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Street Of No Return

4.3 4.3 out of 5 stars 15 ratings
IMDb5.6/10.0

Additional DVD options Edition Discs
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DVD
July 29, 2003
1
$26.97 $37.00

Product Description

Keith Carradine (Nashville, The Tie That Binds) stars as a former pop star who has it all, until he fell in love with the wrong gangster's girl and had his throat cut for his sins. Now a drifter, he lives in a haze of amnesia, alcohol and misery, until one day, he rediscovers himself and a chance for vengeance. Legendary director Samuel Fuller's (Naked Kiss, Pickup on South Street) final film is a raw, powerful and stylish masterpiece in the genre that he helped to define. Based on the classic crime-novel by David Goodis (Shoot the Piano Player), this brutal tale strikes with the impact of a hammer blow to the head (literally!). Fantoma is proud to present the U.S. premiere of this modern classic, from one of cinema's most original visionaries, in a special new edition.

Product details

  • Aspect Ratio ‏ : ‎ 1.78:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ Unrated (Not Rated)
  • Product Dimensions ‏ : ‎ 7.5 x 5.5 x 0.75 inches; 3.84 ounces
  • Director ‏ : ‎ Samuel Fuller
  • Media Format ‏ : ‎ Color, Dolby, Surround Sound, Multiple Formats, Widescreen, NTSC, Anamorphic
  • Run time ‏ : ‎ 1 hour and 33 minutes
  • Release date ‏ : ‎ July 29, 2003
  • Actors ‏ : ‎ Keith Carradine, Valentina Vargas, Bill Duke, Andréa Ferréol, Bernard Fresson
  • Language ‏ : ‎ English (Dolby Digital 5.1)
  • Studio ‏ : ‎ Fantoma
  • ASIN ‏ : ‎ B0000A2ZSR
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.3 4.3 out of 5 stars 15 ratings

Customer reviews

4.3 out of 5 stars
15 global ratings

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Top reviews from the United States

  • Reviewed in the United States on October 18, 2022
    For several years, I have been reading the noir novels of David Goodis which led me to an interest in film noir, in particular film versions of Goodis' writings. I became interested in the films of the maverick film director Samuel Fuller, (1912 -- 1997) who directed B movies for years without much fanfare and who attained cult status. Samuel Fuller had directed "Street of No Return" in 1989 as his last film but I had been unable to find this relatively rare movie until it became available recently on Amazon Prime. Goodis' novel"Street of No Return" (1954) is accessible in a volume of five of his novels published by the Library of America.

    Fuller's "Street of No Return" only loosely follows Goodis' novel but it captures something of its dark character while being a work of its own. The film stars Keith Carradine as Michael, a once-successful rock singer who becomes a skid row derelict. The story is set in Goodis' beloved Philadelphia but Fuller's version was filmed in Europe. Fuller's "Street of No Return" is a work of lurid excess. It is raw, melodramatic, loud and violent. The film makes a strong impression with its noir, color cinematography. It opens, for examply, with a lengthy, shadowy scene of a skid row riot with strongly racial overtones. The film develops Michael's fall from grace as a rock idol to a skid row bum, courtesy of a mobster and rival for the affections of a woman, Celia (Valentia Vargas) who, among beats Michael to within an inch of his life and severs his vocal chords.

    The film veers between Michael's successful singing career and his life on the skids. It features a crooked, violent police chief and large criminal gangs. As in Goodis' novel, the film has scenes of touching decency but all within a corrupt fallen world.

    In many respects, this film version of "Street of No Return" is over-the-top. Still, it is riveting in its own right and reminded me of an author I have come to love. The movie deserves more attention than it has received and I was grateful for the opportunity to watch it and to add it to other film versions I have seen of Goodis' writings. Admirers of Goodis, film noir, or Samuel Fuller should take the opportunity to watch this film version of "Street of No Return".

    Robin Friedman
  • Reviewed in the United States on June 20, 2014
    Samuel Fuller's last Op. resumes the main issues that nurtured his career: Violence and racism, as well as his devoted passion for the Noir film.

    When a famous vocal singer falls in love with the wrong girl(The lover of a gangster), he walks to his destiny as product of this transgression. That disgrace drives him to the lower depths. And suddenly, he acquires some lucidity and finds the opportunity to make come tru his long time revenge.

    Keith Carradine and Bill Duke make of this dark Noir an emblematic work of the late eighties where the genre was almost forgotten.

    Touches of fine irony and black humor make the rest. Don't miss it.
    One person found this helpful
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  • Reviewed in the United States on November 8, 2002
    This is Samuel Fuller's last film, 1989, starring Keith Carradine as a former pop star (wearing overly glam clothes and singing schmaltzy guitar and orchestra 80s pop songs to an adoring audience in flashback) who loses the girl of his dreams and wanders into the life of a drunken bum after getting his vocal cords cut for his dallying with the girl, a mobster's babe. No cords, no singing. No singing, no money. Et cetera.
    Based on a strong hard boiled novel by David Goodis, ca. 1950s, the film is, unfortunately, a travesty of the novel. While the book does a great job of linking Eugene's (Michael in the movie) descent into the lower depths with the corruption of the world around him--cop and criminal both--the movie short changes the viewer on everything: the plot, the characters, emotional resonance.
    The movie was made in Portugal with Portuguese and French actors in most roles, along with Americans Keith Carradine and Bill Duke. In fact, the film feels way too much like it's a B minus movie made exclusively for the European market, with its truncated, cliched dialogue. You've seen these movies before, in which just about all the characters spout dialogue that's tailor made for actors who struggle with English, since it's not their native language. Because of that, the script is made up of short lines, easy to memorize and pronounce for non-English speaking folks. This, of course, tends to substantially limit the depth of emotion at any given point in any of these films. And that is, unfortunately, the case with Street of No Return.
    Carradine is fine, but he doesn't have much to do. The book portrays Eugene's emotions far more deeply than does the film, so that the reader understands--FEELS--how it is that this man could sink so low after the loss of a love. The movie moves through this plot point(s) so abruptly that it's basically impossible to sympathize with Michael/Eugene; we merely watch him go through the motions of drinking and reacting to stuff as it happens. But even the stuff that happens is cursorily or tritely portrayed. A race riot in the beginning of the film is much too stagey to look credible, for example.
    The three stars are for the concept of the film which is great, and also for the extras, principally the terrific 32-minute featurette on the Making of Street of No Return, in which Fuller is interviewed on the set. He's quite a character and evokes great sympathy, with his strong views on society, violence, and hypocrisy. Moving around the set with an 11-inch cigar in his mouth, he looks like--and was--the last of the legendary maverick directors.
    The featurette gets five stars; the film gets about 2 and a half. Hence the three stars for the DVD.
    14 people found this helpful
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