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Marnie

Tippi Hedren (Actor), Sean Connery (Actor) Rated:
PG
Format: DVD
4.7 4.7 out of 5 stars 2,596 ratings
IMDb7.1/10.0
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Additional DVD options Edition Discs
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February 7, 2006
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May 30, 2000
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Marnie $3.99 $14.99
Genre Drama, Mystery & Suspense/Thrillers, Mystery & Suspense
Format Multiple Formats, Color, Dolby, Dubbed, NTSC, Original recording remastered, Subtitled, Widescreen
Contributor Bruce Dern, Diane Baker, Alfred Hitchcock, Tippi Hedren, Louise Latham, Alan Napier, Mariette Hartley, Martin Gabel, Sean Connery See more
Initial release date 2006-02-07
Language English

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4.7 out of 5 stars
2,596 global ratings

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Bad Quality "Remaster"
1 out of 5 stars
Bad Quality "Remaster"
The movie is one of my favorites, but this "digital remaster" is terrible. Picture is very grainy. So much snow I had to stop watching as it was hurting my eyes. Very disappointing.
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Top reviews from the United States

  • Geoffrey7
    5.0 out of 5 stars Hitchcock at his best
    Reviewed in the United States on January 17, 2023
    Verified Purchase
    I was a little boy when this film first came out. I saw it with my Mom and sister and a friend at the drive-in. I didn't understand it all. Sean Connery is so sexy and powerful in this film. He was just a breath away from becoming a superstar in James Bond films. Tippi Hedren is excellent. She gave a remarkable performance. Louise Latham who plays Marnie's mother was outstanding. (she was a young woman who played older).
    This film is a psychological thriller. Sean Connery is bent on understanding what happened to Marnie to cause her to become a thief, liar, and frigid. Originally, Grace Kelly agreed to do this film. She was then Princess of Monaco and decided to come back. Then she changed her mind. Hitchcock gave Tippi a big chance but began trying to control her, run her life, and sexually harassed her. She did not give in to his sexual advances and he ruined her career. He had her under contract. She received marvelous film offers and Hitchcock turned them all down and would not release her. She should have sued.
    10 people found this helpful
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  • Dave
    5.0 out of 5 stars Hitch's Last Masterpiece
    Reviewed in the United States on July 1, 2007
    Verified Purchase
    Blasted when it was first released in 1964, this misunderstook Hitchcock film has picked up speed along the way and joined the ranks of his other earlier works. Tippi Hedren stepped in as the leading lady when Grace Kelly bowed out for political reasons, and she gives the best performance of her career. This was the last movie to use all of Hitchcock's "team," and the experience and polish that they learned is all exhibited here. Bernard Herrmann's haunting score is lush and adds much to what is going on. I would highly suggest multiple viewings of this film; each time you will catch more and appreciate the journey that Hitchcock takes you on. I will warn you though; even for a 1964 film, it has many adult themes and is definitely somewhat disturbing in light of its two main characters: a frigid kleptomaniac and her determined suitor who is obsessed with taming her. It was a highly personal movie for Hitchcock; he pushes Vertigo even further and goes to areas that would not have been permitted even 5 years earlier. Briefly, the story is of Marnie (Hedren), a beautiful ice-blonde who makes a habit of moving from city to city and robbing her male employer after she has earned his trust. Things change when she gets a job in Philadelphia working for Rutland & Company, a firm run by the handsome and widowed Mark Rutland (Sean Connery). Mark's scheming young sister-in-law Lil (Diane Baker) doesn't like the romance that she assumes is budding between Marnie & Mark. In reality, he has caught Marnie red-handed and blackmails her into marrying him; he believes he can "cure" her of the kleptomania. On the honeymoon, he also discovers she is frigid. The drama intensifies from there...especially once he finds out that Marnie's dead mother (Louise Latham) isn't so dead.

