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Despite a lack of box office success at the time of its initial release, SERENITY has gone on to be a consistently strong seller on the DVD market. Much like the DVD of FIREFLY, it never topped the Best Seller lists (except at Amazon.com and other on line sellers), but like the series box set it has continued to sell to both old and new fans, gradually building an audience. I'm aware that some people feel that the film is not intelligible without having seen the series first. I saw the series several times before seeing the film in the theater, so I am unable to address this. I will say that my sister and one of her sons saw the film on DVD and loved it. They then got the FIREFLY set and became big fans of the series as well. My point is that not everyone finds the film hard to follow if they haven't seen the series, but I do believe that the film is best viewed as a wrap up of FIREFLY.
In a way, Joss Whedon has broken a promise. This is a good thing. At the time of the initial DVD release he stated that there would not be a later DVD release. This was in response to complaints that Universal (a studio I have warm feelings for because their logo comes up every time I pop my BATTLESTAR GALACTICA DVDs into my player) is fairly notorious for double-dipping, i.e., releasing a DVD and then a few months later releasing an expanded version of the DVD, perhaps to release an even more expanded or "director's cut" version a few months after that. Many studios engage in this practice, but Universal seems to be the worst of the bunch. But this release comes largely as the result of fan requests. There actually was a two-disc version of SERENITY released in Australia (which I took the effort to track down on eBay, though I can only watch it on my computer using AnyDVD to get past the regional coding) with a different set of extra features available on this new release. I'm delighted that SERENITY is finally getting the 2-disc treatment in the US as well. Fans of the TV show never got all the FIREFLY that we wanted so each additional exposure to Mal and his crew is like water to someone dying of thirst.
FIREFLY/SERENITY will, I believe, be viewed as critical, along with BATTLESTAR GALACTICA, in redefining film and TV Sci-fi. The two shows (and I do think of SERENITY as the final act of FIREFLY) established a new aesthetic for Sci-fi by bringing a new sense of realism along with a rejection of what could be called Magic Science for plot resolution. By Magic Science I am thinking of all those situations in a host of movies and TV episodes (STARGATE SG-1 specialized in this) where a very imaginative physics is utilized to get the heroes out of a dangerous situation. Our heroes might be caught in a time warp that can only be overcome by reversing the polarity of the warp drive engines, or, uh, something. Neither FIREFLY nor BSG engage in such shenanigans. Their solutions to problems always seem very much like the kind of solutions that we would utilize. In other words, both shows eschew scientific gimmicks. The two also refuse to employ that old stock in trade, the alien. There simply are no aliens on either FIREFLY or BSG. The Reavers are very much a human creation, as are the Cylons. Furthermore, both strive for more realistic visuals. Although SERENITY employs more traditional film techniques (thanks to highly regarded cinematographer Jack Green), both these series largely used hand held cameras (especially BSG, which uses exclusively high def video). FIREFLY pioneered the technique, later employed magnificently by BSG, of employing "zoom" in CGI shots. In both shows one will see a spaceship and then the "camera" (which doesn't exist) zooms in, going briefly out of focus while the visual field is adjusted, for a closer look. Not surprisingly, the special effects outfit that originated this for FIREFLY, Zoic, later provided special effects for BSG. (In fact, they couldn't resist putting Serenity into the BSG Miniseries. If you watch the first scene in Caprica City, where the camera first looks up through a skylight and then lowers down into what turns out to be the office of Laura Roslin's doctor, Serenity can be seen as the only ship going from right to left.) And both shows introduced retro elements to provide a unique look. FIREFLY is influenced by a 19th century Old West look in clothing and weaponry, along with a number of Oriental elements, while BSG often uses design from the forties and fifties (e.g., the phones on the show were taken from a WW II submarine). In the past, new Sci-fi TV series set in space basically had to define themselves against the aesthetic of the Star Trek shows. In the future, they are going to define themselves against the recreation of Sci-fi brought about by FIREFLY and BSG.
