositionen. Die großartige Leistung von Jerry Cantrell und Layne Staley wäre allerdings unvorstellbar ohne das stoisch hämmernde Rhythmusgerüst von Sean Kinney und Mike Inez.
Dieses Album benötigt Zeit zum Wachsen, Geduld und Konzentration. Dafür offenbart sich nicht nur dasjenige Werk aus der ersten Ära der Band mit der längsten Spieldauer, es erzielt zudem qualitativ gesehen die bei weitem höchste Trefferdichte. Selbst die Stücke, die eher bei Komplettdurchläufen funktionieren ("Head Creeps", "God Am", "So Close", "Nothin' Song") wirken weder wie Füllmaterial noch deplatziert. Keine geringe Leistung, insbesondere da die Band gleichzeitig so klingt, als sei sie dunklen Ende ihrer Reise angelangt.
"We pay our debt sometime".
Ebendieser Erkenntnis wurde der Verfasser der vorliegenden Zeilen in der ersten Jahreshälfte 2015 ansichtig; "Alice in Chains" lieferte dazu die akustische Reflektionsfolie schlechthin, mit jeder einzelnen Note sowie Zeile eine Bereicherung.
"Extending part of me again".
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FrankReviewed in Mexico on July 4, 20203.0 out of 5 stars Buen album, pero regular masterización
Para la masterización se uso la técnica muro de ladrillos, técnica que no es de mi agrado porque le quita el rango dinámico a la música.
Nivel de volumen del disco alto.
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