    The extras include a highly informative Making Of Documentary, with contemporary interviews of Tippi Hedren, Diane Baker, and Louise Latham, as well as a gallery of production/publicity photos. All in all a great package that makes this DVD worth owning.
    4 people found this helpful
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  • Fritofan
    5.0 out of 5 stars Complex psychological drama
    Reviewed in the United States on May 15, 2024
    Verified Purchase
    I recently rewatched Marni (twice) as homework for a psychology class. The class spent a lively hour or so analyzing the various characters. There are some difficult issues portrayed, including marital rape. Overall, I think it’s one of Hitchcock’s most interesting films.
    One person found this helpful
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  • Mary Pat Kreklow
    4.0 out of 5 stars Different Hitchcock movie
    Reviewed in the United States on September 19, 2024
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    My son and I just watched this movie and we both liked it even though it was somewhat different for Alfred Hitchcock. Sean Connery was very good as usual and Tippi Hedren held her own.
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  • Helper
    5.0 out of 5 stars No Hint of Hitchcock Here
    Reviewed in the United States on January 25, 2017
    Verified Purchase
    I am so pleased I watched this fiIm and I completely understand why so many gave critical ratings of Marnie. I am a Hitchcock fan from way back. In fact, I would have agreed, as I had so many years ago when I first saw this film. I decided to give it another try after seeing "The Girl" and feeling as if Marnie deserved one more chance. The critics are way off, just as I was, because I expected to see some hint of a Hitchcock mystery, which just isn't found in this film. I did not move from my seat, because I was engrossed throughout the entire 2 hours of this well made, psychological drama. I even rewound when I missed one moment of this film, because it was so well done, and way ahead of its time. Hitchcock took a chance here, and went outside of his comfort zone with this genre, and he did it quite well with what he had available at that time. Not to mislead anyone to think this film is too outdated, but I think to be understood back then, parts had to be overacted, and to some it appeared quite silly, but it was needed to show more emotion at times, to take place of
    dialogue to be understood. Please give this a try, but don't expect to see a murder mystery, or have Hitchcock in mind while you watch either, and you will see why so many gave good ratings and appreciate where Hitchcock was coming from, after the movie is done.
    45 people found this helpful
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  • Sweetie
    5.0 out of 5 stars Gift for our niece.
    Reviewed in the United States on August 4, 2024
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    Our niece loved it!
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Top reviews from other countries

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  • Snowball
    5.0 out of 5 stars A lesser watched Hitchcock
    Reviewed in Canada on September 19, 2024
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    I love movies. I love Hitchcock movies. I'm 65 years old and had never seen Marnie. We decided to add it to our Hitchcock collection and purchased it on Blu-ray. We were pleasantly surprised by this movie. It comes from a time when psychological thrillers were topical. It has those Hitchcock touches. It was also the last Hitchcock film to star a blonde in a lead role.
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  • snoopy
    5.0 out of 5 stars Classico di Hitchcock che non può mancare nella propria videoteca
    Reviewed in Italy on July 18, 2024
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    Gli interpreti sono all'altezza della situazione,la storia ben congegnata.Un thriller psicologico molto interessante
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  • technoguy
    5.0 out of 5 stars " You Freud, me Jane."
    Reviewed in the United Kingdom on November 1, 2017
    Verified Purchase
    The mystery of Marnie is the mystery of all Hitchcock’s women, outwardly they are frigid, their sexuality is concealed. Hitchcock’s technique is the process of discovering what is underneath. He gets to this inner fire in the course of the story, through devised love scenes, and the manner they are played, which brings from the woman this ‘heat’. The director holds in his power the image, the angle, everything else. Hitchcock’s method is to put us in a trance state induced by this obsessionality.He also took women who were in control of their lives and put them in a situation of upheaval to see how they survived. Marnie (Hedren) is outwardly sophisticated, given to changing her hair colour, clothes from one crime to the next, and rapidly moving on, stashing the money in suitcases, having different social security cards. She only uses her real name when she visits her mother. There’s this mystery behind the girl centred on her childhood, where something traumatic happened, freezing her sexuality. She feels unloved by her mother and tries to buy her love by giving her money.

