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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Customers like the functionality, ease of setup, and light quality of the camera stage lighting modifier. They mention it works great, is great for strobist and speedlight work, and deploys quickly. Some say the recessed front gives great light control. Additionally, customers are satisfied with its portability. However, some have issues with angle adjustment and differ on the build quality.
Customers are satisfied with the functionality of the product. They mention it works great, feels sturdy, and sets up quickly. Some say it's great for strobist and speedlight work, and is very handy.
"...with the Apollo 28" soft box and i must say I am very impressed with its performance outside, this thing provides BEAUTIFUL soft light!..." Read more
"...I found it to be of good value.Overall:It works great, feels sturdy, sets up quickly, and most of all, the quality of light it..." Read more
"This Light Modifier works great, I don't use it often as I normally use available light, but when I have used with with my speedlights, it's great !..." Read more
"These are very handy. They fold down pretty compactly and deploy quickly...." Read more
11 customers mention "Ease of setup"11 positive0 negative
Customers find the setup of the product easy. They mention it's compact and deploys quickly.
"...the light is very easy because of the recessed design and setup is a snap...." Read more
"...Overall:It works great, feels sturdy, sets up quickly, and most of all, the quality of light it produces is spectacular...." Read more
"...to use in a situation the Apollo often gets used because of the ease of use...." Read more
"These are very handy. They fold down pretty compactly and deploy quickly...." Read more
Customers are satisfied with the light quality of the product. They mention it's a great light, beautiful directional soft light with controlled spill, and the recessed front gives great light control. Customers also say it should work great as a fill light.
"...am very impressed with its performance outside, this thing provides BEAUTIFUL soft light! I love it over all my umbrellas...." Read more
"...feels sturdy, sets up quickly, and most of all, the quality of light it produces is spectacular...." Read more
"...love the umbrella style and the size is perfect, the recessed front gives great light control...." Read more
"...They fold down pretty compactly and deploy quickly. They provide nice even light and the wide bands in front of the diffusion panel allow you to..." Read more
4 customers mention "Ease of use"4 positive0 negative
Customers find the product easy to use. They mention it's a really nice soft box, feathering the light is very easy because of the recessed design, and setup is a snap. Some appreciate the removable difuser and easy access to flash and strobe. However, some customers have reported that the build quality is lacking.
"...Feathering the light is very easy because of the recessed design and setup is a snap...." Read more
"...Removable difuser- Easy access to flash/strobeCONS:- Build quality is lacking-..." Read more
"Very easy way to soften flash! This was the first modifier I bought where I was like 'wow.. this light is great'...." Read more
Customers have mixed opinions about the build quality of the product. Some mention it's decently built, the inner silver lining is holding up well, and the zippers and stitching feel solid. Others say it just isn't built to last, is made of substandard materials, and the front diffuser panel is starting to fray.
"...I also own the ORB and this box is built much better. It has double ribs and thicker steel rods than the ORB...." Read more
"...The 4 corner outside points are made of cheap thin metal that actually tear!. The fiberglass rods tear through them like paper after a few uses...." Read more
"...Overall:It works great, feels sturdy, sets up quickly, and most of all, the quality of light it produces is spectacular...." Read more
"...stand tipped over and the box landed in the soft grass, the umbrella structure collapsed and broke, I was totally amazed that the product was made..." Read more
Customers are dissatisfied with the angle adjustment of the camera stage lighting modifier. They mention it's limited on up and down angles.
"...Their only drawback in my opinion is limited ability to tilt downward due to the umbrella swivel point being inside the box...." Read more
"...of the soft box rather than the rear means that you are limited on your up and down angles." Read more
"it works, but it cannot be tilted to the angles you need, so i would skip this and go for good old umbrella that does the job much better for much..." Read more
I just got back from my first shoot with the Apollo 28" soft box and i must say I am very impressed with its performance outside, this thing provides BEAUTIFUL soft light! I love it over all my umbrellas. I also own the ORB and this box is built much better. It has double ribs and thicker steel rods than the ORB. I built a DIY bracket and now can fire my dual 580 EXII's with Pocket Wizards for a killer wireless soft box capable of HSS. I will probably keep the ORB for in-studio work and use the 28" apollo for my on-location stuff. Feathering the light is very easy because of the recessed design and setup is a snap. A lot of folks cry about not being able to tilt the unit much, to me it's only a minor flaw, I prefer to have the stand feed trough the front as it allows better tilt and super quick removal to shoot in bare flash mode and if I need to tilt more I can simply buy an L bracket. This definitely gets my recommendation for you to try, I will be bringing this softbox with me on every future shoot.