FIREFLY and SERENITY, as well as BUFFY THE VAMPIRE SLAYER and ANGEL, can in many ways be viewed as a product of Third Wave feminism. (Anyone doubting the centrality of feminism in everything that Whedon does--and if you doubt it you simply haven't been paying attention--should go to Youtube.com and search "joss whedon equality now speech" and listen to the speech he gave following an award they gave him.) While TV Sci-fi has long been a means for representing nontraditional roles for women, Whedon has been instrumental in taking this to the next level. Buffy Summers was created specifically to be a feminist cultural icon and there is no question that Whedon succeeded. She might not fit the ideal criteria set forward by Second Wave feminism (or, rather, the caricature of the Second Wave feminism--contrary to the stereotype, most of the major Second Wave feminists wore make up and bras, liked men while hating patriarchy, and were heterosexual), but by Third Wave practice (which is generally viewed as more pro-sex, less PC, more experimental, brasher, and less concerned with victimization than with self-assertion) she is perfect. Whedon loves empowered women. While comics have long had female super heroes, until the nineties there were shockingly few genuine female heroes on TV or in movies. We never thought twice about Batman or Superman or Rambo, but we had to wait a long time to see a strong female hero like Ellen Ripley in film and even longer for Dana Scully, Xena, and Buffy on TV. Why were only men allowed to be fantasy heroes? Some seem to find Buffy objectionable without noting that there never has been a super soldier like Rambo. Following Buffy (who seems to have been the influence on future heroic women, rather than Xena) came a host of empowered women. So it is no surprise that in SERENITY we find that Mal Reynolds's second in command is the tough-as-nails and stoic Zoe, who is just as hardened and combat ready as any of the men. Despite decades of films showing women collapsing at the death of men close to them, we aren't surprised when Zoe postpones mourning the death of her husband. There will be time to cry later, right now there is fighting to be done. And River Tam is one of Whedon's most compelling heroines. River's fight is not just against external monsters, but also against the attempt that has been made to turn her into a monster. A genius and child prodigy, River had been programmed and engineered to becoming an assassin, but was freed by her brother Simon. At the heart of SERENITY is the question whether River will become the killing machine they intended her to be or will she become a person. As Mal asks her, "Are you just a weapon?"
One of the things I love about Joss Whedon is how he continually defies our expectations. He does this marvelously with The Operator, played magnificently by Chiwetel Ejiofor. Working for the powers that be, he sees himself as a good man doing difficult but good things. SERENITY is about the monsters that society creates by the elevation of corporate interests above human interests (yeah, it is a Marxist theme, but any close watcher of BUFFY will recall the famous shot from the end of "Ann," the Season Three premiere, where after Buffy liberates workers from a demon factory, where the workers are literally worked to death, she stands with a hammer and a sickle in her hands). The Operator learns that he has unwittingly helps support powers that have created monsters, whether River or the Reavers. His redemption at the end is classic Whedon.
I don't know what the long-term future of SERENITY will be. It does not completely stand on its own like BLADE RUNNER or THE MATRIX. It will forever be tied to FIREFLY. But I believe that this should be seen as a strength rather than a weakness. Knowing the series lends this film a depth lacking in other series. For instance, knowing that Jayne isn't the trustworthiest soul helps understand some of his actions in the film (not to mention knowing he has a remarkably large collection of T-shirts). Or Kaylee's ongoing attraction to Simon and his odd reluctance to open up to her. Or the long, complicated relationship between Mal and Inara (the greatest tragedy of the film is that their relationship, which was incredibly important for the series, received short shrift--Whedon has promised that if there is a sequel to the film, which at present looks unlikely, that this will be rectified). Or what Shepherd Book's background is. All of which is to say that FIREFLY/SERENITY is unique and wonderful. Along with BSG, this series and film completely renewed my interest in TV Sci-fi.
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Nathan Fillion on the Enduring Appeal of "Firefly"
Merchant Video
BluRay/DVD/Digital Version of "Serenity", One of the Best Sci-Fi Movies Ever!
Reviewed in the United States on November 18, 2012
The movie begins with a narration: "Earth-That-Was could no longer sustain our numbers, we were so many. We found a new solar system, dozens of planets and hundreds of moons. Each one terraformed, a process taking decades, to support human life. To be new Earths. The central planets formed The Alliance, ruled by an interplanetary parliament. The Alliance was a beacon of civilization. The savage outer planets were not so enlightened, and refused Alliance control. [At about here, you realize that this is sounding too much like a political ad, or maybe indoctrination. Then, sure enough, you see the speaker, a teacher standing in front of her young charges. She continues:]The war was devastating. But the Alliance's victory over the Independents insured a safer universe. And now, everyone can enjoy the comfort and enlightenment of true civilization."One of the students is the young River Tam. She tells the teacher why the Independents would have rebelled: "We meddle ... People don't like to be meddled with. We tell them what to do. What to