    Mark Rutland (Sean Connery) has a fetish: he studies wild animal instinct, especially of predators. He also trained a wild cat to trust him. He’s attracted to Marnie because she thieves (as well as fallen in love).He has to win her trust. She’s a criminal, but the circumstances that make her a criminal come from an accident in her childhood. Mark is interested in Marnie because she’s a thief and he wants to marry her. She’s strange and he equally is strange himself. The suspense in how these two people get together.Hitchcock revs up the suspense by opening with her carrying a yellow purse under her arm walking away with black hair to Hermann’s music. We move to the scene of the crime and a man who runs the firm describing the ‘skirt covering her legs… like a national treasure.’ She transforms from black to blonde hair, changes her costume. Of course it’s worth reminding ourselves Connery here exudes a sexual magnetism (he’s between James Bond films).Hitchcock based the film on a Winston Graham book,doing some changes: transplanting the story to America, removing the psychologist (Connery takes this role: he wants to control her and cure her), drops the police.

    Marnie is trapped into marriage by Rutland, the head of the firm that employs her.Marriage gives Mark control, Marnie pragmatically complies (he’s rich, attractive);she’s trapped anyway, now Mark knows she’s a thief. Marnie thinks she’s smart enough to escape him like she has all other men. Mark uncovers her frigidity on their honeymoon, but he makes love with her vs. her will but she seems in a trance (she doesn’t like men). Mark literally penetrates her into love (and she lets him). Hitchcock makes a psychoanalytic case live, so the past is always present in their embodied actions. A cure is affected through love, to retrieve the real person. She is blackmailed out of her guilt. Marnie is strangely absent in the real world, both in scenes and out of them, in a world that’s hard to read (aided by artificial backdrops).There’s a variation in design and cinematic elements. Louis Latham as Marnie’s mother is exquisite, as the mother who’d been a prostitute as a single mother: her recall of a scene in Marnie’s childhood where she confesses in a late scene is remarkable. One of Hitchcock’s most underrated films brilliantly acted. Hedren is the star of the movie,( Connery is already a powerful star), mastering a range of voices between witty, sophisticated to childish (when she enacts her memories). The artistry of the film belies the underlying tragedy of the real world relationships.
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  • Ray
    5.0 out of 5 stars Kindheitstrauma...
    Reviewed in Germany on July 13, 2014
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    "Marnie" ist Hitchcocks Beitrag zum Thema "Kleptomanie" und leitete nach seinen Riesenerfolgen mit "Psycho" und "Die Vögel" eine Dreier-Riege von Filmen ein, die weder beim Publikum noch bei der Kritik sehr gut wegkamen. Nach dem psychologischen "Marnie" kamen die Spionagefilme "Der zerissene Vorhang" und "Topas". Erst mit "Frenzy" verbuchte der Meister wieder einen Welterfolg. Heute ist aber vor allem "Marnie" wieder als damals unerkanntes Meisterwerk rehabilitiert, damals bemängelte die Kritik die überholte Psychologie des Thrillers und ärgerte sich über die veraltete und unfreiwillig komische Tricktechnik - das Haus in der Hafenstraße, wo Marnies Mutter wohnt, hat als Hintergrund ein großes Schiff, das man sofort als gemaltes 2D-Bild erkennt. Heute sorgen vielleicht gerade diese schrägen Eigenheiten für einen sehr eigenständigen Charakter des Films. Es geht dabei um das Trauma der geheimnisvollen Marnie Edgar (Tippi Hedren). Die Frau arbeitete unter falschem Namen bei dem Steuerberater Sidney