Initial Impressions: Just got this recently and the first impression is that it is in fact, decently built. It has an umbrella frame with each corner having a pair of 'rods', so it feels sturdy. The zippers and stitching feel solid, but only time will tell, as mine has only been used a few times thus far.
Other reviewers stated it's cheap, but you do get what you pay for. Coming in around a hundred bucks, this would be considered a mid-grade soft-box for the size, so I aware of this going in. It doesn't feel cheap, but I know it's not the premium model, at a premium price.I found it to be of good value.
Overall: It works great, feels sturdy, sets up quickly, and most of all, the quality of light it produces is spectacular. After the results of the very first test shots, I'm 100% happy purchasing this.
Regarding Tilting: You'll definitely need other modifiers in addition to a simple light stand if you need the freedom for full tilt, otherwise, expect a standard range be around +/- 20 degrees, depending on how you choke it.
I'm a working pro. I photograph 50+ weddings a year. I have the newer version of this with the fiberglass rods. This does not hold up to a real working photographer's usage. The 4 corner outside points are made of cheap thin metal that actually tear!. The fiberglass rods tear through them like paper after a few uses. The softbox opens like an umbrella, but if you accidentally open it too far, it gets stuck, and you can't close it. Totally over priced. Total garbage. Westcott you should be ashamed of yourself for selling this. The "rockstar" photographers who recommend this on their you tube channels are clearly too busy marketing themselves and their teaching workshops to realize this isn't worth 5 dollars.
I bought the Westcott Apollo 28" for my Nikon SB800 Manfrotto on location kit, I already own a small Photoflex box which I found very difficult to open and close, and a bit to small, so this product seemed great - I love the umbrella style and the size is perfect, the recessed front gives great light control. I live in The Philippines, so all in all the box became quite costly considering shipping and local duties, however I was impressed by the style and was willing to spend to get a great flexible location set up... shipping from Adorama was fantastic - 3 days from order to home.
Unboxing the unit was my first disappointment - no cover - if you buy a $5 normal umbrella to guard against the rain, it comes with a cover, and considering this one is $120... that soon became the smallest issue.. I used the Westcott 28" only once, during the shoot the Manfrotto light stand tipped over and the box landed in the soft grass, the umbrella structure collapsed and broke, I was totally amazed that the product was made of such substandard materials that one single small fall would break it - I don't understand why a company would use materials, I know manufacturing, and an umbrella like this could not cost more than $20 to make - an added $5 in cost would have secures Westcott a great reputation and more customers to come..unfortunately, my recommendation is DON'T BUY until the manufacturer has fixed the engineering.
This Light Modifier works great, I don't use it often as I normally use available light, but when I have used with with my speedlights, it's great ! NO complaints months later !!!
Ist eine super Kombi zwischen Schirm und Softbox. Beides funktioniert super gut und liefert tolles Licht. Dazu ist die Box super schnell aufgebaut und sehr leicht in der Handhabung. Man kann die Box nur in einem geringen Winkel abneigen (eben das was der Reißverschluss an Spiel lässt). In der Praxis aber überhaupt kein Problem. Beim klassischen Beauty Setup frontal von oben nach unten reicht der Winkel nicht. Aber hier würde ich auch eine andere Box verwenden. Zusammengefaltet hat man die Größe eines Regenschirms ohne Griff. Das nimmt auch noch Platz weg und ist gegenüber Faltsystemen kein Vorteil. Die Box scheint sehr wertig verarbeitet und hat ein absolut ausgewogenes Preis Leistungsverhältnis. Absolut empfehlenswert .
Die Softbox wird wie ein Schirm aufgespannt und kann auch auf einem Schirmneiger montiert werden. Mit einem Systemblitz (bei mir Nikon SB900) entsteht ein wunderschönes ganz sanftes Licht. Welches sehr schön begrenzt das Objekt beleuchtet. Für den Fall, dass man etwas stärker ausleuchten möchte einfach die Blitzstreuscheibe des Blitzes herunterklappen. Und braucht man mal etwas härteres Licht und hat keinen silbernen Schirm dabei, wird einfach der Stoffeinsatz (per Klett befestigt) herausgetrennt. Bisher auch sehr robust und gut transportierbar.