think. Don't run. Don't walk. We're in their homes and in their heads and we haven't the right."It's not just the plot and acting of "Serenity" that are excellent. It is the way the story is told; how it unfolds. First the disembodied voice, which turns into the teacher, which turns into a memory of the now 17 year-old River the subject of terrible experiments, which turns into an archive video being watched by The Operative. And this all happens before the opening credits!The archive video is of Simon Tam rescuing his little sister, River, from the Alliance laboratory. And now the two are on the run from the Alliance, aboard the Serenity, a Firefly class transport ship. Captain Malcolm "Mal" Reynolds was a Brown Coat, an Independent squashed by the Alliance. Now he's trying to make a living smuggling and salvaging, on the ship he named after the Plains of Serenity, the last great battle of the failed war of independence.It is a hard way to make a living. As Mal tells the unhappy Simon, "I put this crew together with the promise of work, which the Alliance makes harder every year. Come a day there won't be room for naughty men like us to ship about at all. This job goes south, there well may not be another. So here's us, on the raggedy edge. Don't push me and I won't push you."The themes of "Serenity" are universal, sometimes troubling. The dialogue is snappy. The humor is great and frequently campy. Our first view of the ship Serenity shows it in trouble. The pilot says, "This landing is going to get pretty interesting."The Captain looks at him: "Define interesting."Pilot: "Oh God Oh God, we're all going to die?"I saw "Serenity" in the movie theater before we even knew of the prequel TV series, "Firefly". Now, we have both for home viewing, and I strongly recommend watching the TV series first, if possible. The movie does stand alone and gives you sufficient background. But the experience will be richer if you have seen the TV series first.DVD: Firefly: The Complete SeriesBlu-ray: Firefly: The Complete Series [Blu-ray]BONUS EXTRAS on the Serenity [Blu-ray/DVD Combo + Digital Copy]:To access the digital copy of the movie, you need to download from a Universal Studios site, using the activation code included. The info sheet in the Blu-ray case states it "may not be valid after 12/31/12". It can be watched on an iPad, iPhone, Mac or PC."U-Control" refers to Universal Studios' HD/Blu-ray interactive format where the viewer uses the remote to access special items.1. Visual Commentary (U-Control on Blu-Ray). Watch the movie with picture-in-picture of Joss Whedon (director) and cast members watching and commenting on the movie.2. Additional picture-in-picture (U-Control on Blu-Ray). Interviews, rehearsal footage and behind-the-scene footage.3. Digital Tour of Serenity (U-Control on Blu-Ray)4. Mr. Universe's Compendium (U-Control on Blu-Ray) This is background and added information on organizations, weaponry and people in the Serenity universe.5. Alliance Database (Blu-ray)6. Commentary by writer/director Joss Whedon (DVD) I enjoyed re-watching the movie with Whedon's commentary. Joss talks about needing a villain. "Somebody who would believe so strongly in what he was doing, that he would do anything. The exact opposite, of course, of the hero. In casting Chiwetel Ejidfor, we found the perfect person because he brings such depth and soulfulness and regret to everything he does."Whedon says that he likes to cast comedians in drama roles. Comedy, he says, "is the hard one." If the actor can do comedy, then they can do drama.7. Deleted Scenes (17 minutes) Interesting - one deleted scene showed the Operative researching Mal. He finds out that the Battle of Serenity had a 68% casualty rate for the Independents. Soldiers like Mal kept fighting for 2 weeks after the generals surrendered.8. Outtakes (6 minutes)9. "Future History: The Story of Earth That Was" (10 minutes) Joss Whedon tells how he came up with this version of the future, which is supposed to be 500 years from now. For example, there are two universal languages used, English and Chinese. In Joss's imagined future, these two superpowers merged when Earth set out to colonize.It's also interesting how he "chose" his hero: "I just wanted to tell a story about people who are living in space, but not living in grandeur. And not living in great portent, but were more the fringe people. People that the Enterprise would have blown right past and never noticed."And the hero's background: "There's very little American fiction about the people who won the [Civil] war, about the North. The people we all like to be identified with, we're all interested in, is the South, because we love losers."10. "What's in a Firefly" (10 minutes) Fascinating look at how they worked scenes, such as the mule skip chase scene after the beginning bank robbery. Both CG and visual effects people explain how it was done.11. "Re-lighting the Firefly" (25 minutes, from 2005) The story of how Joss Whedon and others pulled together a film to tell the story that was left unfinished in the prematurely cancelled TV series. Commentators include Whedon and most of the "Firefly" cast. The most memorable moment was the San Diego ComicCon, after the show's cancellation and before the movie was finished. On the last half of the last day of the convention, 5,000 people showed up to see Josh and the cast.12. Joss Whedon Introdution (6 minutes) This is Whedon's introduction to a draft of the movie (not the final cut).Excellent, excellent film. The perfect example of the Space Cowboy movie!Happy Reader
Reviewed in the United States on November 18, 2012
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M. G. Goodson
An apposite ending but what we wanted was season two of 'Firefly'.
Reviewed in the United Kingdom on September 24, 2020
Gallery Hakon
Don't watch without watching Firefly first.
Reviewed in the United Kingdom on April 10, 2014