Strutt (Martin Gabel) in Philadelphia und raubt schon nach 4 Monaten den Tresor aus. Sie verschwindet mit dem Geld. In einem Hotelzimmer wäscht sie sich die dunkle Farbe aus den blonden Haaren und zieht sich anders an. Hitchcock gewährt dabei dem Zuschauer einen Blick auf Marnies Visitenkarten - jedesmal ist ein anderer Name darauf zu lesen. Keine Frage: Diese Frau macht dies nicht zum ersten Mal. Nach jedem Coup reist sie aber zu ihrer Mutter Bernice (Louise Latham) nach Baltimore. Sie wil der Mutter gefallen und bringt ihr als Geschenk eine Nerzstola mit. Doch da ist etwas zwischen Mutter und Tochter, was sich durch die Präsenz des Nachbarkindes Jessie Cotton (Kimberley Beck) noch verstärkt. Nach dem Austausch diverser Höflichkeiten fragt Marnie "Was hast Du gegen mich, Mama ?" Ihren Vater hat Marnie nie kennengelernt. Die Mutter selbst hat sich in die Religion geflüchtet. Wirklich glücklich ist Marnie nur, wenn sie ihr Pferd ausreiten kann, dass auf einem nahegelegenen Gestüt untergebracht ist. Marnie plant danach wieder einen Raub. Dazu bewirbt sie sich beim Rutland Verlag in Philadelphia. Als Mary Taylor wird sie als Sekretärin eingestellt. Der Verleger Mark Rutland (Sean Connery) ahnt sehr bald, dass es sich bei der neuen Arbeitskraft um die selbe Frau handelt, die seinen Steuerberater Strutt um viel Geld erleichtert hat. Dabei erweist sich Mark als raffinierter Beobachter, der gerne herausfindet, warum die attraktive Frau zur Diebin wird. Er lässt es sogar zu, dass Marnie 10.000 Dollar aus dem Tresor entwendet und trotz der Eifersucht seiner Schwägerin Lil (Diane Baker) zwingt er Marnie dazu seine Frau zu werden...Natürlich wird irgendwann am Ende der Fall gelöst und der Zuschauer erfährt alles über das Trauma eines Kindes, dass sich nie lösen liess und sie als Erwachsene zur kriminellen Kranken werden liess. Auch wenn sie immer mal wieder für ihre Darstellerleistung kritisiert wurde, aber Tippi Hedren ist für mich die perfekte Besetzung für diese Rolle und sie spielt die Figur Marnie einfach fesselnd. Ihr zur Seite ein nicht weniger überzeugender Sean Connery, der als Mark ebenfalls seine dunklen Seiten hat. Er will Macht und Gewalt ausüben und zwingt sie erpresserisch in den Hafen der Ehe. Dies führt dann auch beinahe zur Katastrophe, kein Wunder bei dieser Holzhammer-methode. Ansonsten lebt der Film von einer Atmosphäre, die wie ein Fiebertraum wirkt und am Ende eine Erlösung aufzeigt. Man fragt sich aber, ob die emotionalen Qualen damit dann wirklich gelöst sind, ein Stück weit endet der Film im Ungewissen. Für mich ein weiteres Hitchock Juwel.
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  • Laurent DACHARY
    5.0 out of 5 stars Fascinant d'un bout à l'autre
    Reviewed in France on April 9, 2010
    Verified Purchase
    Marnie est avec Spellbound un des films les plus psychologiques d'Alfred Hitchcock. Le thème initial est d'ailleurs très similaire: Margaret Edgar, surnommée Marnie (Tippi Hedren) est une voleuse qui trouve dans ses actes (perpétrés aux dépends de ses employeurs) une échappatoire à la névrose qui la poursuit depuis l'enfance. Elle a en effet une peur panique du rouge, du blanc et de l'orage. Sa mère, une femme infirme vivant à Baltimore est la seule à connaitre la vérité concernant l'accident qui a provoqué son infirmité ainsi que la névrose de sa fille.

    Pour ma part, c'est un des mes films préférés d'Hitchcock tant par le choix des acteurs et l'ambiance que par la qualité du scénario.
    Comme le dit François Truffaut, Marnie fait partie des grands films malades d'Alfred Hitchcock:

    "Un certain degré de cinéphilie encourage parfois à préférer dans l'oeuvre d'un metteur en scène, son "grand film malade"à son son chef-d'oeuvre"
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