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In the Name of the Father 1993

R CC

Academy Award winners Daniel Day-Lewis and Emma Thompson co-star in this riveting, true story of one man's fifteen-year struggle to clear his father's name and prove his own innocence.

Starring:
Alison Crosbie, Daniel Day-Lewis
Runtime:
2 hours, 13 minutes

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Product Details

Genres Drama
Director Jim Sheridan
Starring Alison Crosbie, Daniel Day-Lewis
Supporting actors Philip King, Emma Thompson, Nye Heron, Anthony Brophy, Frankie McCafferty, Paul Warriner, Julian Walsh, Stuart Wolfenden, Jo Connor, Karen Carlisle, Seamus Moran, Billy Byrne, Maureen McBride, Jane Nolan, Laurence Griffin, Jason Murtagh, Kelly McKeavney, Joanna Irvine
Studio NBC Universal
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly Details
Format Amazon Video (streaming online video)

Customer Reviews

Top Customer Reviews

By Anthony Hinde on May 7, 2000
Format: DVD
This is not a film that I watch very often but "In the Name of the Father" is still one of my favorites. The reason I am not watching it regularly is that it is quite disturbing. It is loosely based on the true story of the Guildford four. A group of young people jailed for the bombing of the Guildford pub in London back in 1974.

"In the Name of the Father" tells the story from the point of view of Gerry Conlon, played by Daniel Day-Lewis. Gerry starts out as a young man in Ireland. He is an unemployed lout who makes a little money on the side by stealing lead lining off neighborhood roofs. He is forced to leave Belfast due to the IRA's disapproval of his thieving activities.

Once in London, Gerry and his friend Paul Hill move into a squat with a group of other flower children. It is not long before Gerry and Paul have to move out of their new home due to friction over one of the young ladies' relationship with Gerry. This leaves both Paul and Gerry in a public park on the night that the Guildford Pub is bombed.

To make matters worse, the jilted boyfriend of the aforementioned young lady, goes to the police to finger Gerry and Paul as suspicious Irishmen. This is an opportunity too good to miss for Inspector Pavis. He is under great pressure to bring the guilty parties to justice.

The next thing we know Gerry, three of his friends and the larger portion of his family have been arrested, tried and jailed. Only just short of being a kangaroo court, the prosecutor paints them as a vicious IRA cell. The atmosphere is such that even the flimsiest of evidence is seen as damning proof of their guilt.
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Format: VHS Tape
This is a powerful story, and watching it absolutely wrings you out. You should see this movie, because the story is so emotional. You should also see it because of the quality of the acting. Daniel Day-Lewis' and Pete Postlethwaite's performances are so raw and perfectly understated that they make the film seem like the reality the story is based on.
Readers can get the gist of the plot from other reviews here, but there are a few remarks that should be made.
In this post-September 11 world, it should be noted that the thing that enabled these injustices was a bill that allowed British officials to hold suspected terrorists for up to 7 days without charging them. This gave these officers all the time they needed to beat and intimidate Conlon into confessing something he didn't do. The kind of power such a bill provides requires more responsibility than this.
While the British government does come out looking very bad in this film, it must be fairly pointed out that you can see why these officers were initially convinced of the Four's guilt: they had been lied to by someone who disliked Gerry Conlon. Naturally, at first, the police thought the Four were just lying to evade prosecution. However, much later in the film, we see that Conlon's innocence had been proven to at least some of the officers a month or so after his arrest. However, this was concealed from the rest of the judicial system, and the Four were still incarcerated.
I have to mention that some of the most powerful moments in the film actually come from Pete Postlethwaite's performance as Giuseppe Conlon. His attempts, while in the middle of these horrible circumstances, to draw closer to his son are so genuine and heartfelt that it makes you want to cry.
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1 Comment 41 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: VHS Tape
Gerry Conlon (Danie Day Lewis) was not an upstanding youth. He was a petty thief and layabout with little future. He was innocent, however, of the bombing of a London pub which killed four people in 1974. That did not stop an English court, however, from sending him, his father, and several other innocent men to prison.
What makes this story so compelling is that it is true. Conlon really did serve 15 years in a British prison for a crime he did not commit. His conviction was finally overturned in 1989, upon the revelation that evidence which proved his innocence was deliberately withheld by the government.
This film shows several chilling scenes where Conlon is psychologically and physically abused until he finally breaks down and confesses to the crime. He, along with the others, is then sentenced to a long prison term. As the presiding judge tells him, "I only wish I could sentence you to death."
After Gonlon and his father Giuseppe (Pete Postlethwaite) enter prison in when the film's best moments come. The way that the relationship between father and son grows and matures is a pleasure to watch. This is one of the most compelling and moving displays of father/son love that I have ever seen in a film. The acting by these two men is nothing short of brilliant.
Emma Thompson is also quite effective as the English defense attorney who works for their release. This is just another entry in a seemingly endless string of excellent performances by this gifted actress. She is an amazing talent.
Much was made when this film was first released of the liberties that writer-director Jim Sheridan took with the actual facts of the case. That may well be true, but for the purposes of the film it is not really relevant. This is not a documentary or journalistic report, and the facts are close enough. It is a thoroughly enjoyable and engaging film.
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